EPIIC 2013: Global Health and Security
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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Dossier De Presse
ARP Sélection présente un film de John Cameron Mitchell Durée : 1h42 Distribution Presse ARP Sélection Moonfleet - Matthieu Rey 13, rue Jean Mermoz 6, rue d’Aumale 75009 Paris 75008 Paris Tel : 01 53 20 01 20 Tel : 01 56 69 26 00 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis 1977 : trois jeunes anglais croisent dans une soirée des créatures aussi sublimes qu’étranges. En pleine émergence punk, ils découvriront l’amour, cette planète inconnue et tenteront de résoudre ce mystère : comment parler aux filles en soirée… La production Adapté de la nouvelle de Neil Gaiman, célèbre écrivain et auteur de romans graphiques, l’atmosphère, l’esprit du film et l’époque s’accordent parfaitement avec la passion jubilatoire de Mitchell pour la musique alternative. Mitchell déclare : « En général, j’aime créer mon univers moi-même mais dans ce projet, il y avait quelque chose de spécial. Le film s’inspire de la jeunesse punk de Neil Gaiman à Croydon et, par certains côtés, on a peut-être davantage besoin d’esprit punk maintenant que dans les années 70, à cause de cette impression de noirceur, de dureté, d’accablement qui règne en chacun d’entre nous à l’heure actuelle. » Ce n’est pas uniquement l’esprit punk de l’histoire qui a incité le cinéaste à situer pour la première fois son film à Londres. « C’est aussi une vraie histoire d’amour entre un punk et une extraterrestre, c’est un mélange de cultures et de sous-cultures. Les extraterrestres et les punks sont deux tribus en marge, dans le monde gris et normal du Croydon des années 70. -
Woman War Photographers
WAR PHOTO LIMITED Tel +385 20 322 166 Antuninska 6 (old town) Fax +385 20 322 167 20000 Dubrovnik [email protected] Croatia www.warphotoltd.com This photographic exhibition has been curated and exhibited by War Photo Limited, it is now available on a rental basis, for further information please contact Wade Goddard Woman War Photographers Ami Vitale Alexandra Boulat Heidi Levine Kate Brooks Presents the work from five of the worlds leading photojournalists that cover war and conflict in different regions of the world. Alexandra Boulat from the photo agency VII exhibits her work from the break up of Yugoslavia. Ami Vitale introduces us to the conflict that continues to destroy the lives of the people of Kashmir. Kate Brooks of Polaris Images in New York visits both Afghanistan and Iraq. Heidi Levine / Sipa Press shares a collection of her fifteenplus years of photographing the Israel-Palestine conflict. As we view these different conflicts though the eyes of these courageous photographers we discover that no matter where, when or to whom, armed conflict always has the same destructive effect on a population caught in its way. © Alexandra Boulat / VII © Ami Vitale © Hiedi Levine © Kate Brooks Biography of Alexandra Boulat / VII Born in Paris in 1962, Alexandra Boulat was originally trained in graphic art and art history. In 1989 she became a photojournalist and was represented by Sipa Press for 10 years until 2000. In 2001 she co-founded VII photo agency. Her news and features stories are published in many international magazines, above all National Geographic Magazine and Paris-Match. -
The Occupied Clinic Militarism and Care in Kashmir / Saiba Varma the OCCUPIED CLINIC the Occupied Clinic
The Occupied Clinic Militarism and Care in Kashmir / Saiba Varma THE OCCUPIED CLINIC The Occupied Clinic Militarism and Care in Kashmir • SAIBA VARMA DUKE UNIVERSITY PRESS DURHAM AND LONDON 2020 © 2020 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Text design by Amy Ruth Buchanan Cover design by Courtney Leigh Richardson Typeset in Portrait by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Varma, Saiba, [date] author. Title: The occupied clinic : militarism and care in Kashmir / Saiba Varma. Description: Durham : Duke University Press, 2020. | Includes bibliographical references and index. Identifiers:lccn 2019058232 (print) | lccn 2019058233 (ebook) isbn 9781478009924 (hardcover) isbn 9781478010982 (paperback) isbn 9781478012511 (ebook) Subjects: lcsh: Psychiatric clinics—India—Jammu and Kashmir. | War victims—Mental health—India—Jammu and Kashmir. | War victims—Mental health services— India—Jammu and Kashmir. | Civil-military relations— India—Jammu and Kashmir. | Military occupation— Psychological aspects. Classification:lcc rc451.i42 j36 2020 (print) | lcc rc451.i42 (ebook) | ddc 362.2/109546—dc23 lc record available at https://lccn.loc.gov/2019058232 isbn ebook record available at https://lccn.loc.gov/2019058233 Duke University Press gratefully acknowledges the Office of Vice Chancellor for Research at the University of California, San Diego, which provided funds toward the publication of this book. Cover art: Untitled, from The Depth of a Scar series. © Faisal Magray. Courtesy of the artist. For Nani, who always knew how to put the world back together CONTENTS MAP viii NOTE ON TRANSLITERATION ix ACKNOWLEDGMENTS xi LETTER TO NO ONE xv INTRODUCTION. Care 1 CHAPTER 1. -
A Statement from David France, Director and Producer of the Death and Life of Marsha P
A statement from David France, director and producer of The Death and Life of Marsha P. Johnson In 1992, the year that activist Marsha P. Johnson was killed, I was writing for the Village Voice covering AIDS and the general LGBTQ beat in New York City. Marsha had been a friend of mine, and her story fell to me to report. I started investigating right away, but with no active leads and the exploding AIDS crisis in New York, I let the story slip away. For years, my decision has haunted me. When making my first feature, How To Survive A Plague, I kept a “Projects Board” of other stories I wanted to explore in future work. Marsha’s story was always the most prominent, because I felt a duty to investigate her death the way I had not been able to in 1992. Reina Gossett has suggested that I’ve stolen both the concept and footage for The Death and Life of Marsha P Johnson from her work, the experimental short narrative Happy Birthday, Marsha. I owe a debt to those who have kept Marsha’s story alive over the years. My creative work builds on theirs. But it is it’s own scholarship. My research team and I spoke with every friend and associate of Marsha and Sylvia Rivera’s that we could reach, and poured through a vast archive to arrive at our film, aided immeasurably by the Anti Violence Project, whose story is at the center of my film. We sourced, digitized, and licensed the archival footage. -
Foe Program Info[2]
Europe in Turmoil The 31st Annual Norris and Margery Bendetson EPIIC International Symposium February 17-21, 2016 Wednesday, February 17 Challenges Facing Europe An Address by the European Union Ambassador to the United Nations Cabot 206, 12:00pm Ambassador João Vale de Almeida, Ambassador, Head of the Delegation of the European Union to the United Nations in New York; previously served as the first EU Ambassador to the United States of America, from 2010 to 2014 Cultural Evening Cohen Auditorium, 7:00pm Sarah Aroeste, Singer/Songwriter, Ladino Music Ron Haviv, Photojournalist and Co-founder, VII Photo Agency Tomáš Kačo, Musician, Roma Music Gary Knight, Photojournalist and Co-founder, VII Photo Agency; Director, Program for Narrative and Documentary Practice, Institute for Global Leadership, Tufts University George Mathew, Founder and Artistic Director, Music for Life International John McDonald, Chair and Professor of Music, Tufts University Anwar Souini, World Music Artist, with an emphasis on RAI Music Thursday, February 18 The End of History? The Changing Nature of European Identity Cabot Auditorium, 7:00pm Mario de Caro, Professor of Moral Philosophy, Università Roma Tre, Italy Jocelyne Cesari, Author, Why the West Fears Islam: An Exploration of Islam in Western Liberal Democracies Ioannis Evrigenis, Professor of Political Theory, Tufts University Andreas Follesdal, Co-director, MultiRights, on the Legitimacy of Multi-Level Human Rights Judiciary, European Research Council Friday, February 19 Transatlantic Power Dynamics and the Russian Question Cabot Auditorium, 12:30pm William Hill, Professor, U.S. National War College; Author, No Place for Russia (forthcoming) Vitaly Kozyrev, Associate Professor of Political Science and International Relations, Endicott College Mitchell Orenstein, Professor of Central and East European Politics, University of Pennsylvania Carol R. -
The Bush Revolution: the Remaking of America's Foreign Policy
The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
A N N U a L R E P O R T 2 0
INTERNATIONAL GAY AND LESBIAN HUMAN RIGHTS COMMISSION ANNUAL REPORT 2007 The mission of the International Gay and Lesbian Human Rights Commission (IGLHRC) is to secure the full enjoyment of the human rights of all people and communities subject to discrimination or abuse on the basis of sexual orientation or expression, gender identity or expression, and/or HIV status. Table of Contents From the Board Chairs .............................................................................................. 2 From the Executive Director .................................................................................... 3 IGLHRC’s Six Core Goals ........................................................................................... 4 Responds to Human Rights Crises ........................................................................ 5 Supports Domestic Human Rights Advocacy ..................................................... 9 Conducts Advocacy with Global and Regional Human Rights Treaty Bodies .............................................................................................................. 17 A Celebration of Courage ......................................................................................25 Thanks to Our Donors .............................................................................................26 Staff/Board of Directors/International Advisory Council ..............................31 Financial Position/Statement ................................................................................32 -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Child Soldier
WAR PHOTO LIMITED Tel +385 20 322 166 Antuninska 6 (old town) Fax +385 20 322 167 20000 Dubrovnik [email protected] Croatia www.warphotoltd.com This photographic exhibition has been curated and exhibited by War Photo Limited, it is now available on a rental basis, for further information please contact Wade Goddard CHILD SOLDIER photographs by: Jan Grarup / NOOR Yannis Kontos / Polaris Alixandra Fazzina / Trolley / NOOR Noel Quidu Franco Pagetti / VII forward by Luis Moreno Ocampo There are an estimated 300,000 children in fighting forces around the world, many of whom have been forcibly recruited or abducted; they have suffered beatings and other forms of torture; and psychological damage resulting from being forced to kill others. Girl soldiers have suffered the additional humiliation of rape and sexual servitude, sometimes over periods of several years. © Jan Grarup / NOOR © Yannis Kontos / Polaris © Alixandra Fazzina © Noel Quidu Biographies Biography of Jan Grarup / Noor Denmark, 1968 - Over the last 18 years, Jan has travelled the world documenting many of the defining mo- ments of history. From the fall of the communist regime in Romania to the current occupation of Iraq, he has covered numerous wars and conflicts, including the genocide in Rwanda. Jan has documented daily life on both sides of the intifada with his stories “The boys from Ramallah” and “The boys from Hebron”. In 2006 he published the book Shadowland. Jan is a recipient of numerous awards and resides in Copenhagen. Biography of Yannis Kontos / Polaris Yannis Kontos was born in Ioannina, Greece in 1971, a freelance professional photojournalist; Yannis was first associated with the French international agencies Sygma (1998-2000) and Gamma (2001-2002) and has been affiliated with the American agency Polaris Images from its inception. -
NEWS RELEASE: Immediate
2 International Business Park #05-10 Tower One The Strategy Singapore 609930 Telephone: (65) 6544 8338 Facsimile: (65) 6544 8330 NEWS RELEASE: Immediate Shortlist Revealed for Sony World Photography Awards – the World’s Biggest Photography Competition • Professional, Open and Youth competitions • Record number of entries – 173,444 from 171 countries, 24 per cent increase in 2014 • Shortlisted images to be shown at Somerset House, London, 24 April – 10 May • Overall winners revealed 23 April • Images available at press.worldphoto.org or Image.net (ASIA PACIFIC, 24 February 2015) – The 2015 edition of the Sony World Photography Awards, the world’s biggest photography competition, today announces the shortlists for its Professional, Open and Youth categories. Recognising and rewarding the world’s best contemporary photography from the last year, the 2015 competition received the highest number of entries in its eight-year history – 173,444 images from 171 countries – and a 24 per cent increase from 2014. The judging, which is done anonymously by a panel of experts from the World Photographic Academy, has uncovered inspiring, arresting and thought-provoking work by a wide range of professional photographers and enthusiasts from around the world. See full list of judges and bios here. Across the 13 Professional, 10 Open and 3 Youth categories, the judges were refreshed by the bold approach of the shortlisted photographers to familiar topics, and the ability of these photographers to surprise the judges with images and stories they have not previously seen. Speaking about the shortlisted images, Astrid Merget Motsenigos, Creative Director of the World Photography Organisation and organiser of the awards said: “The sole purpose of the Sony World Photography Awards is to celebrate and appreciate the talented artists working in the photographic industry.