2019 Festival Guide
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The Commercial & Artistic Viability of the Fringe Movement
Rowan University Rowan Digital Works Theses and Dissertations 1-13-2013 The commercial & artistic viability of the fringe movement Charles Garrison Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Garrison, Charles, "The commercial & artistic viability of the fringe movement" (2013). Theses and Dissertations. 490. https://rdw.rowan.edu/etd/490 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. THE COMMERCIAL & ARTISTIC VIABLILITY OF THE FRINGE MOVEMENT By Charles J. Garrison A Thesis Submitted to the Department of Theatre & Dance College of Performing Arts In partial fulfillment of the requirement For the degree of Master of Arts At Rowan University December 13, 2012 Thesis Chair: Dr. Elisabeth Hostetter © 2012 Charles J. Garrison Dedication I would like to dedicate this to my drama students at Absegami High School, to my mother, Rosemary who’s wish it was that I finish this work, and to my wife, Lois and daughter, Colleen for pushing me, loving me, putting up with me through it all. Acknowledgements I would like to express my appreciation to Jason Bruffy and John Clancy for the inspiration as artists and theatrical visionaries, to the staff of the American High School Theatre Festival for opening the door to the Fringe experience for me in Edinburgh, and to Dr. Elisabeth Hostetter, without whose patience and guidance this thesis would ever have been written. -
On the Fringe: a Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON By Chelsea Colette Bushnell A Master’s Project Presented to the Arts and Administration program of the University of Oregon in partial fulfillment of the requirements for the degree of Master’s of Science in Arts and Administration November 2004 1 ON THE FRINGE: A Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon Approved: _______________________________ Dr. Gaylene Carpenter Arts and Administration University of Oregon Date: ___________________ 2 © Chelsea Bushnell, 2004 Cover Image: Edinburgh Festival website, http://www.edfringe.com, November 12, 2004 3 Title: ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON Abstract The purpose of this study was to develop materials to facilitate the implementation of a seven- to-ten day Fringe Festival in Portland, Oregon or any similar metro area. By definition, a Fringe Festival is a non-profit organization of performers, producers, and managers dedicated to providing local, national, and international emerging artists a non-juried opportunity to present new works to arts-friendly audiences. All Fringe Festivals are committed to a common philosophy that promotes accessible, inexpensive, and fun performing arts attendance. For the purposes of this study, qualitative research methods, supported by action research and combined with fieldwork and participant observations, will be used to investigate, describe, and document what Fringe Festivals are all about. -
Paterson Erika Phd 1997.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road. Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Ordering Chaos: The Canadian Fringe Theatre Phenomenon by Erika Paterson BJ.A., University of Victoria, 1989 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Theatre We accept this dissertation as conforming to the required standard Dr. -
Shane Adamczak
SHANE ADAMCZAK www.zackadams.org YOB: 1983 Height: 180cm Chest: 80cm Waist: 77cm Hips: 85cm Shirt collar: 38cm Shoe size: 9 Hat size: 55cm Hair: Strawberry Blonde Eyes: Green TRAINING YEAR COURSE TEACHER 2011 Cirque Du Soleil – (1 Day Intensive, Montreal) Cirque Du Soleil 2007 Puppetry Skills Development Workshop Michael Barlow/ (Spare Parts Puppet Theatre) Philip Mitchell and Jirka Zmitko 2005 Total Theatre – Physical Theatre Annie Stainer/Various 2001-03 WAAPA - BA (Theatre Arts) Various 2001 HIAT (High Impact Actor Training) Bill McCluskey/Various THEATRE (L=Lead Role, E=Ensemble, SS=Solo Show) YEAR PLAY DIRECTOR VENUE/PRODUCER 2013 Trampoline (In Development) (L) Damon Lockwood The Blue Room Theatre/ Weeping Spoon Productions 2013 ZACK TO THE FUTURE (SS) Weeping Spoon Productions/ Montreal Fringe/Edmonton Fringe 2013 Let’s Start A Country! (L) Lucy Segal ZooFest/That’s Enough Drama/Just For Laughs 2013 Vicious Circles (L) Stefan Decilot Mainline Theatre/ 2013 Let’s Start A Country! (L) Lucy Segal Mainline Theatre/That’s Enough Drama 2013 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012 THE ROCKY HORROR SHOW (L) Philippe Gobeille Mainline Theatre/Shayne Gryn 2012 Captain Spaceship (L) Shane Adamczak Mainline Theatre/ Weeping Spoon Productions 2012/13 Taming Of The (Disco) Shrew (L) Aaron George Montreal Shakespeare Theatre Company 2012 Improv All Stars Montreal Imrpov 2012 ZACK ADAMS: A Complete Montreal, Winnipeg. Toronto, History Of Zack Adams (SS) Edmonton Fringe Festivals (Canada) 2012 National -
SHOW TICKETS at Or Our EXIT Theatre Mobile App! a Note from Our Founder First, Thank You, for Supporting the San Francisco Fringe Festival
SHOW TICKETS AT www.sffringe.org or our EXIT Theatre mobile app! A note from our Founder First, Thank You, for supporting the San Francisco Fringe Festival. EXIT Theatre is very proud and grateful to have had the opportunity for the past 27 years to support indie artists in this unique way. As a CAFF member festival, the SF Fringe is an open access event where our performing companies are chosen by lottery. This sometimes surprises people but it works, and a tremendous amount of new and relevant work comes out of the SF Fringe as well as many Bay Area pro- ducing groups who are cornerstones in the indie performing arts culture. We are also proud to say that we return 100% of the ticket price to the Fringe performing companies, which means that indie artists are able to earn money to continue to create their work. So please be sure to see as many shows as possible and help indie arts thrive and survive. Of course this would not be possible without the continued support of our dedicated volunteers, staff, funders, and audience. If you’ve been to an SF Fringe before you’re already familiar with our Tip The Fringe campaign. This is one of the ways we are able to continue to keep the festival going each year, so please be generous and donate what you can. And remember the SF Fringe is just one of the many different events that are on the EXIT stages year round. Come back and be a part of this vibrant, creative and important community, and check us out through- out the year at www.theexit.org Live performance is all about the human connection, realizing we are one together. -
Know Announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck Shines Upon the 13Th Annual Cincy Fringe!
Know announces the 2016 Cincinnati Fringe Festival Lineup Lady Luck shines upon the 13th Annual Cincy Fringe! Know Theatre of Cincinnati wants you take a chance by picking a show, any show, at the 13th Annual Cincinnati Fringe Festival, running May 31June 11, 2016. We’re once again set to welcome over 8,000 visitors to Downtown and OvertheRhine as we transform over a dozen locations into temporary performance spaces and present the region’s largest theatre and arts festival that’s Kinda Weird. Like You. With 12 days full of of opportunities to catch 50 live productions, Visual Fringe art projects, musical guests, and the nightly Fringe Bar Series at Know Theatre (Fringe Headquarters), you’ll find yourself lucky to have more to experience at Fringe this year than EVER BEFORE! This year saw a recordshattering 105 applications, which made the task of selecting a final lineup of productions extremely difficult. Chris Wesselman, Associate Producer of Cincy Fringe, says, “It’s a blissful marathon, pouring through so many wonderful, thoughtprovoking and laughinducing applications; final choices are always tough because you want to see them all brought to life. Every year the passion and ingenuity brought to us by these artists further cements the fact that Fringe is the place to find modern theatre’s true pioneers.” This year the Cincy Fringe Selection Jury, which adjudicates all submissions for the Primary Lineup (including FringeNext), was increased to a whopping thirty jurors in order to further expand feedback and ensure a lineup that is as diverse and varied in themes and disciplines as possible. -
2019 CAFF Touring App Festival Info DB
2019 CAFF Touring Lottery Festival Information Maximum Festival App 2019 Play Dates CAFF Fringe Festival Fee Festival Website Festival Dates Running Slot ($ Cdn) Time 1 *FRIGID New York (NY, NY) Feb 20 - Mar 10 60 mins $1100 (835 US) www.FRIGIDnewyork.info 2 *Orlando Fringe Festival (Florida) May 14 - 27 90 mins $800 (600 US) www.orlandofringe.org 3 Windsor-Walkerville Fringe Festival (ON) May 22 - 26 90 mins $450 www.windsorwalkervillefringefest.com 4 ^London Fringe Festival (ON) May 28 - June 8 90 mins $750 www.londonfringe.ca 5 *^Montreal Fringe Festival (QC) June 6 - 16 90 mins $630 www.montrealfringe.ca 5 *San Diego Fringe Festival (California) June 6 - 16 60 mins $550 ($425 US) www.sdfringe.org 6 *^Ottawa Fringe Festival (ON) June 13 - 23 90 mins $685 www.ottawafringe.com 6 PortFringe (Maine) June 15 - 22 60 mins 230 ($175 US) www.portfringe.com 7 Toronto Fringe Festival (ON) July 3 - 14 90 mins $779 www.fringetoronto.com 7 Regina Fringe Festival (SK) July 10 - 14 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 17 - 28 no limit $775 www.winnipegfringe.com 8 *Hamilton Fringe Festival (ON) July 18 - 28 90 mins $650 www.hamiltonfringe.ca 8 Storefront Fringe Festival (Kingston, ON) July 17 - 27 60 mins $422.75 www.theatrekingston.com 9 Saskatoon Fringe Festival (SK) August 1 - 10 75 mins $755 www.yxefringe.org 9 Calgary Fringe Festival (AB) August 2 - 10 75 mins $700 www.calgaryfringe.ca 9 Island Fringe Festival (PEI) August 1 - 4 60 mins $250 www.islandfringe.com 10 Nanaimo Fringe Festival (BC) August 9 - 18 70 mins $200 www.nanaimofringe.com 10 *Fringe North Festival (Sault Ste. -
Theater Artist
K. Brian Neel REVIEWS king (at) kbrianneel (dot) com "K BRIAN NEEL brings a dextrous, knowing innocence to his roles, something between vaudeville and Beckett." – The Stranger (Seattle) ACTING "I was rivited. Neel rocked." – National Public Radio Waiting for Godot Estragon One World Theatre Tom Miller, Jená Cane Zirkus Fantasmo Signore Zupa Teatro Zinzanni Liz Bunior "Memorable, pure, live theatre." – The Advertiser (Adelaide, Australia) 14/48 Festivals Many Roles One World/Three Card Monty Misc. 99 Layoffs Orson ACT Theatre David Gassner "A one-man panorama. Virtuoso performing." – Seattle Post-Intellingencer A Mouse Who Knows Me Romeo, Roland Annex Theatre Kristina Sutherland "Neel rules the stage. dynamic, engrossing, funny, heartbreaking, poignant, unique – all those things The Milosevics Dragoslav Ognjanovic Paradise Theatre Pattie Miles that make a night at the theater the thrillingly consuming experience that only a couple shows in a The Happy Ones Walter Wells Seattle Public Theatre David Gassner The River Why Titus, Rodney Book-It Repertory Theatre Myra Platt hundred can create." – Charleston City Paper My Body Lies Over... Person On The Boards Mike Pham "You gotta love the sweat on K. Brian Neel's face. Neel's onto something." – Washington Post True North Ensemble Ontological-Hysteric Theater R. Hynes, M. Pham Trickster Tales Coyote Book-It Repertory Theatre Annie Lareau "The star of the show is K. Brian Neel... In a production with a number of strong performances, I Feel Fine Nikola Tesla Helsinki Syndrome R. Hynes, M. Pham his stole the show and was delightful to watch. He is one of the most expressive comedic Three Sisters Rodey INTIMAN Theatre Bartlett Sher actors around with excellent comic timing and facial expressions which kept the audience Vera Wilde Oscar Wilde Bedlam Theatre, Edinburgh Kibby MacKinnon completely entertained." Noises Off Tim Algood Village Theatre M. -
Toronto Fringe Digital Festival 2021 Program Guide
JULY 21-31, 2021 ABOUT TORONTO FRINGE Toronto Fringe is a grassroots, charitable organization that presents the Toronto Fringe Festival each July, the Next Stage Theatre Festival each January, and various year-round programs that benefit youth, emerging artists, BIPOC artists, artists with disabilities, and the performing arts community at large. Embedded in Fringe’s operations are the values of Access, Accountability, Creativity, Exploration, and Support. Toronto Fringe is a creative match-maker, connecting artists with audiences, and empowering everyone to unleash their artist within. Toronto Fringe creates vital opportunities for both emerging and established artists to produce their work with complete artistic freedom, while making productions as affordable and accessible as possible. LAND ACKNOWLEDGEMENT The Toronto Fringe exists upon the land of the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat peoples, and is now home to many diverse First Nations, Inuit, and Métis peoples. We acknowledge these nations as the original stewards, caretakers, and knowledge keepers on this land, and the original storytellers. We are privileged to work, live, play, create, and convene here. SO MUCH HAS CHANGED IN CONTENTS THE WORLD SINCE MY LAST FRINGE WHERE YOU ARE .............. 2 LETTERS ............................. 3 WELCOME LETTER TO THE MISSION & VALUES ................... 6 STAFF ............................... 7 TORONTO FRINGE. MERCHANDISE ....................... 8 ACCESSIBILITY. 9 I am so honoured to share another digital festival with you. In the OUR DONORS ....................... 10 past year we have been able to find the positives in this ongoing OUR SPONSORS ..................... 11 uncertain time, we have remained a platform for our artists, we have POSTSCRIPT ........................ -
2020 CAFF Touring App Festival Info DB
2020 CAFF Touring Lottery Festival Information Max. Festival Dates 2020 Play App CAFF Fringe Festival Festival Website Slot Festival Dates Run Fee Time ($ Cdn) 1* FRIGID New York Feb 19 - Mar 8 60 mins $1,000 ($785 US) www.FRIGID.NYC 2 Tampa Fringe Festival (Florida) Apr 30 - May 10 60 mins $390 ($300 US) www.tampafringe.org 3 * Orlando Fringe Festival (Florida) May 12 - 25 90 mins $835 ($650 US) www.orlandofringe.org 4 * ^ London Fringe Festival (ON) May 26 - June 6 90 mins $750 www.londonfringe.ca 4 ^ San Diego Fringe Festival (California) June 4 - 14 60 mins $550 ($425 US) www.sdfringe.org 5 * ^ Montreal Fringe Festival (QC) June 11 - 21 90 mins $685 www.montrealfringe.ca 5 PortFringe (Maine) June 11 - 20 60 mins $258 ($200 US) www.portfringe.com 6 * ^ Ottawa Fringe Festival (ON) June 18 - 28 90 mins $685 www.ottawafringe.com 7 Toronto Fringe Festival (ON) July 1 - 12 90 mins $760 fringetoronto.com 7 Regina Fringe Festival (SK) July 8 - 12 90 mins $600 www.reginafringe.com 8 Winnipeg Fringe Festival (MB) July 15 - 26 90 mins $775 www.winnipegfringe.com 8 * Hamilton Fringe (ON) Juy 16 - 26 60 mins $675 www.hamiltonfringe.ca 8 Storefront Fringe (Kingston, ON) July 17 - 26 60 mins $398 www.theatrekingston.com 9 Island Fringe Festival (PEI) July 29 - Aug 2 60 mins $250 www.islandfringe.com 9 Saskatoon Fringe Festival (SK) July 30 - Aug 8 70 mins $760 www.yxefringe.org 9 * Calgary Fringe Festival (AB) July 31 - Aug 8 70 mins $700 www.calgaryfringe.ca 10 * Fringe North (Sault Ste. -
Adelaide Fringe 14 February – 15 March 2020
AdelaIdE FringE 14 FebruArY – 15 March 2020 GUIDE FOR ARTISTS & VENUES #ADLfringe Artwork based on poster design by Dave Court 2 v WELCOME TO THE 2020 FRINGEWORKS GUIDE! A big thank you to all the CONTENTS artists and venues who are back for our 60th FringeWORKS: Your anniversary celebrations Home Away From Home 4 and welcome to all new artists and venues Fringe Awards 6 joining us for their first Fringe. 2020 is set to Fringe Club: By Night 7 be our biggest festival yet and we could not do this without the artist and venues who create the magic – Fringe Club Program 8 that is Adelaide Fringe. Ticketing 10 The 2020 FringeWORKS guide is packed with information and this year the daytime program is Honey Pot: Adelaide's better than ever and is here to help you make the International Arts Marketplace 12 most out of this year’s Fringe, it includes workshops, panels, info sessions, networking opportunities, – Honey Pot Events 13 social events and health and wellbeing sessions. Getting Down To Business 16 Please make sure you check in with our FringeWORKS team down at the Fringe Club. Beyond Fringe 17 They are open every day and the Artist & Venue, Wellbeing 18 Honeypot and Ticketing teams are there to support you. At FringeWORKS you can access free wifi, FringeWORKS Daytime Program 19 computers, printing and an escape from the heat! The Fringe Club is there for you to unwind and relax Discovery Sessions 23 with fellow artists and friends of Fringe, grab a bite to eat and enjoy the wonderful vibe that is the Fringe Flyering & Postering 28 Club. -
Dilruk Jayasinha Comedian
DILRUK JAYASINHA COMEDIAN Hailing from Sri Lanka, Dilruk Jayasinha moved to Melbourne to attend university. Having completed a degree in accounting, he started working for one of the “Big Four.” However, after performing at an open mic night in 2010, that all changed… Dil is now one of the most in demand headliners on the Australian comedy scene, with a reputation for consistently nailing his shows with his positive, upbeat brand of stand-up. Dil has been invited to perform all over the country as well as internationally, and in 2017 he completely sold out his run at the Melbourne Comedy Festival with his show The Art of the Dil. Dilruk has recorded an hour long stand up special for the ABC, and is a regular on Network Ten’s Have You Been Paying Attention? and Hughesy We Have a Problem. He also appeared at the Sydney Opera House as part of the Just for Laughs festival. In 2018, Dil received one of the highest accolades in Australian entertainment – the Graham Kennedy Award for Most Popular New Talent at the 2018 Logie Awards. In 2019 Dilruk reprised his role in the fourth season of ABC TV’s award- winning Utopia, performed at the Just for Laughs Festival in Montreal and returned to Edinburgh for the second year running with his new show, Cheat Day(s). Dilruk recently appeared in the sixth series of I’m A Celebrity…Get Me Out Of Here! Australia and has recorded a stand up special on Amazon Prime, which was released globally in 2020. "You'll be hard-pressed to find a more buoyant, joyful comedian" PEDESTRIAN “Extremely endearing comedian