Geraldine Hickey Comedian
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Brockhampton Debut Their New Beats 1 Show "Things We Lost in the Fire Radio"
BROCKHAMPTON DEBUT THEIR NEW BEATS 1 SHOW "THINGS WE LOST IN THE FIRE RADIO" SHARE NEW SONG + VIDEO "1999 WILDFIRE" NEW ALBUM THE BEST YEARS OF OUR LIVES COMING SOON VIA QUESTION EVERYTHING/RCA RECORDS LISTEN: EPISODE ONE OF "THINGS WE LOST IN THE FIRE RADIO" - http://apple.co/brockhampton STREAM/WATCH: "1999 WILDFIRE" - http://smarturl.it/99WILDFIRE If you're going to start, don't ever stop. The hardest working boyband in show business presents 'THINGS WE LOST IN THE FIRE RADIO' on Beats1. Today, BROCKHAMPTON are back to announce the debut of their new show on Beats 1 Radio. The first episode of "THINGS WE LOST IN THE FIRE RADIO" aired last night and is now available to listen to on- demand on Apple Music. On the episode, the group debuted a new song "1999 WILDFIRE" and also shared an accompanying visual. The new show comes on the heels of BROCKHAMPTON making their late night television debut, performing on The Tonight Show Starring Jimmy Fallon where they also announced the title of their new album, the best years of our lives. BROCKHAMPTON is currently on tour, playing a number of festival sets across the US and Canada including Capitol Hill Block Party and Lollapalooza, before embarking on their European tour. The group will play 14 dates across Europe in August, including a slew of festival dates. BROCKHAMPTON also recently announced a run of sold-out tour dates in Australia and New Zealand, including performances at all four cities participating in Australia's Listen Out Festival. Listen to episode one of "THINGS WE LOST IN THE FIRE RADIO" and watch "1999 WILDFIRE" above, see below for full tour routing and stay tuned for more from BROCKHAMPTON coming soon. -
Adelaide Fringe and the Adelaide Festival
Australian Services Union SA + NT Branch The ASU campaigns for fairness and equality in our workplaces, communities + globally Join the union for social justice activists 08 8363 1322 Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2019 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide is our biggest yet with 181 shows featuring a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. The Adelaide Festival was at the forefront of this transformation; since its launch in 1960 they have been showcasing diverse shows from all around the world. In 1974 the Fringe released its first Souvenir Programme, beginning its evolution into what is now the largest arts festival in the Southern Hemisphere. Each year, both go from strength to strength. The Arts bring us together, and help to create and celebrate our diversity. When we offer access to art in all its forms, we improve the quality of life for everyone in our community. Through the Arts we have a chance to see the world from a new perspective, and at its best, art can inspire us to take action for a fairer world. -
Sound Report
Final Environmental Noise Report Listen Out Brazilian Field, Centennial Park September 30 2017 Prepared for Centennial Parklands Trust Locked Bag 15 Paddington NSW. 2021 Prepared by The P.A. People Pty Ltd A.C.N. 000 919 255 9 – 11 Leeds Street Rhodes NSW 2138 Phone (02) 8755 8700 Fax (02) 8755 8599 October 2017 Final Environmental Noise Report Listen Out 2017, Centennial Parklands, September 30 2017 Prepared for Centennial Parklands Trust by The P.A. People TABLE OF CONTENTS A. INTRODUCTION 3 B. EVENT DETAILS 4 B.1 DATES AND TIMES 4 B.2 SCHEDULE OF ACTS 4 B.3 WEATHER CONDITIONS 4 C. ENVIRONMENTAL NOISE MANAGEMENT APPROACH 5 C.1 MITIGATION BEFORE THE EVENT 5 C.2 MITIGATION DURING THE EVENT 5 C.3 MITIGATION AFTER THE EVENT 5 D. MONITORING DETAILS 6 D.1 DETAILS OF MEASUREMENT SYSTEM 6 D.2 SITE PLAN AND MEASUREMENT LOCATIONS 7 D.2.1 PERIMETER MONITORING 7 D.2.2 STAGE MONITORING 7 D.2.3 MOBILE MONITOR 7 D.2.4 SITE PLAN 8 D.2.5 CALIBRATION 9 D.3 USE OF THIRD OCTAVE INFORMATION 9 D.4 COMPLAINTS MANAGEMENT 9 E. RESULTS 10 E.1 PERIMETER RESULTS 10 E.2 EXCEEDANCES 15 E.2.1 REHEARSALS AND SOUND TESTS 15 E.2.2 MAIN EVENT 15 E.3 COMPLAINTS 15 E.4 MANAGEMENT PROCESS FOR EXCEEDANCES 15 F. SUMMARY 16 The P.A. People Page 2 of 14 Final Environmental Noise Report Listen Out 2017, Centennial Parklands, September 30 2017 Prepared for Centennial Parklands Trust by The P.A. -
Steph Tisdell
STEPH TISDELL Steph Tisdell is a major up-and-comer in the Australian Comedy Scene. After cutting her teeth in the UK and winning the Deadly Funny National Grand Final in 2014, Steph has been collecting awards and accolades wherever she goes and building an impressive TV, radio and print credit list most recently having appeared on ABC’s prestigious Oxfam Melbourne International Comedy Festival Gala, The Project and was handpicked by Nazeem Hussain to perform at The Stand Up for Christchurch Benefit which aired on Channel 10. 2018 was a huge year for Steph, she toured Australia with the Aboriginal All Stars and Melbourne International Comedy Festival Roadshow and debuted her first solo show “Identity Steft” at Adelaide Fringe Festival, where she won the weekly award for best emerging talent, and The Melbourne International Comedy Festival where she was nominated for the illustrious Best Newcomer Award. 2019 is looking to be even bigger, she sold out her full runs at Sydney Comedy Festival and the Melbourne international Comedy Festival, where she received even more rave reviews and critical acclaim, winning the Melbourne Comedy Festival John Pinder Award. Steph garnered an even bigger following when she co- hosted Triple J Breakfast with David Woodhead during NAIDOC week and has since become a regular on The Project and an in demand performer. She performed at Edinburgh Fringe Festival with the Aboriginal All Stars where they sold out the majority of their festival run, before heading to London’s Soho Theatre. Steph is a proud Indigenous woman and is making a fast rise as one of Australia’s funniest Aboriginal comedian’s putting her in a unique position to encourage other Aboriginal artists to come forward and showcase why they’re the funniest race in the world. -
Social Change Guide to the Adelaide Fringe and Adelaide Festival 2018
The Graham F Smith Peace Foundation The Graham F Smith Peace Foundation works for peace by educating the community about human rights, social justice and environmental sustainability through the arts. Winner of the Governor’s Multicultural Award 2017 Since 2011 The Graham F Smith Peace Foundation has awarded the Peace Foundation Award at the Adelaide Fringe Festival. The purpose of the award is: Ÿ To recognise artworks that align with the objectives of the Peace Foundation (human rights, social justice and environmental sustainability) and are excellent, innovative and experimental. The winner will receive $1000 and a Statuette Previous Award Recipients: in[nate]ture Labels We Live by the Sea by Cayleigh Davies by Patch of Blue by and Human Arts Theatre Company Joe Sellman-Leava Movement 2017 2016 2017 Be Our 2018 Award Recipient! Get award application form and additional information from the website http://artspeacefoundation.org/fringe-peace-award/ Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2018 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide features a wealth of shows in a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Ogden Nash's for Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. -
Festivals-Adelaide.Pdf
31 July 2019 Infrastructure SA Level 15 Wakefield House 30 Wakefield Street Adelaide SA 5000 Dear Infrastructure SA board & staff, Submission from the festival sector Adelaide’s festival sector is one of the most successful industries in South Australia. With unparalleled growth in audience number for several decades, an ongoing international reputation for excellence and deep engagement with South Australians, the festival sector is critical to the State’s image. An Omnibus Survey in 2018 showed that 80% of people think hosting festivals improves the image of the State. Festivals Adelaide is the peak body for 11 of South Australia’s unique arts and cultural festivals. A filter, if you will, for the most mature, most loved, most professional and best governed festivals in the State and arguably the country. This submission seeks to provide an overview of the sector and requests further engagement with regards to the State’s first 20yr Infrastructure Plan. THE FESTIVALS 1 | 5 Adelaide Fringe The Adelaide Fringe is the Southern Hemisphere's largest and Australia's biggest ticket-selling open-access arts festival. Adelaide Festival The Adelaide Festival is recognised as one of the top multi-arts festivals world-wide. WOMADelaide WOMADelaide is the iconic open-air festival celebrating the very best of the World of Music, Arts and Dance. The DreamBIG Children’s Festival Dream BIG Children’s Festival is South Australia’s iconic biennial arts festival for schools and families. South Australia’s History Festival The History Festival promotes the State’s wonderful collections, places and stories through an amazing range of history-related activities. -
Fringe Benefits
go gUide go gUHUBide adelaide fringe festival adelaide fringe festivalOsaka WORDS HEATHER MILLAR She flags this year’s highlight as Adelaideflies from direct Brisbane, to a visit to the Fringe Factory Theatre, Cairns, Darwin, Gold known more commonly to locals as the Coast, Melbourne- Balfours Pie Factory. Avalon, Sunshine Coast “People should take a dive into a and Sydney, venue they’re not familiar with. With www.jetstar.com the Pie Factory being turned into visit apartments next year, people should take the opportunity to visit the venues housed in it, such as The Fridge, The Pastry Bakery Theatre, or the Crumpet Theatre. There’ll be some visual arts installations as well.” Anthoney also recommends The Garden of Unearthly Delights “of course”, and the numerous venues housed there, such as The Bosco Theatre, which is an antique European performing tent, hosting an array At other festivals, the of musicians, artistic directors choose comedians and cabaret stars. the performers, but at the Close to a Fringe, it’s open invitation million tickets for any artist who wants are sold to to put on a show. events at the Fringe and more than 4,000 usual big name suspects such as Rove, artists from all over the world Jimeoin and Frank Woodley. participate, making it one of Don’t know where to start? the largest Fringe Festivals in Anthoney recommends using all the the world – second only to tools available to help decide which the Edinburgh Fringe. events to see. “At other festivals, “Use the Fringe website, or go to the artistic directors www.talkfringe.com, which is the voice choose the performers, of the people. -
Adelaide Fringe Cityofadelaide.Com.Au/Nightlife Proudly Supported by 2 CONTENTS Fringe Club: by Day Fringeworks 4–5
ARTIST GUIDE AdelaIdE FringE Government Partners 16 FebruArY - Principal Partner 18 March 2018 1 EXPERIENCE ADELAIDE BY NIGHT Food, music, art, shopping and good times 2018 Adelaide Fringe cityofadelaide.com.au/nightlife proudly supported by 2 CONTENTS Fringe Club: By Day FringeWORKS 4–5 Honey Pot 6 Fringe Club: By Night 7–9 Ticketing 10–11 Awards & Closing Night 12 Fringe In The Mall 2018 13 FringeWORKS Daytime Program Getting Down To Business 13–14 Discovery Sessions 15–17 Honey Pot Presents 18–19 HELLO FRINGE ARTISTS! Beyond Adelaide 20 I would like to extend a warm welcome to all the artists Program Calendar 21–24 of the 2018 Adelaide Fringe! 25 It is hard to believe that our favourite time of year has come Workshops around again! Fringe Fun! 26 Thank you so much for all you do. You create the magic and Unwind 27 wonder that is Adelaide Fringe. Here’s to another unforgettable month of adventures. Special Events 28 This guide is full of incredibly useful information about offers for Fringe artists, ranging from free forums and networking Flyering & Postering 30 opportunities in the Fringe Club to a whole range of discounts Busking & Reviews 31 around town that will stretch your dollar further. Be sure you take advantage of FringeWORKS in the Fringe Club Getting Around 32 – it is open every day of the festival. FringeWORKS is where you Cheap Eats 35 can get advice and support from the entire Artists & Venues Team. You can access free WiFi, computers and more! This year Beaches & Nature 36 we will also be making use of the air-conditioned space in the Artist Pass Discounts 37–42 Adelaide Bowls Club by day, offering a great weatherproof space in the Fringe Club. -
The Music Market in Australia and New Zealand
THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALANDLAND ACKNOWLEDGEMENTS Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario. The Government of Ontario and its agencies are in no way bound by the recommendations contained in this document. Funding for this study was also provided in part by Foreign Affairs, Trade and Development Canada. Foreign Affairs, Trade and Affaires étrangères, Commerce Development Canada et Développement Canada 2 THE MUSIC MARKET IN AUSTRALIA AND NEW ZEALAND 1. Executive Summary . 4 2. Introduction . .. 5 3. At a Glance . 5 Australia . 5 New Zealand . 7 4. Recorded Music Market . 8 Charts . .. 8 In Numbers . 11 Copyright Infringement and Piracy in Australia . 12 Streaming Services . .. 12 Record Stores . 13 Record Labels and Distributors . 13 General Trends . 16 Interview: Leigh Gruppetta, Cooking Vinyl Australia . .. 16 5. Live Performance Industry . 17 Festivals . 19 Interview: Chloe Goodyear . Woodford Folk Festival . 22 Touring Australia and New Zealand . 23 Venues . 24 Booking Agencies and Promoters . 30 Merch . 31 Illy’s Top Tips for Touring Australia . 31 6. Music Publishing . 34 In Numbers . 34 Synch . 35 Interview: Zoe Coverdale, Mushroom Music Publishing . 36 7. Promotion and Media . 37 Australia (Radio, Print, Television, Online) . 37 Interview: Nick Findlay, triple j . 38 New Zealand (Radio, Print, Online) . 43 Marketing and Advertising . 43 Interview: Pam Thornback, Inertia . 44 8. Business and Showcase Events . -
Download Adelaide Festival Guide
WELCOME For the past As well as the maestro, award-winning actor Jonathan Pryce brings his acclaimed 50 Years, the talents to Harold Pinter’s renowned play, The Caretaker, and France’s legendary film ADelaiDE FestiVal actress Isabelle Huppert sheds new light has shone on a Tennessee Williams classic. As well as offering the best in as the Biennial contemporary art from around the world, the Adelaide Festival provides JEWel in the a high-profile, global platform for our local artists. Its commitment to innovation CroWN OF South and inspiration also remains, and includes Australia’s most-loved literature event, Australia’S Adelaide Writers’ Week, the formidable Adelaide artistiC AND International exhibition, and a revitalised party Cultural precinct that serves as the CalenDAR. Festival’s celebratory heart. These significant attractions are but the beginning of a Now, from 2012, the Festival wide-ranging, world-class brings the very best in theatre, program, and they continue dance, opera, literature, music, the Adelaide Festival’s film and the visual arts to Adelaide every reputation for bringing the planet’s year, further enhancing our city as a place foremost artists and productions of pilgrimage for arts lovers the world over. to our doorstep. Among our Festival’s enduring, defining In a fitting send-off to outgoing characteristics are the special events within Artistic Director Paul Grabowsky, its extensive program that remain exclusive 2012 Adelaide Festival promises to to Adelaide, and three internationally- be the most absorbing, most diverse acclaimed artists make their debut and most inspiring Festival yet. I look Australian appearances here in 2012. -
Adelaide Fringe 14 February – 15 March 2020
AdelaIdE FringE 14 FebruArY – 15 March 2020 GUIDE FOR ARTISTS & VENUES #ADLfringe Artwork based on poster design by Dave Court 2 v WELCOME TO THE 2020 FRINGEWORKS GUIDE! A big thank you to all the CONTENTS artists and venues who are back for our 60th FringeWORKS: Your anniversary celebrations Home Away From Home 4 and welcome to all new artists and venues Fringe Awards 6 joining us for their first Fringe. 2020 is set to Fringe Club: By Night 7 be our biggest festival yet and we could not do this without the artist and venues who create the magic – Fringe Club Program 8 that is Adelaide Fringe. Ticketing 10 The 2020 FringeWORKS guide is packed with information and this year the daytime program is Honey Pot: Adelaide's better than ever and is here to help you make the International Arts Marketplace 12 most out of this year’s Fringe, it includes workshops, panels, info sessions, networking opportunities, – Honey Pot Events 13 social events and health and wellbeing sessions. Getting Down To Business 16 Please make sure you check in with our FringeWORKS team down at the Fringe Club. Beyond Fringe 17 They are open every day and the Artist & Venue, Wellbeing 18 Honeypot and Ticketing teams are there to support you. At FringeWORKS you can access free wifi, FringeWORKS Daytime Program 19 computers, printing and an escape from the heat! The Fringe Club is there for you to unwind and relax Discovery Sessions 23 with fellow artists and friends of Fringe, grab a bite to eat and enjoy the wonderful vibe that is the Fringe Flyering & Postering 28 Club. -
Touring History
T O U R I N G H I S T O R Y 2011 2012 Waitressing and Other Things I Do Well Waitressing And Other Things I Do Well Sydney El Rocco Room Sydney Seymour Centre Adelaide Cabaret Festival Brisbane Powerhouse Queensland Cabaret Festival Adelaide Fringe Melbourne Cabaret Festival Melbourne International Comedy Festival Gold Coast Arts Centre 8 Songs In 8 Weeks Volume #1 The Butterfly Club (South Melbourne) 2013 2014 8 Songs In 8 Weeks Volume #2 This Is Why We Can’t Have Nice Things The Butterfly Club Fringeworld Perth This Is Why We Can’t Have Nice Things Queensland Cabaret Festival Melbourne Fringe Melbourne International Comedy Festival Hayes Theatre Sydney 8 Songs In 8 Weeks Volume #3 The Butterfly Club Whelmed Melbourne Fringe 2015 2016 Whelmed To The Moon And Back Fringeworld Perth Fringeworld Perth Adelaide Fringe Festival Melbourne International Comedy Festival Melbourne International Comedy Festival Hayes Theatre Sydney This Is Why We Can’t Have Nice Things The Butterfly Club (return season) Edinburgh Fringe Festival, Gilded Balloon 2017 2018 8 Songs In 8 Weeks Volume #4 So Far So Good Fringeworld Perth Fringeworld Perth Melbourne International Comedy Festival Melbourne International Comedy Festival To The Moon And Back Darwin Festival Brisbane Comedy Festival Adelaide Cabaret Festival Edinburgh Fringe Festival Leicester Square Theatre, London A W A R D S Green Room Award New Australian Work (Opera) Lorelei 2019 Green Room Award Writing (Cabaret) 8 Songs In 8 Weeks 2018 Green Room Award Artiste (Cabaret) 8 Songs In 8 Weeks 2018 Green Room Award Original Songs (Cabaret) This Is Why We Can’t Have Nice Things 2013 Winner Best Actress LA Webfest Awards (WEBSERIES) Written It DowN 2014 The WA Arts Editor Award Fringeworld Perth This Is Why We Can’t Have Nice Things 2014 Winner Best Cabaret Melbourne Fringe Festival This Is Why We Can’t Have Nice Things 2013 .