Periodic Reporting Cycle 1, Section II
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Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
BAB II LANDASAN TEORI 2.1 Daerah Istimewa Yogyakarta
BAB II LANDASAN TEORI 2.1 Daerah Istimewa Yogyakarta Daerah Istimewa Yogyakarta (DIY) merupakan Provinsi terkecil kedua setelah Provinsi DKI Jakarta dan terletak di tengah pulau Jawa, dikelilingi oleh Provinsi Jawa tengah dan termasuk zone tengah bagian selatan dari formasi geologi pulau Jawa. Di sebelah selatan terdapat garis pantai sepanjang 110 km berbatasan dengan samudra Indonesia, di sebelah utara menjulang tinggi gunung berapi paling aktif di dunia merapi (2.968 m). Luas keseluruhan Provinsi DIY adalah 3.185,8 km dan kurang dari 0,5 % luas daratan Indonesia. Di sebelah barat Yogyakarta mengalir Sungai Progo, yang berawal dari Jawa tengah, dan sungai opak di sebelah timur yang bersumber di puncak Gunung Merapi, yang bermuara di laut Jawa sebelah selatan. (Kementerian RI, 2015) Yogyakarta merupakan salah satu daerah yang memiliki kebudayaan yang masih kuat di Indonesia, dan juga Yogyakarta memiliki banyak tempat-tempat yang bernilai sejarah salah satunya situs-situs arkeologi, salah satu dari situs arkeologi yang banyak diminati untuk dikunjungi para masyarakat dan wisatawan adalah peninggalan situs-situs candi yang begitu banyak tersebar di Daerah Istimewa Yogyakarta. 2.2 Teori Dasar 2.2.1 Arkeologi Kata arkeologi berasal dari bahasa yunani yaitu archaeo yang berarti “kuna” dan logos “ilmu”. Definisi arkeologi adalah ilmu yang mempelajari kebudayaan (manusia) masa lalau melalui kajian sistematis (penemuan, dokumentasi, analisis, dan interpretasi data berupa artepak contohnya budaya bendawi, kapak dan bangunan candi) atas data bendawi yang ditinggalkan, yang meliputi arsitektur, seni. Secara umum arkeologi adalah ilmu yang mempelajari manusia beserta kebudayaan-kebudayaan yang terjadi dimasa lalu atau masa lampau melalui peninggalanya. Secara khusus arkeologi adalah ilmu yang mempelajari budaya masa silam yang sudah berusia tua baik pada masa prasejarah (sebelum dikenal tulisan) maupun pada masa sejarah (setelah adanya bukti-bukti tertulis). -
Challenges in Conserving Bahal Temples of Sri-Wijaya Kingdom, In
International Journal of Engineering and Advanced Technology (IJEAT) ISSN: 2249 – 8958, Volume-9, Issue-1, October 2019 Challenges in Conserving Bahal Temples of Sriwijaya Kingdom, in North Sumatra Ari Siswanto, Farida, Ardiansyah, Kristantina Indriastuti Although it has been restored, not all of the temples re- Abstract: The archaeological sites of the Sriwijaya temple in turned to a complete building form because when temples Sumatra is an important part of a long histories of Indonesian were found many were in a state of severe damage. civilization.This article examines the conservation of the Bahal The three brick temple complexes have been enjoyed by temples as cultural heritage buildings that still maintains the authenticity of the form as a sacred building and can be used as a tourists who visit and even tourists can reach the room in the tourism object. The temples are made of bricks which are very body of the temple. The condition of brick temples that are vulnerable to the weather, open environment and visitors so that open in nature raises a number of problems including bricks they can be a threat to the architecture and structure of the tem- becoming worn out quickly, damaged and overgrown with ples. Intervention is still possible if it is related to the structure mold (A. Siswanto, Farida, Ardiansyah, 2017; Mulyati, and material conditions of the temples which have been alarming 2012). The construction of the temple's head or roof appears and predicted to cause damage and durability of the temple. This study used a case study method covering Bahal I, II and III tem- to have cracked the structure because the brick structure ples, all of which are located in North Padang Lawas Regency, does not function as a supporting structure as much as pos- North Sumatra Province through observation, measurement, sible. -
Batu Tabung Berprasasti Di Candi Gunung Sari (Jawa Tengah) Dan Nama Mata Angin Dalam Bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot
Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot To cite this version: Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot. Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno. Berkala Arkeologi (Yogyakarta), Balai Arkeologi D.I. Yogyakarta, 2014, 34 (2), pp.161-182. 10.30883/jba.v34i2.23. halshs-01908636 HAL Id: halshs-01908636 https://halshs.archives-ouvertes.fr/halshs-01908636 Submitted on 30 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BATU TABUNG BERPRASASTI DI CANDI GUNUNG SARI (JAWA TENGAH) DAN NAMA MATA ANGIN DALAM BAHASA JAWA KUNO1 THE INSCRIBED STONE CYLINDERS AT CANDI GUNUNG SARI (CENTRAL JAVA) AND THE NAMES OF THE DIRECTIONS OF SPACE IN OLD JAVANESE Baskoro Daru Tjahjono1, Arlo Griffths2 dan Veronique Degroot2 1Balai Arkeologi Medan 2Ecole française d'Extrême-Orient, Jakarta [email protected] [email protected] [email protected] ABSTRACT This article presents an architectural and epigraphical study of several objects recovered from the Central Javanese temple site of Gunung Sari. -
Starting from SGD 799 Per Pax, 6-To-Go! Departing on Selected Dates, Check with Us for More Details!
5 Days Borobudur Ancient Candis Tour_14Mar19- Page 1 of 2 The largest Mahayana structure in the world is located deep in the middle of South East Asia! Join us on a trip to Borobudur and be regaled by stories of the Buddha’s life (and previous lives), Bodhisattvas and Sudhana’s journeys (as depicted in the Lalitavistara, Avatamsaka Sutra, the Jatakamala and the Divyavadana). Package price: starting from SGD 799 per pax, 6-to-go! Departing on selected dates, check with us for more details! INCLUDES: EXCLUDES: 1. Private guided tour 1. All domestic and international flights ** 2. Airport pickups and drop-offs 2. Travel insurance ** 3. Transfers between places 3. Visas ** 4. Guides and entrance fees 4. Optional excursions 5. Excursions and meals as listed in the itinerary 5. Tips (guides and drivers) 6. Meals as listed in the itinerary 6. Alcoholic drinks 7. Accommodation 7. Personal expenses (three-star hotel, twin sharing) (** can be arranged through us upon request) Itinerary: (depends on arrival) Day 01 – ARRIVAL IN YOGYAKARTA (Lunch & dinner included) Depart from Singapore to Yogyakarta by flight. Check in to hotel and have lunch after arrival. Afternoon – Visit Prambanan Temple Compounds, Candi Lumbung, Candi Bubrah and Candi Sewu Night – Check-in hotel, rest for the day TRAVELLING WITH WISDOM - BODHI TRAVEL ● 5 Days Borobudur Ancient Candis Tour_14Mar19 Email: [email protected] │ Phone: (65) 6933 9908 │ WhatsApp: (65) 8751 4833 │ https://www.bodhi.travel 5 Days Borobudur Ancient Candis Tour_14Mar19- Page 2 of 2 Day 02 – CANDI BOROBUDUR -
BODHI TRAVEL 4 Days Borobudur Ancient Candis Tour 05Nov19
4 Days Borobudur Ancient Candis Tour_05Nov19- Page 1 of 2 The largest Mahayana structure in the world is located deep in the middle of South East Asia! Join us on a trip to Borobudur and be regaled by stories of the Buddha’s life (and previous lives), Bodhisattvas and Sudhana’s journeys (as depicted in the Lalitavistara, Avatamsaka Sutra, the Jatakamala and the Divyavadana). INCLUDES: EXCLUDES: 1. Private guided tour 1. Travel insurance ** 2. Airport pickups and drop-offs 2. Visas ** 3. Transfers between places (with air-cond) 3. Optional excursions 4. Guides and entrance fees 4. Tips (guides and drivers) 5. Excursions and meals as listed in the itinerary 5. Alcoholic drinks 6. Meals as listed in the itinerary 6. Personal expenses 7. Accommodation (four-star hotel, twin sharing) (** can be arranged through us upon request) 8. Round trip flight tickets (SIN – YOG) Itinerary: (this is our template itinerary, please let us if any customisation is needed) Day 01 – ARRIVAL IN YOGYAKARTA (Lunch & dinner included) AirAsia – departs daily – 1110hrs to 1230hrs (tentative) Depart from Singapore to Yogyakarta by flight. Have lunch after arrival. Afternoon – Visit Prambanan Temple Compounds, Candi Lumbung, Candi Bubrah and Candi Sewu Night – Check-in hotel and early rest Day 02 – CANDI BOROBUDUR (Breakfast@hotel, lunch & dinner included) Morning – Sunrise at Candi Borobudur (wake up at 4am), Guided tour at Candi Borobudur Afternoon – Visit Candi Pawon and Candi Mendut, Bike ride tour at village (optional) Night – Free and easy, rest for the day TRAVELLING WITH WISDOM - BODHI TRAVEL ● 4 Days Borobudur Ancient Candis Tour_05Nov19 Email: [email protected] │ WhatsApp: (65) 8751 4833 │ https://www.bodhi.travel 4 Days Borobudur Ancient Candis Tour_05Nov19- Page 2 of 2 Day 03 – VISIT TO MOUNT MERAPI (Breakfast@hotel, lunch & dinner included) Morning – Visit to Mount Merapi (Jeep ride) and House of Memories Afternoon – Return to Yogyakarta (max. -
In D O N E S Ia N
Marijke Klokke AN INDONESIAN SCULPTURE IN THE KRÖLLER-MÜLLER MUSEUM1 Introduction SCULPTURE In 1919 Helene Kröller-Müller acquired an Indonesian sculpture from Frederik Muller & Cie, a well-known auction house in Amsterdam at the time (PI. 1). The inventory of the auction - which took place on 25-28 November 1919 - listed the sculpture under lot numbers 1548-1567, together with 19 other sculptures from the Netherlands Indies: ‘Collection de vingt sculptures en gres, d’idoles, etc. des Indes néerlandaises. (Boroboudour, Java?). - Par pièce’.2 Helene Kröller-Müller was born in Essen in Germany in 1869. In 1888 she married Anton Kröller, a promising employee at the Rotterdam branch of her father’s firm Wm H. Müller & Co. A year later he was to become the director of this firm and one of the richest business men in the Netherlands. In 1907 INDONESIAN Helene began to collect art, mainly the contemporary art of which Van Gogh was her favourite, but also non-western art.3 When she bought the Indo nesian sculpture in 1919 she was making plans to build a museum for her AN growing art collection. Because of long discussions with architects and financial problems of the Müller firm in the 1930s it was not until 1938 that her dream came true and the Kröller-Müller Museum came into existence thanks to an initiative of the Dutch state.4 Helene Kröller-Müller was to be the first director, but not for long as she died in 1939. The sculpture she acquired in 1919 is the only Indonesian piece in the Kröller-Müller Museum collection.5 It is registered as KM 113.611 but the inventory file gives little Information about the identification of the depicted figure (‘Hindu-Buddhist dwarf figure’), the origin of the relief (‘Indonesia’), or its date (‘unknown’). -
Bundling As Strategy of Tourist Attraction Based on Natural And
Journal of Sustainable Tourism and Entrepreneurship (JoSTE) ISSN: 2714-6480, Vol 1, No 1, 2019, 1-12 https://doi.org/10.35912/joste.v1i1.84 Bundling as strategy of tourist attraction based on natural and cultural tourism in the ex- Surakarta residency Giyah Yuliari1*, Bambang Riyadi2 FEB UNTAG, Semarang 50233, Indonesia1*,2 [email protected]*, [email protected] Abstract Purpose: Indonesia has many tourist attractions, but not all places are well known, which makes them have no visitors. The objectives of this study are to find out how the condition of attractions in each district/ city in the Surakarta Residency and how to increase tourist visits to tourist attractions. Research methodology: The research design is qualitative research. Data are presented in descriptive form, with in-depth and flexible analysis. Sampling by purposeful sampling, the sample chosen depends on the research objectives without regard to the ability of the generalist. The method used is implementing a bundling marketing strategy, which issues product bundling and price bundling in the form of several travel packages. Results: There are two tourist attractions that are already Article History developing and which are still in the form of potential. Travel Received on 28 October 2019 agents can offer tourist attractions that have developed to tourists 1st Revision on 28 November 2019 by bundling through tour packages. Tourist attractions that are still 2nd Revision on 8 December 2019 potential but attractive can be offered as well. So that all tourist 3rd Revision on 12 December 2019 attractions will get tourist visits. Accepted on 15 December 2019 Limitation: This research was conducted at the Ex-Residency of Surakarta, in Central Java, Indonesia. -
The Bhutanese Iconography of Vaisravana
THE BHUTANESE ICONOGRAPHY 0F VAISRAVANA Thesis for the Degree of M. A. MICHIGAN STATE UNIVERSITY BONNIE HERMAN SIGREN 1969 ‘4 amomcav ' II unnsasm ; annx mum mo. LIBRARY BINDERS ' SIIIIMII. IICII‘g \ LIVV W ABSTRACT THE BHUTANES , ICONOGRAPHY 0F VAI RAVANA/ by Bonnie Sigren I/ The Lokfipala. Vaisravana. originated in India from the indi- genous popular beliefs in Yaksas. These were powerful earth deities whom the Asian peoples regularly propitiated and appeased in order to avert calamities and acquire good fortune. Vaisifivana was their ruler and the custodian of riches. When the Iryan invaders. and later- Buddhism, adopted him into their.cosmology. VaierVana became the Guardian of the North. His iconography in India continued in the form of a Yiksa. In central Asia and Tibet. VaierVana was assimilated into the figure of the warrior King from the North“ Indigenous papular religious be- liefs from Tibet and Bhutan added other iconographical elements. He was identified with the God of Wealth and with the cult of the moun-w tain gods. His subjects became the Himalayan earth deities. further enriching his iconography. Other aspects of iconographical associations developed from Buddhist doctrines and symbolism. Some conventions were derived from the general body of Buddhist symbols; others were based on the god's attributes and functions in Buddhist_cosmologyo The elements from popular traditions were recognized by'Buddhismrand assimilated into Bonnie H. Sigren the god's iconography. There is a possibility that some iconographi- cal elements are disguised symbols relating to yogic practice and, as such,fully understood only by the initiated. THE BHUTANES ICONOGRAPHY 0F VAI RAVANA by Bonnie Herman Sigren A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Art History 1969 For the Buddha faced by foemen His disciples don their armour. -
Utilizing Vulnerability and Risk Indexes for Cultural Heritage in Yogyakarta and Central Java
ISSN: 0852-0682, EISSN: 2460-3945 Forum Geografi, Vol 34 (2) December 2020: 161-172 DOI: 10.23917/forgeo.v34i2.12131 © Author(s) 2020. CC BY-NC-ND Attribution 4.0 License. Utilizing Vulnerability and Risk Indexes for Cultural Heritage in Yogyakarta and Central Java Dyah Rahmawati Hizbaron1,*, Radikal Lukafiardi1, Christina Aprilianti1, Raditya Jati2 1 Faculty of Geography, Universitas Gadjah Mada, Bulaksumur, Yogyakarta, Indonesia 2 National Disaster Management Agency, Republic of Indonesia, Jakarta, Indonesia *) Corresponding Author (e-mail: [email protected]) Received: 15 September 2020/ Accepted: 24 November 2020 / Published: 31 December 2020 Abstract. Indonesia is home to many cultural heritages which are exposed to natural disaster, its number has grown by 400% within the years of 1975-2010. In order to protect the cultural heritages, the national government released InaRisk – a web based geospatial data to identify risk information. This application, however, not fully apprises its users of the potential loss that cultural heritage objects, especially temples, may sustain. For these reasons, the research set out to evaluate the potential loss of temples by making use of disaster vulnerability and risk approaches. Seven temples were exposed to earthquake and landslide hazards; hence, observed as the research object on a micro-scale. The research method combined tabular, spatial, and temporal data of several indicators, namely types of building materials, building’s structural integrity after earthquakes and landslides, the number of salvageable objects, building age, significance, historical value, and the number of visitors. The results showed that Prambanan and Sewu Temples had the most substantial amounts of potential losses incurred from damages to at-risk elements, namely the numbers of visitors, employees, and supporting facilities and their distances to sources of hazards. -
Pesona Candi Ratu Boko Di Yogyakarta
Domestic Case Study 2018 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Pesona Candi Ratu Boko di Yogyakarta Mely Anita Sari 1702689 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Abstract : Makalah ini merupakan hasil laporan Domestic Case Study untuk syarat publikasi ilmiah di Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta dengan judul Pesona Candi Ratu Boko di Yogyakarta. 1. Pendahuluan DCS atau dikenal dengan Domestic Case Study merupakan salah satu hal yang wajib dilakukan oleh para mahasiswa Sekolah Tinggi Pariwisata Ambarrukmo Yogyakarta (STIPRAM). Domestic Case Study dilaksanakan pada awal semester ke 3 yang wajib dikumpulkan dalam bentuk laporan atau jurnal ilmiah ang dibuat untuk memennuhi syarat pada saat mengikuti ujian pendadaran di akhir semester ke 8. Ada beberapa tempat tujuan untuk mengikut DCS yang dilaksanakan oleh pihak kampus pada bulan Januari 2018, seperti Jambore Nasional di Kliurang dan Seminar yang dilaksanakan di kampus. Para mahasiswa diperkenankan untuk memilih salah satu tempat tujuan DCS tersebut. Namun mahasiswa juga diperkenankan untuk memilih tujuan DCS selain yang telah ditentukan oleh pihak kampus, seperti yang dilakukan oleh pihak penulis yang mengambil objek tujuan DCS diluar ketentuan kampus, sehingga penulis dapat mengangkat objek wisata yang terdapat di daerahnya sendiri[1]. Dalam hal ini untuk memenuhi syarat DCS harus tercantum sertifikat sertifikat tentang seminar yang berkaitan dengan Pariwisata. Untuk memenuhi syarat tersebut, penulis mengikuti seminar yang bertemakan “Responsible Tourism” -
Bab 3 Kepurbakalaan Padang Lawas: Tinjauan Gaya Seni Bangun, Seni Arca Dan Latar Keaagamaan
BAB 3 KEPURBAKALAAN PADANG LAWAS: TINJAUAN GAYA SENI BANGUN, SENI ARCA DAN LATAR KEAAGAMAAN Tinjauan seni bangun (arsitektur) kepurbakalaan di Padang Lawas dilakukan terhadap biaro yang masih berdiri dan sudah dipugar, yaitu Biaro Si Pamutung, Biaro Bahal 1, Biaro Bahal 2, dan Biaro Bahal 3. Sedangkan rekonstruksi bentuk dilakukan terhadap unsur-unsur bangunan biaro-biaro di Padang Lawas yang sudah tidak berada dalam konteksnya lagi, atau masih insitu dan berada dengan konteksnya tetapi dalam keadaan fragmentaris. Rekonstruksi tersebut dilakukan berdasarkan tulisan dan foto (gambar) para peneliti yang sudah melakukan penelitian di situs tersebut pada masa lalu. Tinjauan terhadap gaya seni arca dilakukan terhadap arca-arca logam untuk mengetahui bagaimana gaya seni arca tinggalan di Padang Lawas, apakah mempunyai kesamaan dengan gaya seni arca dari tempat lain baik di Indonesia maupun luar Indonesia. Gaya seni arca juga dapat memberikan gambaran periodisasinya secara relatif. Adapun periodisasi situs secara mutlak didapatkan berdasarkan temuan prasasti-prasasti yang menuliskan pertanggalan. Prasasti- prasasti yang ditemukan di Padang Lawas sebagian besar berisi tentang mantra- mantra dalam melakukan suatu upacara keagamaan, oleh karena itu latar keagamaan situs dapat diketahui berdasarkan isi prasasti. Di samping itu latar keagamaan diketahui juga dengan melalui studi ikonografi terhadap arca dan relief. 3.1 Gaya Seni Bangun (Arsitektur) Menurut Walter Grophius arsitektur adalah suatu ilmu bangunan yang juga mencakup masalah-masalah yang berhubungan dengan biologi, sosial, teknik, dan artistik, oleh karena itu arsitektur dapat didefinisikan sebagai: (1) Seni ilmu bangunan, termasuk perencanaan, perancangan, konstruksi dan penyelesaian ornament; (2) Sifat, karakter atau gaya bangunan; (3) Kegiatan atau proses membangun bangunan; (4) Bangunan-bangunan; (5) Sekelompok bangunan Universitas Indonesia 114 Kepurbakalaan Padang..., Sukawati Susetyo, FIB UI, 2010.