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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Flowers for Algernon.Pdf
SHORT STORY FFlowerslowers fforor AAlgernonlgernon by Daniel Keyes When is knowledge power? When is ignorance bliss? QuickWrite Why might a person hesitate to tell a friend something upsetting? Write down your thoughts. 52 Unit 1 • Collection 1 SKILLS FOCUS Literary Skills Understand subplots and Reader/Writer parallel episodes. Reading Skills Track story events. Notebook Use your RWN to complete the activities for this selection. Vocabulary Subplots and Parallel Episodes A long short story, like the misled (mihs LEHD) v.: fooled; led to believe one that follows, sometimes has a complex plot, a plot that con- something wrong. Joe and Frank misled sists of intertwined stories. A complex plot may include Charlie into believing they were his friends. • subplots—less important plots that are part of the larger story regression (rih GREHSH uhn) n.: return to an earlier or less advanced condition. • parallel episodes—deliberately repeated plot events After its regression, the mouse could no As you read “Flowers for Algernon,” watch for new settings, charac- longer fi nd its way through a maze. ters, or confl icts that are introduced into the story. These may sig- obscure (uhb SKYOOR) v.: hide. He wanted nal that a subplot is beginning. To identify parallel episodes, take to obscure the fact that he was losing his note of similar situations or events that occur in the story. intelligence. Literary Perspectives Apply the literary perspective described deterioration (dih tihr ee uh RAY shuhn) on page 55 as you read this story. n. used as an adj: worsening; declining. Charlie could predict mental deterioration syndromes by using his formula. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
"Same Old Bill, Eh Mable!"
ClassTyijk Cop>TightN" C££miCHT DEPOSm "marched till my pack, gained a hundred an fifty pounds JoMiz eld BaM, BY --"T^Jiir EDWARD STREETER 27th (N. Y.)' division Author of "Dere Mable," "Thats me all over, Mable" WITE 27 ILLUSTRATIONS IN BLACK-AND-WHITE BY G. WILLIAM BRECK CBill Breck") 27th (N. Y.) division NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS A K-v Copyright, IQIQ, by Frederick A. Stok.es Company All Rights Reserved (OCI.A530266 JUL 18 1919 PREFACE The rightful place for a preface Is at the end of a book or, better still, the scrap basket. My only reason for setting it here is lest someone read and, misunderstanding, take offense. Not for one moment has there been any thought of making light of that splendid, almost foolhardy, bravery which has characterized the American soldier. It was he himself who made light of it, as he did of the whole war, and prob- ably would of doomsday. Nor is there anything unkind or deprecating in his attitude toward the Frenchman. He met a race so distinct from his in ideals and customs that there was no basis for understanding. Fail- ing to understand, he followed his usual rule in such instances and laughed. One of those veterans of a dozen battles, chancing to glance over these pages, may say that the dangers and horrors of those last five months have been underrated. They, however, belong to a comparatively small and enviable mi- nority. Those who turned the tide in July, 191 8, and who knocked the line at St. -
À Tous Nos Lecteurs Et Nos Abonnés
À tous nos lecteurs et nos abonnés : Étant donné que la crise de santé publique nous affecte tous d'une manière ou d'une autre, la direction de Magazine TED a décidé de produire l'édition des mois de mai-juin 2020 uniquement en format PDF et électronique (par l'entremise de Zinio.com - le kiosque virtuel de pointe). Pour les abonnés à l'édition imprimée, n'ayez crainte car votre abonnement est toujours valide et sera prolongé en conséquence. Alors tous auront accès à la version PDF et pour les abonnés qui désirent la version électronique, ils n'auront qu'à en faire la demande en utilisant le courriel suivant : [email protected]. Exceptionnellement, l'édition des mois de mai-juin 2020 vous est offerte entièrement gratuitement grâce aux ententes conclues avec nos commanditaires. Nous les remercions tous de leur collaboration et de leur soutien. Ensemble, nous passerons à travers cette période difficile. Et comme on le dit si bien depuis les derniers deux mois, Ça va bien aller ! Restez en santé et surtout bonne lecture ! Volume 27, numéro 02 TENDANCES ÉLECTRONIQUES ET DESIGN Édition mars - avril 2020 Magazine Tendances Électroniques & Design 450 436-1777 www.tedpublications.com/fr [email protected] Les Éditions Mizka inc. Casier postal 695, Succ Centre-ville Saint-Jérôme QC J7Z 5V4 36 450 436-1777 Éditeur et directeur de la publication Franco Moggia Coéditrice et responsable des relations publiques Lucie Beauchamp Équipe de rédaction Lucie Beauchamp, Guillaume Brunet, Michel Dallaire, Jean-Denis Doyle, Michel Laliberté, Daniel Ménard et Adrien Rouah. Équipe de rédaction, actualités musicales Dan Behrman, Richard Guay Christophe Huss, 16 Pierre Jobin et Christopher Rodriguez. -
DARKWOODS MAILORDER CATALOGUE June 2017
DARKWOODS MAILORDER CATALOGUE June 2017 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you w ill find a full list w ith all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, w e have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 12.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they starte d with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”.. -
„Pauluse” Sõnumi Tooja
APLAUS kevad 2012 kevad persoon MUUSIKAAJAKIRI Nr 3 kevad 2012 EMA 2012 Ewert and Two Dragonsi triumf Siim Aimla Aasta muusik 2011 Jõhvi balletifestival Mihhailovski teater ja Nacho Duato Peeter Saul 80 Väärika dirigendi Olari Elts väärikas juubel „Pauluse” sõnumi tooja Uudised Kontserdikava Plaadisoovitused• 1 • Sündmustekevad galerii 2012 persoon Audi A4 1.8TFSI (125 kW/170 hj); keskmine kütusekulu: 5,7 l/100 km; keskmine CO₂ emissioon: 134 g/km persoon Tuleviku rütm. Uuenenud Audi A4 on kohal. Audi Tallinn Paldiski mnt 100a Telefon: 611 2000 E-mail: [email protected] Audi Kuressaare Tallinna tn 61a Telefon: 453 0100 E-mail: [email protected] Audi Pärnu Tallinna mnt 87e Telefon: 444 7130 E-mail: [email protected] sisukord Tere tulemast 8 18 Aasta muusik Siim Aimla Ida-Virumaale! 21 Jazzkaar kutsub taas! Head muusikasõbrad, mul on hea meel ter- Maestro Peeter Saul tähistas vitada teid imeilusa looduse ja kõige kontras- 22 tiderohkema maastikuga Eesti maakonnast! 80 aasta juubelit Töötan Ida-Virumaal aastast 2004 ja võin kinnitada, et see on avastamist väärt ning 6 Uut muusikamaailmas 26 Estica – viis hakkajat neidu muudab teie Eestimaa-pildi kindlasti avara- asutasid puhkpillikvinteti maks ja rikkamaks. Tuleb nõustuda nende- 8 Dirigent Olari Elts ga, kes ütlevad, et Ida-Virus on veel paljutki, mis vajab korrastamist, kuid väga suur töö 12 Jõhvi kontserdimaja kui kul- 26 on juba ära tehtud. Ida-Virumaa linnad on ilusamad kui kunagi varem, näiteks on jala- tuuritempel postiteede ristil käijatele ehitatud promenaad Kohtla-Järvele 14 Viies Jõhvi balletifestival ja Sillamäele ning lähiaastail valmib see ka Jõhvis ja Narva-Jõesuus. Samuti on saanud toob Eestisse maailmakuul- korda linnadevahelised maanteed ja rajatak- sa koreograafi Nacho Duato se kergliiklusteid. -
Breakinreakin CONTRACTS Carolina Productions Won’T Book Acts Requiring Excessive Amenities
University of South Carolina Scholar Commons September 2006 9-19-2006 The aiD ly Gamecock, Tuesday, September 19, 2006 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2006_sep Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, Tuesday, September 19, 2006" (2006). September. 12. https://scholarcommons.sc.edu/gamecock_2006_sep/12 This Newspaper is brought to you by the 2006 at Scholar Commons. It has been accepted for inclusion in September by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com The University of South Carolina Tuesday, September 19, 2006 Vol. 100, No. 27 ● Since 1908 USC LIMITS PERFORMER bbreakinreakin CONTRACTS Carolina Productions won’t book acts requiring excessive amenities it down Mai Nguyen THE DAILY GAMECOCK Twent y cases of K abba la h water and bowls fi lled with brown M&Ms. Local break dancers What do performers really bring “real hip-hop” ask for when they are booked at university campuses? to USC campus According to Carolina Productions, which sponsors many of the performances Catherine Martin around campus, USC has never THE DAILY GAMECOCK experienced an extravagant case, but at times a performer has asked for too much in their contract. Students might soon see break If CP feels the performer is asking dancers on campus who are for something unreasonable, they seeking to spread what they call simply do not book them. the “real hip-hop.” According to contracts, some Lavell Marshall, also known as stars coming this semester, such “Shaolin,” and Tim Nunnally, also as Bob Saget and Pete Rose, have known as “Timz Nice,” are part of requested basic security and private Mixed Motionz, a break dancing dressing rooms. -
DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”.. -
Glen Ballard
GLEN BALLARD AWARDS/NOMINATIONS WORLD SOUNDTRACK NOMINATION “A Hero Comes Home” from BEOWULF (2008) shared with Alan Silvestri Best Original Song Written for Film GRAMMY AWARD (2005) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture shared with Alan Silvestri ACADEMY AWARD NOMINATION “Believe” from THE POLAR EXPRESS (2005) shared with Alan Silvestri Best Achievement in Music Written for Motion Pictures, Original Song GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song shared with Alan Silvestri BROADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) shared with Alan Silvestri Best Song GRAMMY AWARD, 1997 “Jagged Little Pill” - LIVE Best Music Video, Long Form Video Producer GRAMMY AWARD, 1995 “Jagged Little Pill” Best Rock Album (Songwriter) GRAMMY AWARD, 1995 “You Oughta Know” Best Rock Song co-written with Alanis Morissette GRAMMY AWARD, 1995 “Jagged Little Pill” Album of the Year (Producer) GRAMMY AWARD, 1990 "The Places You Find Love" Best Instrumental Arrangement from "Back On The Block" by Accompanying Vocal(s) Quincy Jones ASCAP POP AWARD, 2002 “The Space Between” (Writer & Publisher) TEC AWARD, 2002 “The Space Between” Record Production/ Single (Producer) ASCAP POP AWARD, 2000 “Thank You” (Writer & Publisher) TEC AWARDS, 1999 Outstanding Creative Achievement, Record Producer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GLEN BALLARD ASCAP POP AWARD, 1998 “Head Over Feet” (Writer & Publisher) NARAS’ 1997 GOVERNOR’S AWARD NATIONAL ACADEMY OF SONGWRITERS -
Price Record Store Day 2019 Releases Price Follow Us on Twitter
Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat.