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50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
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The arcade got chatted with Jay will react to your music (lighter and do I do this to myself?" Popoff, the lead singer ofLit, Feb- pop-ier) compared to Kid's more a: What was it like to work with ruary 25, about lipstick, bruises, aggressive approach? Steven Tyler when he did back- dirty martinis, and Aerosmith. AP: We're excited for it. We're ground vocals for the track "Over arcade: What's ill a name? How always excited to start any tour, My Head:'? did yours come about? whether it's on our own or with AP: Honestly, it was one of the A. Jay Popoff: Honestly, it was someone else. And this is an arena coolest moments of our career. at the only one we could all agree on. tour, three days a week for a couple least mine. It was a total accident. Originally, our name was Stain (not of weeks, so we will be doing our We were on tour, so we were record- to be confused with Staind) and the own shows in between. We're get- ing in different places. One day, we name of our first album was Lit. But ting really tight with the new songs. just bumped into him. He's friends then we realized that Lit really It will be insane to play them inside with Glen Ballard. who produced described our energy that we had as an arena for the first time. l 'm stoked "Over my Head." We just showed a band and on stage, so we decided to tour with Kid. -
Homegrown Alanis Morissette Issue 61
REGULARS The biggest problem I encountered was spill see it as a huge modular synth that you can use from her headphones. She likes it loud. At one in whatever way you want. I love the sound point, I put on a second pair of headphones to of ProTools – I would much rather work with hear Alanis’ mix, and I almost leaped out of just a shtonking ’Tools rig and a good set of my chair. The thing is, when her monitor mix monitors, than a big console and lots of outboard in the ’phones was right, she sang beautifully gear. I think the sound is cleaner, tighter, and – we didn’t need to do heaps of takes. If the more accurate. I love the fact that the attack mix wasn’t right, she didn’t give the best transients are completely preserved. The creative performance. Early on, I worked out what she potential is massive – particularly what you Vital Stats likes – which is everything bloody loud, her can do with plug-ins and automation. We’d Name: Andy Page vocal even louder, and lots of reverb! never have done this album with a console and Occupation: Programmer/ hardware outboard processing. engineer in London JAGGED LITTLE SPILL Claim to fame: Worked with GH: How did you deal with the spill? GH: What are the secret weapons on a session producer Guy Sigsworth on like this? Alanis Morissette’s latest AP: The spill was fairly easy to deal with: I’d album Flavors of Entangle- put a low-pass filter on the output bus to reduce AP: Apart from ProTools, the other weapons ment and Bebel Gilberto’s were software. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012. -
Media Advisory ***
FOR IMMEDIATE RELEASE CONTACT: Marie Condron June 24, 2005 213.580.7532; 213.925.9605 cell [email protected] *** MEDIA ADVISORY *** CHAMBER COALITION HOSTS ENTERTAINMENT PIRACY FORUM Top industry experts discuss the latest anti-piracy policies and technologies needed to safeguard the entertainment industry WHO: Glen Ballard, Five-time Grammy Award Winner, Producer/Songwriter (Dave Matthews Band, Alanis Morissette, Aretha Franklin, Van Halen) Dean C. Garfield, Vice President and Director, Legal Affairs, Worldwide Anti-Piracy, Motion Picture Association of America Chief George Gascon, Los Angeles Police Department Larry Kenswil, President, eLabs, Universal Music Group Henry Kupperman, JD., C.F.E., Senior Manager Director & Regional Counsel, Kroll Stanley Pierre-Louis, Senior Vice President, Legal Affairs, Recording Industry Association of America Robert Dowling, Editor-in-chief & Publisher, The Hollywood Reporter (moderator) WHAT: Entertainment Industry Business Council “Piracy: The Plundering of the Entertainment Industry” WHEN: Thursday, June 30, 2005; 11:30am-1:30pm WHERE: House of Blues 8430 Sunset Blvd., West Hollywood WHY: The music industry lost more than $4.5 billion worldwide to physical piracy in 2003 and recent estimates show 13 billion illegal songs offered online in 2004. The U.S. motion picture industry loses in excess of $3 billion annually in potential worldwide revenue due to offline piracy activities, and Internet losses are causing further untold damages. Ultimately, piracy is driving up the investment and profitability risk for entertainment creation and threatening industry job growth. The Entertainment Industry Business Council is a partnership of the Beverly Hills, Century City, Hollywood, Los Angeles Area, Santa Monica and West Hollywood Chambers of Commerce. -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski ppedDancing MyQueen Rating ABBA LocationBenny Andersson/Björn Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3715072 231 1 1 1 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 1Knowing Dancing me, Queen.mp3 knowing you ABBA Benny Andersson/Björn Ulvaeus/Stig Anderson ABBA Forever Gold I Rock 3885158 241 1 1 2 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 2Take Knowing a chance me, knowingon me you.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 3924028 244 1 1 3 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:56 PM Audio:ABBA:ABBA ForeverMamma mia Gold I:03 ABBA Take a Bennychance Andersson/Björn on me.mp3 Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3428328 213 1 1 4 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:59 PM Audio:ABBA:ABBA ForeverLay all Goldyour I:04love Mammaon me mia.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 4401337 274 1 1 5 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 5Super Lay alltrouper your love ABBA on me.mp3 Benny Andersson/Björn Ulvaeus ABBA Forever Gold I Rock 4081599 254 1 1 6 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBAI -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-5-1998 Kenyon Collegian - November 19, 1998 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 19, 1998" (1998). The Kenyon Collegian. 555. https://digital.kenyon.edu/collegian/555 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. NEWS: OPED: FEATURES: A&E: SPORTS: X-ooun- fKCO KICKS INTOXICATED Students disagree with Book Store returns to The Protest opens Dec. 4, Men's try has 'eand members off air, R 2 MOVE MESSAGE, P. 6 basics, P. 8 P. 11 winningest season ever, p. 16 1 - H - E K - E - N -Y - O - N c O -- L -- L -- E G -- I - A -- N Volume CXXVI, Number 10 ESTABLISHED 1856 Thursday, November 19, 1998 Tech staff looks to update Students rock the e-m- vote, vote the rock at ancient ail system Send-O- ff ew Windows-base- d system may be available by fall 1999 Summer thnnch T.RIS definitely nlans iwiniripc BY DANIEL CONNOLLY that though LBIS definitely plans requires keyed commandsrnmmanHt ratherrat BY KONSTANTINE SIMAKIS wait at least another month before Senior Staff Reporter to install anew e-m- ail system, dis- than mouse manipulation, and that Staff Reporter a headliner is announced. -
Transliminality and Transcendence
TRANSLIMINALITY AND TRANSCENDENCE: AN EXPLORATION OF THE CONNECTIONS AMONG CREATIVITY, MYSTICAL EXPERIENCE, AND PSYCHO“PATHOLOGY” By Laura Rosser Kreiselmaier Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Religion May, 2016 Nashville, Tennessee Approved: Volney P. Gay, PhD Sohee Park, PhD John S. McClure, PhD Bonnie J. Miller-McLemore, PhD Copyright © 2016 Laura Rosser Kreiselmaier All Rights Reserved ii GRATITUDE & ACKNOWLEDGMENTS I am deeply grateful to my dissertation “cloud of witnesses,” some of whom have been an integral part of this project, others of whom have cheered me on from the sidelines, and still others of whom have unknowingly inspired me from the shadows of their own paths. My heartfelt thanks is expressed: To my committee members, Professors Volney P. Gay, Sohee Park, John S. McClure, and Bonnie J. Miller-McLemore, who embody not only a remarkable breadth of interdisciplinary scholarship but also the invaluable gift of humankindness. And to Evon O. Flesberg and Bruce Rogers-Vaughn, who first inspired and trained me in our sacred profession. To the Tennessee Association of Pastoral Therapists, for supporting the vital work of pastoral psychotherapy and those who share this calling, and for turning an inauspicious bend in the road into a new pathway for state licensure. Especially to Donna Scott for your generous mentoring and friendship, Ron McDonald for your creativity and vision, and Dick Bruehl for your clinical wisdom (how wonderful to have a supervisor in the direct lineage of Anton Boisen!). To Charles Davidson and Cliff Edwards, who flew me to Richmond for the honor of participating in their April 2015 Van Gogh panel to speak on transliminality. -
Administration Reviews Campus Resources, Needs
VOLUME79, ISSUE7 “EDUCATIONFOR SERVICE” DECEMBER8,1998 THE Discover the Satisfy your methods of curiosity selling and about fall buying text- sport athletes books in REFLECTOR receiving all- bookstores at conference universities. UNIVERSITYOF INDIANAPOLIS honors. See Page 6. 1400 EASTHANNA AVENUE INDIANAPOLIS, IN 46227 See Page 8. STRATEGIES Administration reviews campus resources, needs important functions for the university Tara J. Sullivan as well. News Editor As reported in the Oct. 13 issue of The Reflector. there were plans for media services. the School for Adult The rejection of a $5 million Lilly Studies, the Center for Technology E dowment grant proposal has forced and Learning and, possibly, Univer- tl :administration to find creative ways sity Computing Services to be housed I( meet campus needs. in the new building. Thegrant money wouldhave planted “I do think it affects our strategic the seed for a $15 million communica- planning because we have to plan for tion and conference center to com- our needs in thefuture,”saidDr. David plete the central campus. Wantz. vice president of student The plan was modeled after a simi- affairs.“We are responsible for our lar building at Bradley University in substance. We can’t depend on the capital grant proposals from Indiana Dr. Lynn Youngblood, senior vice Peoria, Ohio that cost $16.2 million. good offices of Lilly for our survival. colleges and universities. president and provost, said “the bot- Although the communication de- The responsibility is ours to fund our “Ben rolled the dice and went for tom line was there were more requests partment appears to have suffered the programs.” the harder one,” said President Jerry greatest from this recent development, The Lilly Endowment accepted $1 Israel, about former President Ben- ADMINISTRATION cant. -
Lossless 6341 Songs, 16.5 Days, 142.93 GB
lossless 6341 songs, 16.5 days, 142.93 GB Artist Album # Items Total Time The 77s All Fall Down 92 1:12:25 Drowning With Land in Sight 12 55:13 Echos O' Faith 16 1:19:58 More Miserable Than You'll Ever Be 11 43:40 Ping Pong Over The Abyss 15 1:06:40 Pray Naked 12 56:07 Seventy Sevens 17 1:16:39 Sticks and Stones 14 1:12:57 Tom Tom Blues 10 48:30 AD Compact Favorites 10 43:30 Add One Cubit A Thursday Night In The D-Amp. 12 56:26 Aerosmith Big Ones 15 1:13:32 Just Push Play 12 50:48 The Other Side 5 21:02 Permanent Vacation 12 51:43 Alanis Morissette Feast On Scraps 9 40:56 Jagged Little Pill 13 57:31 Under Rug Swept 11 50:28 The Alarm Standards 15 1:04:37 Alison Krauss A Hundred Miles Or More: A Collection 16 1:07:37 Alison Krauss & Union Station Live 36 1:56:39 All Star United All Star United 10 43:09 The Allies Long Way From Paradise 13 53:01 The Altar Boys The Collection 15 1:01:01 Amy Grant Behind The Eyes 12 49:34 Greatest Hits | 1986-2004 23 1:37:48 Home For Christmas 12 42:39 Anne Sofie von Otter Meets Elvis Costello For The Stars 18 1:03:40 Barenaked Ladies Barenaked For The Holidays 20 46:22 Disc One: All Their Greatest Hits (1991-2001) 19 1:13:31 Maroon 12 52:07 Bash 'N The Code Big Mouth 10 41:50 The Beach Boys Good Vibrations: Thirty Years Of The Beach Boys 142 6:22:29 The Beatles Free as a Bird 4 13:38 Bebo Norman Myself When I Am Real 12 49:17 Ten Thousand Days 12 54:57 Béla Fleck Perpetual Motion 20 57:42 Béla Fleck & The Flecktones Left Of Cool 15 1:16:30 Ben Folds Rockin' The Suburbs 12 48:49 Ben Folds Five Ben Folds Five -
Alanis Morissette
ALANIS MORISSETTE Her Birth and Childhood The daughter of Alan and Georgia Morissette, Alanis, an Ottawa native, was one of three children in the family (she has an older brother named Chad and a twin brother named Wade). Although the name Alanis is Greek itself, Alanis Morissette has no Greek background whatsoever. As it turns out, Alan Morissette wanted his daughter to have a female version of his name, but he wasn't particularly fond of the name Alanna. So one day, by chance, he spotted the name Alanis in a newspaper. Alanis loved dancing and acting when she was young (probably still does). She started learning ballet and jazz dancing at the age of 7. She has also done a lot of stage and theatre work, including a part on the highly popular kids television show "You Can't Do That on Television" when she was 11. Alanis also appeared in the TV movie "Just One of the Girls" in 1993. And as the young girl she said "I want to prove to people that just because you're young it doesn't mean you can't do as much as adults can....." And actually she was some kind of rebel all the time. She might have been an English or Drama teacher if she hadn't been involved in show business. But that, I can say fortunately, never happened. Her Breakthrough She has been writing songs for fun since she was 9 years old. Alanis admired the music and character of Olivia Newton John (from "Grease") tremendously when she was young, which is the main reason why she was so interested in music. -
Typographic Programming
1 1 HansHagen Typographic Programming 1 1 2 2 2 2 3 3 Introduction Today, automated typesetting is quite popular, which is partly due to the fact that document coding standards have evolved, in particular XML. For instance, when you navigate the internet, a typesetting engine is at work to render the pages. When you ask for a print preview, you often get a different rendering. So, one document source can result in different views. The vehicle that we use for automated typesetting of books is called CONTEXT. This system is based on the well known typesetting engine and language TEX and the graphic programming environment METAPOST. Systems like this provide a mixture of predefined typographical solutions and document specific programming. The code needed to perform the task ends up in a file or collection of files, often called styles. Because writing such styles is closely related to both typography and programming, we qualify it as typographic programming, the theme of this book. This book is not a reference manual to CONTEXT. For the many possibilities that these systems provide we refer to the suite of manuals that come with the system. Some of the mechanism mentioned here are described in detail in dedicated manuals. Here we focus on the more general aspects of document design and the translation of design into a style. Because we will focus a lot on esthetics, quality, and structure, we elaborate a it on these themes. If you typeset a document, the quality of the result is determined by several factors, like: the consistency of the design: