February 2000
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Palestine, Israel, and the Politics of Popular Culture
PALESTINE, ISRAEL, AND THE POLITICS OF POPULAR CULTURE Rebecca L. Stein and Ted Swedenburg, editors PALESTINE, ISRAEL, AND THE POLITICS OF POPULAR CULTURE Duke University Press Durham & London 2005 © 2005 Duke University Press All rights reserved Printed in the United States of America on acid-free paper Designed by Rebecca Giménez Typeset in Scala by Tseng Information Systems Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. CONTENTS Acknowledgments : vii Rebecca L. Stein and Ted Swedenburg Introduction: Popular Culture, Transnationality, and Radical History : 1 I HISTORICAL ARTICULATIONS Salim Tamari Wasif Jawhariyyeh, Popular Music, and Early Modernity in Jerusalem : 27 Mark LeVine The Palestinian Press in Mandatory Jaffa: Advertising, National- ism, and the Public Sphere : 51 Ilan Pappé Post-Zionism and Its Popular Cultures : 77 II CINEMAS AND CYBERSPACES Carol Bardenstein Cross/Cast: Passing in Israeli and Palestinian Cinema : 99 Laleh Khalili Virtual Nation: Palestinian Cyberculture in Lebanese Camps : 126 Livia Alexander Is There a Palestinian Cinema? The National and Transnational in Palestinian Film Production : 150 III THE POLITICS OF MUSIC Joseph Massad Liberating Songs: Palestine Put to Music : 175 Amy Horowitz Dueling Nativities: Zehava Ben Sings Umm Kulthum : 202 Ted Swedenburg Against Hybridity: The Case of Enrico Macias/Gaston Ghrenassia : 231 IV REGIONAL AND GLOBAL CIRCUITS Rebecca L. Stein ‘‘First Contact’’ and Other Israeli Fictions: Tourism, Globalization, and the Middle -
Download the Evening of Culture Program
EUROPE in TURMOIL The 31st Norris and Margery Bendetson EPIIC International Symposium EVENING of CULTURE Wednesday, February 17 Cohen Auditorium PROGRAM 700 Welcome 710 Poetry by Czesław Miłosz The reading of “Child of Europe,” a poem by Polish Poet Czesław Miłosz, a life migrant who won the Nobel Prize in Literature in 1980. The “Child of Europe” is a satirical poem in which Miłosz reflects deeply upon events of the world and the future of Europe. Reading by Paulina Jedrzejowski, EPIIC Colloquium (A’19) 720 “Beethoven and the Future of Europe” George Mathew, Founder and Artistic Director of Music for Life International and John McDonald, Chair and Professor of Music, Tufts University A piano performance of Beethoven’s Egmont Overture and excerpts from his Ninth Symphony Professor McDonald will also play a tribute in memory of Professor Stanley Hoffmann, “Deep, Reasoned Voices” and a piece celebrating IGL Founding Director Sherman Teichman, “Let Me Wear the Day Well” 810 A Performance of Roma Music Tomas Kaco, a pianist, vocalist, and composer of traditional and contemporary Roma music, he will be accompanied by Cajori Romani (solo) and Sukar Jakha (solo) Cajori Romani (solo) Sukar Jakha (solo) Marus pre ma Beethoven 5th 840 Uncertain Journey Ron Haviv, Photojournalist; Co-Founder, VII Photo Agency Gary Knight, Photojournalist; Co-Founder, VII Photo Agency; Director, Program for Narrative and Documentary Practice, Institute for Global Leadership, Tufts University from the Bosnia War (Blood and Honey), Kosovo (Evidence) and the current -
Arab Ethnicity and Id
ABSTRACT Title of thesis: ARAB MUSICIANS IN WASHINGTON, D.C. AREA: ETHNICITY AND IDENTITY Christina Campo-Abdoun, Master of Arts, 2011 Thesis directed by: Professor J. Lawrence Witzleben Musicians living in the Arab Diaspora around the Washington, D.C. metro area are a small group of multi-faceted individuals with significant contributions and intentions to propagate and disseminate their music. Various levels of identity are discussed and analyzed, including self-identity, group/ collective identity, and Arab ethnic identity. The performance and negotiation of Arab ethnic identity is apparent in selected repertoire, instrumentation, musical style, technique and expression, shared conversations about music, and worldview on Arabic music and its future. For some musicians, further evidence of self-construction of one’s ethnic identity entails choice of name, costume, and venue. Research completed is based on fieldwork, observations, participant-observations, interviews, and communications by phone and email. This thesis introduces concepts of Arabic music, discusses recent literature, reveals findings from case studies on individual Arab musicians and venues, and analyzes Arab identity and ethnicity in relation to particular definitions of identity found in anthropological and ethnomusicological writings. Musical lyrics, translations, transcriptions, quotes, discussions, analyses, as well as charts and diagrams of self-identity analyses are provided as evidence of the performance and negotiation of Arab identity. ARAB MUSICIANS IN WASHINGTON, D.C. AREA: ETHNICITY AND IDENTITY By Christina K. Campo-Abdoun Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2011 Advisory Committee: Professor J.