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Joseph Connors General Bibliography on the Revival of the Antique Middle Ages to the Twentieth Century 2017 10 26 General Wo
Joseph Connors General Bibliography on the Revival of the Antique Middle Ages to the Twentieth Century 2017 10 26 General Works Karl Borinski, Die Antike in Poetik und Kunsttheorie von Ausgang des Klassischen Altertums bis auf Goethe und Wilhelm von Humboldt (Das Erbe der Alten, X), Leipzig, I, 1914; II, ed. Richard Newald, 1924 Gilbert Highet, The Classical Tradition. Greek and Roman Influences on Western Literature, Oxford, 1949; 2nd ed. 1951 Arnaldo Momigliano, “Ancient History and the Antiquarian,” JWCI, 13, 1950, pp. 285-315. Reprinted in Studies in Historiography, New York, 1966, pp. 1-39. See Peter Miller, ed., Momigliano and Antiquarianism: Foundations of the Modern Cultural Sciences, Toronto, 2007 R.R. Bolgar, The Classical Heritage and Its Beneficiaries, Cambridge, 1954 Cornelius Vermule, European Art and the Classical Past, Cambridge, Mass., 1964 Roberto Weiss, The Renaissance Discovery of Classical Antiquity, Oxford, 1969; 2nd ed. 1988 Wendy Steadman Sheard, Antiquity in the Renaissance, Northampton, Mass., 1978 Larry Richardson, Jr., A New Topographical Dictionary of Ancient Rome, Boston and London, 1992, pp. xv-xxvi. Nicole Dacos, “Arte italiana e arte antica, “ in Storia dell’arte italiana (Einaudi), I.3, Turin, 1979, pp. 3-68. Translated by E. Bianchini in Peter Burke, ed., History of Italian Art, I, Cambridge, 1994, pp. 113-213 (N6911 St742) H.J. Erasmus, The Origins of Rome in Historiography from Petrarch to Perizonius, Assen, 1962 Phyllis Williams Lehmann and Karl Lehmann, Samothracian Reflections: Aspects of the Revival of the Antique, Princeton, 1973 Philip Jacks, The Antiquarian and the Myth of Antiquity. The Origins of Rome in Renaissance Thought, Cambridge, 1993 Ian Campbell, Reconstruction of Roman Temples made in Italy between 1450-1600, Ph.D. -
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’S Come Ospiti: Eva Ed Altri
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’s Come ospiti: Eva ed altri Eveljn Ferraro Writing across and beyond borders evokes at once the human aspiration to connectedness and the reality of a divided world invested in particular interests. For Ebe Cagli Seidenberg, the act of writing emanates from the Fascist “leggi razziali” (“racial laws”) of 1938, which forced her––a young Jewish Italian woman––to leave her native Italy and find refuge in the United States. Her five-volume series entitled Ciclo dell’esilio obbligato (Cycle of the Forced Exile, 1975-91) is a testament to that unwanted separation and the enormous implications that borders have on processes of self and communal identity, hybridization, and exclusion.1 The question of how Italy has been made (or imagined to be) borderless is an ongoing preoccupation in Cagli Seidenberg’s testimonial writing. The unforeseen racial persecution and the abrupt transition from a sheltered life in Rome to that of a refugee in Baltimore created a fracture—in her terms, “uno strappo nelle radici” (“an uprooting”)—that her writing both reflects and seeks to heal. Cagli Seidenberg’s goals to bear witness to racial violence while also reimagining an ordinary existence in the diaspora lie at the center of her narrative approach. In fact, her work both records borders and also affirms the right to a hybrid Italianità and multiple belongings. One of the most effective expressions of border-crossing in Cagli Seidenberg’s production can be found in the novel Il Tempo dei Dioscuri (The Time of the Dioscuri, 1980), the second volume of Ciclo dell’esilio obbligato, where literary and visual representations are intertextually linked in order to tell the parallel yet divergent stories of Ebe and her brother Corrado Cagli, a noted painter who, after fleeing Italy, joined the U.S. -
POLITECNICO DI MILANO A.A. 2015 / 2016 Ricomposizione Delle Stratificazioni Storiche Nell'area Del Foro Di Cesare: Percorsi, A
POLITECNICO DI MILANO SCUOLA DI ARCHITETTURA URBANISTICA INGEGNERIA DELLE COSTRUZIONI CORSO DI LAUREA MAGISTRALE IN ARCHITETTURA A.A. 2015 / 2016 Ricomposizione delle stratificazioni storiche nell’area del Foro di Cesare: Percorsi, accessi, spazi espositivi Relatore: prof. Pier Federico Caliari Correlatore: arch. Sara Ghirardini Tesi di Laurea Magistrale di: Giovanna Gelso Matricola 834266 Maria Pedrazzini Matricola 833821 SOMMARIO ABSTRACT 3 INTRODUZIONE 4 PARTE I. STUDIO DEL SITO 5 1. IL CONTESTO 6 1.1. Età protostorica 6 1.2. Età regia e repubblicana 7 1.3. Età imperiale 8 1.4. Età medievale 13 1.5. Età moderna 14 1.6. Età contemporanea 16 1.6.1 Ottocento 16 1.6.2. Novecento 17 2. IL FORO DI CESARE 21 2.1. Presupposto 21 2.2. Un progetto interrotto 25 2.3. Posizione 25 2.4. Orientamento 28 2.5. Dimensioni 30 PARTE II. PROGETTO 32 1. OBIETTIVI E LINEE GUIDA 33 2. L’ASSE DI SIMMETRIA 33 2.1. La piazza 35 2.2. Il portico 36 2.3. Il Tempio di Venere Genitrice 37 3. L’ASSE REPUBBLICA-IMPERO 40 3.1. Il Foro Repubblicano 40 3.2. La Curia 41 1 3.3. Il portico di Augusto 42 4. L’ASSE IMPERO-MEDIOEVO 44 4.1. Il Tempio di Marte Ultore 44 4.2. La piazza della Chiesa dei SS. Luca e Martina 45 5. IL COLLEGAMENTO CON GLI ALTRI FORI 47 5.1. La Basilica Argentaria 47 6. GLI SPAZI MUSEALI SUL CLIVO 49 7. IL BOOKSHOP E LA TERRAZZA 32 8. IL SISTEMA URBANO 33 8.1. -
Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Seth G. Bernard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bernard, Seth G., "Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C." (2012). Publicly Accessible Penn Dissertations. 492. https://repository.upenn.edu/edissertations/492 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/492 For more information, please contact [email protected]. Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Abstract MEN AT WORK: PUBLIC CONSTRUCTION, LABOR, AND SOCIETY AT MID-REPUBLICAN ROME, 390-168 B.C. Seth G. Bernard C. Brian Rose, Supervisor of Dissertation This dissertation investigates how Rome organized and paid for the considerable amount of labor that went into the physical transformation of the Middle Republican city. In particular, it considers the role played by the cost of public construction in the socioeconomic history of the period, here defined as 390 to 168 B.C. During the Middle Republic period, Rome expanded its dominion first over Italy and then over the Mediterranean. As it developed into the political and economic capital of its world, the city itself went through transformative change, recognizable in a great deal of new public infrastructure. -
Copyrighted Material
CHAPTER ONE i Archaeological Sources Maria Kneafsey Archaeology in the city of Rome, although complicated by the continuous occupation of the site, is blessed with a multiplicity of source material. Numerous buildings have remained above ground since antiquity, such as the Pantheon, Trajan’s Column, temples and honorific arches, while exten- sive remains below street level have been excavated and left on display. Nearly 13 miles (19 kilometers) of city wall dating to the third century CE, and the arcades of several aqueducts are also still standing. The city appears in ancient texts, in thousands of references to streets, alleys, squares, fountains, groves, temples, shrines, gates, arches, public and private monuments and buildings, and other toponyms. Visual records of the city and its archaeology can be found in fragmentary ancient, medieval, and early modern paintings, in the maps, plans, drawings, and sketches made by architects and artists from the fourteenth century onwards, and in images captured by the early photographers of Rome. Textual references to the city are collected together and commented upon in topographical dictionaries, from Henri Jordan’s Topographie der Stadt Rom in Alterthum (1871–1907) and Samuel Ball Platner and Thomas Ashby’s Topographical Dictionary of Ancient Rome (1929), to Roberto Valentini and Giuseppe Zucchetti’s Codice Topografico della Città di Roma (1940–53), the new topographical dictionary published in 1992 by Lawrence RichardsonCOPYRIGHTED Jnr and the larger,MATERIAL more comprehensive Lexicon Topographicum Urbis Romae (LTUR) (1993–2000), edited by Margareta Steinby (see also LTURS). Key topographical texts include the fourth‐century CE Regionary Catalogues (the Notitia Dignitatum and A Companion to the City of Rome, First Edition. -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
Sugli Alloggiamenti Militari in Sicilia Tra Cinque E Seicento: Alcune Riflessioni
Valentina Favarò SUGLI ALLOGGIAMENTI MILITARI IN SICILIA TRA CINQUE E SEICENTO: ALCUNE RIFLESSIONI Il più recente dibattito storiografico ha messo in luce gli interes- santi risvolti, sociali e politici, che emergono dall’analisi delle strut- ture degli eserciti dell’età moderna: il punto di vista si è allargato fino a comprendere i rapporti che intercorrevano fra gli ambiti militari e politico-istituzionali, le tensioni che sorgevano fra soldati e civili, le re- lazioni che si istauravano – all’interno di un quadro tutt’altro che de- finito e cristallizzato – fra il sovrano, la corte e gli esponenti del potere periferico1. In particolare, gli studi dedicati alla definizione della poli- tica internazionale dei re di Spagna evidenziano l’importanza che la sfera militare ha assunto nel processo di costruzione della Monarchia assoluta e nella sua affermazione nel tessuto europeo. Il “militare” ha costituito, cioè, un laboratorio di sperimentazioni e mutamenti, di ri- Abbreviazioni utilizzate: Ags: Archivo Ge- forme fiscali nella Lombardia Spagnola fra neral de Simancas; Sps: Secretarias pro- Cinque e Seicento, Milano, Unicopli, vinciales Sicilia; V.I.: Visitas de Italia; 2001; G. Signorotto, Milano spagnola. Ahn: Archivo Historico Nacional; Acp: Ar- Guerra, istituzioni, uomini di governo chivio Comunale di Palermo; Asp: Archi- (1635-1660), Sansoni, Milano, 2001; G. vio di Stato di Palermo; Trp: Tribunale del Fenicia, Il regno di Napoli e la difesa del Real Patrimonio; lv: lettere viceregie; Mediterraneo nell’età di Filippo II (1556- num. provv.: numerazione provvisoria; 1598). Organizzazione e finanziamento, fnd: fondo notai defunti; Bnm: Biblioteca Cacucci editore, Bari, 2003; M. Rizzo, J.J. Nacional de Madrid; c.: carta; f.: foglio; l.: Ruiz Ibañez, G. -
Class Code HIST-UA9123001 / MEDI-UA9123001 Instructor Details Name: Duni, Matteo Nyuhome Email Address: [email protected] Office Hour
HIST-UA9123001 / MEDI-UA9123001 Class code Name: Duni, Matteo Instructor Details NYUHome Email Address: [email protected] Office Hours: by appointment Villa Ulivi Office Location: Villa Ulivi, Quartiere S. Frediano Office room Villa Ulivi Office Extension: 317 For fieldtrips refer to the email with trip instructions and trip assistant’s cell phone number Semester: Fall 2012 Class Details Full Title of Course: ITALY DURING THE RENAISSANCE: FLORENCE Meeting Days and Times: T, 9:00-11:45 Classroom Location: Villa Ulivi, Classroom Arezzo Prerequisites This course presents an overview of the political, social, and cultural history of Italy from roughly 1300 to 1600. Its aim is to provide students with a basic understanding of the forces Class Description and processes that shaped the states and the societies of the Italian peninsula in an era of extraordinary changes: from the developments of urban civilization and the rise of humanism in the fourteenth and early fifteenth century, to the political and religious crisis of the late Quattrocento and early Cinquecento, and finally to the establishment of a new balance of power and a new cultural climate in the course of the sixteenth century. On completion of this course, students should: • Have mastered a basic understanding of the social structures, the political and Desired Outcomes ecclesiastical institutions, as well as of the cultural movements, that characterized the Renaissance period in the Italian peninsula; • Be able to appreciate the extent to which concepts, institutions, ways of conceiving human life dating back to the Renaissance still have an impact on our ideas and on the world we live in; • Have a good grasp of the historical context in which Renaissance art and architecture have been created. -
Italian – All Elements F–10 and 7–10
Italian – All elements F–10 and 7–10 Copyright statement The copyright material published in this work is subject to the Copyright Act 1968 (Cth) and is owned by ACARA or, where indicated, by a party other than ACARA. This material is consultation material only and has not been endorsed by Australia’s nine education ministers. You may view, download, display, print, reproduce (such as by making photocopies) and distribute these materials in unaltered form only for your personal, non-commercial educational purposes or for the non-commercial educational purposes of your organisation, provided that you make others aware it can only be used for these purposes and attribute ACARA as the source. For attribution details refer to clause 5 in (https://www.australiancurriculum.edu.au/copyright-and-terms-of-use/). ACARA does not endorse any product that uses the Australian Curriculum Review consultation material or make any representations as to the quality of such products. Any product that uses this material should not be taken to be affiliated with ACARA or have the sponsorship or approval of ACARA. TABLE OF CONTENTS F–10 AUSTRALIAN CURRICULUM: LANGUAGES .................................................................................................................................................................... 1 ABOUT THE LEARNING AREA .................................................................................................................................................................................................. 1 Introduction -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
Itinerari Giubilari Cammino Della Via
ITINERARI GIUBILARI CAMMINO DELLA CAMMINO DELLA VIA CAMMINO DEL CAMMINO MARIANO VIA PAPALE PAPALE PELLEGRINO Basilica di S.Giovanni in Basilica di S.Giovanni in Basilica di S.Giovanni in Basilica di Santa Maria Laterano Laterano Laterano Maggiore Via dei Santi Quattro Via dei Santi Quattro Via dei Santi Quattro Via Liberiana Coronati Coronati Coronati Via S. Maria Maggiore Colosseo Colosseo Colosseo Via Urbana Via dei Fori Imperiali Via dei Fori Imperiali Via dei Fori Imperiali Via Leonina Carcere Mamertino Carcere Mamertino Carcere Mamertino Via della Madonna dei Campidoglio Campidoglio Campidoglio Monti Via del Teatro Marcello Via del Teatro Marcello Via del Teatro Marcello Via Tor dei Conti Via Montanara Via Montanara Via Montanara Via dei Fori Imperiali Piazza Campitelli Piazza Campitelli Piazza Campitelli Carcere Mamertino Via dei Funari Via dei Funari Via dei Funari Campidoglio Via Paganica Via Paganica Via dei Falegnami Via del Teatro Marcello Largo di Torre Argentina Largo di Torre Argentina San Carlo ai Catinari Via Montanara Via dei Cestari Via dei Cestari Via di Santa Maria in Piazza Campitelli Monicelli Piazza della Minerva Piazza della Minerva Via dei Funari Piazza di San Paolo alla Via della Palombella Via della Palombella Regola Via Paganica Piazza Sant’Eustachio Piazza Sant’Eustachio Piazza e Chiesa della Largo di Torre Argentina SS. Trinità dei Pellegrini Via dei Sediari Via dei Sediari Via dei Cestari Via Capodiferro Piazza Navona Piazza Navona Piazza della Minerva Piazza Farnese Via di Pasquino Via dell’Anima Via della Palombella Via Mascherone Santa Maria in Vallicella Vicolo della Pace Piazza Sant’Eustachio Via Giulia Via dei Banchi Nuovi Via dei Coronari Via dei Sediari San Giovanni Via del Banco di San Salvatore in Lauro Piazza Navona (da qui S.Spirito dei Fiorentini continua con l’itinerario 1 Ponte Sant’Angelo o 2) Ponte Sant’Angelo Via Paola Castel Sant’Angelo Castel Sant’Angelo Ponte Sant’Angelo Castel Sant’Angelo. -
Rome Tourist Information
Rome As capital of the Roman Empire, the Papal States and Italy, Rome truly is the "Eternal City". One of the world's most elegant capitals the layers of history and the city's sheer excess of beauty can prove overwhelming to the unsuspecting visitor. This is a city best explored on foot, with every corner offering an overlooked treasure or unforgettable panorama. Roman columns soar up aimlessly next to medieval basilicas, the sound of water splashing in fountains fills the air in front of Renaissance palaces and exuberant Romans jostle through multi-coloured markets and winding cobbled streets. Breathe the air of the Caesars in the Roman forum, stroll through the menacing Colosseum, marvel at the splendours of the Vatican Palace - and you will wonder if this can be the capital of a modern industrial nation or whether you have stepped back into the pages of history. But around these relics of history Rome is still evolving. It's at the cutting edge of fashion and cuisine and is one of the most popular shopping destinations on Earth. So prepare to soak up history and modernity in equal measure in one of Europe's most fascinating cities. Sightseeing Rome is a work of art in itself and you'll never tire of wandering its streets and plazas, discovering new and ever greater architectural gems with every turn. Seeing the many treasures the city contains would take a lifetime, but there are several highlights that remain essential on a trip to the Eternal City. The Roma Archeologia Card costs EUR20 and is valid for 7-days.