Bid from Consiglio Nazionale Geometri
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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
'I Fori Imperiali,'
P a g e | 1 Rome, the ‘I Fori Imperiali,’ the ‘Il Quartiere Alessandrina’, and the ‘Via dei Fori Imperiali’: The Documentation and Dissemination of the Scholarly Research and Related Studies (1993-2013). Martin. G. Conde, Washington DC, USA (June 2014). [email protected] Fig. 1 – Rome, the Imperial Fora & the Via dei Fori Imperiali in 2011-12: View of Trajan’s Column and Forum taken from the roof-top terrace of the Palazzo Valentini overlooking the recently excavated ruins within the Forum of Trajan and the surrounding surviving historic structures dating from antiquity onwards. _________________________________________________________________________________________________________________________ “…Nothing remains on the surface of the ground. But, I who was born amid these ruins and who have lived in them, I can testify that in all the cellars of all the houses of the region and in many of the walls, there is evidence to prove that if one where to excavate the ground and demolish the houses, one would find exceptional important information concerning the ancient topography of Rome and the history of the arts.” Prof. Antonio Nibby, ‘Roma nell` Anno 1838,’ Rome (1841). ‘…Before closing this brief preface, I must warn students against a tendency which is occasionally observable in books and papers on the topography of Rome, — that of upsetting and condemning all received notions on the subject, in order to substitute fanciful theories of a new type.” (…) “Yet there are people willing to try the experiment, only to waste their own time and make us lose ours in considering their attempts. Temples of the gods are cast away from their august seats, and relegated to places never heard of before; gates of the city are swept away in a whirlwind till they fly before our eyes like one of Dante’s visions; diminutive ruins are magnified into the remains of great historical buildings; designs are produced of monuments which have never existed.’ Prof. -
Palazzo Barberini: Galleria Nazionale D’Arte Antica
Palazzo Barberini: Galleria Nazionale d’Arte Antica El Palazzo Barberini, situado en la confluencia de una de las vías más importantes de la ciudad de Roma, la Via del Tritone, es uno de los lugares de Roma que merece la pena visitar. Antigua residencia de la familia Barberini, depositaria de uno de los linejes papales más afamados, el Palazzo Barberini, una vez musealizado, se ha convertido en Galleria Nazionale d’Arte Antica, uno de los museos más prestigiosos y con mayor número de obras de arte de la Ciudad Eterna. El palacio, obra del arquitecto barroco Carlo Maderno y con intervención de Gian Lorenzo Bernini y Francesco Borromini, se convirtió en un referente a la hora de la construcción de palacios urbanos, ya que unía entre sus características las propias del palacio urbano y la villa campestre adornada con grandes jardines. Así pues, la propiedad de la familia Barberini y los bienes que poseía, fueron comprados por el recién creado estado italiano y, gracias al incremento de la colección Corsini, la Galleria Nazionale d’Arte Antica se trasladó desde su antigua ubicación hasta el presente palacio. Paseando por sus dos niveles repletos de obras maravillosas, recreándote en cada una de ellas, porque cada una de ellas es especial, admirando los Tiziano, los Greco, los Bernini, los Caravaggio, los Guido Reni, acostarte para dejarte deslumbrar por el gigantesco techo con el “Triunfo de la Divina Providencia” de Pietro da Cortona... Un sinfín de objetos para alimentar el disfrute tanto del alma como del espíritu. O simplemente pasear por los jardines de la villa, un oasis de tranquilidad en medio de una ciudad populosa. -
Download Document
The J. Paul Getty Trust 1200 Getty Center Drive, Suite 400 Tel 310 440 7360 Communications Department Los Angeles, California 90049-1681 Fax 310 440 7722 www.getty.edu [email protected] NEWS FROM THE GETTY DATE: September 14, 2007 FOR IMMEDIATE RELEASE GETTY EXHIBITION HIGHLIGHTS THE TRIALS AND TRIBULATIONS OF A YOUNG ARTIST’S JOURNEY AS TOLD BY HIS BROTHER Taddeo and Federico Zuccaro: Artist-Brothers in Federico Zuccaro Renaissance Rome Italian, about 1541 - 1609 Taddeo Rebuffed by Francesco Il Sant'Agnolo, about 1590 Pen and brown ink and brown wash over black chalk The J. Paul Getty Museum At the J. Paul Getty Museum, Getty Center 99.GA.6.5 October 2, 2007 – January 6, 2008 LOS ANGELES—The journey to becoming an artist in Renaissance Rome during the 16th century was fraught with daily hardships and struggles. These tribulations are best exemplified in the tale of Taddeo Zuccaro, a young lad who left his home on the eastern coast of Italy at the tender age of 14 to pursue a career as an artist in the great metropolis of Rome. His tenuous journey of starvation, deprivation, sickness, and ultimately triumph—sensitively recounted by his younger brother, Federico, who would himself become an artist of great significance—will be celebrated in a major international loan exhibition organized by the J. Paul Getty Museum. On view at the Getty Center, October 2, 2007 through January 6, 2008, Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome is the first exhibition devoted to the artist-brothers that focuses on their relationship and brings together some of their greatest drawings. -
Facts & Stories | I-ITALY
SIGN IN | LOG IN Search HOME ABOUT US MAGAZINE MULTIMEDIA EVENTS TASTEBOOK BLOGGERS COMMUNITY MAGAZINE FRONT PAGE FACTS & STORIES ARTS & CULTURE LIFE & PEOPLE OP-EDS SPECIALS Home » Magazine EVENTS NEWS Madrigals and Metamorphoses Amy Bedik A Safe-Haven for Italian Risorgimento's Founding Fathers In collaboration with the Switzerland Consulate General of Italy FACTS & STORIES The Vandals are Back in Rome, but Who are IN THIS SECTION They? Rome, from Peaceful March to JUDITH HARRIS (September 6, 2011) Mayhem—but “nobody got killed” JUDITH HARRIS Gian Antonio Stella: Madly in Love with Italy and Italy Screws Me Over LETIZIA AIROS Technology Transfer in the US and Italy MARIO GATES Saying No to Kebabs PATRIZIA ORIOLI Naples. Danger for Via San Gregorio Armeno N. L. View all >> Yes, they are back. Visited annually by some 23 million visitors, Piazza Navona is perhaps Rome’s most beloved square after St. Peter’s. At 8:30 Saturday morning, while its cafes were serving cappuccini and corneti, a man of perhaps 45 years of age jumped into the Baroque-era Fountain of the Moor, one of the two side fountains in Piazza Navona. Cameras show that he first tried to strike at the central figure, but slipped and instead smashed at one of the marble masks that decorate the fountain border. Like Send 0 Email Print Permalink MULTIMEDIA The Vandals sacked Rome back in 455. Today their equivalent have returned, Parading on 5th Ave striking this weekend to add a few cracks to the city’s art heritage, and to its legendary promise to remain the beloved Eternal City. -
POLITECNICO DI MILANO A.A. 2015 / 2016 Ricomposizione Delle Stratificazioni Storiche Nell'area Del Foro Di Cesare: Percorsi, A
POLITECNICO DI MILANO SCUOLA DI ARCHITETTURA URBANISTICA INGEGNERIA DELLE COSTRUZIONI CORSO DI LAUREA MAGISTRALE IN ARCHITETTURA A.A. 2015 / 2016 Ricomposizione delle stratificazioni storiche nell’area del Foro di Cesare: Percorsi, accessi, spazi espositivi Relatore: prof. Pier Federico Caliari Correlatore: arch. Sara Ghirardini Tesi di Laurea Magistrale di: Giovanna Gelso Matricola 834266 Maria Pedrazzini Matricola 833821 SOMMARIO ABSTRACT 3 INTRODUZIONE 4 PARTE I. STUDIO DEL SITO 5 1. IL CONTESTO 6 1.1. Età protostorica 6 1.2. Età regia e repubblicana 7 1.3. Età imperiale 8 1.4. Età medievale 13 1.5. Età moderna 14 1.6. Età contemporanea 16 1.6.1 Ottocento 16 1.6.2. Novecento 17 2. IL FORO DI CESARE 21 2.1. Presupposto 21 2.2. Un progetto interrotto 25 2.3. Posizione 25 2.4. Orientamento 28 2.5. Dimensioni 30 PARTE II. PROGETTO 32 1. OBIETTIVI E LINEE GUIDA 33 2. L’ASSE DI SIMMETRIA 33 2.1. La piazza 35 2.2. Il portico 36 2.3. Il Tempio di Venere Genitrice 37 3. L’ASSE REPUBBLICA-IMPERO 40 3.1. Il Foro Repubblicano 40 3.2. La Curia 41 1 3.3. Il portico di Augusto 42 4. L’ASSE IMPERO-MEDIOEVO 44 4.1. Il Tempio di Marte Ultore 44 4.2. La piazza della Chiesa dei SS. Luca e Martina 45 5. IL COLLEGAMENTO CON GLI ALTRI FORI 47 5.1. La Basilica Argentaria 47 6. GLI SPAZI MUSEALI SUL CLIVO 49 7. IL BOOKSHOP E LA TERRAZZA 32 8. IL SISTEMA URBANO 33 8.1. -
Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
Transportation in Rome
INFORMATION NOTE FOR YOUR VISIT TO ROME AND FAO HEADQUARTERS TABLE OF CONTENTS ROME AIRPORTS AND TRANSPORTATION TO THE CENTRE.................................................. 2 AIRPORTS (See www.adr.it for airport details) ..................................................................... 2 From Fiumicino Airport ..................................................................................................... 2 From Ciampino Airport ...................................................................................................... 3 LOCAL TRANSPORTATION IN ROME ....................................................................................... 4 PUBLIC TRANSPORTATION .................................................................................................. 4 TAXI ........................................................................................................................................ 4 USEFUL WEB SITES FOR TRANSPORTATION .......................................................................... 5 ACCOMMODATION IN ROME ................................................................................................... 5 HOTELS LOCATED CLOSE TO FAO ........................................................................................ 6 USEFUL WEB SITES FOR VISITING ROME ................................................................................ 7 OTHER IMPORTANT INFORMATION………………………………………………….............8 Emergency Telephone Numbers in Rome……………………………………………...... 8 Personal security ............................................................................................................... -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder. -
Hotels and B&B in Rome (2012-13)
Hotels and B&B in Rome (2012-13) The Department of Foreign Languages, Literatures and Culture at the Università degli Studi Roma Tre is located in Via Valco di San Paolo 19, within walking distance from the Underground Station “MARCONI” (Line B). For a map of the Rome metro, see: http://subway.umka.org/map-rome.html We are providing a list of suggestions for your accommodation in different areas of the city (either well connected through the Underground, or within walking distance from the conference venue). NOTE: At a recent conference held at the Università di Roma Tre, the following hotels were the most popular among participants: HOTEL APOLLO, HOTEL IVANHOE, HOTEL DUCA D’ALBA, HOTEL CAPO D’AFRICA, and HOTEL PULITZER. For your convenience, these hotels have been HIGHLIGHTED in the list below. The prices quoted are indicative and can vary according to availability, early/late booking, length of stay. We recommend that you double check prices when booking. In some cases, if you quote “Università degli Studi Roma Tre – Convegno Conrad” in your booking, you get a reduction (this is indicated in the list); unless specified, the hotel/B&B will apply its normal prices. In some cases a credit card number is required for booking. Unless specified, the hotel prices include breakfast and Wi-Fi (either in the rooms or in the hotel lounge). All the rooms have a private bathroom. However, it is advisable to visit the websites provided and double check the amenities when booking. Some of the places listed have DURC (Documento Unico di Regolarità Contributiva), which you might need in some cases for refunds (on behalf of Italian public institutions, etc.); others do not have it. -
Download 94-Page Tour Booklet
Click city to Jump. Rome Lucerne Florence Paris The trip of a Lifetime London Venice EUROPE by TRAIN EUROPE by TRAIN place to the next, changing cities every night the way typical group tours do. We have selected six ROME of Europe’s most wonderful places and we stay for two or three nights in each of them to give you FLORENCE a good look around. VENICE About 25 years ago we did conduct several bus LUCERNE tours through Europe and were very dissatisfied with that approach. The tour moved through these PARIS places too quickly, and the bus was just not very LONDON comfortable, especially when you had to sit in it click to jump for an average of six hours every day. We looked at other Europe tours and found they were all the INTRODUCTION: same — stuck on the bus, changing cities every day, using hotels far from the center of town. This detailed book about our Rome to London The result was a very superficial tour that was train trip gives you an accurate idea of what the extremely tiring, and really did not show you very experience is all about. It describes the events of much. each day as they happen, so it is like a diary or a scrapbook of the tour. During the past 24 years we have conducted this trip 32 times, and have developed an ideal outline of events that take place each day, with a very efficient sequence of things that we see and do. Of course there are always minor variations in the daily routine described here, and there is some free time each day for you to pursue particular interests.