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2018-12-14 Thesis Final Version
MEMORY, SPACE & LAW MEMORY SITES OF THE 1992-1995 WAR IN PRESENT DAY BOSNIA & HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Scientific article Word count: 9.485 Aurore Vanliefde Student number: 01708804 Promotor: Dr. David Mwambari Master’s thesis presented for obtaining the degree of Master in Conflict and Development Academic year: 2018-2019 MEMORY, SPACE & LAW. MEMORY SITES OF THE 1992-1995 WAR IN BOSNIA AND HERZEGOVINA AND THE INTEGRATION OF THE ICTY LEGACY. Abstract This article revolves around memorialisation of the 1992-1995 war in Bosnia and Herzegovina (BiH). Theoretical insights from literature are combined with empirical data from 29 memory sites in BiH, two expert interviews, and additional information from informal conversations with guides and participation in guided tours. The aim of this study is to understand the use of memory sites of the 1992-1995 war in BiH, and research the extent to which the International Criminal Tribunal for the former Yugoslavia (ICTY)’s legacy has been integrated into these memory sites. The findings show that memorialisation is on-going through the creation, conservation, accentuation and destruction of memory sites. Memorials are generally exclusively meant for one ethno-national group, and are often the product of local and/or private initiatives. These sites of memory are lieux de mémoire, as described by Pierre Nora, where a community’s collective memory is both materialised and generated. Personal testimonies are extensively used in museums and archival material from the ICTY is included in some memory sites. The ICTY’s legacy constitutes a unique kind of memory, a lieu de mémoire sui generis. -
Albanian Passport Photo Requirements
Call 813-685-4343 For Your Photo Appointment Albanian Passport Photo Requirements Please Read Below For Details Prior To Visiting Our Studio: • Avoid white clothing because the portrait background for Albanian Passport Picture is white. • It is best to remove your glasses to eliminate any chances of rejection because of reflections. • Your expression must be neutral with no frowning or smiling. • You should be looking directly at the camera. Pictures even slightly in profile have been known to be rejected. • Your face should fill between at least 70% of the photo area. • Albanian Passport photographs must be taken by a professional studio. • Passport and Visa photo sizes and quantities of photos required change frequently. Please verify the photo specs with your embassy prior to visiting our studio. Feldman's Photography will create five identical Passport photos for Albania that will be exactly 40mm x 50mm. As required by the government in Albania there will be no hard shadows photographed on a solid white background. More Information about Albanian Passports: • The Albanian passport is a travel and identity document that is issued to citizens who are nationals of Albania, and allows them to travel abroad. The authority responsible for issuing Albanian Passports is the Ministry of Interior. • Starting in May 2009, the Albanian Government started issuing biometric passport and biometric ID card for its citizens. • From January 1, 2011 the biometric will be the only Albanian passport in circulation. To get this passport go to the Registry office of the municipality where the person is photographed, and all the fingerprints digitized. -
Returning to Albania This Document Provides Information and Details of Organisations Which May Be Useful If You Are Facing Removal Or Deportation to Albania
Praxis NOMS Electronic Toolkit A resource for the resettlement of Foreign National Prisoners (FNPs) www.tracks.uk.net Passport I want to leave CLICK HERE the UK I do not want to CLICK HERE leave the UK I am unsure about CLICK HERE Returningleaving theto UK Albania I will be released CLICK HERE into the UK Copyright © Free Vector Maps.com Returning to Albania This document provides information and details of organisations which may be useful if you are facing removal or deportation to Albania. While every care is taken to ensure that the information is correct this does not constitute a guarantee that the organisations will provide the services listed. Your Embassy in the UK Embassy of the Republic of Albania 33 St George’s Drive, London SW1V 4DG Telephone: 020 7828 8897 Fax: 020 7828 8869 E-mail: [email protected] www.albanianembassy.co.uk Travel documents A valid Albanian passport or identity card can be used to remove you from the UK to Albania. If you do not have a valid passport or identity card the following documents may help to get a document which will allow you to return to Albania: • Expired passport or id card or copies of those documents • Original birth certificate • Other documents indicating Albanian nationality, e.g. marriage certificate, parents’ birth certificates or passports Return If you are willing to return and want to ensure that you are returned to Albania as soon as possible you can: • Contact your caseworker at the Home Office to say that you are willing to return; • Make every effort to find supporting documentation for issuing of travel documents; • Make contact with the Albanian Embassy to begin the process of obtaining a travel document. -
Antiretroviral Price Reductions
UNTANGLING THE WEB OF ANTIRETROVIRAL PRICE REDUCTIONS 18th Edition – July 2016 www.msfaccess.org PREFACE In this report, we provide an update on the key facets of HIV treatment access. It includes the latest HIV treatment guidelines from World Health Organization (WHO), an overview on pricing for first-line, second-line and salvage regimens, and a summary of the opportunities for – and threats to – expanding access to affordable antiretroviral therapy (ART). There is a table with information on ARVs, including quality assurance, manufacturers and pricing on pages 55 to 57. THE MSF ACCESS CAMPAIGN In 1999, on the heels of Médecins Sans Frontières (MSF) being awarded the Nobel Peace Prize – and largely in response to the inequalities surrounding access to HIV/AIDS treatment between rich and poor countries – MSF launched the Campaign for Access to Essential Medicines. Its sole purpose has been to push for access to, and the development of, life-saving and life-prolonging medicines, diagnostics and vaccines for patients in MSF programmes and beyond. www.msfaccess.org MSF AND HIV Médecins Sans Frontières (MSF) began providing antiretroviral therapy to a small number of people living with HIV/AIDS in 2000 in projects in Thailand, South Africa and Cameroon. At the time, treatment for one person for one year cost more than US$10,000. With increased availability of low-cost, quality antiretroviral drugs (ARVs), MSF provides antiretroviral treatment to 240,100 people in 18 countries, implements treatment strategies to reach more people earlier in their disease progression, and places people living with HIV at the centre of their care. -
Courtesy of the Abba Schwartz Oral History Project the John F
Courtesy of the Abba Schwartz Oral History Project The John F. Kennedy ibrary The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR WILLIAM E. RYERSON Interviewed by: William D. Morgan Initial interview date: June 26, 1992 TABLE OF CONTENTS Background Cornell University Entered Foreign Service 19,1 Berlin, .ermany 19,3019,, US mission in Berlin Clay0Sokolovski agreements Tirana, Albania 199301991 Ambassador Secretary Baker2s visit 3Cheers for USA4 Current 519916 Albanian emigration 7isa issuance problems US citizens in Albania Communists Albanian president2s visit to US US legislation 8 visa restrictions Barbados 19,,01988 Consular office Passport photos Problems Operations center 19,801970 7isa work Belgrade, Yugoslavia Consul general 1 Fraud problems Ethnic problems 7isa Office 199001991 Coordination division Barbara Watson Communist problem Mc.overn amendment Passport problems in Africa 7isa Issuance Comments NI7CAPS Aelations between Washington and the field Whither visa function INTERVIEW SUMMAAY: Ambassador Ryerson, in an enthusiastic, frank and highly professional manner, recounts his over 20 years in the foreign service. The highlights are from the outset of the interview focused on his uni(ue, e)citing and e)traordinarily demanding present assignment as ambassador of Albania. Not only does he tell personal tales of daily living, including about present day personalities highlighted by Secretary ,aker-s visit, but he gives practical e)amples of directing the consular programs in a constantly evolving..perhaps e)ploding..setting. /e then carries the consular e)amples through tours in ,arbados and 0o1nan and then on to the demanding 2obs in ,onn and ,elgrade. 3inally, he gives his frank and e)plicit views, opinions and criti(ue of past, present and possible future immigration laws and procedures as seen from the special vantage points of three assignments in the 4isa Office, most recently as its deputy director. -
Border Wars the Arms Dealers Profiting from Europe’S Refugee Tragedy
BORDER WARS THE ARMS DEALERS PROFITING FROM EUROPE’S REFUGEE TRAGEDY Mark Akkerman Stop Wapenhandel www.stopwapenhandel.org Border wars | 1 AUTHOR: Mark Akkerman EDITORS: Nick Buxton and Wendela de Vries DESIGN: Evan Clayburg PRINTER: Jubels Published by Transnational Institute – www.TNI.org and Stop Wapenhandel – www.StopWapenhandel.org Contents of the report may be quoted or reproduced for non-commercial purposes, provided that the source of information is properly cited. TNI would appreciate receiving a copy or link of the text in which this document is used or cited. Please note that for some images the copyright may lie elsewhere and copyright conditions of those images should be based on the copyright terms of the original source. http://www.tni.org/copyright ACKNOWLEDGEMENTS Thanks to Corporate European Observatory for some of the information on arms company lobbying. Border wars: The arms players profiting from Europe’s refugee crisis | 2 CONTENTS Executive Summary 1 Introduction: the EU war on immigration 3 Fueling the refugee tragedy: EU arms exports 6 EU response to migration: militarising the borders 9 – ‘Fighting illegal immigration’ – EUNAVFOR MED – Armed forces at the borders – NATO assistance – Border fences and drones – From Frontex to a European Border and Coast Guard Agency – Externalizing EU borders – Deal with Turkey – Selling militarisation as a humanitarian effort Lobbying for business 17 – Lobby organisations – Frontex and industry – Security fairs as meeting points EU funding for border security and border control 25 – Funding for (candidate) member states – Funding third countries’ border security – EU Research & Technology funding – Frontex funding for research – Future prospects for security research Which companies profit from border security? 34 – Global border security market – Frontex contracts – Major profiting companies – Detention and deportation Conclusion 43 EXECUTIVE SUMMARY The refugee crisis facing Europe has caused consternation in the corridors of power, and heated debate on Europe’s streets. -
W O R C E S T E R a R T M U S E U M / Worcesterart.Org
W O R C E S T E R A R T M U S E U M / worcesterart.org BLOOD AND HONEY, RON HAVIV’S PHOTOJOURNAL OF THE YUGOSLAV CONFLICT, TO BE PRESENTED AT THE WORCESTER ART MUSEUM Part of the Museum’s Photojournalism Series Examining Global Conflicts, Haviv’s Images Document Europe’s Unthinkable, Post-Cold War Horrors Worcester, MA—June 8, 2016—For more than a decade, photojournalist Ron Haviv documented the civil wars that tore apart the Balkans, beginning with the Slovenian withdrawal from Yugoslavia in 1991. Now, as the migrant crisis in Europe once more brings the Balkans back into the news, the Worcester Art Museum will present an exhibition of original works titled Blood and Honey, drawn from Haviv’s book of the same name. Organized by the Museum in collaboration with the artist, this is the fourth and final exhibition in a series that explores the work of photojournalists documenting areas of conflict—and the impact of conflict on both civilians and soldiers alike—as part of the Museum’s larger Knights! installation, which presents arms and armor in both an art historical and social context. Blood and Honey opens today and will continue through the close of Knights! on November 6, 2016. Haviv’s photographs presented the Balkan conflicts to the world with clarity and candor, tracking the escalation of the Yugoslav civil war from loosely organized militias with small weapons to the eventual deployment of tanks and heavy weaponry on all sides. His images also document the devastation the wars brought to the people of the region: ethnic cleansing, mass incarceration, and forced starvation; a massive refugee crisis; war crimes at a staggering scale; and more than 130,000 deaths. -
Vii-Migration-Program Copy 3
PERSPECTIVES: MIGRATION NOVEMBER 14 & 15, 2015 Photo by Ashley Gilbertson Commemorating 10 years of VII and IGL collaboration and the 30th anniversary of the Institute for Global Leadership, the world’s leading photojournalists from the VII Photo Agency will explore their coverage of the continuing migration and merging of societies and cultures through a series of presentations and panels featuring recent work from the Syrian refugee crisis followed by a day of hands on workshops. THE AGENDA Saturday, November 14: SEMINARS 1:15 PM: PART ONE – HISTORY: The First Migration Sunday, November 15: Man has been seeking better opportunities since our ancestors’ first migration out WORKSHOPS of Africa. John Stanmeyer is documenting man’s journey and subsequent evolution with National Geographic’s Out of Eden Project – an epic 21,000-mile, 11:00 AM: Street Photography seven year odyssey from Ethiopia to South America. Ed Kashi and Maciek Nabrdalik will 2:00 PM: PART TWO – CRISIS: The European Refugee Crisis lead students around Boston and guide them on how to approach VII photographers are documenting the developing refugee crisis from its origins subjects, compose their frames, and in the Syrian uprising to the beaches of Greece and beyond. Technology has both find new and unexpected angles. An expanded the reach and immediacy of their work while challenging our definition editing critique with the of a true image. photographers will follow the VII Photographers: Ron Haviv, Maciek Nabrdalik, Franco Pagetti and Ashley shooting session. Gilbertson Panelist: Glenn Ruga, Founder of Social Documentary Network and ZEKE 11:00 AM: Survival: The Magazine Complete Travel Toolkit Moderated by Sherman Teichman, Founding Director, Institute for Global Leadership, Tufts University Ron Haviv will share tips and tricks on how best to survive and thrive in the 3:30 PM Break before, during, and after of a shoot. -
On Assignment: a Guide to Reporting in Dangerous Situations
On Assignment: A Guide to Reporting in Dangerous Situations The publication of this handbook was made possible by the following contributors: Andrews McMeel Publishing CNN The Ethics and Excellence in Journalism Foundation The Gannett Foundation The Poynter Institute Table of Contents On Assignment: A Guide to Reporting in Dangerous Situations I. Introduction.......................................................................1 II. Who is at Risk?................................................................ 5 III. Covering Conflict............................................................7 Training.................................................................................................... 8 How do you decide whether it is best to blend in or be clearly identified as a journalist while working in a combat zone? by Charles Hanley..............................................................................8 Security Training Courses.................................................................8 Biochemical Courses.......................................................................10 Security Training Firms....................................................................10 Security Literature............................................................................14 Funding for Security Courses..........................................................14 Protective Gear......................................................................................15 Body Armor......................................................................................15 -
Walsh Magnum VII Spring 2016
Photography through the Lens of Magnum and VII IDSEM-UG 1857 Gallatin School of Individualized Study New York University Spring 2016 Dr. Lauren Walsh Office: 1 Wash. Pl., rm 431 Contact: [email protected] Office hours: Fri. 2-4 Class location: 194M, room 201 Class: 11:00a-1:45p Fridays Learn the history of some of the greatest works of journalistic and documentary photography over the last seventy years through two of the most eminent photo collectives, Magnum and VII. Photographers at these leading collectives have created iconic documentary images and helped define the field of photojournalism as we know it today. In examining Magnum and VII, students learn how these collectives function as a business model, in opposition to wire services and other photo agencies, and how these distinctions have informed the style and content produced by photojournalists over the past few decades. We thus use these collectives as a lens (pun intended!) through which to address a recent history of photography, the trajectory of visual journalism, and ultimately, the place of advocacy in documentary photography, as these collectives often turn an eye toward momentous histories and social justice. In focusing on the work of specific photographers from each collective, students learn about historic events, from coverage of Latin American guerrilla wars to the break up of Yugoslavia, in addition to current humanitarian issues, like the mining of “conflict minerals” in the Congo. These case studies allow us to examine when and how photos have affected the course of history. At times in conversation with photographers from these collectives, we also consider present-day concerns: does the still image have the same power today—an era saturated by images—as it did just a few decades ago? As a photographer, what are the ethical ramifications of acting as the public’s eyes? Readings include theory, journalistic accounts, history, and other critical literature, while authors include Ritchin, Cartier-Bresson, Sontag, and Sliwinski. -
Dossier Presse IMAGINE EN.Indd
Imagine. Reflections on peace musée international avenue de la paix 17 de la croix-rouge ch-1202 Genève et du croissant-rouge +41 22 748 95 11 2. From 16 September 2020 to 10 January 2021, the In- ternational Red Cross and Red Crescent Museum will be running Imagine. Reflections on Peace, a photo exhibition that looks at peace-building and how it is experienced in everyday life. What does peace look like, apart from the images we make of it? VII Foundation The exhibition, developed in collaboration with the , invites us to imagine an ideal peace that exists outside the headlines. What form – or forms – does peace take in everyday life in places where combatants have laid down arms after years of conflict? Some of the world’s leading photojournalists set out to explore this question by returning to the places where they carried outDon their McCullin first assignments, sometimesBeirut more than 20 years ago. Nichole Sobecki • gives us a glimpse of in the grip of civil war, while takes us back to the city’s streetsRoland as Neveuit attempts to heal despite the scars left by conflictPhnom – a journey Penh made all the more relevant byGary recent Knight events. • witnessed the Khmer Rouge takeover of in 1975. Forty-five years later, ’s photographsRon Haviv show Cambodians still grapplingBosnia-Herzegovina with the conflict’s aftermath. • coveredGilles thePeress civil warStephen in Ferry and later returned to reportNorthern on the situation Ireland there today. Colombia • Reporting by and sheds light on the peace process in two decades after the signing of the Good Friday Agreement, and in , where the 2016 peace deal remains little more than a promise. -
BETWEEN FIXITY and ABSENCE Representation of the Bosnian War in Visual Art and Its Influence on the Art Scene
BETWEEN FIXITY AND ABSENCE Representation of the Bosnian war in visual art and its influence on the art scene Laura Van Den Bosch Master thesis East-European Languages and Cultures 2013-2014 Promotor: prof. Rozita Dimova August 2014 Words of appreciation My initial interest in Bosnia was sparked following a visit to Sarajevo in 2012 with a group of students of the Bosnian/Croatian/Serbian language course. After yet another visit to Bosnia in 2013, it was clear that Bosnia had captured my attention provoking conflicting thoughts, dilemmas and most of all inspiration and mystery. Arguably, the recent war contributed to this attraction. But I was also captivated by the lively atmosphere and beauty of the country which mixed with its history, and the visible remnants of the turmoil during the war, made this country truly fascinating to me. Having developed profound interest in art for some time now, and having followed art courses at the university to broaden my knowledge about visual art, I approached the task of my MA thesis with a determination to combine these two sincere interests. I would not have been able to finish this intense work without the help of various people. In the first instance, I would like to express my sincere appreciation to professor Rozita Dimova for the invaluable advice, suggestions and inspiring discussions. Furthermore, I would like to thank the artists and curators who were more than willing to cooperate and share additional information. I really enjoyed catching a glimpse of their fascinating world. A special thank you to Šejla Holland, Anela Hakalović, Tarik Samarah, Radenko Milak, Milomir Kovačević, Dean Zulich, Damir Radović and Pierre Courtin.