Adelaide Fringe 14 February – 15 March 2020
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3.0 ADELAIDE PARK LANDS & SQUARES 3.1.12 Mullawirraburka/Park 14/Rymill Park Report
3.0 ADELAIDE PARK LANDS & SQUARES 3.0 ADELAIDE PARK LANDS & SQUARES 3.1.12 Mullawirraburka/Park 14/Rymill Park Report MULLAWIRRABURKA/RYMILL PARK/PARK 14 : 226 3.0 ADELAIDE PARK LANDS & SQUARES Mullawirraburka/Park 14/Rymill Park Discussions by the Corporation and the Mayors (Lord Mayors) about landscaping the River Torrens/Karrawirra Parri embankments as well as the Park Lands generally were commonplace Historical Overview: Site Context from the mid 1850s onwards. The thoughts may have really been prompted by critical Arising from Light’s plan, Mullawirraburka/Park 14 consists of a semi-rectangular block of land comments and articles in The Register, including reports of public meetings that voiced critique of bounded by East Terrace, Dequetteville Terrace, Rundle Road and Bartels Road.Botanic Creek, the quality of the Park Lands, in 1854 onwards (eg., The Register 17 June 1854, p. 4; 8 July 1857, as it has historically been known by the Adelaide Botanic Garden’s administration, drains p. 2), that were in many ways directed towards the colonial Governor than the Corporation. through the middle of Mullawirraburka/Park 14 (Byrne 2003, p. 1). Mullawirraburka/Park 14 was named “Rymill Park” in 1962 upon its opening. For example, the editor of The Register wrote in July 1857: No boundary changes occurred subsequent to the spatial survey of Mullawirraburka/Park 14 by The Park Lands will never be other than a quagmire in winter, and a desert of blinding, suffocating dust Light. in summer, … unless properly fenced roads are constructed through the … With such roads as now disgrace the Park Lands there is no alternative for vehicles but to deviate in all directions from the track, Historical Overview: Aboriginal Associations thus cutting up acres of pasturage on every side and rendering it utterly useless (The Register 8 July 1857, Hemming records several specific references to Kaurna sites or activities, pre-contact or post- p. -
Adelaide Fringe and the Adelaide Festival
Australian Services Union SA + NT Branch The ASU campaigns for fairness and equality in our workplaces, communities + globally Join the union for social justice activists 08 8363 1322 Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2019 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide is our biggest yet with 181 shows featuring a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. The Adelaide Festival was at the forefront of this transformation; since its launch in 1960 they have been showcasing diverse shows from all around the world. In 1974 the Fringe released its first Souvenir Programme, beginning its evolution into what is now the largest arts festival in the Southern Hemisphere. Each year, both go from strength to strength. The Arts bring us together, and help to create and celebrate our diversity. When we offer access to art in all its forms, we improve the quality of life for everyone in our community. Through the Arts we have a chance to see the world from a new perspective, and at its best, art can inspire us to take action for a fairer world. -
Geraldine Hickey Comedian
GERALDINE HICKEY COMEDIAN It’s been a brilliant couple of years for Geraldine Hickey. Gez’ deceptively effortless knack for turning low-key yarns about agapanthuses and bouncy-castles into high-stakes, helplessly funny narrative rollercoasters has culminated in her Most Outstanding Show award at the 2021 Melbourne Comedy Festival for What A Surprise. Since 2016 Geraldine has also been a co-host on the much-revered breakfast radio show Breakfasters on RRR, and has made multiple appearances on ABC, Triple M and the Hit Network. A firm favourite of and in the Australian comedy scene, Gez’ 2019 show Things Are Going Well also received a nomination for the Melbourne Comedy Festival Award for most outstanding show, while she also took home the coveted comedians’ choice Piece of Wood Award. Things Are Going Well is available as a podcast special on your ABC: you can listen here. Geraldine has appeared on The Project, Tonightly with Tom Ballard, Have You Been Paying Attention? and Hughesy, We Have a Problem. Gez also stars as Dr Stephanie Huddleston in 8 part comedy series Metro Sexual on the Nine Network, which will film again later this year. TELEVISION 2021 ABC TV Melbourne Comedy Festival Oxfam Gala (Stand up) 2020 ABC TV The Yearly with Charlie Pickering (appearance) 2020 Stan Lockdown Comedy (Stand Up) 2020 Comedy Channel Just For Laughs Australia (Stand Up) 2020 Network Ten Hughesy, We Have A Problem (Guest) 2018-20 Network Ten How To Stay Married (Actor) 2019-20 Network Ten Have You Been Paying Attention? (Guest) 2020 ABC Comedy The F -
Park Land Site Fees – 2019 - 2020
Park Land Site Fees – 2019 - 2020 Park Land event site fees are based on the following criteria: Park Land Site Type; Event Holder Type; Seasonality; Ticketed / Non Ticketed; and Size of the Site (per 10002m occupied). Park Lands Site Type Premium Park Lands Popular Park Lands Pilot Park Lands Potential Park Lands Light Square/Wauwi Hindmarsh John E Brown Park (Park Potential Sites are Square/Mukata Whitmore Square/Iparrityi 27A) located in the Northern Park Lands (Parks 2-12, Victoria Square/ Palmer Gardens/Pangki West of North Adelaide Wellington Square, Tarntanyangga Pangki (Park 28) Railway Station, Mary Brougham Gardens & Lee Park (Park 27b) Adelaide Riverbank Lawn Main Kiosk Area & Event Palmer Gardens), (Park 26) Space (circus site) in West of Morphett Street Western Park Lands Bonython Park/Tulya Bridge, Helen Mayo (Parks 23-25) and Elder Park (Park 26) Wardli (Park 27) Park/ Park 27 Southern Park Lands (17-22 and Hurtle Pinky Flat (Park 26) Veale Gardens/Walyu Gladys Elphick Square). Yarta (Park 21) Park/Narnungga (Park Pennington Gardens These locations are West (Park 26) 25) (West) Victoria shaded blue on page 19 Rymill Park/ Park/Pakapakanthi (Park Ellis Park/Tampawardli of the Adelaide Park Murlawirrapurka (Park 16) (Park 24) Lands Events Management Plan. 14) King Rodney Park / South of Veale Gardens Rundle Park/Kadlitpina Ityamai-itpina (Park 15) (Park 21) (Park 13) Pennington Gardens Memorials and Gardens East and Peace Park in Karrawirra surrounding (Park 12) Torrens Parade Grounds Creswell -
Spirit Festival Takes Centre Stage
Aboriginal Way Issue 48, Mar 2012 A publication of South Australian Native Title Services Spirit Festival takes centre stage Tandanya, the National Aboriginal Cultural Institute has hosted another successful Spirit Festival. Thousands of people attended, immersing themselves in Aboriginal and Islander culture. Left is Panjiti Lewis from Ernabella. For more photos from the Spirit Festival turn to pages 8 and 9. Photo supplied by Tandanya andRaymond Zada.Photosupplied Tandanya by Judges and magistrates have The Ripple Effect Supreme Court Judges and with assistance from Courts Administration Magistrates from Adelaide have Authority Aboriginal Programmes Manager taken steps to break down the Ms Sarah Alpers and Senior Aboriginal cultural barriers between Aboriginal Justice Officer Mr Paul Tanner. people and the legal system by The visit promoted cross-cultural spending time on the Anangu awareness between the judiciary and Pitjantjatjara Yankunytjatjara Lands. Aboriginal communities, and to improve Not only did 17 judges and magistrates understanding between the cultures spend five days and nights on the lands about law and justice matters. visiting communities but a DVD has been Justice Sulan said the trip was also in made of the trip so that others can learn keeping with Recommendation 96 of the from the experience. 1991 Royal Commission into Aboriginal The DVD is called The Ripple Effect and it Deaths in Custody. explains how decisions made by judges “…that recommendation calls on Australian and magistrates affect entire communities judiciary to make itself aware of Aboriginal hundreds of kilometres away. culture and practices through cultural The DVD was launched at a ceremony in the awareness programs and informal Above: Caption. -
River Torrens Heavy Vehicle Bypass Prescribed Routes for Heavy Vehicles in Adelaide CBD and North Adelaide
INF19-005 RTHVB River Torrens Heavy Vehicle Bypass Prescribed routes for heavy vehicles in Adelaide CBD and North Adelaide This fact sheet provides information on permitted heavy Bridges subject to the restriction: vehicle routes and load restrictions for heavy vehicles Albert Bridge weighing over 26 tonnes in the City of Adelaide. Adelaide Bridge From 27 September 2019 all vehicles that exceed 26 tonnes Victoria Bridge will be restricted from crossing three road bridges over the river Torrens in the Adelaide CBD and North Adelaide. The Adelaide City Ring Route (R1) is the best way for large and heavy vehicles to avoid the restricted bridges and move between Adelaide CBD and North Adelaide. Barossa, Clare Valley & Gawler FITZROY TCE Yam Daisy D Park/ J R E Denise Norton Park/ Kantarilla F Pardipardinyilla T (Park 3) F LEFEVRE Bragg Park/ K TCE C (Park 2) C E R O Ngampa Yerta A P R T (Park 5) O P S B T RD E TCE O E RD R No heavy vehicles I IN NORTH RD RD North Course P D A Reservoir Park/ IN M D Kangatilla (Park 4) E M Lefevre Park / Nantu Wama (Park 6) O weighing over ' C O ON TCE J WEST N TCE EAST RT E O A N T B AR P M F B LEFEVRE TCE N A F The Olive Groves/ I L C E M R K RDKuntingga L O L A 26 tonnes S TCE ST L ST (Park 7) T N LDERS T ST N RD CHI ST VER M GO I Glover North Playspace L The Olive Groves/ L Parngutilla S TCE TCE Port Adelaide ST (Park 8) N ST YNTE Semaphore K TCE UXTO T R B ST Adelaide City Ring A M J X ST P Wellington E SE I N R S L Square/ O T N SU L ST S Mary Lee Park Kudnartu G I S TCE ST N HILL ST R RTH RCHE IN ESWO -
Draft Master Plan
Rymill Park / Murlawirrapurka (Park 14) Draft Master Plan September 2019 Adelaide Park Lands Authority - Board Meeting - Agenda - 19 September 2019 - Linked Document 1 Licensed by Copyright Agency. You must not copy this wthout permission. Adelaide. Designed for Life. We look after the world’s only city in a park, thoughtfully and purposefully designed with people in mind. Our Park Lands and squares are essential to our neighbourhoods and communities. Rymill Park / Murlawirrapurka (Park 14) provides both a place to relax and a place to celebrate. The strength of its landscapes make the Park a year-round attraction and places it at the heart of Adelaide’s festivals and events. Adelaide Park Lands Authority - Board Meeting - Agenda - 19 September 2019 - Linked Document 1 Licensed by Copyright Agency. You must not copy this wthout permission. Contents Acknowledgement to Country Page City of Adelaide tampinthi, ngadlu Kaurna yartangka panpapanpalyarninthi (inparrinthi). Project Statement 3 Kaurna miyurna yaitya mathanya Wama Tarntanyaku. Parnaku yailtya, parnaku tapa Overview 5 purruna, parnaku yarta ngadlu tampinthi. Yalaka Kaurna miyurna itu yailtya, tapa purruna, yarta kuma puru martinthi, puru warri-apinthi, puru Rymill Park / 1. Rymill Re-imagined 7 Murlawirrapurka tangka martulayinthi. Vision & Principles 9 (Park 14) City of Adelaide acknowledges the traditional Actions 11 country of the Kaurna people of the Adelaide Plains and pays respect to Elders past and Overall Plan 13 present. We recognise and respect their cultural heritage, beliefs and relationship with the land. Action 1 We acknowledge that they are of continuing Enhance the lake and surrounds 15 importance to the Kaurna people living today. -
Steph Tisdell
STEPH TISDELL Steph Tisdell is a major up-and-comer in the Australian Comedy Scene. After cutting her teeth in the UK and winning the Deadly Funny National Grand Final in 2014, Steph has been collecting awards and accolades wherever she goes and building an impressive TV, radio and print credit list most recently having appeared on ABC’s prestigious Oxfam Melbourne International Comedy Festival Gala, The Project and was handpicked by Nazeem Hussain to perform at The Stand Up for Christchurch Benefit which aired on Channel 10. 2018 was a huge year for Steph, she toured Australia with the Aboriginal All Stars and Melbourne International Comedy Festival Roadshow and debuted her first solo show “Identity Steft” at Adelaide Fringe Festival, where she won the weekly award for best emerging talent, and The Melbourne International Comedy Festival where she was nominated for the illustrious Best Newcomer Award. 2019 is looking to be even bigger, she sold out her full runs at Sydney Comedy Festival and the Melbourne international Comedy Festival, where she received even more rave reviews and critical acclaim, winning the Melbourne Comedy Festival John Pinder Award. Steph garnered an even bigger following when she co- hosted Triple J Breakfast with David Woodhead during NAIDOC week and has since become a regular on The Project and an in demand performer. She performed at Edinburgh Fringe Festival with the Aboriginal All Stars where they sold out the majority of their festival run, before heading to London’s Soho Theatre. Steph is a proud Indigenous woman and is making a fast rise as one of Australia’s funniest Aboriginal comedian’s putting her in a unique position to encourage other Aboriginal artists to come forward and showcase why they’re the funniest race in the world. -
Social Change Guide to the Adelaide Fringe and Adelaide Festival 2018
The Graham F Smith Peace Foundation The Graham F Smith Peace Foundation works for peace by educating the community about human rights, social justice and environmental sustainability through the arts. Winner of the Governor’s Multicultural Award 2017 Since 2011 The Graham F Smith Peace Foundation has awarded the Peace Foundation Award at the Adelaide Fringe Festival. The purpose of the award is: Ÿ To recognise artworks that align with the objectives of the Peace Foundation (human rights, social justice and environmental sustainability) and are excellent, innovative and experimental. The winner will receive $1000 and a Statuette Previous Award Recipients: in[nate]ture Labels We Live by the Sea by Cayleigh Davies by Patch of Blue by and Human Arts Theatre Company Joe Sellman-Leava Movement 2017 2016 2017 Be Our 2018 Award Recipient! Get award application form and additional information from the website http://artspeacefoundation.org/fringe-peace-award/ Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2018 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide features a wealth of shows in a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Ogden Nash's for Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. -
Projects Supported by the Stolen Generations Community Reparations Fund
Projects Supported by the Stolen Generations Community Reparations Fund September 2017 Organisation/Applicant Description Recommended Grant Aboriginal Health Council SA Creating a healing and $95,000 memorial garden to share the story of the Stolen Generations Aboriginal Lands Trust Site improvements at $105,750 Colebrook Reconciliation Park Ara Irititja Corporation Research to update the Ara $90,000 Irititja database to enable improved access to Aboriginal family histories Ardagula Aboriginal Projects to preserve history $38,409 Corporation and language at Oodnadatta City of Adelaide Creating a Stolen $100,000 Generations public artwork and place of reflection at Rymill Park City of Playford Creating an entry statement $99,490 at the Stolen Generations healing and memorial garden, Andrews Farm Dusty Feet Mob Equipment and materials to $25,000 support a dance group of young Aboriginal people in Port Augusta Journey of Healing Equipment and materials to $10,000 support their activities Judy Beyer (auspiced by Records preservation and $15,000 Blackwood Reconciliation oral history project relating Group) to Colebrook Home Martin Pascoe (auspiced by Performing arts project $10,000 Catholic Education SA) relating to Stolen Generations Marula Aboriginal Preserving and making $100,000 Corporation (auspiced by accessible records, Cultural Partnerships) photographs, stories and cultural information of the Wangkangarru Yuarluyandi people in far north-east South Australia Murray Bridge High School Oral histories of Stolen $92,202 Generations Nexus -
Conditions of Hire – 2020-2021
Conditions of Hire – 2020-2021 General Event Equipment Suppliers Insurance Adelaide's Park Lands are a great location for a variety of The equipment suppliers shall have and maintain for the events including wedding ceremonies. A map of the Park period of the event booking, a policy of insurance against Lands is available to view at: risks to the public in relation to the event. Depending on the https://www.cityofadelaide.com.au/city-business/business- equipment supplied for the ceremony the Applicant may be support/city-spaces-and-venues-for-hire/weddings-in-the- asked to supply a copy of suppliers Public Liability Insurance adelaide-park-lands/ Certificate of Currency, minimum $20 million, noting the event and City of Adelaide as an interested party prior to the event • No deposit is required when the application is received. date. Full payment of the site fee is required within 8 weeks of confirmation of the tentative booking. • The submission of an application form does not imply Refund and Wet Weather Policy the booking is confirmed. This is a registration of interest Please be aware refunds cannot be made in the event of only. inclement weather or cancellation of the ceremony. Alteration • By signing the Park Lands Wedding Ceremony Booking of the booking to another date can be requested. Application Form, the Applicant states they have read and understood the Park Lands Weddings Ceremony Cleaning and Remediation Conditions of Hire and agrees to comply with all conditions set out therein. The area is to be left in a clean and tidy condition to the • Bookings are subject to availability and City of satisfaction of COA. -
2019 Festival Guide
Nas Klayme Craig Snow 902-877-2122 902-499-7886 [email protected] [email protected] 2 halifax Fringe festival 2019 | august 29th - september 8th Fringe Mandate In 1994, the Canadian Association of Fringe Festivals was officially registered as a non-profit organization with the following mandate: • To safeguard the integrity of Fringe Festivals as outlined in the four minimum criteria. • To recognize that the health of all member Festivals is important to the Circuit and therefore the artists’ health as a whole. • To encourage communication and cooperation between member Festivals thereby fostering the continuity of our What is Caff guiding principles. CAFF’s member festivals have worked together for Fringe and Fringe Festival are registered trademarks more than thirty years to pioneer a made-in-Can- of the Canadian Association of Fringe Festivals ada model unique in the Fringe world. Our festivals (CAFF) and cannot be used without expressed are designed to put artists and audiences in direct written permission from the Association. This trade- contact, fostering experimentation and discovery on mark allows CAFF to ensure that any theatre festival both sides of the fourth wall. in Canada that wishes to call itself “Fringe” must abide by the CAFF mandate and the four guiding A Long History principles. The first Canadian Fringe was the Edmonton Fringe Festival, established in 1982. Inspired by the Edinburgh Festival Fringe, which began in 1947, the success and growth of Edmonton’s adapted formula soon led to the creation of Fringe Festivals across Canada and the United States. Each festival evolved its own flavour to match the distinct personality of its home city, yet each remained dedicated to the Fringe philosophy of accessible, inexpensive and fun theatre-going.