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Related Articles from the Pages of Afterimage “100 Suns and The Related Articles from the pages of Afterimage “100 Suns and the Nuclear Sublime: An Interview with Michael Light” by Robert Hirsch (interview). 33.1, pp. 24-29. “The Abused Landscape: The Works of Young Israeli Photographers” by Jochai Rosen (feature). 35.1, pp. 23-26. “After 9/11” by Nathan Hogan (book noted: After 9/11 by Nathan Lyons). 31.2, pp. 14. “After the Fact” by Vincent Leo (exhibition review: “Poland 1983: Auschwitz, Majdanek, Treblinka” by James Friedman, Bertha Urdang Gallery, New York, NY and “Concerning a Personal Project: The Photographing of Nine Nazi Concentration Camps” by James Friedman, Purdue University Library, Lafayette, IN; Greater Rochester Jewish Community Center, Rochester, NY; Jewish Federation of Broome County, Binghamton, NY; Kingsbay YM-YWHA, Brooklyn, NY). 12.10, pp. 17-18. “Agnostic Witness” by Laura U. Marks (report: Human Rights Watch International Film Festival, New York, NY). 22.2, pp. 5-6. “‘All That is Solid Melts into Air’: Notes on the Logic of the Global Spectacle” by Jonathan Flatley (feature). 30.2, pp. 4-5. “Allegories of Palestine: An Interview with Michel Khleifi” by Coco Fusco (interview). 16.4, pp. 14-16. “A(na)esthetics” by Alan Gilbert (book review: Between Dog & Wolf: Essays on Art and Politics by David Levi Strauss). 28.5, p. 20. “Appointment with Berlin” by Jay Murphy (report: Berlinale, Berlin, Germany). 36.1, pp. 5-6. “Arabs Not the First to be Blown Away by the Movies” by James Marrison (essay). 31.5, p. 14. “Archaeological Digging in the June Gloom” by Roger Hallas (report: The 51st Robert Flaherty Seminar, Claremont, CA). 33.1, pp. 7-8. “Archive of the Forgotten: A Conversation About the Archive of Modern Conflict” by Paul Roberts (interview). 38.5, pp. 5-7. “Archival (Re)Collections” by Rembert Hueser (exhibition review: “Nancy Ann Coyne: Archiving Memory,” Iniversity of Minnesota, Elmer L. Anderson Library, Minneapolis, MN). 33.3, pp. 47-48. “Art, Gender, Power, and the F Word: An Interview with Coco Fusco” by Colette Copeland (interview). 35.5, pp. 4-6. “The Art of Mourning: Death and Photography” by David L. Jacobs (book review: Looking at Death by Barbara P. Norfleet, Secure the Shadow by Jay Ruby, Harm’s Way edited by Joel-Peter Witkin, Nagasaki Journey: The Photography of Yosuke Yamahata edited by Rupert Jenkins). 23.6 & 24.1, pp. 8-11. “Art of Peaceful Protest” by Anuradha Vikram (exhibition review: “One Day: A Collective Narrative of Tehran,” Intersection for the Arts, San Francisco, CA). 37.4, pp. 21-23. “The Art of War: Vietnam Terminable and Interminable” by Rob Silberman (feature book review: Unwinding the Vietnam War—From War into Peace edited by Reese Williams. feature exhibition review: “War and Memory: In the Aftermath of Vietnam,” Washington Project for the Arts, Washington, D.C.). 16.2, pp. 10-13. “Art Under Occupation: Documentary, Archive, and the Radically Banal” by Ryan Watson (feature). 36.5, pp. 7-12. “Atomic Reactions” by Patricia Thomson (feature). 11.9, pp. 5-10. “Atrocious Images” by Alexandra Neel (exhibition review: “Picturing Atrocity: Photography in Crisis,” The Center for the Humanities at the Graduate Center, New York, NY). 33.5, pp. 38-39. “The Banality of Photography” by Jan Zita Grover (feature book review: The Auschwitz Album: A Book Based Upon an Album Discovered by Concentration Camp Survivor, Lili Meier text by Peter Hellman). 9.9, pp. 5-7. “Behind the Front” by Jane Creighton (film review: La Decision de Vencer (Decision to Win) and Morazan by the Cero a la Izquierda Film Collective). 10.4, pp. 17-18. “Between the Eyes” by James Johnson (book review: Between the Eyes: Essays on Photography and Politics by David Levi Strauss). 31.5, p. 17. “Between the Lines” by Tina Wasserman (film review: Between the Lines by Yifat Kedar). 32.1, p. 14. “Beyond CNN” by Patricia R. Zimmermann (report: Asian Media Information and Communications Conference, Beijing, China). 33.2, pp. 15-16. “The Black Box of the Occupation Revisited: Photography, Responsibility, and the Israeli Occupation” by Simon Faulkner (feature). 35.3, pp. 13-16. “Blasting War” by Patricia R. Zimmermann (essay). 30.3 & 4, pp. 4-5. “Blindness and Insight: The Civil Rights Movement in Photographs and Text” by David A. Anderson (feature). 26.2, pp. 4-7. “Brady’s Nation” by Patricia Johnston and Joanne Lukitsh (book review: Mathew Brady and the Image of History by Mary Panzer. exhibition review: “Mathew Brady and the Image of History,” National Portrait Gallery, Smithsonian Institution, Washington, D.C.; Fogg Art Museum, Cambridge, MA; International Center for Photography/Midtown, New York, NY). 26.2, pp. 15. “Breaking the Wall of Silence” by Bruno Chalifour (book review: Infected Landscape: Israel: Broken Promised Land by Shai Kremer). 36.2, p\p. 33. “The ‘Brecht Effect’: Politics and American Postwar Art” by Philip Glahn (feature). 34.3, pp. 29- 32. “Capturing the Pain of Others” by Jung Joon Lee (exhibition review: “Flash Points: A Focus on Global Trauma: Photographs by Gilles Peress and Candace Scharsu,” Sidney Mishkin Gallery, New York, NY ). 34.5, pp. 31-32. “Clear Voices” by Kristy Krivitsky (exhibition review: “Portrait Narratives” by Jonathan Sharlin, Ganser Gallery, Millersville, PA). 27.1, p. 13 “Climate of War” by Janina A. Ciezadlo (exhibition review: “An-My Lê: Small Wars,” Museum of Contemporary Photography, Chicago, IL. “War Fare: Works by Ashley Gilbertson, Sean Hemmerle, Sarah Pickering, Martha Rosler, and Sean Snyder,” Museum of Contemporary Photography, Chicago, IL). 34.5, pp. 26-28. “Counting on Your Collective Silence: Notes on Activist Art as Collaborative Practice” by Gregory G. Sholette (feature). 27.3, pp. 18-20. “C/Overt Ideology: Two Images of Revolution” by Esther Parada (feature). 11.8, pp. 7-16. “Crisis in Africa” by Tina Wasserman (film review: Today the Hawk Takes One Chick by Jane Gillooly). 35.5, p. 28. “Culture Without a Country” by Ammiel Alcalay (exhibition review: “Uprising: Videotapes on the Palestinian Resistance,” Artists Space, New York, NY). 17.10, pp. 16-17. “The Death Business” by Bruce Jackson (feature). 2.2, pp. 2-3. “Distant Witnessing” by Andrea Liss (essay). 26.2, p. 3. “Documentaries from Post-Yugoslavia: Serbian War Discourse, 1999” by Navena Dakovic (feature). 28.4, pp. 16-18. “Documentary Against the Grain” by Edward Ball (news). 16.1, p. 3. “Dreams Decreed” by Noam Cohen (book review: Propaganda and Dreams: Photographing the 1930s in the USSR and the US by Leah Bendavid-Val and exhibition review: “Propaganda and Dreams: Photographing the 1930s in the USSR and the US,” The Corcoran Gallery of Art, Washington, D.C.; International Center of Photography, New York, NY). 27.4, pp. 16. “Duplicated Replications: The Interventions of Omer Fast” by Tina Wasserman (feature). 37.5, pp. 6-9. “Echoes of Atomic Wind” by Drew Snyder (exhibition review: “Madame Curie,” by Jennifer Steinkamp, Museum of Contemporary Art, San Diego, CA). 38.5, pp. 30-31. “Edward Said: 1935-2003” by Charadin Frank (obituary). 31.3, p. 2. “The Empire of Camps” by Nick Mirzoeff (feature). 30.2, pp. 11-12. “The Ethic of the Spectator: The Citizenry of Photography” by Ariella Azoulay (feature). 33.2, pp. 38-44. “Evidence of Blue” by Janet Koenig (book review: Witness: Perspectives on Police Violence by Bradley McCallum in collaboration with Jacqueline Tarry). 27.5, p. 12. “Exhibiting Tolerance” by Mark Alice Durant (report: opening of Belt Hashoah Museum of Tolerance, Los Angeles, CA). 21.3, pp. 12-14. “Exiles and Cosmopolitans” by Jacqueline S. Stoeckler (exhibition review: “Carnival in the Eye of the Storm: War/Art/New Technologies: Kosov@,” Pacific Northwest College of Art, Portland, OR). 28.4, pp. 36-37. “Failed Experiment” by O.Funmilayo Makarah (report). 21.5, pp. 4, 13. “The First Living-Room War: The Civil War in the Illustrated Press” by Jan Zita Grover (feature). 11.7, pp. 8-11. “Frames of Fear” by Jill Conner (exhibition review: “Permanent State of Emergency,” Eyebeam Art + Technology Center, New York, NY). 37.1, pp. 37-38. “From CNN to JFK: Paranoia, Melodrama, and American Mass Media in 1991” by W.J.T. Mitchell (feature). 19.10, pp. 13-17. “The Future’s Past: Re-Imaging the Cuban Revolution” by Jeffrey Skoller (feature). 26.5, pp. 13- 15. “Gaming for Social Change” by Lyell Davies (report: Games for Change Festival, New School for Social Research, New York, NY). 36.1, p. 4. “Grave Images” by Jen Saffron (exhibition review: “Purple Hearts” and “Grave and Deteriorating: Images of the Iraq War,” Pittsburgh Filmmakers Galleries, Pittsburgh, PA). 35.4, pp. 22-23. “History and Memory” by Janina A. Ciezadlo (film review: Burnt Oranges by Silvia Malagrino). 33.4, pp. 46-48. “Home Truths and Other Fictions: Geopolitics at the Film Festival” by Patricia Molloy (feature). 28.4, pp. 18-21. “I Miss You Already: A Phenomenological Understanding of Ken Jacobs’s Circling Zero: We See Absence” by Dana Anderson (feature). 36.2, pp. 18-19, 22-23. “Image Wars: Athens Riots as Dispotif and Event” by Sotirios Bahtsetzis (feature). 38.1, pp. 19- 24. “Imaging the Other: Representations of Vietnam in ‘60s Political Documentary” by Michael Renov (feature). 16.5, pp. 10-12. “Imagining Postmemory/Renegotiating History” by Marita Sturken (feature book review: Family Frames: Photography, Narrative, and Postmemory by Marianne Hirsch, Trespassing through Shadows: Memory, Photography & the Holocaust by Andrea Liss, Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory by Ernst van Alphen). 26.6, pp. 10-12. “The Impermanence of Memory” by Bill Kouwenhoven (report: Third Hamburg Photography Triennial, Hamburg, Germany). 33.1, pp. 9-10. “In True Colors” by Ammiel Alcalay (book review: Faithful Witnesses: Palestinian Children Recreate Their World by Kamal Boullata).
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