The Bank of Sweden Tercentenary Foundation Annual Report 2002

Total Page:16

File Type:pdf, Size:1020Kb

The Bank of Sweden Tercentenary Foundation Annual Report 2002 The Bank of Sweden Tercentenary Foundation Annual Report 2002 02 the bank of sweden tercentenary foundation annual report 2002 Stiftelsen Riksbankens Jubileumsfond The Bank of Sweden Tercentenary Foundation Annual Report 2002 7 managing director’s comments 53 anders piltz: saint birgitta reflected in the mirrors of posterity 11 activities in support of research new research projects in 2002 12 Procedure 61 13 Follow-up and evaluation 66 The Bank of Sweden Donation Project follow-up 13 92 The Humanities and Social Sciences 16 Evaluation of the Bank of Sweden Donation Tercentenary Foundation 102 Infrastructure 17 Grants for research projects and infrastructure 115 statistical information on support research grants Supplementary charges on overhead costs 19 21 Grants for initiating research, conferences 117 Bank of Sweden Donation and the like 122 The Humanities and Social Sciences Nobel Symposiums 24 Donation Scholarships 24 125 Infrastructure Support Pro Futura 26 127 financial administration 27 Graduate schools 129 Financial activities – five-year summary The Graduate School for Mathematics and Teaching Methods 27 131 annual report The Graduate School for Modern The aims of the Foundation 131 Languages 28 The year’s activities 132 The Swedish School of Advanced Asia Pacific Result and financial position 134 Studies – SSAAPS 29 Financial result 135 The Nordic Museum Graduate School for Museum Officials 30 Income statement 137 32 Sector committees Balance sheet 138 The sector committee for research on knowledge 140 Accounting and valuation principles and society 32 142 Notes The sector committee for research on culture – 155 Audit Report security – sustainable social development 34 donations at market value New sector committee for research on the civil 156 society 37 38 Co-operation with the Riksdag 159 Publications by the Foundation 80th anniversary of the right to vote 38 161 Board of Trustees The Foundation Creative Man 38 161 Advisory Committee Political leadership and great leaders 39 161 Finance Committee 40 International commitments 161 Auditors The European Foundation Centre 40 161 Preparatory Committees 2002–2003 CNERP – the Swedish Committee for a New 164 Sector Committees European Research Policy 40 164 Graduate Schools The Millennium Development Goals 44 165 Secretariat Collegium Budapest 45 167 Picture captions Co-operation with Germany 45 Swedish in Finland – Finnish in Sweden 46 Project 2005 47 Cultural-political research 48 Albertus Pictor – 95 A Painter of His Times Managing Director’s Comments ow should Swedish spearhead research best be supported? Together with the Swedish Research Council, the Swedish Council for Working Life and Social Research and the Swedish H Agency for Innovation Systems, The Bank of Sweden Tercentenary Foun-dation has devoted much thought to this question dur- ing the past year. It will, of course, figure in the agenda in the next few years as well. A fundamental problem for many university subjects, and not only for the so-called small subjects, is that they do not have enough highly- qualified teachers and researchers. This means that research runs the risk of stagnating in many fields. Basic institutional support to the majority of the best researchers decreased significantly in the 1990s; equally, the infrastruc- ture of research has been weakened. All this in turn contributes to the fact that far too few talented young people turn to research as a career. Thus we need to find new channels that will ensure that gifted scholars are given opportunities to develop into prominent researchers who match up to international competition. The Bank of Sweden Tercentenary Foundation has therefore in part cho- sen new ways to support research work. We have contributed to the for- mation of national research schools and to post-doctorate development by making special grants, including one through “Pro Futura” at the Swedish Collegium for Advanced Study in the Social Sciences, SCASSS, in Uppsala. This support is aimed at the best young researchers in Sweden. They are selected in a national competition to which all the Swedish universities are invited to submit the names of their very best post-doctoral researchers within the whole of the social science and liberal arts field. This programme has now been in operation for three years with great success and could well 7 8 The Bank of Sweden Tercentenary Foundation be extended further. Our Foundation has also opened up the possibility for professors to apply for salary grants for their own research since the basic grants for individual research have decreased dramatically during the past 10–15 years. The question of strengthening support for the infrastructure and for the environment has also been a topic for discussion in recent years. The ques- tion now is whether the time has not come for a more radical reorganisa- tion of research support. A further reason for discussing a new direction for research support is the newly-reached two-year agreement concerning cost contributions for externally financed research projects at universities and university colleges. The definition of the term “full cost cover” is not sufficiently unambigu- ous to make it possible to define clear distinctions between direct and in- direct costs for research and between costs for research and for education. There are also other principles that can be applied for managing indirect costs for EU projects. The harmonisation of these two systems should therefore be considered. As proposed in the preliminary report that has led to the temporary moratorium caused by the above-mentioned agreement, the government authorities should help to bring about a more comprehensive and long- term reform of the way in which research is financed. This reform should also include the question of the universities’ co-financing of the indirect costs of external research activities. A natural time for the government to announce such proposals would be in connection with the parliamentary research bill of 2004. If these questions are not satisfactorily answered in the next research bill, there is an even stronger reason for the financiers of research to reorganise research support. In all probability project finance will be reduced in favour of major pro- gramme grants within the liberal arts and social sciences as well. A transi- tion to programme support, in 6–10 years’ time, would facilitate the long- term development of knowledge and competence and help the universities and university colleges to clarify their profiles. It would also probably help to increase the mobility of researchers and improve co-operation across subject, faculty and university boundaries, which would lead to a rise in quality. The transition from project to programme and environmental sup- port would increase the possibilities of reaching special agreements with the individual seats of learning, which would imply a different division of costs than that applied under the present agreement. It would also be possible to consider giving large grants to spearhead research by establishing an institutional model corresponding to that in Germany (the Max-Planck-Gesellschaft). This would mean radically depart- ing from the system up to now, which has been that research should be car- ried out by universities. Of course, certain intermediate forms could also be developed, so that research was not entirely separated from basic university education. But institutional research will probably grow gradually in extent. Managing Director’s Comments 9 It is my hope that, in a situation where the total socio-economic scope for research does not seem to be expandable, there will be new forms for establishing a reasonable division of work between the state, foundations and industry regarding the mustering and concentration of strength for high-quality research of international class in Sweden. Finally, I have all cause in this context to give my warm thanks to all the members of the Foundation’s Board and drafting committees who are now retiring. In particular I would like to thank Professor Stig Strömholm, the greatly valued Chairman of the Board. As a token of the Foundation's appreciation the Deputy Chairman Sonia Karlsson presented as a gift at the Board dinner a conference on the theme of “The Research University – a parathensis in the history of learning?”. As I pointed out in last year’s com- ments, the Bank of Sweden Tercentenary Foundation has gained an increas- ingly prominent position in European research co-operation, which has in the highest possible degree been achieved by the projects that Stig Strömholm has so deeply committed himself to. My warmest thanks! I am convinced that our new Chairman, Professor Eva Österberg, who has many successful Foundation projects behind her, will continue along this new path of change. We bid you heartily welcome! After ten years as Managing Director of the Bank of Sweden Tercentenary Foundation it has been and still is a privilege to have the opportunity to take part in the development of academic research in Sweden and the surrounding world. dan brändström Cure the Vasa93 Activities in support of research he Bank of Sweden Tercentenary Foundation provides support for advanced research in the form of project grants to individual researchers or research groups that apply for funds. The T Foundation is actively engaged in broad fields of scientific research, which is reflected in the range of expertise among the researchers on the Board of Trustees and in the preparatory committees. In addition, the Board includes persons with specialist financial and political knowledge. This composition means that the Board represents an unusually broad spec- trum of experience, thereby giving it a unique position as an all-round liai- son body between various fields of research as well as between research and other central interests in society. Ever since the inception of the Foundation a certain preference has been shown for research in the social sciences and the humanities, including such fields as law and theology.
Recommended publications
  • University of Southern Denmark
    UNIVERSITY OF SOUTHERN DENMARK THE CHRISTIAN KINGDOM AS AN IMAGE OF THE HEAVENLY KINGDOM ACCORDING TO ST. BIRGITTA OF SWEDEN A DISSERTATION SUBMITTED TO THE FACULTY OF HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY INSTITUTE OF HISTORY, CULTURE AND CIVILISATION CENTRE FOR MEDIEVAL STUDIES BY EMILIA ŻOCHOWSKA ODENSE FEBRUARY 2010 2 ACKNOWLEDGMENTS In my work, I had the privilege to be guided by three distinguished scholars: Professor Jacek Salij in Warsaw, and Professors Tore Nyberg and Kurt Villads Jensen in Odense. It is a pleasure to admit that this study would never been completed without the generous instruction and guidance of my masters. Professor Salij introduced me to the world of ancient and medieval theology and taught me the rules of scholarly work. Finally, he encouraged me to search for a new research environment where I could develop my skills. I found this environment in Odense, where Professor Nyberg kindly accepted me as his student and shared his vast knowledge with me. Studying with Professor Nyberg has been a great intellectual adventure and a pleasure. Moreover, I never would have been able to work at the University of Southern Denmark if not for my main supervisor, Kurt Villads Jensen, who trusted me and decided to give me the opportunity to study under his kind tutorial, for which I am exceedingly grateful. The trust and inspiration I received from him encouraged me to work and in fact made this study possible. Karen Fogh Rasmussen, the secretary of the Centre of Medieval Studies, had been the good spirit behind my work.
    [Show full text]
  • Thesis Booklet Spring 2013
    thesis booklet spring 2013 Maria-Thérèse Kazantzidou Practice based research studio KTH School of Architecture content Introduction.............................3 Scenario.................................5 Formulating a problem....................6 Vision/Aim.............................7-8 Background............................9-20 * Fish population * Trends in fish consumption * Organic food * Food and health * Consumption of fish products * Fish Auction: Swedish fisheries in brief From the sea to your plate The fish at the auction Site..................................21-22 Program...............................23-24 Focus/Method.............................25 References...............................26 Time schedule.........................27-28 Sources...............................29-30 2 introduction ”Stockholm is Sweden’s biggest city and surrounded by fishery. Yet it is almost impossible to get hold of fresh locally caught fish in Stockholm.“ Chris Heister, Governor *landshövding* 3 4 scenario formulating a problem The fish that, after all, are available for Transport to auctions takes time, is costly purchase may be up to a week old because and can also impair the quality of the fish it must first round-trip to Gothenburg to before reaching the consumer. be sold at auction. This is also where the processing industries mainly are found. Transportation costs are often too large in relation to the income it receive from the The County Board has for two years been sale of the catch. In order to get more running the project Stockholm Fish Market money and increase profitability the east to investigate the feasibility of a physical coast nead their own fishmarket. marketplace in Stockholm for locally caught stockholm fresh fish. 2 x 500 km $$$ gothenburg 5 6 vision/aim To create a centrally located fishmarket branding for the citizens of Stockholm, tourists, stockholm restaurant and business owners.
    [Show full text]
  • Stockholm Inhaltsverzeichnis
    **Bitte beachten Sie, dass es für viele Zusatzleistungen Kinderpreise gibt. Geben Sie daher bei Buchung immer das Kinderalter mit an.** Stockholm Inhaltsverzeichnis Stockholm Pass ..................................................................................................................... 2 Hop-on Hop-off Tour Stockholm ............................................................................................ 5 Schifffahrt durch die Stockholmer Schären ............................................................................ 7 ABBA The Museum ohne Audioguide ................................................................................... 8 Über den Dächern Stockholms .............................................................................................. 9 Rundgang durch die Altstadt ................................................................................................10 Altstadt, Djurgården & Vasa Museum ...................................................................................11 I Stockholm Pass Der Stockholm Pass ist eine Vorteilskarte zum Sightseeing, mit dem Besucher alles erleben können, was Stockholm zu bieten hat, und dabei Zeit und Geld sparen. Highlights: Verschwenden Sie keine Zeit mit einem Pass, in dem vieles inbegriffen ist Sparen Sie Geld, da alle Eintritte für die aufgeführten Attraktionen inbegriffen sind Profitieren Sie von diesem einfach zu verwendenden Pass und kostenlosem Stadtführer Genießen Sie kostenlose Fahrten mit Hop-On/Hop-Off-Bussen und Booten Mit dem Stockholm
    [Show full text]
  • Culture, Value and Place 2018
    Culture, Value and Place A report for NSW Department of Planning and Environment 2018 Prof Greg Clark CBE, Emily Moir, Dr Tim Moonen, Caitlin Morrissey, Jake Nunley. The Business of Cities Ltd. 1 Table of Contents 1. Introduction and Executive Summary 2. What is the value of culture? 3. Trends in cultural development and investment world-­­­wide 4. Public Policy: Why and how should Governments intervene in cultural provision? 5. Culture and World City Regions: Overview and case studies 6. Culture and World City Regions: Benchmarking culture in World Cities 7. Culture and World City Regions: Cultural Quarters, Districts, and Precincts 8. Culture and World City Regions: Population and housing growth: the role of culture in liveability 9. Culture and World City Regions: Observations and insights 10. Appendix: World City Region Case studies: Hong Kong, Singapore, Tel Aviv, Abu Dhabi, Barcelona, Stockholm, Amsterdam, Toronto, San Francisco 2 1. Introduction and Executive Summary 1.1 Purpose and Focus. This background report on Culture, Value, and Place was prepared for the NSW Department of Planning and Environment, Arts and Culture Division, in December 2017 and February 2018 over an 8-­­­week period. The report aims to provide a thorough review and backdrop on the issues concerning how culture can be understood and utilised to help develop a successful and globalised metropolitan region. This report is not a review of culture and arts in Greater Sydney or New South Wales. It does not research or assess Greater Sydney’s cultural infrastructure, policy or strategy. It is rather an ‘outside in’ report that looks at evidence, benchmarks, and case studies of how culture and arts are supporting the globalising metropolitan areas of the world.
    [Show full text]
  • Museums in Stockholm
    Museums in Stockholm PHOTO: OLA ERICSON FOR THE LATEST UPDATES ON STOCKHOLM, VISIT THE OFFICIAL WEBSITE VISITSTOCKHOLM.COM Museums in Stockholm BERGIANSKA TRÄDGÅRDEN BERGIUS BOTANIC GARDEN Discover Stockholm´s museums with their world-class collections, pioneering exhibitions and extraordinary historical objects. Botanical garden beautifully situated at Lake Brunnsviken. A paradise for plant enthusiasts with thousands of trees, shrubs and herbs from around the world. Exotic, heat-loving plants thrive in the Victoria House and Edvard Anderson Conservatory. AQUARIA VATTENMUSEUM Café, shop and restaurant. AQUARIA WATER MUSEUM Opening hours: The Park daily. Edvard Anderson Conservatory: Oct-Mar Mon- Fri 11am- 4pm, Sat- Sun Falkenbergsgatan 2. Djurgården 11am-5pm Apr-Sep daily 11am- 5pm. www.aquaria.se The Victoria House: May-Sep Mon- Fri 11am- 4pm, Sat-Sun 11am-5pm. ARKITEKTURMUSEUM Metro station: Universitetet, Bus:40 MUSEUM OF ARCHITECTURE Bergianska trädgården All you need to know about Swedish architecture and construction from +46 (0) 8 545 91 700 the 19th century until today. Exhibitions featuring drawings, models, design www.bergianska.se and examples of sustainable urban development. Take a tour and participate in creative activities for children on Sundays. Library, BIOLOGISKA MUSEET collections, book store and café. BIOLOGICAL MUSEUM Opening hours: Tues 10am- 8pm, Wed-Sun Lejonslätten, Djurgården 10am-6pm. www.biologiskamuseet.com Metro station: Kungsträdgården Bus: 2, 55, 62, 65, 76 Skeppsholmen BONNIERS KONSTHALL +46 (0) 8 587 270 00 BONNIERS CONTEMPORARY ART www.arkitekturmuseet.se Torsgatan 19. Norrmalm ARMÉMUSEUM www.bonnierskonsthall.se ARMY MUSEUM CARL ELDHS ATELJÉMUSEUM Riddargatan 13. Östermalm CARL ELDH’S STUDIO MUSEUM www.armemuseum.se Lögebodavägen 10.
    [Show full text]
  • Tyra Kleen and the Paradoxes of Esoteric Art
    PER FAXNELD ‘Mirages and visions in the air’ Tyra Kleen and the paradoxes of esoteric art DOI: https://doi.org/10.30664/ar.98199 Attribution 4.0 International (CC BY 4.0) round the year 1900, European discourse with some of the central notions of this on art was becoming increasingly ‘eso­ discourse. Atericized’. The 1890s saw esoteric art salons create a sensation in Paris, and art critics and theorists painted a picture of the true artist Esoteric art and esotericized art criticism and the esotericist as overlapping figures. There During the second half of the nine- was also at the time a conflict regarding medium­ teenth century, the reciprocal relationship istic art, a phenomenon initially made popular between esotericism and visual art intensi- through Spiritualist mediums. This debate, as we shall see, had interesting gendered dimensions. fied. While major artists had certainly been In what follows, I will discuss how the Swedish inspired by esoteric currents and motifs female esotericist and artist Tyra Kleen (1874– connected with them earlier (e.g. depic- 1951) attempted to situate herself in connection tions of alchemists by Bruegel the Elder to the concept of the artist as a magus, and the tensions between the positive view of medium­ and Younger, Rembrandt’s 1652 Faust ism in Spiritualism and the more negative or cau­ engraving, William Blake’s many visionary tious approach to it in Theosophy, as well as in works), this seemed to become increasingly relation to the attendant gender issues. prominent during the aforementioned period, especially among Symbolists.1 A The material used is primarily Kleen’s more or less fresh theme was the idea of book Form (1908), a sort of artistic mani- (true) art itself as inherently esoteric, and festo that she produced, partially, it would (true) artists thus possessing conscious or seem, in response to ideas about esoteric unconscious esoteric insights.2 Notions of art and women artists prominent at the time.
    [Show full text]
  • Sweden and the Five Hundred Year Reformation Anamnesis a Catholic
    Sweden and the Five Hundred Year Reformation Anamnesis A Catholic Perspective Talk by Clemens Cavallin at the The Roman Forum, Summer Symposium, June 2016, Gardone, Italy. To Remember the Reformation According to Collins Concise Dictionary, “Commemoration” means, “to honour or keep alive the memory of.”1 It is weaker than the wording “Reformation Jubilee,” which generated 393 000 hits on Google, compared with merely 262 000 for “Reformation Commemoration.”2 According to the same dictionary, the meaning of “Jubilee” is “a time or season for rejoicing.” For a Swedish Catholic, there is, however, little to rejoice about when considering the consequences of the reformation; instead, the memories that naturally come to mind are those of several centuries of persecution, repression and marginalization.3 The rejoicing of a jubilee is, hence, completely alien for a Swedish Catholic when looking back to the reformation, but it is also difficult to acquiesce to the weaker meaning of “honoring” the reformation, as implied by the notion of commemoration. The reformation in Sweden was not especially honorable. The second part of the meaning of commemoration “to keep alive the memory of” is more suitable, but then in a form of a tragic remembering; we grieve over what we have lost. In the village where I live, for example, there is a beautiful white stone church from the 12th century. It was thus Catholic for five hundred years before the reformation, but has since then been a Lutheran Church. Instead, I have to travel by car for half an hour to attend mass in the Catholic Church, which is a former protestant Free Church chapel from the 1960s.4 All the priests are Polish, and so is, I guess, half the parish.
    [Show full text]
  • 'Cum Organum Dicitur'
    ‘Cum organum dicitur’ The transmission of vocal polyphony in pre-Reformation Sweden and bordering areas Erik Bergwall C-uppsats 2016 Institutionen för musikvetenskap Uppsala universitet Abstract Erik Bergwall: ‘Cum organum dicitur’ – The transmission of vocal polyphony in pre-Reformation Sweden and bordering areas. Uppsala University, Department of Musicology, 2016. Keywords: polyphony, organum, discant, Swedish music, the Middle Ages, oral transmission. The polyphonic sources of medieval Sweden are very few, although well-documented in musicological research. However, while most of the earlier research has tended to focus on interpreting the sources themselves rather than to examine the cultural and historical context in which they were written, the present dissertation aims at providing a broader narrative of the transmission and practice of polyphony. By examining the cultural context of the sources and putting them in relation to each other, a bigger picture is painted, where also Danish and Norwegian sources are included. Based on the discussion and analyses of the sources, a general historical outline is suggested. The practice of organum in the late 13th century in Uppsala was probably a result from Swedes studying in Paris and via oral transmission brought the practice back home. This ‘Parisian path’ was accompanied by an ‘English-Scandinavian’ path, where mostly Denmark and Norway either influenced or were influenced by English polyphonic practice. During the 14th century, polyphony seems to have been rather established in Sweden, although prohibitions against it were made by the Order of the Bridgettines. These prohibitions were probably linked to a general anti- polyphonic attitude in Europe, beginning with the papal bull of John XII in 1324.
    [Show full text]
  • Theatre in Sweden 2019.Pdf
    STOCKHOLM UNIVERSITY DEPARTMENT OF CULTURE AND AESTHETICS THEATRE, DANCE, AND PERFORMANCE STUDIES Prof. Tiina Rosenberg [email protected] THEATRE IN SWEDEN HISTORICAL AND CONTEMPORARY PERSPECTIVES SEPTEMBER/OCTOBER 2019 (TVERA1, 15 ECTS) PROGRAM & TIMETABLE PART I WEEK 36 1.Lecture: Introduction to Theatre in Sweden: Historical and Contemporary Perspectives, Friday, September 6, 10:00-13:00, Department of Culture and Aesthetics, Room 300: Library (Tiina Rosenberg) Reading: News from Swedish Theatre. Focus: Young Audiences. News from Swedish Theatre. Focus: Gender Equality. News from Swedish Theatre. Focus: New Plays. News from Swedish Theatre. Focus: Regional Theatres. All these booklets are available as at www.teaterunionen.se (Swedish ITI). Diana Taylor. (2016). “Framing [Performance]” and “Performance Histories.” In Performance. Durham & London: Duke University Press, 1–42, 43–72. 2. Study visit: Drottningholm Court Theatre, Friday, September 6, 14:30–15:30. Meeting point: We go together from class, but if you want to travel independently, the subway station is Brommaplan and from there you take a bus to Drottningholm. A tour lecture will be given in the court theatre. The Drottningholm Court Theatre (Drottningholms slottsteater) is a theatre located at Drottningholm Royal Palace in Stockholm. It is one of the few 18th century theatres in Europe that is still used as a theatre with its original stage machinery. Reading: Frederick J. Marker & Lise-Lone Marker, “The Gustavian Age.” In A History of Scandinavian Theatre, Cambridge: Cambridge University Press, 76–95 (PDF available at Athena). 1 Willmar Sauter. 2014. “The Rediscovery of the Drottningholm Court Theatre” and “A Guided Tour of the Theatre.” In Willmar Sauter & David Wiles (eds.).
    [Show full text]
  • 'I'm a Devilish Fellow Who Can Do Many Tricks'
    FACTS ABOUT SWEDEN | AUGUST STRINDBERG sweden.se P P H H O O T T O: O: S N T ORDI RIND S B K ER A MU GS MU S EE S T EE T August Strindberg: self-portrait from Gersau, Switzerland, 1886. Jealousy Night, painted by Strindberg in Berlin, Germany, 1893. AUGUST STRINDBERG: ‘I’M A DEVILISH FELLOW WHO CAN DO MANY TRICKS’ A hundred years after his death, August Strindberg (1849–1912) continues to fascinate. He was a trailblazer and innovator in his time and still manages to provoke audiences in theaters around the world. There is always an aspect of Strindberg’s everyday language, and today his texts led. His literary development largely fol- character – from the raging sociopoliti- feel remarkably modern. lowed the twists and turns of his private cal polemicist to the psychologically life, including the crises arising from his introspective writer – that fits the prevail- Man of many talents marriage break-ups and political contro- ing spirit and intellectual climate of the People are amazed by Strindberg’s ver- versies. times. His thoughts on morality, class, satility. He tackled most genres. Aside power structures and familial politics from being an innovator in drama and Upbringing and studies are still relevant today. The unflagging prose, he was a poet, a painter, a pho- Johan August Strindberg was born on struggle for free thinking and free speech tographer, even a sinologist. 22 January 1849. He would later claim that he waged throughout his life is more Strindberg’s stormy private life also that his childhood was one of poverty important than ever in a time when cen- explains his enduring appeal, especially and neglect but the family was not poor.
    [Show full text]
  • The Church of Sweden in Continuous Reformation
    Journal of the European Society of Women in Theological Research 25 (2017) 67-80. doi: 10.2143/ESWTR.25.0.3251305 ©2017 by Journal of the European Society of Women in Theological Research. All rights reserved. Ninna Edgardh Embracing the Future: The Church of Sweden in Continuous Reformation The whole world followed the events in Lund, Sweden, on October 31, 2016, when for the first time a joint ecumenical commemoration of the Reformation took place between the Lutheran World Federation (LWF) and the Roman-Catholic Church. A photo distributed worldwide shows Pope Francis and the Archbishop of the Church of Sweden, Antje Jackelén, embracing each other. The photo contains both hope and tension. The Church of Sweden tries to balance the tension between its heritage as ecumenical bridge-builder, launched already by Archbishop Nathan Söderblom a hundred years ago, and its pioneering role with regard to issues of gen- der and sexuality. These seemingly contradictory roles are hereby set into the wider context of the journey Sweden has made from the time of the Lutheran reformation up to the present. A uniform society characterised by one people and one Christian faith, has gradually transformed into a society where faith is a voluntary option. The former state church faces new demands in handling religious as well as cultural diversities. Leadership is increasingly equally shared between women and men. The Church of Sweden holds all these tensions together through the approach launched on the official website of a church in constant need of reform. Por primera vez la Federación Luterana Mundial y la Iglesia Católica Romana celebraron conjuntamente una conmemoración ecuménica de la Reforma un hecho que ocurrió en Lund, Suecia, el 31 de octubre de 2016 y que fue ampliamente difundido por el mundo, a través de una fotografía distribuida globalmente donde aparecen abrazándose el Papa Francisco de la Iglesia Católica y la arzobispa Antje Jackelén de la iglesia de Suecia, reflejando esperanza y tensión a la vez.
    [Show full text]
  • Arlanda Airport Council
    Fact sheet Ministry of Enterprise August 2017 and Innovation N2017.39 Arlanda Airport Council On 26 January 2017, the Swedish Government adopted a national aviation strategy, A Swedish aviation strategy – for aviation’s role in the trans- port system of tomorrow, in which it announced the appointment of the Arlanda Airport Council. On 18 May 2017, the Government public sector, industry, associ- ted by the Government to chair established the Arlanda Airport ations, research institutes and the Arlanda Airport Council and Council, whose role is to contri- academia. appoint its members. Govern- bute to the Government’s ment ministers Mikael Damberg long-term efforts to develop Members and Karolina Skog are also Arlanda Airport from a The Council is composed of the members of the Council. multimodal perspective. following members (see below). Mandate The Arlanda Airport Council is Other people may also be invited The Government stated in the an advisory body for the exchange to the Council’s meetings depen- aviation strategy that a strategic of experience between the ding on the agenda. plan for Arlanda – an ‘Arlanda Government and representa- Roadmap’ – would be developed. tives of government agencies, Minister for Infrastructure The Arlanda Airport Coun- state-owned companies and the Tomas Eneroth has been manda- cil will provide the Governme- nt with important and valuable Ledamöter i Arlandarådet contributions to this end. Tomas Eneroth Minister for Infrastructure Foto: Patrik Engström/Folio Jonas Abrahamsson CEO Swedavia AB The purpose of the roadmap is to Ulf Bergh Municipal Chief Executive Sigtuna Municipality provide an integrated approach Mikael Damberg Minister for Enterprise and Innovation to developing Arlanda Airport Lena Erixon Director General Swedish Transport Administration that includes the airport, airspace Chris Heister Governor Stockholm County and infrastructure on the ground, Lena Micko Chair Swedish Association of Local as well as access to other airports Authorities and Regions (SALAR) in the Stockholm region.
    [Show full text]