The Figure of Cassandra. Laura Monr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Xerox University Microfilms
INFORMATION TO USERS This malarial was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
SANHS News the Newsletter of the Somerset Archaeological and Natural History Society Number 96, Spring 2020
SANHS News The newsletter of the Somerset Archaeological and Natural History Society Number 96, Spring 2020 Archaeology, Archive, Historic Buildings, Library, Local History, Natural History, and Publications 1 Contents Editorial ........................................................................................................................... 1 From the Chair ................................................................................................................ 3 SANHS Events & Coronavirus ......................................................................................... 5 Library News 2019 .......................................................................................................... 5 Progress on the Norman Gardens .................................................................................. 7 Heritage Grants ............................................................................................................... 9 Somerset Folk Singers ..................................................................................................... 9 Enclosure at Park, Pitney .............................................................................................. 10 Human Remains near Westbury sub-Mendip .............................................................. 12 News from the Museum Collection Panel.................................................................... 13 Hannah & Edward Ellis & the artist Richard Phelps ..................................................... 13 Fungi Foray -
Anthropoetics V, 1
Anthropoetics V, 1 Anthropoetics V, no. 1 Spring / Summer 1999 ISSN 1083-7264 Table of Contents 1. Erik Eisel - "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust 2. William Mishler - The Question of the Origin of Language in René Girard, Eric Gans, and Kenneth Burke 3. Herbert Plutschow - An Anthropological Perspective on the Japanese Tea Ceremony 4. Eric Gans - The Little Bang: The Early Origin of Language 5. Benchmarks Eric Gans / [email protected] Last updated 7/23/99 http://steadr/anthropoetics/0501/ [5/10/2000 10:29:48 AM] Eisel Anthropoetics 5, no. 1 (Spring/Summer 1999) "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust Erik M. Eisel Department of Germanic Languages University of California, Los Angeles Los Angeles CA 90095-1539 [email protected] Beginning with the Age of Goethe, the history of the question of the origin of language follows from the general questions, "What is man?" "What is culture?" and "What is language?"(1) The Berlin Academy of Sciences conjectured in its Preisfrage of 1769 whether human beings, "abandoned to their natural faculties," are capable of inventing language. In response, the first sentence of Johann Gottfried Herder's winning "Essay on the Origin of Language" gives the starting point for new anthropological thinking in the eighteenth century, changing the history of this question: "Already as an animal the human being has language."(2) As Helmut Mueller-Sievers, the author of Self-Generation: Biology, Philosophy, and Literature Around 1800, points out, Herder's rhetorical procedure is an attempt to deny both empirical and divine origins of language while unifying his philosophical project within the domain of language: The quest for a satisfactory explanation for the origin and status of language at the end of the eighteenth century is, historically and structurally, related to the debate about the origin of living beings. -
SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr. -
A University Microfilms International
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Vol. 17, No. 3 December 2011
Journal December 2011 Vol.17, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2011 Vol. 17, No. 3 President Editorial 3 Julian Lloyd Webber FRCM Gerald Lawrence, Elgar and the missing Beau Brummel Music 4 Vice-Presidents Robert Kay Ian Parrott Sir David Willcocks, CBE, MC Elgar and Rosa Newmarch 29 Diana McVeagh Martin Bird Michael Kennedy, CBE Michael Pope Book reviews Sir Colin Davis, CH, CBE Robert Anderson, Martin Bird, Richard Wiley 41 Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 46 Sir Andrew Davis, CBE Simon Thompson Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 49 Andrew Neill Barry Collett, Martin Bird, Richard Spenceley Sir Mark Elder, CBE 100 Years Ago 61 Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Gerald Lawrence in his Beau Brummel costume, from Messrs. William Elkin's published piano arrangement of the Minuet (Arthur Reynolds Collection). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Pre-Raphaelite Sisters
Mariëlle Ekkelenkamp exhibition review of Pre-Raphaelite Sisters Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) Citation: Mariëlle Ekkelenkamp, exhibition review of “Pre-Raphaelite Sisters ,” Nineteenth- Century Art Worldwide 19, no. 1 (Spring 2020), https://doi.org/10.29411/ncaw.2020.19.1.13. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Ekkelenkamp: Pre-Raphaelite Sisters Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) Pre-Raphaelite Sisters National Portrait Gallery, London October 17, 2019–January 26, 2020 Catalogue: Jan Marsh and Peter Funnell, Pre-Raphaelite Sisters. London: National Portrait Gallery Publications, 2019. 207 pp.; 143 color illus.; bibliography; index. $45.58 (hardcover); $32.49 (paperback) ISBN: 9781855147270 ISBN: 1855147279 The first exhibition devoted exclusively to the contribution of women to the Pre-Raphaelite movement opened in the National Portrait Gallery in London in October. It sheds light on the role of twelve female models, muses, wives, poets, and artists active within the Pre- Raphaelite circle, which is revealed as much less of an exclusive “boys’ club.” The aim of the exhibition was to “redress the balance in showing just how engaged and central women were to the endeavor, as the subjects of the images themselves, but also in their production,” as stated on the back cover of the catalogue accompanying the exhibition. Although there have been previous exhibitions on the female artists associated with the movement, such as in Pre-Raphaelite Women Artists (Manchester City Art Galleries, Birmingham Museum and Art Gallery, Southampton City Art Gallery, 1997–98), the broader scope of this exhibition counts models and relatives among the significant players within art production and distribution. -
Benjamin Jowett (1817-1893)
Centre for Idealism and the New Liberalism Working Paper Series: Number 4 Bibliography of Benjamin Jowett (1817-1893) (2018 version) Compiled by Professor Colin Tyler Centre for Idealism and the New Liberalism University of Hull Every Working Paper is peer reviewed prior to acceptance. Authors & compilers retain copyright in their own Working Papers. For further information on the Centre for Idealism and the New Liberalism, and its activities, visit our website: http://www.hull.ac.uk/pas/ Or, contact the Centre Directors Colin Tyler: [email protected] James Connelly [email protected] Centre for Idealism and the New Liberalism School of Law and Politics University of Hull, Cottingham Road Hull, HU6 7RX, United Kingdom Table of Contents Acknowledgements 3 I. Writings 4 II. Reviews and obituaries 6 III. Other discussions 13 IV. Newspaper reports regarding Benjamin Jowett 18 V. Jowett papers 19 2 Acknowledgments for the 2017 version Once again, I am pleased to thank scholars who sent in references, and hope they will not mind my not mentioning them individually. All future references will be received with thanks. Professor Colin Tyler University of Hull December 2017 Acknowledgments for original, 2004 version The work on this bibliography was supported by a Resource Enhancement Award (B/RE/AN3141/APN17357) from the Arts and Humanities Research Board. ‘The Arts and Humanities Research Board (AHRB) funds postgraduate and advanced research within the UK’s higher education institutions and provides funding for museums, galleries and collections that are based in, or attached to, HEIs within England. The AHRB supports research within a huge subject domain - from ‘traditional’ humanities subjects, such as history, modern languages and English literature, to music and the creative and performing arts.’ I have also profited enormously from having access to the Brynmor Jones Library at the University of Hull, a resource which benefits from an excellent stock of written and electronic sources, as well as extremely helpful and friendly librarians. -
Wells Cathedral Library and Archives
GB 1100 Archives Wells Cathedral Library and Archives This catalogue was digitised by The National Archives as part of the National Register of Archives digitisation project NR A 43650 The National Archives Stack 02(R) Library (East Cloister) WELLS CATHEDRAL LIBRARY READERS' HANDLIST to the ARCHIVES of WELLS CATHEDRAL comprising Archives of CHAPTER Archives of the VICARS CHORAL Archives of the WELLS ALMSHOUSES Library PICTURES & RE ALIA 1 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) CONTENTS Page Abbreviations Archives of CHAPTER 1-46 Archives of the VICARS CHORAL 47-57 Archives of the WELLS ALMSHOUSES 58-64 Library PICTURES 65-72 Library RE ALIA 73-81 2 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) ABBREVIATIONS etc. HM C Wells Historical Manuscripts Commission, Calendar ofManuscripts ofthe Dean and Chapter of Wells, vols i, ii (1907), (1914) LSC Linzee S.Colchester, Asst. Librarian and Archivist 1976-89 RSB R.S.Bate, who worked in Wells Cathedral Library 1935-40 SRO Somerset Record Office 3 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) ARCHIVES of CHAPTER Pages Catalogues & Indexes 3 Cartularies 4 Charters 5 Statutes &c. 6 Chapter Act Books 7 Chapter Minute Books 9 Chapter Clerk's Office 9 Chapter Administration 10 Appointments, resignations, stall lists etc. 12 Services 12 Liturgical procedure 13 Registers 14 Chapter and Vicars Choral 14 Fabric 14 Architect's Reports 16 Plans and drawings 16 Accounts: Communar, Fabric, Escheator 17 Account Books, Private 24 Accounts Department (Modern) 25 Estates: Surveys, Commonwealth Survey 26 Ledger Books, Record Books 26 Manorial Court records etc. -
Beau Brummell and His Times H H E F
BEA! BR! M M ELL AN D HIS TIM ES INTROD! CTORY DRESS AND THE DANDIES IT is a prevalent belief that worship of dress mono ol of Woman is the p y , but when the Preacher denounced all as vanity he was t f and be both tru h ul wise, because included Man in his category . The w s of un Hebrew Sage a , course, of the acquainted with Narcissus, the first D or no andies, he would doubt have been more explicit ; obviously his mind was dwelling on “ ” the extravagance of the purple and fine linen worn by his contemporaries . However, it is a fact that since the far-off times of the f Preacher, and the beauti ul Greek youth, men a ff h ve displayed at di erent epochs as much, nay 7 Introductory e r h mor , pe sonal vanity than t e most luxurious e of b auties ancient or modern ages. To trace the progress of Dandyism in u e t Europe wo ld be an int resting ask, but it would make too long a curtain raiser for the tu of e accompanying s dy G orge Brummell. u r s The Bea epresent , with Sir Lumley Skeffin ton g , Lord Alvanley, King Allen, ’ D Orsa few the Count y, and a others, apogee of f fas e the cult o hion. Thes dandies con sidered s s dre s and demeanour fine art , and when they died the picturesque Man about wn a of To bec me a thing the past. -
SPRING 1974 69 Italian Dramatic Companies and the Peruvian Stage
SPRING 1974 69 Italian Dramatic Companies and the Peruvian Stage in the 1870's ENRICA JEMMA GLICKMAN II [Part I of this article appeared in the previous issue of the Latin American Theatre Review.] Celestina Paladini Ernesto Rossi never returned to Lima; however, some members of his com pany did. Prompted by pleasant memories of personal recognition during the 1872 season and by the hope of new financial successes—this time for their own exclusive benefit—they joined with other actors and, headed by Celestina Paladini, made their debut at the Teatro Principal on January 31,1874. The case of a group of actors separating from a large, well-known company to form a new one was quite frequent both in Europe and in South America. In Peru this practice mainly involved Spanish and Peruvian actors; speaking the same language, they could, and did, freely regroup themselves almost at every new season. Moreover, they seemed to be versatile enough to be able to pass from drama to zarzuela—although less frequently from zarzuela to drama—which makes it rather difficult to follow their movements over a number of years. In Italy, the multiplication of companies by secession of members was also very common. In his autobiographical work Quarant'anni di vita artística, written towards the end of his long career, Ernesto Rossi expressed his concern for the Italian dramatic art which, in his opinion, was then in a critical condition. Among the principal causes of its decadence, Rossi identified the enormous in crease in the number of dramatic companies which -
Morland Choristers' Camp Church Music
MORLAND CHORISTERS’ CAMP CHURCH MUSIC [Shading = main choir music, chosen by Director of Church Music) Year 2019 2018 2017 Director of Church Music Don Gillthorpe Don Gillthorpe Don Gillthorpe PROCESSIONS All hail the power of Jesus’ Name! Hark! The voice eternal Come ye faithful, raise the anthem Author Edward Perronet John Julian J Hupton & JM Neale Tune Miles Lanes Prince Rupert Neander Composer William Shrubsole 17th Century English J Neander Descant/Last verse Anon + N Willmer EVENSONG Introit Cantate Domino - Pitoni Be thou my vision - Chilcott A Clare Benediction - Rutter Responses Smith (SSATB) St Leonard’s - Oliver Tarney Don Gillthorpe Psalms (Carlisle) 13 (Barnby) 135 vv1-3,6-8,10-13 99 (Gauntlett) Psalms (Morland) 140 vv1-6 (Bayley) 33 vv1-8 72 vv1-7, 17-19 (Cutler) Evening Canticles Evening Service in F major - Aston Stanford in C Dyson in D Anthem Seek him that maketh the seven stars - Dove Zadok the Priest - Handel Hail, universal Lord - Dyson Carlisle Office Hymn Immortal, invisible, God only wise In heavenly love abiding Immortal, invisible, God only wise Author Walter Chalmers Smith A L Waring W Chalmers Smith Tune Coralie Penlan St Denlo Composer Oliver Tarney David Jenkins Welsh Hymn Melody Descant/Last verse Carlisle Final Hymn Now is eternal life May the mind of Christ my saviour You, living Christ, our eyes behold Author George William Briggs John Newton E Morgan Tune Christchurch St Leonard’s Palace Green Composer Charles Steggall A. Cyril Barham-Gould M Fleming Descant/Last verse Nick Willmer Morland Opening Hymn Christ, the fair glory of the holy angels All my hope on God is founded Love divine, all loves excelling Author Latin, 9th century, tr.