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2018-12-14 Thesis Final Version
MEMORY, SPACE & LAW MEMORY SITES OF THE 1992-1995 WAR IN PRESENT DAY BOSNIA & HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Scientific article Word count: 9.485 Aurore Vanliefde Student number: 01708804 Promotor: Dr. David Mwambari Master’s thesis presented for obtaining the degree of Master in Conflict and Development Academic year: 2018-2019 MEMORY, SPACE & LAW. MEMORY SITES OF THE 1992-1995 WAR IN BOSNIA AND HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Abstract This article revolves around memorialisation of the 1992-1995 war in Bosnia and Herzegovina (BiH). Theoretical insights from literature are combined with empirical data from 29 memory sites in BiH, two expert interviews, and additional information from informal conversations with guides and participation in guided tours. The aim of this study is to understand the use of memory sites of the 1992-1995 war in BiH, and research the extent to which the International Criminal Tribunal for the former Yugoslavia (ICTY)’s legacy has been integrated into these memory sites. The findings show that memorialisation is on-going through the creation, conservation, accentuation and destruction of memory sites. Memorials are generally exclusively meant for one ethno-national group, and are often the product of local and/or private initiatives. These sites of memory are lieux de mémoire, as described by Pierre Nora, where a community’s collective memory is both materialised and generated. Personal testimonies are extensively used in museums and archival material from the ICTY is included in some memory sites. The ICTY’s legacy constitutes a unique kind of memory, a lieu de mémoire sui generis. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Antiretroviral Price Reductions
UNTANGLING THE WEB OF ANTIRETROVIRAL PRICE REDUCTIONS 18th Edition – July 2016 www.msfaccess.org PREFACE In this report, we provide an update on the key facets of HIV treatment access. It includes the latest HIV treatment guidelines from World Health Organization (WHO), an overview on pricing for first-line, second-line and salvage regimens, and a summary of the opportunities for – and threats to – expanding access to affordable antiretroviral therapy (ART). There is a table with information on ARVs, including quality assurance, manufacturers and pricing on pages 55 to 57. THE MSF ACCESS CAMPAIGN In 1999, on the heels of Médecins Sans Frontières (MSF) being awarded the Nobel Peace Prize – and largely in response to the inequalities surrounding access to HIV/AIDS treatment between rich and poor countries – MSF launched the Campaign for Access to Essential Medicines. Its sole purpose has been to push for access to, and the development of, life-saving and life-prolonging medicines, diagnostics and vaccines for patients in MSF programmes and beyond. www.msfaccess.org MSF AND HIV Médecins Sans Frontières (MSF) began providing antiretroviral therapy to a small number of people living with HIV/AIDS in 2000 in projects in Thailand, South Africa and Cameroon. At the time, treatment for one person for one year cost more than US$10,000. With increased availability of low-cost, quality antiretroviral drugs (ARVs), MSF provides antiretroviral treatment to 240,100 people in 18 countries, implements treatment strategies to reach more people earlier in their disease progression, and places people living with HIV at the centre of their care. -
1 Nasser Al-Taee University of Tennessee, Knoxvi
Echo: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) Nasser Al-Taee University of Tennessee, Knoxville “In rai, there are always enemies, always problems.” Dijillai, an Algerian fan (Shade-Poulsen 124) 1. It is no coincidence that rai surged onto the Algerian popular music landscape during the 1980s, a time in which Islamic reformists brought about new challenges to the political, cultural, and artistic scenes in the developing country. [Listen to an example of rai.] Caught between tradition and modernization, and reacting to the failure of socialism and its inability to appeal to the majority of the Algerian masses, the country sank into a brutal civil war between the military- backed regime and Islamic conservatives demanding a fair democratic election. Algerian rai artists responded by expressing disenchantment with their country’s situation through a modernized genre largely based on its traditional, folk-based, sacred ancestor. In Arabic rai means “opinion,” a word reflecting the desire for freedom of speech and expression, values that have been subjected to extreme censorship by non-democratic Arab governments. Currently, rai is associated with an emerging youth culture and the new connotations ascribed to the genre reflect 1 Echo: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) tenets of liberalism that depart from the past. In its newly adopted form, rai represents an alternative mode of protest and liberation. 2. When new rai began to achieve popularity in Algeria and Europe in the late 70s and early 80s, rai artists and the conservative factions were at odds with each other because of their conflicting ideological positions. -
Rachid Taha Diwân Mp3, Flac, Wma
Rachid Taha Diwân mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country Album: Diwân Country: US Released: 1998 Style: Raï MP3 version RAR size: 1860 mb FLAC version RAR size: 1507 mb WMA version RAR size: 1727 mb Rating: 4.8 Votes: 607 Other Formats: ADX MP4 FLAC MOD DMF TTA AIFF Tracklist Hide Credits Ya Rayah 1 6:13 Written-By – Abderrahmane Amrani* Ida 2 5:56 Written-By – Rachid Taha Habina 3 7:27 Written-By – Farid El Atrache, Toufic Barakat* Bent Sahra 4 7:12 Written-By – Ahmed Khelifi Ach Adani 5 6:25 Written-By – Abderrahmane Amrani* El H'Mame 6 6:07 Written-By – Mohammed El Anka Enti Rahti 7 6:58 Written-By – Abderrahmane Amrani* Menfi 8 5:03 Written-By – Akli Yahiatene, Missoum Amraoui Bani Al Insane 9 4:32 Written-By – Boudjemaa Hgour* Malheureux Toujours 10 6:13 Written-By – Ahmed Soulimane, Benaceur Baghdadi Aiya Aiya 11 7:00 Written-By – Rachid Taha Companies, etc. Phonographic Copyright (p) – Barclay Copyright (c) – Barclay Made By – PMDC, USA Credits Engineer, Mixed By – Dave Pemberton, Pete Hoffmann* Flute – Aziz Ben Salem Oud – Kaseeme Jalanne (tracks: 11) Oud, Banjo, Vocals [Backing], Percussion [Additional] – Nabil Khalidi Percussion – Hossam Ramsy* Producer, Programmed By, Engineer, Mixed By, Guitar – Steve Hillage Strings – Bob Loveday, Geoffrey Richardson, Pete Macgowan* Vocals – Amina Alaoui Notes Printed in the U.S.A. Made in the U.S.A. CD released with a 12-page booklet in a standard jewel case Barcode and Other Identifiers Barcode (Printed): 7 314 539 953-2 1 Barcode (Scanned): 731453995321 -
W O R C E S T E R a R T M U S E U M / Worcesterart.Org
W O R C E S T E R A R T M U S E U M / worcesterart.org BLOOD AND HONEY, RON HAVIV’S PHOTOJOURNAL OF THE YUGOSLAV CONFLICT, TO BE PRESENTED AT THE WORCESTER ART MUSEUM Part of the Museum’s Photojournalism Series Examining Global Conflicts, Haviv’s Images Document Europe’s Unthinkable, Post-Cold War Horrors Worcester, MA—June 8, 2016—For more than a decade, photojournalist Ron Haviv documented the civil wars that tore apart the Balkans, beginning with the Slovenian withdrawal from Yugoslavia in 1991. Now, as the migrant crisis in Europe once more brings the Balkans back into the news, the Worcester Art Museum will present an exhibition of original works titled Blood and Honey, drawn from Haviv’s book of the same name. Organized by the Museum in collaboration with the artist, this is the fourth and final exhibition in a series that explores the work of photojournalists documenting areas of conflict—and the impact of conflict on both civilians and soldiers alike—as part of the Museum’s larger Knights! installation, which presents arms and armor in both an art historical and social context. Blood and Honey opens today and will continue through the close of Knights! on November 6, 2016. Haviv’s photographs presented the Balkan conflicts to the world with clarity and candor, tracking the escalation of the Yugoslav civil war from loosely organized militias with small weapons to the eventual deployment of tanks and heavy weaponry on all sides. His images also document the devastation the wars brought to the people of the region: ethnic cleansing, mass incarceration, and forced starvation; a massive refugee crisis; war crimes at a staggering scale; and more than 130,000 deaths. -
Vii-Migration-Program Copy 3
PERSPECTIVES: MIGRATION NOVEMBER 14 & 15, 2015 Photo by Ashley Gilbertson Commemorating 10 years of VII and IGL collaboration and the 30th anniversary of the Institute for Global Leadership, the world’s leading photojournalists from the VII Photo Agency will explore their coverage of the continuing migration and merging of societies and cultures through a series of presentations and panels featuring recent work from the Syrian refugee crisis followed by a day of hands on workshops. THE AGENDA Saturday, November 14: SEMINARS 1:15 PM: PART ONE – HISTORY: The First Migration Sunday, November 15: Man has been seeking better opportunities since our ancestors’ first migration out WORKSHOPS of Africa. John Stanmeyer is documenting man’s journey and subsequent evolution with National Geographic’s Out of Eden Project – an epic 21,000-mile, 11:00 AM: Street Photography seven year odyssey from Ethiopia to South America. Ed Kashi and Maciek Nabrdalik will 2:00 PM: PART TWO – CRISIS: The European Refugee Crisis lead students around Boston and guide them on how to approach VII photographers are documenting the developing refugee crisis from its origins subjects, compose their frames, and in the Syrian uprising to the beaches of Greece and beyond. Technology has both find new and unexpected angles. An expanded the reach and immediacy of their work while challenging our definition editing critique with the of a true image. photographers will follow the VII Photographers: Ron Haviv, Maciek Nabrdalik, Franco Pagetti and Ashley shooting session. Gilbertson Panelist: Glenn Ruga, Founder of Social Documentary Network and ZEKE 11:00 AM: Survival: The Magazine Complete Travel Toolkit Moderated by Sherman Teichman, Founding Director, Institute for Global Leadership, Tufts University Ron Haviv will share tips and tricks on how best to survive and thrive in the 3:30 PM Break before, during, and after of a shoot. -
Child-Sensitive Return
Child-sensitive return Upholding the best interests of refugee and migrant children in return decisions and processes in the Netherlands November 2019 A UNICEF Netherlands/PFP project Authors: Martin Vegter, LLM (Defence for Children) Roos de Wildt, PhD (Defence for Children) Majorie Kaandorp (UNICEF The Netherlands) Eva van Aalst (UNICEF The Netherlands With support from: Julie Lebegue (UNICEF PFP) Editing: John Hemy Design: Schone Vormen For further information, please contact: Eva van Aalst Senior Expert Children’s Rights, Migration and Asylum UNICEF The Netherlands E-mail: [email protected] 2 ACKNOWLEDGEMENTS This research project benefitted from the support, insights and expertise of many individuals and organisations to whom we, at UNICEF The Netherlands, offer our sincere thanks. Thanks, firstly, to Martin Vegter and Roos de Wildt, who conducted the research. Thanks also to DLA Piper NL for their legal analysis on return and Schone Vormen for his work on the report’s design. We would like to thank all those who were interviewed or contributed information. This includes colleagues from a wide range of civil society and legal organisations, IOM, Nidos, immigration lawyers, The Dutch Refugee Council, STIL Utrecht, Solid Road, Amnesty International The Netherlands and the Dutch Ministry of Justice and Security and implementing authorities, including the Immigration and Naturalization Service (IND), Repatriation and Departure Service (DT&V), the Transport and Support Service (DV&O), the Central Agency for Reception of Asylum Seekers (COA) and the Child Care and Protection Board. All gave generously of their time and expertise, and this research was only possible due to their participation. -
February 2000
_______,_ - The Jewish OF RHODE ISLAND Jewish Federation of Rhode Island Adarl 5760 February 2000 The men and women who get to spend their days at the Adult Day Center discover their artistic side. The Center, in Providence, is run by the Jewish Seniors Agency for adults who should not be alone during the day. A variety of programs stimulate their minds and bodies, and may include health monitoring and personal care. To find out more about this service for elderly people, See page 3 Ethiopians in Israel are the focus of several JDC pro grams, and a couple from In Business for 105 years, CJ Fox moves forward Warwick visited three under the team of Bob Ethiopian communities in and Josh Starr, and Jill Israel and another in Addis Fox Tabak, the 3rd and Ababa. 4th generations in the See pages 7, 10,11 family company, who Postmaster: Dated Material. are mixing the tried and Please Expedite! true with the latest technology. See page 3 2 The JewishVoice of RI • February 2000 The Jewish briefs are compiled by the editor ~~CORRECTION~~ largely from dispatches from the Voice of RI , T he January feat ure story age 54, and H as kell ass umed I Jewish Telegraphic Agency. o n Union Industries noted the busi ness. The Jewish Voice of Rhode Island (465- 71 0) that H as kell Fran k and his is printed monthly, ~- To contribute ro Venezuelan brother toge ther ran the busi T he Jewish Community except Aug ., in Sept. , Relief write a check to JDC ness founded by thei r father, Oct. -
Tesi Doctoral Ruben Gomez Muns
LA WORLD MUSIC EN EL MEDITERRÁNEO (1987-2007): 20 AÑOS DE ESCENA MUSICAL, GLOBALIZACIÓN E INTERCULTURALIDAD Rubén Gómez Muns ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. -
On Assignment: a Guide to Reporting in Dangerous Situations
On Assignment: A Guide to Reporting in Dangerous Situations The publication of this handbook was made possible by the following contributors: Andrews McMeel Publishing CNN The Ethics and Excellence in Journalism Foundation The Gannett Foundation The Poynter Institute Table of Contents On Assignment: A Guide to Reporting in Dangerous Situations I. Introduction.......................................................................1 II. Who is at Risk?................................................................ 5 III. Covering Conflict............................................................7 Training.................................................................................................... 8 How do you decide whether it is best to blend in or be clearly identified as a journalist while working in a combat zone? by Charles Hanley..............................................................................8 Security Training Courses.................................................................8 Biochemical Courses.......................................................................10 Security Training Firms....................................................................10 Security Literature............................................................................14 Funding for Security Courses..........................................................14 Protective Gear......................................................................................15 Body Armor......................................................................................15 -
Walsh Magnum VII Spring 2016
Photography through the Lens of Magnum and VII IDSEM-UG 1857 Gallatin School of Individualized Study New York University Spring 2016 Dr. Lauren Walsh Office: 1 Wash. Pl., rm 431 Contact: [email protected] Office hours: Fri. 2-4 Class location: 194M, room 201 Class: 11:00a-1:45p Fridays Learn the history of some of the greatest works of journalistic and documentary photography over the last seventy years through two of the most eminent photo collectives, Magnum and VII. Photographers at these leading collectives have created iconic documentary images and helped define the field of photojournalism as we know it today. In examining Magnum and VII, students learn how these collectives function as a business model, in opposition to wire services and other photo agencies, and how these distinctions have informed the style and content produced by photojournalists over the past few decades. We thus use these collectives as a lens (pun intended!) through which to address a recent history of photography, the trajectory of visual journalism, and ultimately, the place of advocacy in documentary photography, as these collectives often turn an eye toward momentous histories and social justice. In focusing on the work of specific photographers from each collective, students learn about historic events, from coverage of Latin American guerrilla wars to the break up of Yugoslavia, in addition to current humanitarian issues, like the mining of “conflict minerals” in the Congo. These case studies allow us to examine when and how photos have affected the course of history. At times in conversation with photographers from these collectives, we also consider present-day concerns: does the still image have the same power today—an era saturated by images—as it did just a few decades ago? As a photographer, what are the ethical ramifications of acting as the public’s eyes? Readings include theory, journalistic accounts, history, and other critical literature, while authors include Ritchin, Cartier-Bresson, Sontag, and Sliwinski.