Thorne Anderson Curriculum Vitae, Updated January 2019
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How Subject Reactivity Influences Visual Journalism
MORE THAN MEETS THE EYE: HOW SUBJECT REACTIVITY INFLUENCES VISUAL JOURNALISM _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by T.J. THOMSON Dr. Keith Greenwood, Thesis Supervisor JULY 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled MORE THAN MEETS THE EYE: HOW SUBJECT REACTIVITY INFLUENCES VISUAL JOURNALISM presented by T.J. THOMSON, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. Associate Professor Keith Greenwood Professor David Rees Assistant Professor Brian Kratzer Associate Professor Wayne Brekhus ACKNOWLEDGEMENTS I extend my heartfelt gratitude to Keith Greenwood, committee chair, who graciously answered questions, provided insightful feedback, and posed keen questions that allowed me to explore and refine my research interests and methodologies. Thanks to Brian Kratzer, committee member, who, in conjunction with my committee chair, allowed me to conduct a pilot study of this research at the Missourian during the spring 2015 semester, and who epitomizes patience. Thanks to David Rees, committee member, who exposed me to the photo elicitation methodology used in this research and whose love of life and humor brightened up countless interactions. Thanks to Wayne Brekhus, committee member, who wrote a book about identities that provided background for my research and who graciously agreed to meet with and serve on my committee. Thanks also to the dozens of students, colleagues, and fellow editors who helped form my research interests through discussion, interviews, and the candid sharing of their insight and experience. -
JOUR 321: Visual Journalism 2 Units
JOUR 321: Visual Journalism 2 Units Fall 2018 – Thursday 12:30 p.m. – 2:10 p.m. Section: 21171D Location: ANN 307 Instructor: David Matorin Office Hours: Thursdays, 2:10-3:10 p.m. and by arrangement. Contact Info: [email protected]; [email protected]; 917.710.1660 Course Description Students will gain an understanding of visual journalism through theory and practical application while exploring current and emerging story forms. Students will learn video for digital platforms, principles of photography, design for web and mobile platforms, and the roles each play in interactive and engaging storytelling. An emphasis will be placed on narrative, documentary-style video and visual stories for web and social media. Students also will learn elements of design related to typography, layout, engagement and user interface as they apply to journalistic story forms across platforms. Social media will also be an integral outlet for photo and video stories. In addition to providing you with skills necessary to produce journalistic multimedia stories, including videos and audio slideshows, we will also cover an introduction to principles of digital news design, interactivity and presentation. Ethical, legal and social issues affecting visual journalists will be discussed. We will take a practical, hands-on approach in this class. An introduction to photo, audio and video editing software will be provided. A modern mobile device or tablet device with a camera such as the iPhone 7 Plus or Samsung Galaxy S8, will be used as a primary content gathering device in the class. The device, mobile apps (shooting, editing and special purpose) and additional equipment are also major topics addressed during the course. -
2018-12-14 Thesis Final Version
MEMORY, SPACE & LAW MEMORY SITES OF THE 1992-1995 WAR IN PRESENT DAY BOSNIA & HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Scientific article Word count: 9.485 Aurore Vanliefde Student number: 01708804 Promotor: Dr. David Mwambari Master’s thesis presented for obtaining the degree of Master in Conflict and Development Academic year: 2018-2019 MEMORY, SPACE & LAW. MEMORY SITES OF THE 1992-1995 WAR IN BOSNIA AND HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Abstract This article revolves around memorialisation of the 1992-1995 war in Bosnia and Herzegovina (BiH). Theoretical insights from literature are combined with empirical data from 29 memory sites in BiH, two expert interviews, and additional information from informal conversations with guides and participation in guided tours. The aim of this study is to understand the use of memory sites of the 1992-1995 war in BiH, and research the extent to which the International Criminal Tribunal for the former Yugoslavia (ICTY)’s legacy has been integrated into these memory sites. The findings show that memorialisation is on-going through the creation, conservation, accentuation and destruction of memory sites. Memorials are generally exclusively meant for one ethno-national group, and are often the product of local and/or private initiatives. These sites of memory are lieux de mémoire, as described by Pierre Nora, where a community’s collective memory is both materialised and generated. Personal testimonies are extensively used in museums and archival material from the ICTY is included in some memory sites. The ICTY’s legacy constitutes a unique kind of memory, a lieu de mémoire sui generis. -
Visual Journalism
SYLLABUS VISUAL JOURNALISM Instructor: Simon Waldman Contact Hours: 40 Language of Instruction: English LONDON, ENGLAND COURSE DESCRIPTION To misquote Mark Twain, reports of the death of TV journalism have been greatly exaggerated. But the landscape is changing with bewildering speed. The way we watch news has undergone a revolution in the past decade – a revolution that shows no sign of slowing down. And the way younger people get their news continues to challenge the world’s major broadcasters. But the essential principles that underpin the creation of high quality video journalism seem – so far - to have survived this upheaval. This course combines intensely practical sessions covering the skills and techniques necessary for producing broadcast standard visual journalism with discussion and debate on the shifting tectonic plates in the industry. Students will hear from – and be able to question - leading figures from major TV and online news organisations and they will have the opportunity to spend time in the TV News studios at the headquarters of the BBC. By the end of the course, they will have created their own TV programme. Each week, we will examine different aspects of the production of visual journalism and explore the changing nature of the medium. What are the ingredients needed for an attention- grabbing package? Does EVERY picture tell a story? What makes material shareable? How should journalists frame their questions to elicit the sound-bite answers they seek? How should each shot be framed to achieve the best results? What does the phrase “citizen journalist” really mean? And, now that everyone can put video material online, what will be the impact of the “citizen publisher”? Much of the material we create will use equipment that (almost) every student already owns: a mobile phone. -
Our Choice of New and Emerging Photographers to Watch
OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH TASNEEM ALSULTAN SASHA ARUTYUNOVA XYZA BACANI IAN BATES CLARE BENSON ADAM BIRKAN KAI CAEMMERER NICHOLAS CALCOTT SOUVID DATTA RONAN DONOVAN BENEDICT EVANS PETER GARRITANO SALWAN GEORGES JUAN GIRALDO ERIC HELGAS CHRISTINA HOLMES JUSTIN KANEPS YUYANG LIU YAEL MARTINEZ PETER MATHER JAKE NAUGHTON ADRIANE OHANESIAN CAIT OPPERMANN KATYA REZVAYA AMANDA RINGSTAD ANASTASIIA SAPON ANDY J. SCOTT VICTORIA STEVENS CAROLYN VAN HOUTEN DANIELLA ZALCMAN © JUSTIN KANEPS APRIL 2017 pdnonline.com 25 OUR CHOICE OF NEW AND EMERGING PHOTOGRAPHERS TO WATCH EZVAYA R © KATYA © KATYA EDITor’s NoTE Reading about the burgeoning careers of these 30 Interning helped Carolyn Van Houten learn about working photographers, a few themes emerge: Personal, self- as a photographer; the Missouri Photo Workshop helped assigned work remains vital for photographers; workshops, Ronan Donovan expand his storytelling skills; Souvid fellowships, competitions and other opportunities to engage Datta gained recognition through the IdeasTap/Magnum with peers and mentors in the photo community are often International Photography Award, and Daniella Zalcman’s pivotal in building knowledge and confidence; and demeanor grants from the Pulitzer Center on Crisis Reporting altered and creative problem solving ability keep clients calling back. the course of her career. Many of the 2017 PDN’s 30 gained recognition by In their assignment work, these photographers deliver pursuing projects that reflect their own experiences and for their clients without fuss. Benedict Evans, a client interests. Salwan Georges explored the Iraqi immigrant says, “set himself apart” because people like to work with community of which he’s a part. Xyza Bacani, a one- him. -
Faces of Diplomatic Security
UNITED STATES DEPARTMENT OF STATE BUREAU OF DIPLOMATIC SECURITY FACES OF DIPLOMATIC SECURITY YEAR IN REVIEW 2015 On the cover: Highlighted in this OUR MISSION: The Bureau of Diplomatic Security (DS) is the law enforcement and security edition of the DS Year in Review arm of the U.S. Department of State. It bears the core responsibility for providing a safe are nine Diplomatic Security (DS) environment for the conduct of American diplomacy. DS is the most widely represented U.S. personnel representing the diversity law enforcement and security organization in the world and protects people, property, and of skills that help DS fulfill its information at 275 State Department missions around the globe. To achieve this mission, DS is broad law enforcement and a leader in mitigating terrorist threats to American lives and facilities, mounting international security mission. (U.S. Department of State photos) investigations, and generating innovations in cyber security and physical security engineering. BUREAU OF DIPLOMATIC SECURITY YEAR IN REVIEW 2015 02 Message from the Assistant Secretary for Diplomatic Security 05 Embassies: On the 30 Investigating Terror 44 Critical Information Front Lines and Crime • Cyber Defenders..... 44 • Mali Hotel Rescue ...5 • Investigations ....... 30 • The Face of DS: • The Face of DS: • The Face of DS: Chris Buchheit....... 45 Carrington Johnson .. 9 Marcus Purkiss ...... 33 • Command Center.... 46 • Embassy Havana • Most Wanted ....... 35 • The Face of DS: Opens ............. 10 • Field Notes.......... 36 Anthony Corbin .....47 • The Face of DS: • OSAC .............. 48 Michelle Dube....... 11 • Recruiting • Kathmandu and Vetting ......... 50 Earthquake ......... 12 • The Face of DS: Jason Willis ......... 13 • 2015 Attacks ....... -
Journalism (JRN) 1
Journalism (JRN) 1 Journalism (JRN) Courses JRN 1101. Elements of Writing. 2 Credit Hours. This course focuses on the fundamentals of style and language usage necessary for effective writing. Repeatability: This course may not be repeated for additional credits. JRN 1111. Journalism and Society. 3 Credit Hours. The purpose of this course is to acquaint students with concepts and functions of journalism and the related industries of advertising and public relations in American society. Students will gain knowledge about the history, economics and industry structure of these industries, focusing on how mass media content is determined and disseminated. We will explore underlying values associated with journalism, relationships between journalism and other social institutions, and current issues facing journalists. NOTE: (1) Departmental core course. Normally taken as the first Journalism course. A grade of C or higher is required in order to take higher-level Journalism courses. (2) This course can be used to satisfy the university Core Individual and Society (IN) requirement. Although it may be usable towards graduation as a major requirement or university elective, it cannot be used to satisfy any of the university GenEd requirements. See your advisor for further information. Course Attributes: IN Repeatability: This course may not be repeated for additional credits. JRN 1113. Audio/Visual Newsgathering. 3 Credit Hours. This course will present students with additional story-telling tools by introducing them to basic techniques of reporting with and editing sound and video. The emphasis of this course will be on the use of digital audio and video recorders in the field to produce news stories for radio, television and the web. -
Antiretroviral Price Reductions
UNTANGLING THE WEB OF ANTIRETROVIRAL PRICE REDUCTIONS 18th Edition – July 2016 www.msfaccess.org PREFACE In this report, we provide an update on the key facets of HIV treatment access. It includes the latest HIV treatment guidelines from World Health Organization (WHO), an overview on pricing for first-line, second-line and salvage regimens, and a summary of the opportunities for – and threats to – expanding access to affordable antiretroviral therapy (ART). There is a table with information on ARVs, including quality assurance, manufacturers and pricing on pages 55 to 57. THE MSF ACCESS CAMPAIGN In 1999, on the heels of Médecins Sans Frontières (MSF) being awarded the Nobel Peace Prize – and largely in response to the inequalities surrounding access to HIV/AIDS treatment between rich and poor countries – MSF launched the Campaign for Access to Essential Medicines. Its sole purpose has been to push for access to, and the development of, life-saving and life-prolonging medicines, diagnostics and vaccines for patients in MSF programmes and beyond. www.msfaccess.org MSF AND HIV Médecins Sans Frontières (MSF) began providing antiretroviral therapy to a small number of people living with HIV/AIDS in 2000 in projects in Thailand, South Africa and Cameroon. At the time, treatment for one person for one year cost more than US$10,000. With increased availability of low-cost, quality antiretroviral drugs (ARVs), MSF provides antiretroviral treatment to 240,100 people in 18 countries, implements treatment strategies to reach more people earlier in their disease progression, and places people living with HIV at the centre of their care. -
Youtube Report Draft V4
MONDAY, JULY 16 YouTube & News A new kind of visual journalism FOR FUTHER INFORMATION: Tom Rosenstiel, Director, Pew Research Center’s Project for Excellence in Journalism Amy Mitchell, Deputy Director, Pew Research Center’s Project for Excellence in Journalism (202) 419-3650 1515 L St, N.W., Suite 700 Washington, D.C. 20036 www.journalism.org YouTube & News: A New Kind of Visual Journalism Introduction On March 11, 2011, an earthquake registering 9.0 on the Richter scale struck the coast of northeastern Japan, triggering a tsunami that would kill more than 18,000 people and leave an estimated $180 billion in damage. The news media worldwide provided extensive coverage of the disaster and its aftermath, but millions of people also turned to the web to learn about the event on the video sharing website YouTube. 1 In the seven days following the disaster (March 11-18), the 20 most viewed news-related videos on YouTube all focused on the tragedy—and were viewed more than 96 million times. What people saw in these videos also represented a new kind of visual journalism. Most of that footage was recorded by citizen eyewitnesses who found themselves caught in the tragedy. Some of that video was posted by the citizens themselves. Most of this citizen-footage, however, was posted by news organizations incorporating user-generated content into their news offerings. The most watched video of all was shot by what appeared to be fixed closed-circuit surveillance camera at the Sendai airport. Link: http://www.youtube.com/watch?v=-DSSssHxm4Y The disaster in Japan was hardly a unique case. -
A Plague of Biblical Dimensions. the Rise of a Movement That Gloried in the Murder of Civilians, Journalists and Aid Workers
Image by Alex MacLean. Alberta, Canada, 2014 A plague of biblical dimensions. The rise of a movement that gloried in the murder of civilians, journalists and aid workers. A series of tragic police encounters, in the second term of America’s first black president, that undermined our faith in progress toward racial justice. 2014 was a difficult year, for the world and for journalism. Coverage of Ebola and Ferguson often featured more heat than light. A reporting fiasco atRolling Stone undermined the case for action against sexual crimes. The New Republic’s implosion showed that a billionaire owner is no guarantee of success. In the midst of turbulence the Pulitzer Center stuck to the mission set forth by Joseph Pulitzer III decades ago—“to illuminate dark places and, with a deep sense of responsibility, interpret these troubled times.” Our journalists produced 385 stories for 130 outlets—using new media, visual data, powerful images and old-fashioned storytelling to reach increasingly diverse audiences. We commissioned more reporting than ever, on topics ranging from the rise of the Islamic State and lessons learned from the Ebola crisis to climate change and the role of religion in public policy. We rejoiced in the release by Somali pirates of Pulitzer Center journalist grantee Michael Scott Moore, after two years and eight months of captivity. Our education initiatives continued to grow, reaching thousands of students through nearly 500 engagements. Student fellows from partner universities in our Campus Consortium reported from 16 countries, on issues ranging from Syrian refugees to hydropower in India and healthcare in Kenya. -
2016 Annual Report
The Pulitzer Center’s mission has never been more urgent: to people and networks that make it such a powerful force for the support accurate, responsible journalism and to do everything public good. We hope you’ll take a look. we can to engage all people, across the political spectrum and the divides of class and race and religion, in the big issues that At the anniversary events we also celebrated an extraordinary affect us all. new gift—a challenge grant of up to $12 million from our chair, Emily Rauh Pulitzer, pledging to match every dollar up to that With support from the Pulitzer Center—words that tell you amount in gifts toward creation of an endowment that will assure an important story happened because of us. A six-part PBS the Pulitzer Center’s vital role in journalism and education in NewsHour series on ending AIDS. A New Yorker investigative the years ahead. report on war crimes in Syria. “Fractured Lands,” the landmark essay on the tragedy of the modern Middle East that took over On the occasion of announcing the challenge grant Emmy an entire issue of The New York Times Magazine. noted that the Pulitzer name has been associated with quality journalism since the 19th Century. At a time when journalism and journalists have never been more threatened, or more essential, the Pulitzer Center plays an “The Pulitzer Center is committed to the best values of the absolutely vital role. Surfacing stories that would otherwise go Pulitzer legacy,” she said, “and has embraced 21st Century unreported. -
Soros Foundations Network Report
2 0 0 7 OSI MISSION SOROS FOUNDATIONS NETWORK REPORT C O V E R P H O T O G R A P H Y Burmese monks, normally the picture of calm The Open Society Institute works to build vibrant and reflection, became symbols of resistance in and tolerant democracies whose governments SOROS FOUNDATIONS NETWORK REPORT 2007 2007 when they joined demonstrations against are accountable to their citizens. To achieve its the military government’s huge price hikes mission, OSI seeks to shape public policies that on fuel and subsequently the regime’s violent assure greater fairness in political, legal, and crackdown on the protestors. Thousands of economic systems and safeguard fundamental monks were arrested and jailed. The Democratic rights. On a local level, OSI implements a range Voice of Burma, an Open Society Institute of initiatives to advance justice, education, grantee, helped journalists smuggle stories out public health, and independent media. At the of Burma. OSI continues to raise international same time, OSI builds alliances across borders awareness of conditions in Burma and to support and continents on issues such as corruption organizations seeking to transform Burma from and freedom of information. OSI places a high a closed to an open society. more on page 91 priority on protecting and improving the lives of marginalized people and communities. more on page 143 www.soros.org SOROS FOUNDATIONS NETWORK REPORT 2007 Promoting vibrant and tolerant democracies whose governments are accountable to their citizens ABOUT THIS REPORT The Open Society Institute and the Soros foundations network spent approximately $440,000,000 in 2007 on improving policy and helping people to live in open, democratic societies.