1 Challenging Intellectual Hierarchies. Hegel in Risorgimento
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fairy Tales in Italy During the 20Th Century and the Translations of Tales of Long Ago
Libri & Liberi • 2016 • 5 (2): 373–394 373 UDK 821.163.42-93-34’255=131.1 821.163.42.09-93Brlić-Mažuranić,I. Sabrina Fava Università Cattolica del S. Cuore, Milan, Italy [email protected] Fairy Tales in Italy during the 20th Century and the Translations of Tales of Long Ago Izvorni znanstveni rad / original research paper Primljeno / received 21. 11. 2016. Prihvaćeno / accepted 10. 3. 2017. DOI: 10.21066/carcl.libri.2016-05(02).0004 Why was the book Tales of Long Ago translated into Italian only in 1957, whereas it was published by Ivana Brlić-Mažuranić in 1916? The paper explains that this delay depends on the development of fairy tales in Italy during the 20th century between the folktale tradition and fantastic children’s literature. At the beginning of the 20th century there were two lines of evolution: on the one hand, attention was given to fairy tales coming from Northern Europe and, on the other hand, attention was given to traditional and local folktales. During the Fascist era, fantastic writing was an “unfettered realm” which prepared the development of the post-war period. In the second half of the 20th century in Italy, cultural and publishing trends were directed to reinforce national identity and build a European identity at the same time. Tales of Long Ago was translated into Italian and then this collection became part of the Enciclopedia della leggenda [Encyclopaedia of the Legend] (1957), a book edited by Giunti-Marzocco which extended the worldview of Italian children. The documentation in the Giunti Historical Archive allows us to explain the complex history of the Italian translation of Tales of Long Ago. -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Representations of Italian Americans in the Early Gilded Age
Differentia: Review of Italian Thought Number 6 Combined Issue 6-7 Spring/Autumn Article 7 1994 From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Russo, John Paul (1994) "From Italophilia to Italophobia: Representations of Italian Americans in the Early Gilded Age," Differentia: Review of Italian Thought: Vol. 6 , Article 7. Available at: https://commons.library.stonybrook.edu/differentia/vol6/iss1/7 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. From ltalophilia to ltalophobia: Representations of Italian Americans in the Early Gilded Age John Paul Russo "Never before or since has American writing been so absorbed with the Italian as it is during the Gilded Age," writes Richard Brodhead. 1 The larger part of this American fascination expressed the desire for high culture and gentility, or what Brodhead calls the "aesthetic-touristic" attitude towards Italy; it resulted in a flood of travelogues, guidebooks, antiquarian stud ies, historical novels and poems, peaking at the turn of the centu ry and declining sharply after World War I. America's golden age of travel writing lasted from 1880 to 1914, and for many Americans the richest treasure of all was Italy. This essay, however, focuses upon Brodhead's other catego ry, the Italian immigrant as "alien-intruder": travel writing's gold en age corresponded exactly with the period of greatest Italian immigration to the United States. -
The Project Gutenberg Ebook of Un Viaggio Elettorale, by Francesco De
Francesco De Sanctis Un viaggio elettorale www.liberliber.it Questo e-book è stato realizzato anche grazie al sostegno di: E-text Editoria, Web design, Multimedia http://www.e-text.it/ QUESTO E-BOOK: TITOLO: Un viaggio elettorale AUTORE: De Sanctis, Francesco TRADUTTORE: CURATORE: NOTE: Il testo è tratto da una copia in formato immagine presente sul sito http://www.archive.org/. Realizzato in collaborazione con il Project Gutenberg (http://www.gutenberg.net/) tramite Distributed proofreaders (http://www.pgdp.net/) CODICE ISBN E-BOOK: n. d. DIRITTI D'AUTORE: no LICENZA: questo testo è distribuito con la licenza specificata al seguente indirizzo Internet: http://www.liberliber.it/libri/licenze/ TRATTO DA: Un viaggio elettorale / Francesco De Sanctis ; con note ed appendice a cura di Giuseppe Leonida Capobianco - Napoli : Morano, 1920 - VIII, 147 p. ; 19 cm. CODICE ISBN: n. d. 1a EDIZIONE ELETTRONICA DEL: 10 novembre 2015 INDICE DI AFFIDABILITA': 1 0: affidabilità bassa 1: affidabilità media 2: affidabilità buona 3: affidabilità ottima DIGITALIZZAZIONE: Distributed proofreaders, http://www.pgdp.net ALLA EDIZIONE ELETTRONICA HANNO CONTRIBUITO: Carlo Traverso, Leonardo Palladino e Distributed proofreaders, http://www.pgdp.net REVISIONE: Leonardo Palladino PUBBLICATO DA: Claudio Paganelli, [email protected] Informazioni sul "progetto Manuzio" Il "progetto Manuzio" è una iniziativa dell'associa- zione culturale Liber Liber. Aperto a chiunque vo- glia collaborare, si pone come scopo la pubblicazio- ne e la diffusione gratuita di opere letterarie in formato elettronico. Ulteriori informazioni sono di- sponibili sul sito Internet: http://www.liberliber.it/ Aiuta anche tu il "progetto Manuzio" Se questo "libro elettronico" è stato di tuo gradi- mento, o se condividi le finalità del "progetto Ma- nuzio", invia una donazione a Liber Liber. -
The Vichian Resurrection of Commedia Dell'arte: Michelet, Sand
The Vichian Resurrection of Commedia dell’Arte: Michelet, Sand, and De Sanctis Rocco Rubini Here in the Italian theater are to be found the secrets of Italian life and char- acter, more than in all the classical imitations put together. A history of the comedy and the tale in all their forms would be extremely instructive. And what precious material it would give us for a history of Italian society! Francesco De Sanctis, History of Italian Literature Abstract: This essay seeks to reconnect two intellectual events of major import in nineteenth-century France: Jules Michelet’s “rediscovery” of Giambattista Vico as a viable source for a critical review of modernity’s task and the scholarly, artistic, and moral accreditation of commedia dell’arte, something inaugurated by George and Maurice Sand in their landmark Masques at bouffons (1860). Together, I contend, these scholarly events mark turning points in the romantic revision of the Renaissance, Baroque, and Enlightenment legacies. In the first section of this essay, I examine Michelet’s Vichian obsession, itself so often studied in isolation, to account for its hybridization with a specific brand of Italian Vichianism imported to France by Italian Risorgimento expatriates. As I explore in the second part of the essay, this connection informs the Sands’ recuperation of commedia dell’arte, another important part of Italy’s early modern legacy, as itself a Vichian event mediated by Michelet’s historiography. In conclusion, this rapprochement will allow us to elucidate a larger reciprocation between French and Italian thinkers at the same time that Italians were reckoning with the legacy of the Risorgimento, as we see through the eyes of one of its major proponents, Francesco De Sanctis, who in his influentialHistory of Italian literature (1870–1) reappropriated Vico to argue that the rebirth of Italy may depend on the obliteration of both its Renaissance and comic traditions. -
Inventive Translation, Portraiture, and Spanish Hapsburg Taste in the Sixteenth Century
9 © Copyrighted Material Inventive Translation, Portraiture and Spanish Habsburg Taste in the Sixteenth Century Elena Calvillo The Spanish Patron In his autobiography, Benvenuto Cellini recounts how when faced with an angry mob of Spaniards from the household of the bishop of Salamanca, he defiantly pointed his gun into the crowd and cried, ‘You treacherous Moors – so this is how you loot the shops and houses in a city like Rome?’1 According to the artist, the Spaniards had come to collect a vase that had been returned to Cellini to be repaired, but because the patron had not yet paid for it, Cellini declined to release it. The commotion surrounding this exchange soon attracted the attention of a few Roman gentlemen, eager to join the fight. Their offer to help Cellini kill his opponents was made ‘with such vehemence that the Spaniards were terrified out of their wits’ and retreated.2 The Spanish courtiers were subsequently admonished by the bishop, who, Cellini claimed, was angered by both the violence initiated by the brash members of his household and by their failure to finish the job. Cellini’s characterization of the Spanish throughout this part of his text, leading up to the Sack of 1527, is similar to many portrayals of this period.3 For Cellini, such a depiction of the troublesome Spaniards served the rhetorical ends of the autobiography by highlighting his loyalty to Rome and his personal bravery, most spectacularly demonstrated in his account of the defence of the Castel Sant’Angelo against imperial troops. A few themes emerge from Cellini’s anecdote. -
Kazdan Pak Dissertation
UCLA UCLA Electronic Theses and Dissertations Title Italy's Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 Permalink https://escholarship.org/uc/item/7fh45860 Author Pak, Julie Kazdan Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Italy’s Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Julie Kazdan Pak 2012 © Copyright by Julie Kazdan Pak 2012 ABSTRACT OF THE DISSERTATION Italy’s Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 by Julie Kazdan Pak Doctor of Philosophy in History University of California, Los Angeles, 2012 Professor Geoffrey Symcox, Chair This dissertation concerns the feminization of the Italian teaching profession between the introduction of pre-Unification schooling in 1859 and the nationalization of that system in 1911. By feminization, this dissertation refers both to the gradual assumption of the majority of elementary teaching positions by women and to a transformation in the nature of the position itself. Through an examination of educational periodicals, school records, government inquests, and accounts by teachers and pedagogical theorists, it argues that rather than the unintended consequence of economic constraints or shifting labor patterns, feminization was fundamentally connected to larger processes of centralization and modernization in the Italian school system. Following an introductory chapter outlining the major national, religious, and gender debates of ii the Unification era, the second chapter of the dissertation argues that the figure of the female elementary teacher became embroiled in the contest between local and national interests, furthering the drive toward centralization. -
Journal of Comparative Literature and Aesthetics
ISSN: 0252-8169 JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Vol. XVI Nos. 1-2: 1993 A Special Volume on Italian Aesthetics Since Croce A Vishvanatha Kaviraja Institute Publication Editor: A.C. SUKLA B-8, Sambalpur University, Jyoti Vihar, Orissa India-768019. Fax-0663+430314, Associate Editor: Frank J. Hoffman West Chester University, Pennsylvania Editorial Advisor (Foreign) : Milton H. Snoeyenbos Georgia State University, Atlanta: Georgia. EDITORIAL BOARD Rene Wellek Yale University Peter Lamarque University of Hull Philip Alperson University of Louisville W.I.T. Mitchel University of Chicago Ralph Chohen University of Virginia Denis Dutton University of Canterbury Grazia Marchiano University of Siena Dorothy Figueira University of Illinois Ellen Dissanavake Washington Goran Hermeren University of Lund Ales Erjavec Slovenian Academy of Science & Arts V.K. Chari University Carleton S.K. Saxena University of Delhi Suresh Raval University of Arizona J.N. Mohanty Temple University Salim Kemal University of Dundee All subscriptions / books for review / papers / reviews / notes for publication are to be sent to the Editor Current information about JCLA is available on the Internet web site: http:// www.sas.upenn.edu/~fhoffman/jcla.html JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Volume: XVI: Nos. 1-2: 1993 A VISHVANATHA KAVIRAJA INSTITUTE PUBLICATION The Prsent Volume is Edited By: GRAZIA MARCHIANO CONTENTS 1 About the Authors Grazia Marchiiano 3 Editorial Gianni Vattimo 9 On the Challenge of Art to Philosophy; Aesthetics at the End of Epistemology Stefano Zecchi 17 The Theory of Art in Italian Idealism Aldo Trione 29 The De Sanctis: Croce line and the Problem of Modernity Stefano Benassi 41 Orientations of Phenomenological Aesthetics in Italy: The Encounter with Marxism and Semiotics Luisa Bonesio 51 Italian Philosophical Aesthetics: A New Generation Grazia Marchiano 59 Ananda Kentish Coomaraswamy: A Short Critical Survey About the Authors . -
MIT 24 4 Book Reviews 489..491
490 Book Reviews Jacob Moleschott – a Transnational Biography: Science, Politics, and Popularization in Nineteenth-Century Europe,byLAURA MENEGHELLO, Bielefeld, Germany, Transcript- Verlag, 2017, 488 pp., €49.99 (paperback), ISBN 978-3-8376-3970-4 Laura Meneghello’s monograph offers a detailed reconstruction of the biographical, academic and professional career of Jacob Moleschott (1822–1893), physiologist, politician and scientific popu- lariser, born in the Netherlands and a naturalised Italian. As the author notes in the introduction (pp. 21–22), Moleschott was the research subject of her Master’s thesis, in which she adopted the perspectives of ‘history of philosophy’ and ‘history of ideas’. However, in her present work, a slightly revised version of her doctoral thesis, the author adopts a transnational approach, which, together with a methodology inspired by Entangled History, allows her to move through the different moments of Moleschott’s life and intellectual trajectory, not only in a synchronic but also in a diachronic sense (p. 25). This approach allows her to limit her focus on Moleschott’s scientific activities: the book is not intended to be a history of ‘material culture’ (p. 26), but rather a reconstruction of the dense network of international relationships in Moleschott’s academic career, focusing on the ‘entanglement’ between science and politics (p. 27). The volume is divided into nine chapters. In chapters 1 to 3, the author summarises Moleschott’s youth and scholastic years, from his Jewish origins to his classical studies in Latin and Greek at the gymnasium in Cleves, from his medical studies to his work as a ‘Privatdozent’ (private lecturer) at the University of Heidelberg from 1847. -
Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’ -
The Shaping of European Modernities
The Shaping of European Modernities: Neapolitan Hegelianism and the Renaissance (1848-1862) How deeply rooted in man is the desire to generalize about individuals or national characteristic [Friedrich Schlegel, Critical Fragments] The idea of Europe is a product of modernity. As such, it needs to be understood in relation to discourses about and interpretations of modernity. As Gerard Delanty has commented: ‘The history of modern Europe can be written in terms of a conflict between the ideas of modernity.’1 The main theoretical approach for the analysis of the idea of Europe ought, therefore, to be the general context of modernity. However, from the beginning of the nineteenth century it has made more sense to discuss Europe in terms of multiple models of modernity, to better capture the different interpretations of the European heritage. Delanty has highlighted that the Renaissance was the transitional point to an emerging modernity which has shaped Europe’s cultural identity. This is partially because one of the distinguishing features of modern Europe ‘was the cultivation of a concept of the self that made possible […] a new emphasis on the human being as an individual and an objective of study and reflection’.2 Under the general name of Renaissance, Delanty subsumes different and diverse cultural experiences such as humanism, republicanism, the Protestant Reformation and the encounter with the * This work was supported by the Swiss National Science Foundation under Grant Early Post Doc Mobility. 1 Gerard Delanty, Formations of European Modernity: A Historical and Political Sociology of Europe (Basingstoke: Palgrave MacMillan, 2013), p. 164. 2 Ibid., p.