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All at Once Photography Workshop Is a 3-Days Intensive Seminar with the Photographers of the VII Photo Agency

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All at Once Photography Workshop Is a 3-Days Intensive Seminar with the Photographers of the VII Photo Agency AT ONCE The VII Photo All At Once Photography Workshop is a 3-days intensive seminar with the photographers of the VII Photo Agency. They will share their professional experiences and work with students in order to help them improve photographic narrative & photojournalism skills. PHOTOGRAPHY WORKSHOP This will be the second edition of this event hosted in the city of Barcelona in Spain. The first edition took place in 2016 and gathered 40 international MARCH 26TH - 28TH, 2018 and local students, in 2018, we’re expecting 60 participants! BARCELONA, SPAIN Come and join us to learn the arts and crafts of documentary photography! MONDAY, 26TH TUESDAY, 27TH WEDNESDAY, 28TH 9:30 - 10:45 11:00 - 12:45 14:00 - 15:15 15:30 - 16:45 17:00-18:15 9:30 - 11:00 11:00 - 12:45 14:00 - 15:30 15:30 - 17:00 17:00-18:15 9:30 - 11:00 11:00 - 12:45 14:00 - 15:30 15:30 - 17:00 17:00-18:15 Christopher Morris Jocelyn Bain Hogg Danny Expanding your New VII Photo John Stanmeyer Jessica Dimmock Understanding the Maciek Nabrdalik Wilcox-Frazier vision by adapting members Anush Babajanyan Ron Haviv Self publishing: Gary Knight Ed Kashi Franco Pagetti Tomas Transitioning to language of visual Ashley Gilbertson Maggie Steber History of photography Guns, God, Trump: the important Introduction to the SEMINARS Self awareness Photojournalism The art, power and How to make a From smartphones D&G and InStyle Van Houtryve video from a storytelling and The pitch The secret garden or photographer’s Documenting the knowledge of works of the new ROOM 1 while storytelling survival kit purpose of social photo essay to short docs story in Miami Analogue revival background in stills how to effect this history? rise of american film/video into comers at VII Photo media photography in imagery authoritarianism your photography production. Danny EDITING Ed Kashi Jessica Dimmock Christopher Morris Jocelyn Bain Hogg Tomas van Houtryve Ashley Gilbertson Maciek Nabrdalik Ron Haviv SESSIONS Wilcox-Frazier (4 PARTICI- ROOM 2 PANTS MAX.) You are invited to send us your wishes as early as possible in order to book your spot. You are invited to send us your wishes as early as possible in order to book your spot. You are invited to send us your wishes as early as possible in order to book your spot. VII Photo photographers VII Photo photographers VII Photo photographers ONE-ON-ONE Booking is required. You are invited to send us in advance the names of the VII photographers you wish Booking is required. You are invited to send us in advance the names of the VII photographers you wish to Booking is required. You are invited to send us in advance the names of the VII photographers you wish to ROOM 3 to meet and during which time range (make sure you don’t miss a seminar you want to attend). meet and during which time range (make sure you don’t miss a seminar you want to attend). meet and during which time range (make sure you don’t miss a seminar you want to attend). Ed Kashi Tomas Jocelyn Bain Hogg Maciek Nabrdalik Danny Shooting with your Van Houtryve Jessica Dimmock Christopher Morris Ron Haviv Stefano De Luigi Putting seminar Ashley Gilbertson Maggie Steber Visual storytelling: Wilcox-Frazier smartphone on the SHOOTING Making innovative How to shoot video Anthropological Your visual voice and Instagram scavenger hunt subject (see Don’t be afraid of Finding mystery SESSIONS “vocabulary” Still Theatre: streets: catching short videos with for an editor style the light. Monday 9:30) into the dark in the everyday OUTDOORS practice handheld lighting moments of pure your smartphone practice. visual pleasure IN PARTNERSHIP WITH HOSTED BY Gran Via de les Corts Catalanes, 491 - 08015 Barcelona DETAILED PROGRAM Maciek Nabrdalik Link to bio Anush Babajanyan English, Polish Ron Haviv Ashley Gilbertson Link to bio Link to bio Danny Wilcox Frazier Link to bio English, Russian, Arme- MACIEK NABRDALIK nian, and basic German Chris Morris English Link to bio English Ed Kashi SEMINAR: History of photography or Link to bio English Maggie Steber Link to bio RON HAVIV photographer’s history? ANUSH BABAJANYAN English English ASHLEY Link to bio SEMINAR: Photojournalism survival kit DANNY WILCOX-FRAZIER Where to look for inspiration for GILBERTSON SEMINAR: Self awareness while storytelling French, Haitian Creole, CHRISTOPHER MORRIS ED KASHI Ron Haviv draws on his long career for SEMINAR: Guns, God, Trump: documenting long term in-depth projects that can SEMINAR: The pitch As photographers and humans in general, we English, a little bit of Spanish. SEMINAR SEMINAR: From smartphones to anecdotes and suggestions for aspiring the rise of american authoritarianism stand the test of time. Great photography doesn’t get often talk about the idea of finding one’s self. photographers. From pitches to packing, he’ll Too often, we are not really lost or gone, we MAGGIE STEBER Expanding your vision by adapting short docs Danny Wilcox Frazier’s presentation will SHOOTING SESSION you to where you want to be. teach you that your assignment starts before are present and existent, but we just aren’t the important knowledge of film/ highlight photographs from regions across Visual storytelling - “vocabulary” A successful photographer has SEMINAR: The secret garden How to be a modern day hybrid visual you leave your house; planning, packing turning our eyes to look at ourselves. What video into your photography storyteller. the United States that overwhelming backed practice their work funded, and in turn One of the most important things that production. and preparing for even the best laid plans to Donald Trump for president. Danny’s work disseminates the work widely happens when we do approach our work and moves any photographer forward is SHOOTING SESSION go awry is essential. You’ll learn tricks for our storytelling with greater self awareness? SHOOTING SESSION addresses core issues behind the rise of the through magazines, newspaper ideas. Without these we are nothing. Shooting with your Smartphone on assessing your preparedness, safety, and far-right populist leader in regions of America and websites. Ashley’s lecture While working out an idea and then working Ideas are a photographer’s surprise Chris will take the group out on a the Streets: Catching Moments of support while on assignment in the field. long forgotten and economically depressed. VII will examine practical methods to on a story, keeping a gentle and attentive eye element, the thing that sets them walkabout to illustrate how he works on ourselves connects directly to the results we pure visual pleasure The Photojournalism Survival Kit is crucial for The presentation will reveal the emotions SEMINAR: New VII Photo members look at existing and new sources apart in a variety of ways. They are in his anthropological style. From beginners, and for current photojournalists who and circumstances that led many Americans of funding, how to approach and are going to reach. We start asking ourselves Introduction to the works of the also fragile things that people will steal dealing with visual pollution and may need to brush up on their checklists. Learn to make such a divisive choice for president. convince these clients of your idea, highly relevant questions, such as: what is the or step on or discourage so protecting many other elements, this session from Haviv’s early-career mistakes, and lay the Photographs from middle America as well as new comers at VII Photo. and the process of finding A-list real reason I am working on this story? to what them and believing in them is extremely will enable the photographer to have foundations of your own successful, impactful the presidential campaign trail will highlight outlets that will publish the work. extent do I care about this? how personal is important. For myself, someone who the clear vision necessary to convey enterprise in visual storytelling. the talk. The presentation will work to help Ashley will provide actual pitches this story for me, regardless of whether this is has long worked as a documentary the message you are attempting to participants better understand the election he has used that have failed and an assignment or my personal idea, how do I SHOOTING SESSION photographer on a variety of subjects, I portray. that shocked the world and empowered succeeded, and show work that truly want to approach this photographically? Anthropological style wanted to reinvent myself at a pivotal far-right movements across the Atlantic. was produced on these projects. because before ever beginning to tell other point in my career so I created a secret people’s stories, we need to know our story, we SHOOTING SESSION SHOOTING SESSION - Still theatre garden where I could plant new ideas, Your visual voice and the light. SHOOTING SESSION need to be aware of ourselves. far from the reach of opinions of others, Handheld LightingLearn handheld flash Don’t be afraid of the dark. and watch them grow. Out of that techniques for everything from public events safe place, I grew a remarkable and Tomas Van Houtryve to intimate moments. different idea: The Secret Garden of Link to bio Lily LaPalma which is nothing like the English, French visual storytelling I’m known for but which has jettisoned me forward in an TOMAS era when it’s hard to stand out. I invite VAN HOUTRYVE Jocelyn Bain Hogg you in to see the Secret Garden and talk SEMINAR: Analogue revival John Stanmeyer Link to bio about why play, fantasy, imagination English Link to bio The benefits and drawbacks of using and having something to fall back on in non-digital photographic processes for English JOCELYN BAIN HOGG dark career moments can mean a long storytelling.
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