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Students, Police Clash
Push Atlantic Highlands Renewal SEE STORY BELOW Weather HOME •Mostly Many and cod today, THEMW Ugh SMt. Clear «oa coot to- night, low Is aid 4h Pair, lit. T Red Bank, Freehold 7" tie milder, tomorrow1! high la FINAL mid Mi. Sunday's outlook, le|r (^ Long Branch J ud seasonable, > MONMOUTH COUNTY'S HOME NEWSPAPER FOR 89 YEARS DIAL 741-0010 VOL 00, NO. 82 RED BANK, N. J., FRIDAY, OCTOBER 20, 1967 10c PER COPY PAGE ONE Middletown Still Hoping to Get New Library By LEE STARNES the complex is built. layout and style of the main library "leave much to be The reading room is exceptionally well stocked with the MIDDLETOWN — The trustees of the township library The township may acquire part or all of an estimated 50- desired." latest magazines and best sellers, but can accommodate three caid yesterday they had very little knowledge of what was acre tract on die north side of Kings Hwy. Mr. Makely headed The library, located on Kings Hwy. is filled to an overflow persons seated and only one person standing. happening-regarding the proposed new library building that the committee that recommended the site. Negotiations are capacity of 15,000 books. Because of the crowded conditions, locating a title in the has become a minor controversy here. being handled by Richard Seuffert, business administrator. "We have to get rid of books because we just can't find • card catalogue, waiting to get through the aisles and locating Committeeman Edward Makely told The Register "every- If the township acquires the plot, 10 acres will be for space for them here," he said. -
Small Changes Big Shifts by Dr. Michelle Robin
Small Changes Big ShiftsSM Put The Odds In Your Favor! 1st Edition - Print - 2017 Copyright © 2017 by Michelle Robin, D.C. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the author, except in the case of brief quotations embedded in critical articles and reviews or in newsletters and lesson plans. ISBN-10: 0-9967053-3-3 ISBN-13: 978-0-9967053-3-2 Content Design & Layout Editors Michelle Robin Zachary Cole, Rebecca Korphage Shelly Murray Chisik Studio Kayti Doolittle For information, address Michelle Robin, D.C. 7410 Switzer, Shawnee Mission, KS 66203 or e-mail: [email protected] Disclaimer: No book, including this one, can replace the services of a qualified physician or other health-care professional. If problems appear or persist, the reader should consult with a well-chosen physician, health-care or mental-health professional. Accordingly, the author/creator expressly disclaim any liability, loss, damage or injury caused by the contents of this book. While I never recommend anything that I don’t use and love myself, I am an affiliate for some products and services listed in this book and may be compensated if you purchase them through the links provided in the online End Notes for this book, or via the Shop on my website. I want to be transparent, because your trust means everything to me, and I’ll never compromise that. TABLE OF CONTENTS Access Online End Notes . 1 Introduction . 3 Odds In My Favor . 5 Wellness Credits and Debits . 8 Quadrants of WellbeingSM . -
Jointing Sharpening Now Observe How the Clock
PROJECTS & TECHNIQUES Product tech – saw doctor PHOTOGRAPHS BY MARK HARRELL Rake Finding the Rake Rake is the degree of offset from vertical, and this angle governs whether you want an aggressive, ripping cut, or a clean, slower crosscut. Note the angle – we generally set rake for a rip filing somewhere between The saw 0° to 8°. Establish rake closer to zero for aggressive ripping in softwoods, and closer to 10° for dense hardwoods. Crosscut filings generally mandate 15° to 20°. Hybrid-filing finds the sweet spot at 10°. Bevel (aka ‘fleam’) doctor Bevel indicates whether you desire to knife the cutting edge of a sawtooth. Little to no bevel (between 0° and 8°), is best suited for rip filings. Again, the rule here is select closer to 0° for ripping softwoods, and gravitate closer to 8° for ripping hardwoods. will see I usually find that 5° for dedicated rip either way delivers a crisp, assertive action, and mitigates tear-out on the far side of the cut. As for crosscut filings, 15° to 20° delivers a 20° is the perfect bevel angle.” Don’t buy and somewhere in between for hybrid. clean, knife-like action when sawing across into it. Anyone who says they consistently Here’s why precise angles just don’t matter: the grain. Hybrid-filing finds the sweet spot hit a certain degree standard when hand- a rip-filed saw will crosscut, and a crosscut- you now for both at 10° to 12°. sharpening a saw is full of it. Again, the filed saw will rip. The point is, any properly important thing isn’t hitting a certain degree. -
Dp Guide Lite Us
Dreamcast USA Digital Press GB I GB I GB I 102 Dalmatians: Puppies to the Re R1 Dinosaur (Disney's)/Ubi Soft R4 Kao The Kangaroo/Titus R4 18 Wheeler: American Pro Trucker R1 Donald Duck Goin' Quackers (Disn R2 King of Fighters Dream Match, The R3 4 Wheel Thunder/Midway R2 Draconus: Cult of the Wyrm/Crave R2 King of Fighters Evolution, The/Ag R3 4x4 Evolution/GOD R2 Dragon Riders: Chronicles of Pern/ R4 KISS Psycho Circus: The Nightmar R1 AeroWings/Crave R4 Dreamcast Generator Vol. 01/Sega R0 Last Blade 2, The: Heart of the Sa R3 AeroWings 2: Airstrike/Crave R4 Dreamcast Generator Vol. 02/Sega R0 Looney Toons Space Race/Infogra R2 Air Force Delta/Konami R2 Ducati World Racing Challenge/Acc R4 MagForce Racing/Crave R2 Alien Front Online/Sega R2 Dynamite Cop/Sega R1 Magical Racing Tour (Walt Disney R2 Alone In The Dark: The New Night R2 Ecco the Dolphin: Defender of the R2 Maken X/Sega R1 Armada/Metro3D R2 ECW Anarchy Rulez!/Acclaim R2 Mars Matrix/Capcom R3 Army Men: Sarge's Heroes/Midway R2 ECW Hardcore Revolution/Acclaim R1 Marvel vs. Capcom/Capcom R2 Atari Anniversary Edition/Infogram R2 Elemental Gimmick Gear/Vatical R1 Marvel vs. Capcom 2: New Age Of R2 Bang! Gunship Elite/RedStorm R3 ESPN International Track and Field R3 Mat Hoffman's Pro BMX/Activision R4 Bangai-o/Crave R4 ESPN NBA 2 Night/Konami R2 Max Steel/Mattel Interact R2 bleemcast! Gran Turismo 2/bleem R3 Evil Dead: Hail to the King/T*HQ R3 Maximum Pool (Sierra Sports)/Sier R2 bleemcast! Metal Gear Solid/bleem R2 Evolution 2: Far -
Toy Story: How Pixar Reinvented the Animated Feature
Summers, Sam. " From Shelf to Screen: Toys as a Site of Intertextuality." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 127–140. Bloomsbury Collections. Web. 1 Oct. 2021. <http:// dx.doi.org/10.5040/9781501324949.ch-008>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 01:34 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 27 Chapter 8 F ROM SHELF TO SCREEN: TOYS AS A SITE OF INTERTEXTUALITY Sam Summers Intertextuality, as defi ned by Julia Kristeva, is ‘the passage from one sign sys- tem to another’,1 or rather, the inherent interconnectedness of all signs and, by extension, all texts. ‘Any text’, she claims, ‘is constructed as a mosaic of quota- tions; any text is the absorption and transformation of another’. 2 It is true that no text is created or received in a vacuum, and all authors and readers bring with them their past experiences, whether textual or otherwise. A text such as Toy Story (John Lasseter, 1995), though, explicitly activates and draws upon these links more than most. Noel Brown’s chapter in this book highlights some of the cultural references found in the fi lm’s script, and the ways in which these intertextual gags contribute towards its dual address by reaching out to mul- tiple demographics. Here, though, I focus on the connections established by the toys themselves, and in particular the meanings they can create for a child audience. -
An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Kramer, Heidi Tilney, "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4525 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films by Heidi Tilney Kramer A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s and Gender Studies College of Arts and Sciences University of South Florida Major Professor: Elizabeth Bell, Ph.D. David Payne, Ph. D. Kim Golombisky, Ph.D. Date of Approval: March 26, 2013 Keywords: children, animation, violence, nationalism, militarism Copyright © 2013, Heidi Tilney Kramer TABLE OF CONTENTS Abstract ................................................................................................................................ii Chapter One: Monsters Under -
Cass ,City C Hi Onic[.E
CASS ,CITY C HI ONIC[.E ~s~ ~o~.~" ou~oa~o~,~, ===b~,=~n~=~eo~o~=~ CASS CITY, MICH., FRIDAY, FEBRUARY 27, 1914 Vol. 8, No. 45 ÜASS ¢3.[TY ENTEL~PgISE, E%abllsbed in 1t81/Al~ril "21).1i06. .... -- .... ., -=~---- ~~ -- ~. _ .- -. .~ - _- ~ - =~ _- ...... ..................................... T!i Tllpll I ,, assails a member of its owa, calling. It[ ,,o,.,N ,= I ~f!i ......................... L ,,,, L~i~ ~ i ~'~ ............. l[' RI;It u RLLQ Floyd Ried and 5iiss Grace Bail cause it is m~re prubpervus, finch- 5~rs. Matthew Carpenter, 60 years were quietly married at the home of cially; it is a better public servant be- old, living four and one-half miles the bride's sister, Mrs. Lu- I[III I[W IIII[I cause it has i~creased the reading IIII IIIII! W[[[ IIIII IIIIII public so much and because it ap- southeast of Vassar a.L Cobb's Cross- ther Souden, Wednesday at I:00 p. m. Roy. John \Villerten performed peals to a wider community," inN, in Vassar township, while driving NEWSPAPER PEOPLE AT DE- VASSAR BUSINESS MEN MEET ANDREW McKIM LAID TO REST the ceremony and the bridal pair The newspaper men were enter- a horse and cutter in company with TROIT FRIDAY AND SATURDAY, LOCAL TEAM. her 15-year-old granddaughter was WEDNESDAY. were assisted by Miss Edna Ball, tained at Detroit theatres Friday eve- sister of the bride, and Glenn Ried, ning and Saturday morning thorough- struck by a southbound Michigan Are Much Impressed by Visi~ to ly enjoyed a trip through the im- Meny of Cass City's Old Stars Central passenger train at 11 o'clock Funeral of Mrs. -
War Through the Eyes of the Toy Soldier: a Material Study of the Legacy and Impact of Conflict 1880 - 1945
Loarridge, E. (2019) War through the eyes of the toy soldier: a material study of the legacy and impact of conflict 1880 - 1945. Critical Military Studies, (doi: 10.1080/23337486.2019.1659626). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/193774/ Deposited on: 30 August 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Manuscript - with author details War Through the Eyes of the Toy Soldier: 1 A Material Study of the Legacy and Impact of Conflict 1880 – 1945 2 3 4 Euan Loarridge 5 University of Glasgow 6 Email: [email protected] 7 8 Abstract: 9 10 Cast-lead toy soldiers enjoyed widespread popularity in Western society 11 during the late 19th and early 20th centuries. As such they present an 12 excellent case study for an analysis of war through non-military 13 narratives. This article examines a sample of sets and figures produced 14 during the ‘golden age’ of toy soldiers, so as to ascertain how these 15 16 artefacts related to military developments and what light they can shed 17 on societal responses to conflict in this period. The figures and sets under 18 discussion are drawn from the catalogues of the major British and 19 German manufacturers of the period and are contextualised by the 20 21 activities of the companies that produced them. This focus enables the 22 article to compare and contrast various approaches to these artefacts 23 and to conclude on how toy soldier production in this period became 24 embroiled in the wider political and military conflict between the British 25 and German empires. -
MARCH/APRIL 1984, No. 45, $3.50
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Dictionary of Molinology Wörterbuch Der Molinologie Dictionnaire De
Edition 01 Dictionary of Molinology English - German - French - Dutch Wörterbuch der Molinologie Englisch - Deutsch - Französisch - Niederländisch Dictionnaire de Molinologie Anglais - Allemand - Français - Néerlandais Molinologisch Woordenboek Engels - Duits - Frans - Nederlands Compiled by the Dictionary Working Group of TIMS Zusammengestellt von der TIMS Wörterbuch-Arbeitsgruppe Compilé par la Groupe de travail du dictionnaire de la TIMS Samengesteld door de Werkgroep Woordenboek van TIMS 2004 The International Molinological Society Dictionary Working Group of TIMS TIMS Wörterbuch-Arbeitsgruppe Groupe de travail du dictionnaire de la TIMS Werkgroep Woordenboek van TIMS Yves Coutant, Bellegem/Kortrijk, Belgium (French – Französisch – Français – Frans) Michael Harverson, Watford, England (English – Englisch – Anglais – Engels) Yolt IJzerman, Aldeboarn, The Netherlands (Dutch – Niederländisch – Néerlandais – Nederlands) Berthold Moog, Binningen, Switzerland (Planning – Konzept – Elaboration – Planning; German – Deutsch – Allemand – Duits) 2004 by The International Society of Molinology, 125 Parkside Drive, Watford, Herts, WD17 3BA, England All rights reserved. No part of this publication may be reproduced without permission in writing by TIMS. Contents Inhalt Table des matières Inhoud Preface Vorwort Avant-propos Voorwoord V Advice to the user Hinweise für die Benutzung Notice concernant l'emploi Aanwijzingen voor het VI gebruik 0 Molinology Molinologie Molinologie Molinologie 1 0.1 General Allgemeines Généralités Algemeen 1 0.2 Mill -
Ign.Com IGN.COM Unplugged 002 Vol
VOL.1 :: ISSUE 3 :: JUNE 2001 STAPLES NOT INCLUDED IGN.COM unpluggedCOMPLETELY FREE* *FOR IGNinsiders ANGELINA JOLIE LARA CROFT, SUPER STAR EE33 FFEEAATTUURREESS GGAALLOORREE EE33 WWrraapp--UUppss FFrroomm AAllll YYoouurr FFaavvoorriittee EEddiittoorrss BBAABBEESS OOFF EE33 WWhhoo NNeeeeddss GGaammeess WWhheenn YYoouu HHaavvee TThhiiss EEyyee--CCaannddyy GAMECUBE UNVEILED The Inside Look At Nintendo''s New Console MMAATT HHOOFFFFMMAANN''SS BBMMXX 1100 PPaaggee SSttrraatteeggyy GGuuiiddee snowball PLUS :: GBA Tony Hawk 2 & DC Floigan Bros. http://insider.ign.com IGN.COM unplugged http://insider.ign.com 002 vol. 1 :: issue 3 :: june 2001 unplugged :: contents Dear IGN Reader -- s3 pecial What you see before you is a E ROUND-UP sample issue of our monthly PDF ISSUE magazine, IGN Unplugged. We have limited this teaser to just a mail call :: 003 few pages, randomly selected from the June issue of the full 90 news :: 006 page-magazine. You can download releases :: 008 IGN Unplugged to your hard drive and read it on your computer or easily print it out and take it with dreamcast :: 022 you to pass some time on long Feature: E3 Wrap-Up trips (or the can). Previews gamecube :: 026 Subscribers to IGN's Insider service get a new issue of Feature: E3 Wrap-Up Unplugged every month -- but Feature: GameCube Unveiled that's just a fraction of the great Previews content and services you receive playstation 2 :: 035 for supporting our network. Feature: E3 Wrap-UP IGNinsider is updated daily with Feature: Sony's Online Plans cross-platform discussions, Previews detailed features and high-quality handhelds :: 043 downloads. Some of the stories Feature: E3 Wrap-Up are offered to non-subscribers for Previews free at a later date, others remain xbox :: 047 on IGNinsider forever. -
Guess Who's Coming to Dinner? Frames, Identities, and Privilege in the U.S. Vegetarian and Vegan Movement
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 Guess Who's Coming to Dinner? : Frames, Identities, and Privilege in the U.S. Vegetarian and Vegan Movement Sarrah G. (Sarrah Geo) Conn Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES AND PUBLIC POLICY GUESS WHO’S COMING TO DINNER? FRAMES, IDENTITIES, AND PRIVILEGE IN THE U.S. VEGETARIAN AND VEGAN MOVEMENT By SARRAH G. CONN A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Sarrah G. Conn defended this dissertation on March 30, 2015. The members of the supervisory committee were: Deana Rohlinger Professor Directing Dissertation Andy Opel University Representative Douglas Schrock Committee Member Koji Ueno Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii This is dedicated to all my supportive friends, family, and colleagues who helped me through thick and thin and continued to believe in my abilities. I especially dedicate this to my mom, my dad, and to Dan. iii TABLE OF CONTENTS List of Tables ...................................................................................................................................v List of Figures ...............................................................................................................................