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Woman War Photographers
WAR PHOTO LIMITED Tel +385 20 322 166 Antuninska 6 (old town) Fax +385 20 322 167 20000 Dubrovnik [email protected] Croatia www.warphotoltd.com This photographic exhibition has been curated and exhibited by War Photo Limited, it is now available on a rental basis, for further information please contact Wade Goddard Woman War Photographers Ami Vitale Alexandra Boulat Heidi Levine Kate Brooks Presents the work from five of the worlds leading photojournalists that cover war and conflict in different regions of the world. Alexandra Boulat from the photo agency VII exhibits her work from the break up of Yugoslavia. Ami Vitale introduces us to the conflict that continues to destroy the lives of the people of Kashmir. Kate Brooks of Polaris Images in New York visits both Afghanistan and Iraq. Heidi Levine / Sipa Press shares a collection of her fifteenplus years of photographing the Israel-Palestine conflict. As we view these different conflicts though the eyes of these courageous photographers we discover that no matter where, when or to whom, armed conflict always has the same destructive effect on a population caught in its way. © Alexandra Boulat / VII © Ami Vitale © Hiedi Levine © Kate Brooks Biography of Alexandra Boulat / VII Born in Paris in 1962, Alexandra Boulat was originally trained in graphic art and art history. In 1989 she became a photojournalist and was represented by Sipa Press for 10 years until 2000. In 2001 she co-founded VII photo agency. Her news and features stories are published in many international magazines, above all National Geographic Magazine and Paris-Match. -
2018-12-14 Thesis Final Version
MEMORY, SPACE & LAW MEMORY SITES OF THE 1992-1995 WAR IN PRESENT DAY BOSNIA & HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Scientific article Word count: 9.485 Aurore Vanliefde Student number: 01708804 Promotor: Dr. David Mwambari Master’s thesis presented for obtaining the degree of Master in Conflict and Development Academic year: 2018-2019 MEMORY, SPACE & LAW. MEMORY SITES OF THE 1992-1995 WAR IN BOSNIA AND HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Abstract This article revolves around memorialisation of the 1992-1995 war in Bosnia and Herzegovina (BiH). Theoretical insights from literature are combined with empirical data from 29 memory sites in BiH, two expert interviews, and additional information from informal conversations with guides and participation in guided tours. The aim of this study is to understand the use of memory sites of the 1992-1995 war in BiH, and research the extent to which the International Criminal Tribunal for the former Yugoslavia (ICTY)’s legacy has been integrated into these memory sites. The findings show that memorialisation is on-going through the creation, conservation, accentuation and destruction of memory sites. Memorials are generally exclusively meant for one ethno-national group, and are often the product of local and/or private initiatives. These sites of memory are lieux de mémoire, as described by Pierre Nora, where a community’s collective memory is both materialised and generated. Personal testimonies are extensively used in museums and archival material from the ICTY is included in some memory sites. The ICTY’s legacy constitutes a unique kind of memory, a lieu de mémoire sui generis. -
Foe Program Info[2]
Europe in Turmoil The 31st Annual Norris and Margery Bendetson EPIIC International Symposium February 17-21, 2016 Wednesday, February 17 Challenges Facing Europe An Address by the European Union Ambassador to the United Nations Cabot 206, 12:00pm Ambassador João Vale de Almeida, Ambassador, Head of the Delegation of the European Union to the United Nations in New York; previously served as the first EU Ambassador to the United States of America, from 2010 to 2014 Cultural Evening Cohen Auditorium, 7:00pm Sarah Aroeste, Singer/Songwriter, Ladino Music Ron Haviv, Photojournalist and Co-founder, VII Photo Agency Tomáš Kačo, Musician, Roma Music Gary Knight, Photojournalist and Co-founder, VII Photo Agency; Director, Program for Narrative and Documentary Practice, Institute for Global Leadership, Tufts University George Mathew, Founder and Artistic Director, Music for Life International John McDonald, Chair and Professor of Music, Tufts University Anwar Souini, World Music Artist, with an emphasis on RAI Music Thursday, February 18 The End of History? The Changing Nature of European Identity Cabot Auditorium, 7:00pm Mario de Caro, Professor of Moral Philosophy, Università Roma Tre, Italy Jocelyne Cesari, Author, Why the West Fears Islam: An Exploration of Islam in Western Liberal Democracies Ioannis Evrigenis, Professor of Political Theory, Tufts University Andreas Follesdal, Co-director, MultiRights, on the Legitimacy of Multi-Level Human Rights Judiciary, European Research Council Friday, February 19 Transatlantic Power Dynamics and the Russian Question Cabot Auditorium, 12:30pm William Hill, Professor, U.S. National War College; Author, No Place for Russia (forthcoming) Vitaly Kozyrev, Associate Professor of Political Science and International Relations, Endicott College Mitchell Orenstein, Professor of Central and East European Politics, University of Pennsylvania Carol R. -
EPIIC 2013: Global Health and Security
Tufts University • Institute for Global Leadership • January 2013 EPIIC 2013: Global Health and Security EPIIC is just six weeks away from its 28th annual Norris and Margery Bendetson EPIIC Interna- tional Symposium on “Global Health and Security,” February 21-24, 2013. Preparing to bring a broad range of speakers from the medical, policymaking, academic, and humanitarian communities, there will also be delegations of international students from Brazil, Canada, China, Haiti, India, Iraq and Iraqi Kurdistan, Israel, Palestine, Russia, Rwanda, Singapore, and South Korea as part of the IGL’s TILIP program. The year’s symposium panels will include: Food Insecurity: Nutrition, Conflict and the Envi- ronment • HIV/AIDS: Gender and Sexual Health • The Nexus of Water and Disease • Pharma- ceuticals: Legal and Illegal Markets • Zoonosis and Pandemics: The Next Big One • Mental Health and Security • Health in Complex Humanitarian Emergencies • Biosecurity and Bio- photo courtesy of Ron Haviv/VII continued on page 3 IGL Will Screen Two Academy Award Nominated Films Scholar Mary Kaldor Receives 39 Students Travel for Research Mayer Global Citizenship Award to 11 Countries this January On January 22, the IGL will host a special screening of the Continuing its practice of encouraging students to con- In October, the IGL collaborated with the World Peace Academy Award-nominated documentary “How To Sur- nect theory to practice, this winter intersession the IGL Foundation at The Fletcher School, to host a Dr. Jean vive a Plague,” introduced by its director, David France. sponsored 39 students to conduct research projects or in- Mayer Global Citizenship Award Lecture with Mary Kal- The film presents the story of two coalitions—ACT UP ternships in 11 countries. -
Antiretroviral Price Reductions
UNTANGLING THE WEB OF ANTIRETROVIRAL PRICE REDUCTIONS 18th Edition – July 2016 www.msfaccess.org PREFACE In this report, we provide an update on the key facets of HIV treatment access. It includes the latest HIV treatment guidelines from World Health Organization (WHO), an overview on pricing for first-line, second-line and salvage regimens, and a summary of the opportunities for – and threats to – expanding access to affordable antiretroviral therapy (ART). There is a table with information on ARVs, including quality assurance, manufacturers and pricing on pages 55 to 57. THE MSF ACCESS CAMPAIGN In 1999, on the heels of Médecins Sans Frontières (MSF) being awarded the Nobel Peace Prize – and largely in response to the inequalities surrounding access to HIV/AIDS treatment between rich and poor countries – MSF launched the Campaign for Access to Essential Medicines. Its sole purpose has been to push for access to, and the development of, life-saving and life-prolonging medicines, diagnostics and vaccines for patients in MSF programmes and beyond. www.msfaccess.org MSF AND HIV Médecins Sans Frontières (MSF) began providing antiretroviral therapy to a small number of people living with HIV/AIDS in 2000 in projects in Thailand, South Africa and Cameroon. At the time, treatment for one person for one year cost more than US$10,000. With increased availability of low-cost, quality antiretroviral drugs (ARVs), MSF provides antiretroviral treatment to 240,100 people in 18 countries, implements treatment strategies to reach more people earlier in their disease progression, and places people living with HIV at the centre of their care. -
Child Soldier
WAR PHOTO LIMITED Tel +385 20 322 166 Antuninska 6 (old town) Fax +385 20 322 167 20000 Dubrovnik [email protected] Croatia www.warphotoltd.com This photographic exhibition has been curated and exhibited by War Photo Limited, it is now available on a rental basis, for further information please contact Wade Goddard CHILD SOLDIER photographs by: Jan Grarup / NOOR Yannis Kontos / Polaris Alixandra Fazzina / Trolley / NOOR Noel Quidu Franco Pagetti / VII forward by Luis Moreno Ocampo There are an estimated 300,000 children in fighting forces around the world, many of whom have been forcibly recruited or abducted; they have suffered beatings and other forms of torture; and psychological damage resulting from being forced to kill others. Girl soldiers have suffered the additional humiliation of rape and sexual servitude, sometimes over periods of several years. © Jan Grarup / NOOR © Yannis Kontos / Polaris © Alixandra Fazzina © Noel Quidu Biographies Biography of Jan Grarup / Noor Denmark, 1968 - Over the last 18 years, Jan has travelled the world documenting many of the defining mo- ments of history. From the fall of the communist regime in Romania to the current occupation of Iraq, he has covered numerous wars and conflicts, including the genocide in Rwanda. Jan has documented daily life on both sides of the intifada with his stories “The boys from Ramallah” and “The boys from Hebron”. In 2006 he published the book Shadowland. Jan is a recipient of numerous awards and resides in Copenhagen. Biography of Yannis Kontos / Polaris Yannis Kontos was born in Ioannina, Greece in 1971, a freelance professional photojournalist; Yannis was first associated with the French international agencies Sygma (1998-2000) and Gamma (2001-2002) and has been affiliated with the American agency Polaris Images from its inception. -
NEWS RELEASE: Immediate
2 International Business Park #05-10 Tower One The Strategy Singapore 609930 Telephone: (65) 6544 8338 Facsimile: (65) 6544 8330 NEWS RELEASE: Immediate Shortlist Revealed for Sony World Photography Awards – the World’s Biggest Photography Competition • Professional, Open and Youth competitions • Record number of entries – 173,444 from 171 countries, 24 per cent increase in 2014 • Shortlisted images to be shown at Somerset House, London, 24 April – 10 May • Overall winners revealed 23 April • Images available at press.worldphoto.org or Image.net (ASIA PACIFIC, 24 February 2015) – The 2015 edition of the Sony World Photography Awards, the world’s biggest photography competition, today announces the shortlists for its Professional, Open and Youth categories. Recognising and rewarding the world’s best contemporary photography from the last year, the 2015 competition received the highest number of entries in its eight-year history – 173,444 images from 171 countries – and a 24 per cent increase from 2014. The judging, which is done anonymously by a panel of experts from the World Photographic Academy, has uncovered inspiring, arresting and thought-provoking work by a wide range of professional photographers and enthusiasts from around the world. See full list of judges and bios here. Across the 13 Professional, 10 Open and 3 Youth categories, the judges were refreshed by the bold approach of the shortlisted photographers to familiar topics, and the ability of these photographers to surprise the judges with images and stories they have not previously seen. Speaking about the shortlisted images, Astrid Merget Motsenigos, Creative Director of the World Photography Organisation and organiser of the awards said: “The sole purpose of the Sony World Photography Awards is to celebrate and appreciate the talented artists working in the photographic industry. -
Vii-Migration-Program Copy 3
PERSPECTIVES: MIGRATION NOVEMBER 14 & 15, 2015 Photo by Ashley Gilbertson Commemorating 10 years of VII and IGL collaboration and the 30th anniversary of the Institute for Global Leadership, the world’s leading photojournalists from the VII Photo Agency will explore their coverage of the continuing migration and merging of societies and cultures through a series of presentations and panels featuring recent work from the Syrian refugee crisis followed by a day of hands on workshops. THE AGENDA Saturday, November 14: SEMINARS 1:15 PM: PART ONE – HISTORY: The First Migration Sunday, November 15: Man has been seeking better opportunities since our ancestors’ first migration out WORKSHOPS of Africa. John Stanmeyer is documenting man’s journey and subsequent evolution with National Geographic’s Out of Eden Project – an epic 21,000-mile, 11:00 AM: Street Photography seven year odyssey from Ethiopia to South America. Ed Kashi and Maciek Nabrdalik will 2:00 PM: PART TWO – CRISIS: The European Refugee Crisis lead students around Boston and guide them on how to approach VII photographers are documenting the developing refugee crisis from its origins subjects, compose their frames, and in the Syrian uprising to the beaches of Greece and beyond. Technology has both find new and unexpected angles. An expanded the reach and immediacy of their work while challenging our definition editing critique with the of a true image. photographers will follow the VII Photographers: Ron Haviv, Maciek Nabrdalik, Franco Pagetti and Ashley shooting session. Gilbertson Panelist: Glenn Ruga, Founder of Social Documentary Network and ZEKE 11:00 AM: Survival: The Magazine Complete Travel Toolkit Moderated by Sherman Teichman, Founding Director, Institute for Global Leadership, Tufts University Ron Haviv will share tips and tricks on how best to survive and thrive in the 3:30 PM Break before, during, and after of a shoot. -
Donald Weber ART CV, 2016 | Circuit Gallery
DONALD WEBER CURRICULUM VITÆ +31 6 38 49 60 40 Born 1973 Toronto, Canada [email protected] www.donaldweber.com PROFESSIONAL EXPERIENCE Senior Lecturer, Photography, Royal Academy of Art, The Hague, NL Trainer and Mentor, World Press Photo Foundation, Education Programs Jury Chair, Documentary Categories, 2015 World Press Photo Awards Co-Photo Editor, Raw View Magazine, a quarterly 180-page magazine devoted to contemporary documentary and visual storytelling of the highest standard Leader of numerous workshops and lectures globally REPRESENTATION Circuit Gallery, Toronto EDUCATION 2001 Loyalist College, Belleville, Canada, Honours Diploma 1996 Ontario College of Art & Design, Toronto, Canada, Honours Diploma SOLO EXHIBITIONS 2017 Interrogations, Chobi Mela IX, Dhaka, Bangladesh War Sand, Cortona on the Move, Tuscany, Italy 2014 War Sand, Circuit Gallery, Toronto, Canada Interrogations, Circuit Gallery, Toronto, Canada Interrogations, Blue Sky Gallery, Portland, USA 2013 Interrogations, Foley Gallery, New York City Interrogations, Installation, Artget Gallery, Belgrade, Serbia Interrogations, Installation, Photoville, New York City Interrogations, White Cloth Gallery, Leeds, UK Interrogations(Prologue), Harbourfront Centre, Toronto, Canada 2012 Interrogations, Breda Photography Festival, The Netherlands 2011 Interrogations, Hereford Photography Festival, UK Interrogations, Fotoleggendo Photography Festival, Rome 2009 The Drunken Bride, Russia Unveiled, Pikto Galllery, Toronto, Canada Russian Archive, Alice Austen House Museum, New York -
Child-Sensitive Return
Child-sensitive return Upholding the best interests of refugee and migrant children in return decisions and processes in the Netherlands November 2019 A UNICEF Netherlands/PFP project Authors: Martin Vegter, LLM (Defence for Children) Roos de Wildt, PhD (Defence for Children) Majorie Kaandorp (UNICEF The Netherlands) Eva van Aalst (UNICEF The Netherlands With support from: Julie Lebegue (UNICEF PFP) Editing: John Hemy Design: Schone Vormen For further information, please contact: Eva van Aalst Senior Expert Children’s Rights, Migration and Asylum UNICEF The Netherlands E-mail: [email protected] 2 ACKNOWLEDGEMENTS This research project benefitted from the support, insights and expertise of many individuals and organisations to whom we, at UNICEF The Netherlands, offer our sincere thanks. Thanks, firstly, to Martin Vegter and Roos de Wildt, who conducted the research. Thanks also to DLA Piper NL for their legal analysis on return and Schone Vormen for his work on the report’s design. We would like to thank all those who were interviewed or contributed information. This includes colleagues from a wide range of civil society and legal organisations, IOM, Nidos, immigration lawyers, The Dutch Refugee Council, STIL Utrecht, Solid Road, Amnesty International The Netherlands and the Dutch Ministry of Justice and Security and implementing authorities, including the Immigration and Naturalization Service (IND), Repatriation and Departure Service (DT&V), the Transport and Support Service (DV&O), the Central Agency for Reception of Asylum Seekers (COA) and the Child Care and Protection Board. All gave generously of their time and expertise, and this research was only possible due to their participation. -
On Assignment: a Guide to Reporting in Dangerous Situations
On Assignment: A Guide to Reporting in Dangerous Situations The publication of this handbook was made possible by the following contributors: Andrews McMeel Publishing CNN The Ethics and Excellence in Journalism Foundation The Gannett Foundation The Poynter Institute Table of Contents On Assignment: A Guide to Reporting in Dangerous Situations I. Introduction.......................................................................1 II. Who is at Risk?................................................................ 5 III. Covering Conflict............................................................7 Training.................................................................................................... 8 How do you decide whether it is best to blend in or be clearly identified as a journalist while working in a combat zone? by Charles Hanley..............................................................................8 Security Training Courses.................................................................8 Biochemical Courses.......................................................................10 Security Training Firms....................................................................10 Security Literature............................................................................14 Funding for Security Courses..........................................................14 Protective Gear......................................................................................15 Body Armor......................................................................................15 -
Walsh Magnum VII Spring 2016
Photography through the Lens of Magnum and VII IDSEM-UG 1857 Gallatin School of Individualized Study New York University Spring 2016 Dr. Lauren Walsh Office: 1 Wash. Pl., rm 431 Contact: [email protected] Office hours: Fri. 2-4 Class location: 194M, room 201 Class: 11:00a-1:45p Fridays Learn the history of some of the greatest works of journalistic and documentary photography over the last seventy years through two of the most eminent photo collectives, Magnum and VII. Photographers at these leading collectives have created iconic documentary images and helped define the field of photojournalism as we know it today. In examining Magnum and VII, students learn how these collectives function as a business model, in opposition to wire services and other photo agencies, and how these distinctions have informed the style and content produced by photojournalists over the past few decades. We thus use these collectives as a lens (pun intended!) through which to address a recent history of photography, the trajectory of visual journalism, and ultimately, the place of advocacy in documentary photography, as these collectives often turn an eye toward momentous histories and social justice. In focusing on the work of specific photographers from each collective, students learn about historic events, from coverage of Latin American guerrilla wars to the break up of Yugoslavia, in addition to current humanitarian issues, like the mining of “conflict minerals” in the Congo. These case studies allow us to examine when and how photos have affected the course of history. At times in conversation with photographers from these collectives, we also consider present-day concerns: does the still image have the same power today—an era saturated by images—as it did just a few decades ago? As a photographer, what are the ethical ramifications of acting as the public’s eyes? Readings include theory, journalistic accounts, history, and other critical literature, while authors include Ritchin, Cartier-Bresson, Sontag, and Sliwinski.