Download 94-Page Tour Booklet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Call for Data “Inventory and Condition of Stock of Materials at UNESCO World Cultural Heritage Sites”
Report No 83: Call for Data “Inventory and condition of stock of materials at UNESCO world cultural heritage sites”. Part II – Risk assessment September 2018 PREPARED BY THE SUB-CENTRE FOR STOCK OF MATERIALS AT RISK AND CULTURAL HERITAGE Italian National Agency for New Technologies, Energy and Sustainable Economic Development (ENEA), Rome, Italy CONVENTION ON LONG-RANGE TRANSBOUNDARY AIR POLLUTION INTERNATIONAL CO-OPERATIVE PROGRAMME ON EFFECTS ON MATERIALS, INCLUDING HISTORIC AND CULTURAL MONUMENTS (ICP Materials) Report No 83 Call for Data “Inventory and condition of stock of materials at UNESCO world cultural heritage sites” Part II – Risk assessment Pasquale Spezzano1, Johan Tidblad2, Mirna Bojić3, Zrinka Radunić3, Vanja Kovačić3, Sonja Vidić4, Nina Zovko5, Stefan Brüggerhoff6, Markus Faller7, Ulrik Hans7, Terje Grøntoft8, Jessica Andersson2 1ENEA, Italy 2Swerea KIMAB AB, Sweden 3Ministry of Culture, Croatia 4Meteorological and Hydrological Service, Croatia 5Croatian Agency for Environment and Nature 6Deutsches Bergbau – Museum Bochum, Germany 7Swiss Federal Laboratories for Materials Testing and Research (EMPA), Switzerland 8Norwegian Institute for Air Research (NILU), Norway ENEA, Rome, Italy September 2018 http://www.enea.it/ Contents 1. Introduction ........................................................................................................................................ 4 2. Cultural objects ................................................................................................................................. -
Bibliografische Informationen
CENTRO STORICO 8 ANCIENT ROME 58 THE VATICAN 100 Piazza del Popolo 10 Romulus and Remus 60 The papacy 102 Ara Pacis Augustae 12 Campidoglio 62 The story of the Papal Piazza di Spagna 14 The Capitoline Museums 64 States 104 Villa Medici 16 Forum Romanum 66 St. Peter's Square 106 Shopping - High fashion From ancient temple Pope Julius II 108 and more 18 to Christian 68 Donato Bramante 110 Piazza Colonna 20 Julius Caesar 70 St. Peter's Basilica 112 The fountains of Rome 22 Foro di Augusto 72 St. Peter's Basilica: Fontana di Trevi 24 Foro di Traiano, The papal altar 114 Capital of the Republic 26 Colonna di Traiano 74 St. Peter's Basilica: Palazzo Barberini 28 Nero and the burning Vatican grotto 116 Santa Maria sopra Minerva 30 of Rome 76 Michelangelo 118 Piazza della Rotonda 32 Colosseum 78 The Sistine Chapel 120 Pantheon 34 Arco di Constantino 80 The Vatican Museums 122 The Roman gods 36 The Palatine Hill 82 Raphael 124 Palazzo Madama 38 Largo di Torre Argentina 84 The Vatican Apostolic Piazza Navona 40 Teatro di Marcello 86 Library 126 San Luigi dei Francesi 42 Forum Boarium, Swiss Guards 128 Campo de' Fiori 44 Santa Maria in Cosmedin 88 Castel Sant'Angelo 130 Evening strolls in Rome 46 Circo Massimo 90 San Paolo fuori le Mura 132 Piazza Farnese 48 Panem et Circenses - Santa Maria Maggiore 134 Getting around in Rome 50 Bread and games 92 San Giovanni in Laterano, The Ghetto 52 Caracalla Baths 94 Scala Santa 136 II Gesü 54 The Aurelian Walls 96 Monumento Nazionale a Via Appia Antica 98 Vittorio Emanuele II 56 Rome Bibliografische Informationen -
WALK ONE Campo Dei Fiori; Small Lanes; Chiesa Nuova; Piazza Navona
WALK ONE Campo dei Fiori; small lanes; Chiesa Nuova; Piazza Navona. CAMPO DEI FIORI Begin your first morning in the center of Rome at Campo dei Fiori, the best outdoor fruit and vegetable market. Then spend the rest of the day on a walking tour through some of the most fascinating and historic neighborhoods within the curve of the Tiber River. Campo dei Fiori is teeming with friendly people, tasty fruits, vibrant colors, animated conversations, varieties of vegetables, sweet smells, energetic vendors, local shoppers, and atmo- sphere galore. This setting is perfect, surrounded by very old buildings with cobbled pedestrian lanes leading off in all direc- tions into a great neighborhood we shall explore next. This friendly and lively piazza is one of the major focal points of the city, just three blocks south of Piazza Navona (coming up later in this walk) and an easy walk if your hotel is in the historic center. If you’re staying further away, take a taxi. Arriving any time in the morning is good, but earlier is better. Campo dei Fiori makes a great startfor our walk: it is the only main attraction opening by 6am and it is simply a wonderful morning scene. This magical Campo has multiple personali- ties, changing character throughout the day: Rome’s main veg- gie market in the morning, a ring of busy restaurants at lunch, peaceful in the afternoon, and a party scene at night. Campo dei Fiori’s produce stands are very popular with the nearby residents and chefs seeking fresh items on their daily shopping rounds. -
Chiesa Di San Luigi Dei Francesi in Campo Marzio
(092/37) Chiesa di San Luigi dei Francesi in Campo Marzio San Luigi dei Francesi is the 16th century titular and French national church located near Piazza Navona in rione VIII (Sant’Eustachio). The full dedication is to the Blessed Virgin Mary, St Dionysius (St Denis) and St Louis IX, King of France. History: The site was acquired by the French community in Rome from the monks of the Abbey of Farfam in 1478. The deal was facilitated by Cardinal Guillaume d'Estouteville. Pope Sixtus IV approved the project, sponsored by King Louis XI, and authorized the foundation of the Confraternita della Concezione della Beata Vergine Maria, San Dionigi et San Luigi Re di Francia, the ancestor of the present Les Pieux Etablissements. The area was full of remains of Roman buildings, including the Baths of Alexander Severus and the Baths of Nero. Pope Sixtus IV (1471-1484) confirmed the exchange uniting various small churches into a single parish in honor of “The Conception of the Blessed Virgin Mary, St. Dionigi (Denis) and St. Louis, King of France” (patron saints of the French nation), and also set up a Confraternity with the same name to manage the area. In the early 16th century, the Medici family took over. Cardinal Giulio de Medici, later Pope Clement VII, commissioned Jean de Chenevière to build a small round church for the French community here in 1518. Building was halted when Rome was sacked in 1527. In the mid-16th century, with the support from Caterina de’Medici who lived in the nearby Palazzo Madama, a new church was begun. -
THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis. -
Charle Magne Goes to War
29 March • 16 July 2018 palazzomadamatorino.it KNIGHTS AND COURTLY LOVE IN CASTLES BETWEEN ITALY AND FRANCE CHARLE MAGNE GOES TO WAR LABELS AND TEXTS PLEASE, RETURN TO THE TICKET OFFICE AFTER USE Con il patrocinio di Sponsor Tecnici Con il sostegno di he exhibition offers a remarkable journey through the Middle Ages, guided by the Tearly-fourteenth-century secular paintings in the castle of Cruet in Savoie (France), now in the Musée Savoisien in Chambery. This Gothic series of paintings is of great importance, because it is the only one of its kind in the area straddling the Alps. Based on the chivalrous poem Girart de Vienne , the scenes tell the story of how the young Girart arrives at the court of Charlemagne, how he is dubbed a knight, enters conflicts and war, and lastly how the two protagonists make peace, thanks to the providential arrival of the heroes Roland and Oliver. The grand finale evokes the famous expedition of Charlemagne to Spain, which would end in the defeat at Roncevaux Pass. Tog ether with the wall paintings, the exhibition also brings together a series of works that illustrate the interests, leisure activities, readings, material needs, devotions, and artistic tastes of the knights and ladies who lived in the castles in Savoy, Piedmont, and the Valle d’Aosta between 1200 and 1300, at the time of Count Amadeus V of Savoy and Prince Philip of Acaia. CHARLEMAGNE GOES TO WAR 1 / 60 Knights and courtly love in castles between Italy and France CASTLES he castle was an integral part of the feudal system. -
1 the Settlement and Necropolis of Frascaro
01 The Origin and Spread of Homo Sapiens The history of the genus Homo , to which our own species, Homo sapiens , belongs, is one of never- ending movements that took little groups of humans to explore and occupy new territories. They were always guided by the search for three essential resources: water, fauna and raw materials for making artefacts. The earliest members of the genus Homo emerged from Africa by 1.8 million years ago and occupied parts of Europe and Asia. Modern man ( Homo sapiens ) originated in Africa about 200,000 years ago and gradually spread to all the inhabitable areas of the planet. The expansion of our species was facilitated by the introduction of agriculture and animal husbandry, which developed when the last Ice Age came to an end, about 12,000 years ago. 1 Skull of Homo georgicus (cast) Turin, Museum of Human Anatomy, University of Turin Discovered in 1999 in the Dmanisi site in Georgia, the skull dates from about 1.8 million years ago. Together with other finds from the same site, it is one of the oldest specimens of a skeleton from the groups of humans who migrated from Africa to the gates of Eurasia. 01. The Origin and Spread of Homo Sapiens 1 / 45 2 Skull of Homo neanderthalensis (cast) Turin, Museum of Human Anatomy, University of Turin Discovered in La Ferrassie (Dordogne, France) in 1909, the skull Dates from about 50,000 years ago. The individual, of which we have almost the complete skeleton, was intentionally buried. 3 Skull of Homo sapiens (cast) Turin, Museum of Human Anatomy, University of Turin The skull was found in the Carpathians in south- western Romania, in Pestera cu Oase (the “Cave with Bones”). -
CELEBRATE! Five Ways to Be a Part of the Italian Republic's 70Th Birthday COMPLIMENTARY COPY
OCTOBERJUNE 2016 2013 WHW HERETRAVAVELERE.LCOERM .COM Rome ® RECOMMENDED BY YOUR CONCIERGE CELEBRATE! Five ways to be a part of the Italian Republic's 70th birthday COMPLIMENTARY COPY / OMA PLUS > RED IS THE COLOR OF SUMMER . P. 70% R . P. A > NEW LIFE FOR OLD MONUMENTS IN > HOT RESTAURANT OPENINGS IONE Z I D E > THE MOST SPECTACULAR EXHIBITS P S A P S ALIANE T I E T OS N6 MENSILE P ! ANNO 22 WHERE NOW | SIGHTSEEING Long Live the REPUBLIC! This month marks Italy’s 70th birthday as a republic. Ti!any Parks o!ers "ve ways to celebrate the occasion. © SHUTTERSTOCK © UFFICIO © / QUIRINALE STAMPA 10 WHERE ROME I JUNE 2016 visitors a sense of being suspended on a lush, Flight Show airy island, far from the chaos of the sizzling city. It was clearly no coincidence that this The most exciting moment of the festivities is enviable spot was chosen for the site of the without a doubt when the legendary Italian summer residence of the popes, the Quirinal acrobatic aerial team, the Frecce Tricolori, flies Palace, named for the hill on which it perches. over the city, red, white, and green smoke With the unification of Italy in 1861, the palace trailing behind in perfect unison. All over (and its spectacular garden) passed to the town, the roaring plane engines draw people newly minted Italian royal family, and when to their windows or balconies, out of shops Italy became a republic in 1946 (the very event and coffee bars as they try and catch a this day celebrates), the palace became the glimpse of the patriotic fliers. -
The Senate of the Republic Inside
Senato della Repubblica Inside the Senate of the Republic Parliament The Italian Parliament comprises two Houses: the Chamber of Deputies and the Senate of the Republic. According to the principle of full bicameralism, each of the Houses performs identical functions. Their main function is to enact national legislation. By virtue of the vote of confidence, which brings a new Government to life, they lay down the policy guidelines that the Executive must follow. The Government is accountable to Parliament, which holds it to account through interrogations and questions. Both Houses are elected every five years. The only differences between them are the number of members and the rules for their election. The 630 deputies must be at least 25 years of age, and are elected by all Italian citizens over 18 years of age. The 315 elected senators must be at least 40 years of age and their electors must be over 25. In addition to the elected members, the Senate also includes ex officio life senators [former Presidents of the Republic] and life senators – appointed by the President of the Republic for outstanding merits in the social, scientific, artistic or literary fields. The President of the Republic is elected every seven years, inaugurated and – if required – impeached, by both Houses sitting jointly. A given number of justices are also elected by a joint session of parliament to serve on the Constitutional Court and the Higher Judicial Council. Inside the Senate of the Republic 3 Contents Senate bodies 8 The Assembly 8 The President 9 The Bureau -
Exemplary Architecture in Corelli's Rome : Old Models, New Models, Non-Models
Exemplary architecture in Corelli's Rome : old models, new models, non-models Autor(en): Hopkins, Andrew Objekttyp: Article Zeitschrift: Basler Jahrbuch für historische Musikpraxis : eine Veröffentlichung der Schola Cantorum Basiliensis, Lehr- und Forschungsinstitut für Alte Musik an der Musik-Akademie der Stadt Basel Band (Jahr): 37 (2013) PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-868873 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch 13 EXEMPLARY ARCHITECTURE IN CORELLI'S ROME OLD MODELS, NEW MODELS, NON-MODELS by Andrew Hopkins The compositions of violin music by Arcangelo Corelli (1653-1713), and his style of execution, became vital models in late 17th-century musical circles in Rome. -
Self-Reference in Caravaggio's Calling of St. Matthew Matthew B
Self -Reference in Caravaggio’s Calling of St. Matthew Matthew B. Culler A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Departme nt of Art. Chapel Hill 2007 Approved by : Advisor: Dr. Mary Pardo Reader: Dr. Mary Sturgeon Reader: Dr. Dorothy Verkerk ABSTRACT MATTHEW CULLER: Self -Reference in Caravaggio’s Calling of St. Matthew (Under the direction of Mary Pardo) Among Caravaggio’s most critically successful commissions, the Contarelli Chapel’s Calling of St. Matthew was also his first major, public, religious historia , and a turning point in the artist’s stylistic progression. Caravaggio’s Calling of St. Matthew is a highly self -referential painting, a demonstration piece in the fullest sense, and yet, scholarship has not considered the canvas as a statement about “painting,” aside from noting its explicit reference to Michelangelo’s Sistine Creation of Adam . This paper interprets the Calling as a painting about “painting,” drawing attention to the prominent window, Caravaggio’s use of light and color, and other formal aspects. It situates the Calling ’s self -reference in relation to contemporary criticism and biogr aphies of the artist, positing the painting as an “artist -in -his -studio” picture and exploring the Calling’s interaction with its facing pendant, the Martyrdom of St. Matthew . ii TABLE OF CONTENTS LIST OF FIGURES iv Chapter I. Int roduction: An Ori gin of Painting 1 II. Windows and the Not ional “Painting” and “Studio” 9 III. The Elevated, Partially -Covered Window and the Particular Studio 19 IV. -
Roma Inglese.Qxd
www.herity.it HERITY Certified Itineraries whc.unesco.org HOW TO READ THE TARGET 17. PIAZZA DEL COLLEGIO ROMANO www.romaturismo.it of Rome’s Historical Center Other places of interest The Jesuit seminary known as Collegio www.comune.roma.it Romano overlooks the square housing World Heritage Site a Library, Museum and Astronomic To Palazzo del Quirinale Quirinale del Palazzo To Observatory.The clock in the façade marked Dear Visitors, 1. PONTE S. ANGELO the “official” time of Rome. The palace, taken From Castel Sant’Angelo Castel From Together with that of Isola over by the Italian government in 1872 tnrr °1 n° Itinerary Tiberina, this is the only became the capital city’s first lyceum. Rome is pleased to welcome you with Roman bridge inside the this extremely useful map for tourists. city to reach modern times 18. PIAZZA S. IGNAZIO Translated into the world’s main lan- in its entirety.Built by the Emperor Hadrian in A splendid corner of the city guages, it reminds us of how important it is to manage the world’s artistic and 3 kilometers 3 137 AD as the entrance to his tomb, the once used as the background ramparts collapsed with the crush of crowds for Lenten theatrical representa- monumental assets, and property here heading towards the Tomb of St.Peter during tions. and elsewhere. The city you are in only only in the Holy Year of 1450. visiting with its legacy of thousands of years of history, offers some of the 2. ARCO DEI BANCHI greatest treasures that humanity has of history of 19.