DOCSLIB.ORG

Kenyon Collegian College Archives

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kenyon Collegian College Archives Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-5-1998 Kenyon Collegian - November 19, 1998 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 19, 1998" (1998). The Kenyon Collegian. 555. https://digital.kenyon.edu/collegian/555 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. NEWS: OPED: FEATURES: A&E: SPORTS: X-ooun- fKCO KICKS INTOXICATED Students disagree with Book Store returns to The Protest opens Dec. 4, Men's try has 'eand members off air, R 2 MOVE MESSAGE, P. 6 basics, P. 8 P. 11 winningest season ever, p. 16 1 - H - E K - E - N -Y - O - N c O -- L -- L -- E G -- I - A -- N Volume CXXVI, Number 10 ESTABLISHED 1856 Thursday, November 19, 1998 Tech staff looks to update Students rock the e-m- vote, vote the rock at ancient ail system Send-O- ff ew Windows-base- d system may be available by fall 1999 Summer thnnch T.RIS definitely nlans iwiniripc BY DANIEL CONNOLLY that though LBIS definitely plans requires keyed commandsrnmmanHt ratherrat BY KONSTANTINE SIMAKIS wait at least another month before Senior Staff Reporter to install anew e-m- ail system, dis- than mouse manipulation, and that Staff Reporter a headliner is announced. cussion of a specific timetable is the VAX did not allow the user to "The Social Board and I were Administrators at Kenyon premature. view mail that he or she has sent. Following an angry on-li- ne hoping we could announce the College Library and Information Jesse Horowitz "01, one of She considered these only minor backlash, countless vehement e-ma- ils, winner after the top choice agreed Services are planning a major up two students who sits on the tech- problems, however, and said that three opinion polls, two to a contract, but that didn't hap- grade of Kenyon's e-m- ail system. nology subcommittee of the though the VAX is awkward at declining big-na- me acts, and one pen," Board Chairman Brian LBIS, the new department which curricular review committee, com- times, it is possible to use it to long month's worth ofwaiting, the Goldman '01 wrote in an e-m- ail to ivas formed October 15th from a mented that these plans for a new perform most necessary tasks. Kenyon College Social Board still all students Sunday. "Then we tried terger of the Information and e-m- ail system are "like going from Negative feelings toward the VAX cannot make a definitive announce- the second choice, and that didn' t fomputing Services and the li- archaic to Star Trek. It's a very do not seem to be very widespread ment regarding its search to book a happen either." The e-m- ail revealed brary department, has ordered a rigorous and very ambitious plan, in the student body; Temple said band for this year' s S ummer Send-O- ff the results of the final of three jew mail Compaq server that will but I think it's realistic," he said. that students rarely complain about festivities. October on-lin- e polls, which al- tost between $ 10,000 and $ 12,000. The "archaic" part of the VAX to LBIS. S ummer Send-Of- f, which will lowed students to determine the 1 all-da- y The department briefed the Kenyon's network is the text-base- d Newer windows-base- d e-m- ail be held May , is an annual order in which bands would be technology subcommittee of the VAX, which some Kenyon stu- programs such as Eudora allow all-camp- us jubilation that began in pursued. Reggae star Jimmy Cliff lurricular review committee about dents say is rather limited. "I don't users to attach sound files, images, the mid-198- 0s in commemoration beat alternative rock band Weezer is plans at a meeting Friday. Sys-e- m like the e-m- ail system. It's really video clips, spreadsheets and large of the school year's end. It tradi- by a single vote, although both all-da- y Manager Dan Frederick said ancient," said Kate Adams '02, text files to e-m- ail text, according tionally includes an concert were unable to commit due to pre- hat in the worst case scenario, the who used several newer Windows-base- d to Ronald Griggs, director of sys- on the lawn between Ransom and vious engagements. lew e-m-ail system will be ready e-m- ail programs before she tems design and consulting. When Ascension Halls. Although the "We are now waiting to hear p jy fall 1999. However, Vice Presi-Je- nt came to Kenyon. mail like this is sent to a text-bas- ed board has already decided to draw from second runner-u- Run for LBIS Daniel Temple said Adams noted that the VAX see E-MA- IL page two from Kenyon's homegrown musi- DMC, but this does not look prom- cal talent to fill the position of ising, because I was told by their Kenyon acquires old People's Bank opening act, students may have to see BANDS page three BY BRYCE WITNER College receives $2,500 Staff Reporter After purchasing the vacant gift from Zelkowitz family bank building on Chase Ave. for Endowment benefits Jewish activities k&.J:!r TJJi approximately $175,000 from People's Bank, Kenyon College Kenyon College has received of Hillel, an organization commit- will move its Human Resources a $2,500 gift from the Zelkowitz ted to fostering an environment Spiritual Leadership En- where Jews can enjoy Jewish ac- ' 7 department into the building, ac- Family M v ! ' - c. : ! i . - k dowment Fund of the Columbus tivities and culture. ft t i ' . cording to Fortnightly, a public col- Jewish Foundation. The gift, to be In 1951, Zelkowitz became a v ' relations publication for the c t t i "V I ,9 t" lege. used for Jewish spiritual leader- pioneer for women in communica- ' :Iyr7 C -- 1:1 f XI "Our negotiations with ship and Jewish services on the tions when she launched Mount WMVO-FM- . People's Bank are at a mature college campus, was designated Vemon radio station vv. L-- jP"f" - stage," Vice President for Fi- by Helen W. Zelkowitz, a long- Two years later, she started nance Joseph Nelson told time resident of Mount Vernon, in WMVO-A- M. In 1971, Zelkowitz Fortnightly. "I believe it is safe to memory of her late husband, participated in the formation of Kale Bennett say that Kenyon and the bank Charles Zelkowitz, and her late Mount Vernon Cablevision. She This building on Chase Avenue, formerly home to the People's Bank of have come to an agreement on the son, Stephen Zelkowitz. chaired the boards ofboth WM VO Gambier, was recently purchased by the college for $175,000. terms of the sale, and I expect that Established in 1996, the en- and the Cablevision companies we will move shortly to set a dowment is structured to provide a until her family sold them in 1996. closing date for transfer of prop- comparable annual gift in perpetu- Zelkowitz, who remains active in erty." ity for the benefit of Jewish students community affairs, recently cel- Friday: Partly cloudy. High in Sunday: Partly cloudy.Low near "Since the Bank's decision to at Kenyon. ebrated hereighty-sevent- h birthday. the lower 1998-9- 9 40s. Low in the mid 30 and high near 50. vacate its old location, the college Throughout the years, the At the beginning of the 20s. has been very interested in the Zelkowitz family has shown com- academic year at Kenyon, Low in Monday: Partly cloudy. property. The importance of the mitment to Jewish education and Friday evening Jewish Sabbath Saturday: in 30s the mid Partly cloudy. High the upper and high in bank building's central location as values at the college. The gift comes services were begun. The services the lower 40s. 50s. at well as the college's desire to 'pro-se-e on the heels of Kenyon's appoint- are held at 6:30 p.m. each week BANK page four ment ofMichael Cooper as director the Harcourt Parish House. WKCO kicks intoxicated band members off air '01, when BY JESSICA ANDRUSS members of her guest which implied that WKCO didn't manding "Where's the freedom of of DJs or their guests being band "Hey, That's My Bongo!" News Assistant stand behind the "radio free speech?" and causing recipients to intoxicated on-air- ." were found to be intoxicated and Kenyon" motto which it has worked mistakenly believe that serious re- A commitment to free speech' WKCO 91.9 FM, Kenyon cursing on the air. The band was in so hard to support in recent years. pression and censorship issues and the opportunity to play a variJ College' s student-ni- n radio station, direct violation of at least four "We were kicked off, but no were in question. ety of alternative and underground came under public scrutiny early station and federal cut-and-d- ry regulations. one fully explained it at the time, "It's a issue," said music has often led WKCO to push S unday morning when Kenyon stu- These violations are grounds for a so we misunderstood the reason..
Load more

Recommended publications
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • Glen Ballard
    GLEN BALLARD AWARDS/NOMINATIONS WORLD SOUNDTRACK NOMINATION “A Hero Comes Home” from BEOWULF (2008) shared with Alan Silvestri Best Original Song Written for Film GRAMMY AWARD (2005) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture shared with Alan Silvestri ACADEMY AWARD NOMINATION “Believe” from THE POLAR EXPRESS (2005) shared with Alan Silvestri Best Achievement in Music Written for Motion Pictures, Original Song GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song shared with Alan Silvestri BROADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) shared with Alan Silvestri Best Song GRAMMY AWARD, 1997 “Jagged Little Pill” - LIVE Best Music Video, Long Form Video Producer GRAMMY AWARD, 1995 “Jagged Little Pill” Best Rock Album (Songwriter) GRAMMY AWARD, 1995 “You Oughta Know” Best Rock Song co-written with Alanis Morissette GRAMMY AWARD, 1995 “Jagged Little Pill” Album of the Year (Producer) GRAMMY AWARD, 1990 "The Places You Find Love" Best Instrumental Arrangement from "Back On The Block" by Accompanying Vocal(s) Quincy Jones ASCAP POP AWARD, 2002 “The Space Between” (Writer & Publisher) TEC AWARD, 2002 “The Space Between” Record Production/ Single (Producer) ASCAP POP AWARD, 2000 “Thank You” (Writer & Publisher) TEC AWARDS, 1999 Outstanding Creative Achievement, Record Producer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GLEN BALLARD ASCAP POP AWARD, 1998 “Head Over Feet” (Writer & Publisher) NARAS’ 1997 GOVERNOR’S AWARD NATIONAL ACADEMY OF SONGWRITERS
    [Show full text]
  • PDF (921.99 Kib)
    The arcade got chatted with Jay will react to your music (lighter and do I do this to myself?" Popoff, the lead singer ofLit, Feb- pop-ier) compared to Kid's more a: What was it like to work with ruary 25, about lipstick, bruises, aggressive approach? Steven Tyler when he did back- dirty martinis, and Aerosmith. AP: We're excited for it. We're ground vocals for the track "Over arcade: What's ill a name? How always excited to start any tour, My Head:'? did yours come about? whether it's on our own or with AP: Honestly, it was one of the A. Jay Popoff: Honestly, it was someone else. And this is an arena coolest moments of our career. at the only one we could all agree on. tour, three days a week for a couple least mine. It was a total accident. Originally, our name was Stain (not of weeks, so we will be doing our We were on tour, so we were record- to be confused with Staind) and the own shows in between. We're get- ing in different places. One day, we name of our first album was Lit. But ting really tight with the new songs. just bumped into him. He's friends then we realized that Lit really It will be insane to play them inside with Glen Ballard. who produced described our energy that we had as an arena for the first time. l 'm stoked "Over my Head." We just showed a band and on stage, so we decided to tour with Kid.
    [Show full text]
  • Homegrown Alanis Morissette Issue 61
    REGULARS The biggest problem I encountered was spill see it as a huge modular synth that you can use from her headphones. She likes it loud. At one in whatever way you want. I love the sound point, I put on a second pair of headphones to of ProTools – I would much rather work with hear Alanis’ mix, and I almost leaped out of just a shtonking ’Tools rig and a good set of my chair. The thing is, when her monitor mix monitors, than a big console and lots of outboard in the ’phones was right, she sang beautifully gear. I think the sound is cleaner, tighter, and – we didn’t need to do heaps of takes. If the more accurate. I love the fact that the attack mix wasn’t right, she didn’t give the best transients are completely preserved. The creative performance. Early on, I worked out what she potential is massive – particularly what you Vital Stats likes – which is everything bloody loud, her can do with plug-ins and automation. We’d Name: Andy Page vocal even louder, and lots of reverb! never have done this album with a console and Occupation: Programmer/ hardware outboard processing. engineer in London JAGGED LITTLE SPILL Claim to fame: Worked with GH: How did you deal with the spill? GH: What are the secret weapons on a session producer Guy Sigsworth on like this? Alanis Morissette’s latest AP: The spill was fairly easy to deal with: I’d album Flavors of Entangle- put a low-pass filter on the output bus to reduce AP: Apart from ProTools, the other weapons ment and Bebel Gilberto’s were software.
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
    January 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The Music Business Looks Forward: 5 Social Media Predictions For 2012 The President’s Corner By Shore Fire Media via Hypebot.com Happy New Year everyone! In the last year, the music industry shifted from cautiously Those of you who attended our annual CCC Holiday Party at Café experimenting with social media, to recognizing it as a necessary part of Cordiale were treated to great food, great conversation and rousing every marketing strategy, from the smallest bands to the biggest brands. entertainment courtesy of Chris Saranec and his accordion. I’d like to It’s an exciting time. The tools and strategies we use daily shift at thank all of you who came and supported the CCC’s scholarship fund by bidding at our silent auction. Thanks to you, we were able to fund lightning speed. As a PR firm Shore Fire Media is focused on tracking our scholarship program for another year. Special thanks to those of this constant evolution. In the spirit of this inquiry, we asked music you who provided items for the auction and to our party planner industry insiders and social media experts what they see for the future of extraordinaire Teri Nelson Carpenter for organizing the event. social media. From a focus on mobile, to social listening, to the demise social media as we know it, here are predictions that will help guide us Tonight’s panel takes our usual film & TV panel and turns it on its through 2012.
    [Show full text]
  • Media Advisory ***
    FOR IMMEDIATE RELEASE CONTACT: Marie Condron June 24, 2005 213.580.7532; 213.925.9605 cell [email protected] *** MEDIA ADVISORY *** CHAMBER COALITION HOSTS ENTERTAINMENT PIRACY FORUM Top industry experts discuss the latest anti-piracy policies and technologies needed to safeguard the entertainment industry WHO: Glen Ballard, Five-time Grammy Award Winner, Producer/Songwriter (Dave Matthews Band, Alanis Morissette, Aretha Franklin, Van Halen) Dean C. Garfield, Vice President and Director, Legal Affairs, Worldwide Anti-Piracy, Motion Picture Association of America Chief George Gascon, Los Angeles Police Department Larry Kenswil, President, eLabs, Universal Music Group Henry Kupperman, JD., C.F.E., Senior Manager Director & Regional Counsel, Kroll Stanley Pierre-Louis, Senior Vice President, Legal Affairs, Recording Industry Association of America Robert Dowling, Editor-in-chief & Publisher, The Hollywood Reporter (moderator) WHAT: Entertainment Industry Business Council “Piracy: The Plundering of the Entertainment Industry” WHEN: Thursday, June 30, 2005; 11:30am-1:30pm WHERE: House of Blues 8430 Sunset Blvd., West Hollywood WHY: The music industry lost more than $4.5 billion worldwide to physical piracy in 2003 and recent estimates show 13 billion illegal songs offered online in 2004. The U.S. motion picture industry loses in excess of $3 billion annually in potential worldwide revenue due to offline piracy activities, and Internet losses are causing further untold damages. Ultimately, piracy is driving up the investment and profitability risk for entertainment creation and threatening industry job growth. The Entertainment Industry Business Council is a partnership of the Beverly Hills, Century City, Hollywood, Los Angeles Area, Santa Monica and West Hollywood Chambers of Commerce.
    [Show full text]
  • Name Artist Composer Album Grouping Genre Size Time Disc
    Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski ppedDancing MyQueen Rating ABBA LocationBenny Andersson/Björn Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3715072 231 1 1 1 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 1Knowing Dancing me, Queen.mp3 knowing you ABBA Benny Andersson/Björn Ulvaeus/Stig Anderson ABBA Forever Gold I Rock 3885158 241 1 1 2 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 2Take Knowing a chance me, knowingon me you.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 3924028 244 1 1 3 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:56 PM Audio:ABBA:ABBA ForeverMamma mia Gold I:03 ABBA Take a Bennychance Andersson/Björn on me.mp3 Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3428328 213 1 1 4 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:59 PM Audio:ABBA:ABBA ForeverLay all Goldyour I:04love Mammaon me mia.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 4401337 274 1 1 5 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 5Super Lay alltrouper your love ABBA on me.mp3 Benny Andersson/Björn Ulvaeus ABBA Forever Gold I Rock 4081599 254 1 1 6 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBAI
    [Show full text]
  • Administration Reviews Campus Resources, Needs
    VOLUME79, ISSUE7 “EDUCATIONFOR SERVICE” DECEMBER8,1998 THE Discover the Satisfy your methods of curiosity selling and about fall buying text- sport athletes books in REFLECTOR receiving all- bookstores at conference universities. UNIVERSITYOF INDIANAPOLIS honors. See Page 6. 1400 EASTHANNA AVENUE INDIANAPOLIS, IN 46227 See Page 8. STRATEGIES Administration reviews campus resources, needs important functions for the university Tara J. Sullivan as well. News Editor As reported in the Oct. 13 issue of The Reflector. there were plans for media services. the School for Adult The rejection of a $5 million Lilly Studies, the Center for Technology E dowment grant proposal has forced and Learning and, possibly, Univer- tl :administration to find creative ways sity Computing Services to be housed I( meet campus needs. in the new building. Thegrant money wouldhave planted “I do think it affects our strategic the seed for a $15 million communica- planning because we have to plan for tion and conference center to com- our needs in thefuture,”saidDr. David plete the central campus. Wantz. vice president of student The plan was modeled after a simi- affairs.“We are responsible for our lar building at Bradley University in substance. We can’t depend on the capital grant proposals from Indiana Dr. Lynn Youngblood, senior vice Peoria, Ohio that cost $16.2 million. good offices of Lilly for our survival. colleges and universities. president and provost, said “the bot- Although the communication de- The responsibility is ours to fund our “Ben rolled the dice and went for tom line was there were more requests partment appears to have suffered the programs.” the harder one,” said President Jerry greatest from this recent development, The Lilly Endowment accepted $1 Israel, about former President Ben- ADMINISTRATION cant.
    [Show full text]
  • Alanis Morissette
    ALANIS MORISSETTE Her Birth and Childhood The daughter of Alan and Georgia Morissette, Alanis, an Ottawa native, was one of three children in the family (she has an older brother named Chad and a twin brother named Wade). Although the name Alanis is Greek itself, Alanis Morissette has no Greek background whatsoever. As it turns out, Alan Morissette wanted his daughter to have a female version of his name, but he wasn't particularly fond of the name Alanna. So one day, by chance, he spotted the name Alanis in a newspaper. Alanis loved dancing and acting when she was young (probably still does). She started learning ballet and jazz dancing at the age of 7. She has also done a lot of stage and theatre work, including a part on the highly popular kids television show "You Can't Do That on Television" when she was 11. Alanis also appeared in the TV movie "Just One of the Girls" in 1993. And as the young girl she said "I want to prove to people that just because you're young it doesn't mean you can't do as much as adults can....." And actually she was some kind of rebel all the time. She might have been an English or Drama teacher if she hadn't been involved in show business. But that, I can say fortunately, never happened. Her Breakthrough She has been writing songs for fun since she was 9 years old. Alanis admired the music and character of Olivia Newton John (from "Grease") tremendously when she was young, which is the main reason why she was so interested in music.
    [Show full text]
  • Jagged Little Pill Takes on the Good Work We Are Always Asking New Musicals to Do: the Work of Singing About Real Things.”
    “A Big-Hearted Musical That Breaks The Mold. Jagged Little Pill takes on the good work we are always asking new musicals to do: the work of singing about real things.” “Triumphant! Not Since Rent has a musical invested so many bravura roles with so much individual life.” “Jagged Little Pill Feels Urgent. It’s also wildly entertaining, and wickedly funny in just the right places. We’re reminded that Morissette’s songs are a treasure.” “Stirring, Breathtaking & Exceptionally Relevant. Work this ambitious broadens our perspective of what theater can do.” JAGGED LITTLE PILL To Open on Broadway This Fall Direct from a Record-Breaking, Sold-Out World Premiere at American Repertory Theater (Left to right: Sidi Larbi Cherkaoui, Diane Paulus, Alanis Morissette, Diablo Cody, Tom Kitt. Photo by Matthew Murphy) Lyrics by Seven-time Grammy Winner Alanis Morissette Music by Alanis Morissette & Six-time Grammy Winner Glen Ballard Book by Academy Award winner Diablo Cody Direction by Tony Award winner Diane Paulus Movement Direction and Choreography By Olivier Award winner Sidi Larbi Cherkaoui Music Supervision, Orchestrations and Arrangements By Pulitzer Prize winner Tom Kitt Atlantic Records to Release Original Broadway Cast Recording Fan First Listen: Sign Up by February 11 For Exclusive Song Performed by the World Premiere Cast FIRST LOOK! CREATIVE TEAM PHOTO DOWNLOAD (photo credit Matthew Murphy): https://bit.ly/2Sb8dEz (New York, NY – January 28, 2018) Producers Vivek J. Tiwary, Arvind Ethan David, and Eva Price are thrilled to announce that – following a record-breaking, sold-out world premiere at American Repertory Theater (A.R.T) last summer – the acclaimed new musical JAGGED LITTLE PILL will open on Broadway this fall, at a theater soon to be announced.
    [Show full text]
  • Multi-Scale and Multi-Dimensional Modelling of Music Structure Using Polytopic Graphs Corentin Louboutin
    Multi-scale and multi-dimensional modelling of music structure using polytopic graphs Corentin Louboutin To cite this version: Corentin Louboutin. Multi-scale and multi-dimensional modelling of music structure using polytopic graphs. Sound [cs.SD]. Université Rennes 1, 2019. English. NNT : 2019REN1S012. tel-02149728 HAL Id: tel-02149728 https://tel.archives-ouvertes.fr/tel-02149728 Submitted on 6 Jun 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT DE L’UNIVERSITE DE RENNES 1 COMUE UNIVERSITE BRETAGNE LOIRE Ecole Doctorale N°601 Mathèmatique et Sciences et Technologies de l’Information et de la Communication Spécialité : Informatique Par « Corentin LOUBOUTIN » « Modélisation Multi-Echelle et Multi-Dimensionnelle de la Structure Musi- cale par Graphes Polytopiques » «Multi-Scale and Multi-Dimensional Modelling of Musical Structure with Polytopic Graphs» Thèse présentée et soutenue à UNIVERSITÉ DE RENNES 1, IRISA (UMR 6074), le 13 mars 2019 Unité de recherche : 6074 (IRISA) Rapporteurs avant soutenance : Florence Levé, Maître
    [Show full text]
  • 2017 Durango Songwriters Expo Industry Bios – Ventura, CA
    2017 Durango Songwriters Expo Industry Bios – Ventura, CA Abbey Adams (Nashville) – Senior Creative Director, Sony/ATV Music Publishing. Focused on Artist Development, Producer/Writers and Sync-friendly writers - mostly country, but not limited. She has placed numerous cuts and hits with such artists as Keith Urban, Billy Currington, Tim McGraw, Dierks Bentley, Jake Owen, Ronnie Dunn, Lady Antebellum, and Martina McBride. She has placed songs in “Grey’s Anatomy,” “Nashville” and “Country Strong.” Kristen Agee (Los Angeles) - Founder & CEO at 411 Music Group. 411 provides custom score and one-stop, artist- driven music licensing for artists, by artists with placements in “Crazy Ex-Girlfriend” (CW), “Grimm” (NBC), “Guild” (ABC), “Into The Badlands” (AMC), “Viceland” (MTV), “Keeping Up with the Kardashians” (E!) and much more. Ad Campaigns for Sherwin-Williams, Samsung, Beanpole, Rooms To Go, Trailers, Video games. Looking for Indie artists, underscore and sound design for use in Film & TV, advertising, radio, and interactive media services. Walt Aldridge (Muscle Shoals) – Lorraine Parkway Music. Songwriter, singer, musician, engineer and producer has exercised his musical skills in Muscle Shoals and Nashville for more than thirty years. During that time he has written more than 50 top 40 songs, 7 reaching the #1 spot. His work spans a wide spectrum of music, including Lou Reed, Peter Cetera and Blessid Union of Souls, Conway Twitty, Reba McEntire and more! Al Anderson (Nashville) - Mega-hit songwriter and monster guitar player with #1 Hits… such as "The Cowboy In Me," "Trip Around The Sun," "Unbelievable," and “Love’s Gonna Make It Alright.” Big Al is a very important part of The Expo and was a founding member of the legendary rock group NRBQ.
    [Show full text]