LIFE and WAR in UKRAINE Photographs by Michele Cirillo, Aude Osnowycz, Jan Zychlinski 1 / ZEKE FALL 2018 FALL 2018 VOL.4/NO.2 $9.95 US/$10.95 CANADA
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FALL 2018 VOL.4/NO.2 $9.95 US/$10.95 CANADA THE MAGAZINE OF GLOBAL DOCUMENTARY ZEKEPublished by Social Documentary Network FEATURED ARTICLES WHERE THE RIVER RUNS THROUGH THE EROSION OF THE AMAZON RAINFOREST Photographs by Aaron Vincent Elkaim RHYTHM OF THE SEASONS TRAVELING NORTH WITH THE LAST INUIT HUNTERS Photographs by Philippe Geslin LIFE AND WAR IN UKRAINE Photographs by Michele Cirillo, Aude Osnowycz, Jan Zychlinski 1 / ZEKE FALL 2018 FALL 2018 VOL.4/NO.2 $9.95 US/$10.95 CANADA THE MAGAZINE OF GLOBAL DOCUMENTARY ZEKE Published by Social Documentary Network Dear ZEKE Readers: Ten Years of Telling Truth 2 | RHYTHM OF THE SEASONS his issue of ZEKE is devoted to the exploration of post-truth. It was ten years ago this month that the Social TRAVELING NORTH WITH THE LAST INUIT HUNTERS The abuse of truth is nothing new, and in itself would not lead Documentary Network (SDN) launched a website at Photographs by Philippe Geslin to rebranding our era with this moniker. But combined with an the PhotoPlus Expo at the Jacob Javits Center in New Text by Tori Marlan internet filled with untruths that are swaying public opinion, York. A decade later, we have presented more than mainstream media such as Fox News or RT (Russia Today) 3,000 documentary exhibits by more than 2,000 Tmaking up “facts,” and a new skepticism of science at a time when photographers from all parts of the world exploring 18 WHERE THE RIVER RUNS THROUGH climate change is burning and flooding our planet, the bedrock belief in hundreds of diverse themes. We have also have had Philippe Geslin | objectivity is on dangerously shaky ground. gallery exhibitions in locations across the US and No event in recent history illustrates this better, and more THE EROSION OF THE AMAZON RAINFOREST in Europe. We have hosted educational programs dangerously, than the confirmation of Brett Kavanaugh to the Photographs by Aaron Vincent Elkaim involving world renowned photographers. We continue US Supreme Court following blistering and divisive testimony by to be a strong voice for documentary photography. Text by Enrique Gili Kavanaugh and his accuser, Dr. Christine Blasey Ford. Each is 100% And in 2015, we took a bold step to launch this certain about what happened or didn’t happen. How can this be? magazine. Either one of them is lying or one actually and erroneously believes their 36 | LIFE AND WAR IN UKRAINE In the ten years since we launched SDN, Photographs by Michele Cirillo, Aude Osnowycz, statement because of faulty memory. But they both cannot be right as much as 1+1 cannot equal 3. While I find Ford a credible witness, and digital photography has made the truthfulness of Jan Zychlinski Kavanaugh less so, facts were in short supply in this debate. a photograph more suspect than ever. In fact a Text by Glenn Ruga Today it is too common for two sides of a debate to have photograph today is of little more use as evidence than diametrically opposed understanding of facts with each side being an illustration. But an important concept behind SDN 100% certain about being right. is that a documentary project is never about just one Aaron Vincent Elkaim 30 | Award Winners I first experienced this slippery slope on truth when in 1995 I image. Rather it is about an investigation involving traveled to Bosnia during the end of a genocidal war and listened many images from many angles, often over a period to testimony of Bosnian Muslims and Bosnian Serbs, each of whom of months or years. Quality documentary investigation 34 | Interview with Reza were convinced of the veracity of their narrative. In 1994, the often involves a deep commitment by the photographer by Caterina Clerici Muslim residents of Sarajevo were 100% certain that it was the Serb to research the historical backgrounds and current nationalists who bombed the downtown marketplace killing 68 civilians political climate of their themes. In other instances, it 54 | Image in the Era of Post-Truth and the Serbs were just as sure that it was the Bosnian government that involves capturing the personal stories of the subjects. by Fred Ritchin did it in order to gain international support for their cause. Unlike the In Fred Ritchin’s article in this issue, “Image Kavanaugh hearings, facts were available and numerous international in the Era of ‘Post-Truth’“ he makes the case that experts came to a unanimous conclusion that it was Serb nationalists documentary photographers today are using a more 58 Book Reviews Jan Zychlinski | perched on high ground above Sarajevo who did this heinous act. But it conceptual approach because the obvious approach was an eye opener for me to hear first-hand Serb nationalists deny their of just relying on photographic evidence is no longer 63 | What’s Hot involvement with “100%” certainty. credible. In recent years we have seen many of the Trending Photographers on SDN I would hate to conclude that all truth is relative because I strongly photographers on SDN doing exactly this and we On the Cover believe in the rule of law based on evidence, science based on research, encourage more of this type of exploration. Photograph by Aaron Vincent Elkaim and that objective truth is essential for justice to prevail in this world. SDN is proud to be celebrating our tenth from Where the River Runs Through: I am very grateful to the photographers in this issue of ZEKE for The Erosion of the Amazon Rainforest, anniversary and ten years of telling truth. We want to presenting truths about the themes they explore and also to Fred Ritchin featured in this issue of ZEKE. Elkaim is thank and celebrate the thousands of photographers the winner of Social Documentary Net- for his essay on “Image in the Era of Post-Truth.” who trust us to present their stories to the world and work’s Call for Entries on Documentary in the Era of Post-Truth. Glenn Ruga we look forward to another decade of collaboration. Reza Executive Editor ZEKE FALL 2018/ 1 In the heart of Greenland, the world’s largest island, at the confluence of the bays of Melville and Baffin, are the last Inuit hunters. They still live to the rhythm of the seasons, the ice pack and the sea, the storms and the cold. They are looking for the presence of seals. Everything seems unresolved for these northern peoples living in the least populated land, where RHYTHM OF THE SEASONS three quarters of the territory is covered by once permanent ice sheets and glaciers TRAVELING NORTH WITH THE LAST INUIT HUNTERS that are now beginning to melt due to climate change. Photographs by Philippe Geslin Philippe Geslin is an ethnologist, anthro- pologist and photographer. “Each of my travels is a new beginning, an almost stubbornness. I am taking time, as a sensi- tive, curious and demanding vagabond to unfold the territories of beings and things, to reveal the backstage, to follow the meanders, to restore the sensible, the harmless. In these distant lands, it is in the imperceptible and the tenuous that we seize the universe.” Philippe uses photog- raphy as a mode of literary expression as he tries to give an accurate account of everyday life of small communities from the last hunter-gatherers of East Africa and the Maasai breeders in Tanzania to the last Inuit hunters in Greenland. “The Inuit here have so much to teach us—we who keep nature at a distance and pay the heavy price for it.” Iceberg in Nutaarmiut Bay, Upernavik District, northwest Greenland. 2 / ZEKE FALL 2018 ZEKE FALL 2018/ 3 Lars Jensen coming from a dog sled race, Kullorsuaq, Upernavik District, northwest Greenland. Photograph by Philippe Geslin 4 / ZEKE FALL 2018 ZEKE FALL 2018/ 5 Summer Sky. Upernavik City, northwest Greenland. Photograph by Philippe Geslin 6 / ZEKE FALL 2018 ZEKE FALL 2018/ 7 Ole Eliassen coming back from a seal hunt, Kullorsuaq, Upernavik District, northwest Greenland. Photograph by Philippe Geslin 8 / ZEKE APRILFALL 2018 2015 ZEKEZEKE APRIL FALL 2015/2018/ 9 Helicopter landing. Nusuaq, Upernavik District, northwest Greenland. Photograph by Philippe Geslin 10 // ZEKE APRILFALL 2018 2015 ZEKEZEKE APRIL FALL 2015/2018/ 11 Ole Eliassen looking at seal nets on pack ice. Kullorsuaq, Upernavik District, northwest Greenland. Photograph by Philippe Geslin 12 // ZEKE APRILFALL 2018 2015 ZEKEZEKE APRIL FALL 2015/2018/ 13 Lars Jensen preparing a bear skin for drying, Kullorsuaq, Upernavik District, northwest Greenland. Photograph by Philippe Geslin 14 // ZEKE APRILFALL 2018 2015 ZEKEZEKE APRIL FALL 2015/2018/ 15 “The perpetrators thought that they were untouchable, that nothing would happen to them. The tipping point that we are now talking about is the change of that culture.” Phumzile Mlambo-Ngcuka Executive Director of UN Women Inuit communities across the Though seal hunting is still they can “fill their freezers for Other activist groups took Seasonal ice coverage is Arctic have experienced rapid, the winters.” up the mantle when new also an issue. Rosing says the dramatic changes to their widely practiced and remains Younger generations, espe- markets opened in the 2000s sea used to freeze in October way of life. Health and social central to Inuit identity and cially city dwellers, do that less in countries such as Russia and where he hunts. Now that hap- problems have ensued, includ- culture, it is no longer a often. Hunting territories near China. The market’s revival pens in December or January. ing increased rates of poverty, cities can get crowded. “Think was short-lived. Russia out- In some regions, the ice disap- alcoholism, alcohol-related means of survival—or, even, also smart phones and the lawed the baby harp seal hunt, pears by April, when it used to violence, and suicide.