Old Master Drawings January 29

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20TH CENTURY ILLUSTRATION ORIGINAL ART • BOOKS, FEATURING MAURICE SENDAK JANUARY 24 This visual treat of a sale—scheduled during Bibliography Week in New York—includes an extensive selection of original 20th-century illustration art and books. There are illustrations by Charles Addams, Ludwig Bemelmans, Edward J. Detmold, Disney Studios, Al Hirschfeld, Ed Koren, Beatrix Potter, Jessie Willcox Smith, Dr. Seuss, Edward Sorel, Garth Williams and others. Of special note is an iconic book jacket design by Fred Marcellino for Thomas Pynchon’s Slow Learner, which represents the first public offering of work from this influential designer and illustrator, and several cartoon strips and drawings such as Li’l Abner, Mickey Mouse and an early Sunday Peanuts strip by Charles M. Schulz. The book section contains a private collection of works written and/or illustrated by Maurice Sendak from the library of the late Reed Orenstein, bookseller and longtime Sendak collector. Included are most of his important works in first edition, many signed, and several with small sketches and inscriptions. There are unique copies of Where the Wild Things Are; scarce, signed firsts of Seven Little Stories on Big Subjects and In the Night Kitchen; as well as some related ephemera. Edward Gorey lovers will find a small section of signed, limited first editions, and an unpublished original watercolor. Desirable classic works illustrated by Edmund Dulac, Willy Pogány and Arthur Rackham represent the earlier part of the century. Maurice Sendak, Where the Wild Things Are, 25th Anniversary Edition, signed and with an ink drawing, New York, 1988. $5,000 to $7,500. François Bouçher, Two Satyrs, chalk drawing, circa 1740s. $12,000 to $18,000. OLD MASTER DRAWINGS JANUARY 29 Recognizing a resurgence of interest in Old Master Drawings—including recent exhibits at the Frick and the Morgan Library—Swann is reinstating our Old Master Drawings sale following a five-year hiatus. The auction coincides with Master Drawings Week in New York, and features Guido Reni,Head of a Woman Looking to the Left, black and red chalk drawing, circa 1639-40, which may be related to the head of Cleopatra in Sir Denis Mahon’s collection; François Bouçher, Two Satyrs, black and white chalk study for two figures in the Beauvais tapestry of Neptune Rescuing Anymone; and Joris Hoefnagel, Still Life with Flowers, Insects and a Snail, watercolor, gouache and gold on vellum, 1589, with a Latin inscription reading, “Omnia mutantur, nihil interit,” i.e. “Everything changes, nothing perishes,” from Ovid’s Metamorphoses. Previous Page: Alphonse Mucha, Moet & Chandon / Grand Cremant Imperial (detail), 1899. $10,000 to $15,000. At auction February 5. Cover: Barkley L. Hendricks, The Hawk, Blah, Blah, Blah, oil and DayGlo on canvas, 1970. $75,000 to $100,000. At auction February 14..

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Dear Beatrix Potter Admirers, Society News the Beatrix Potter Society

Approaching "Beatrix's side" of Windermere, on the ferry from Bowness Photo: J. Sullivan Dear Beatrix Potter Admirers, The Beatrix Potter Welcome back to another mix of articles, events and Society happenings - it is always an adventure to see where Beatrix will take us! Interested in learning more about Beatrix Potter? Consider joining the Society News Society. Meet others who are passionate about The Society's Committee, following the AGM in early March: Beatrix Potter, her life and works. You will also receive the quarterly Journal and Newsletter, full of interesting articles about Miss Potter and the Society's efforts and events. Find the Membership form for download, and more information about the Society here. Save the Date: May 20, 2017: Spring Meeting, Sloane Club, London. Rear row, l to r: Angela Black, Meetings Secretary; Miranda Gore Browne; Sue Smith, Treasurer; Helen Duder, Archivist and merchandise specialist. June 9-11, 2017: Front row, l to r: Rowena Godfrey, Chairman; Kathy Cole, Secretary Photo: Betsy Bray "Beatrix Potter in New London on the Thames River: A Symposium at the Linda Lear Center for The Society is still looking for Members to take over the roles Special Collections and of Treasurer, Sales Manager, and Editor of the Journal and Archives", Connecticut Newsletter, as well as someone to help create publications. If College, New London, CT. you can volunteer, please contact [email protected]. September 9-10, 2017: Autumn Meeting, Lake District, UK. December 2, 2017: Festive Gathering, Sloane Club, London. Quick Links Email us at: [email protected] m Read the previous issue of "Pottering About" here.
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Violet Oakley: Pennsylvania’S Premiere Muralist

1 VIOLET OAKLEY: PENNSYLVANIA’S PREMIERE MURALIST Susan Hamburger Paper and slide presentation Pennsylvania Historical Association October 14, 1995 [SLIDE 1] Violet Oakley--a versatile portraitist, illustrator, stained glass artisan, and muralist--earned a reputation as the first American woman artist to succeed in the predominantly-male architectural field of mural decoration. Her strong commitment to her religion and world peace influenced her art as well as her life. [SLIDE 2] Oakley was born in Bergen Heights, New Jersey, to the artistic family of Arthur Edmund Oakley and Cornelia Swain Oakley. Both of her grandfathers, George Oakley and William Swain, belonged to the National Academy of Design and two of her aunts studied painting in Munich with Frank Duveneck. She believed that her compulsion to draw was “hereditary and chronic.” She once commented that she must have been “a monk in some earlier state of existence....The abbesses and sisters were too busy nursing the sick and doing fine needleworks. I never heard of them illuminating manuscripts. I am quite sure I was a monk.” 1 The youngest of three children, Violet followed her sisters Cornelia and Hester in learning the acceptable feminine skills of poetry writing, piano playing, 2 and sketching. While Hester attended Vassar College, Violet’s asthma prevented her from obtaining a college education which her parents thought too rigorous for her physical condition. She never let the asthma impede her artistic education or career. In 1892, at the age of eighteen, Oakley commuted to New York City to study at the Art Students’ League with Irving R.
1 Abbey Books; #4 Richard Abel Bookseller; 1973:1, S

M-106 BOOKSELLER’S CATALOGS A & R BOOKSELLERS; #1 ABACUS BOOKSHOP; #1 ABBEY BOOKS; #4 RICHARD ABEL BOOKSELLER; 1973:1, Sale edition; 1974: 1 ABI BOOKS; #10-11, 15, 22-23, 30; Edward Gordon Craig; 1982: Early autumn, Spring, Edward Gorey; 1983: Spring ABINGTON BOOKS; 1973: Autumn ABOUT BOOKS; #3, 9-10, 61-64, 67-69 BEN ABRAHMSON’S ARGUS BOOK SHOP; #1-5, 7-12, 14-17, 20-34, Along the north wall, Along the south wall, 383, 623, 626, 969, 975, 985, 1944: Oct. HERMAN ABROMSON; #5-6, 7-10, 12 ACADEMIC BOOK COLLECTION; #9 ACADEMY BOOK SHOP; #61 PAUL ADAMS; Botany ADCO SPORTS BOOK EXCHANGE; 1808 TO DATE RICHARD ADAMIAK; #29 RICHARD H. ADELSON; 1981: Spring ; 1983: Spring ; 1992-93: Winter; 1994-95: Winter ADS AUTOGRAPHS; #1-3, 6-10, 13 ADVENTURE BOOK STORE; #1 ; 1988: Nov. AEONIAN PRESS; 1 catalog (unnumbered/undated) AESOP BOOKS; #8 CHARLES AGVENT; #2-5 AHAB RARE BOOKS; #26-27 ALASTOR RARE BOOKS; #16 EDWIN ALBERT; #1 l ALBION BOOKS; #3-4; 1979: Dec. ALCAZAR BOOK SERVICE; #51, 156 ALDREDGE BOOK STORE; #53, 87, 89-90, 114-116 ALEX ALEC-SMITH; #10, 14/16, 18 ALEPH-BET BOOKS; #3, 8-12, 14, 32, 35, 38-41, 43-45, 49, 53, 65; 2004: April 19 ALEXANDERSON & KLOSINSKI BOOKSELLERS; #1-2 ALFA ANTIQUARIAN BOOKSELLER; #79 LIBRAIRIE ALIX; #1 D.C. ALLEN; #32-33, 36, 58, 60, 62 R.R. ALLEN BOOKS; #21, 66-67, 70, 74, 79, 81-82, 84, 86, 92-96; 1996 WILLIAM H. ALLEN BOOKSELLER; #189, 206, 219, 224-225, 227-228, 231-232, 235-236, 239, 244-245, 249-251, 254-256, 259-261, 264-266, 268, 271-273, 275-276, 279-281, 283-284, 287-288, 290-291, 293- 294, 296-297, 300-301, 303-305, 307, 310-311, 313-314, 316-318, 320-321, 323-324; Special mailing 20 DUNCAN M.
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses

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2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S.
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1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits
1523 Chestnut Street Postal Code: 19102

1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address: 1523 Chestnut Street Postal code: 19102 2. NAME OF HISTORIC RESOURCE Historic Name: The Love Building Current Name: Unknown 3. TYPE OF HISTORIC RESOURCE Building Structure Site Object 4. PROPERTY INFORMATION Condition: excellent good fair poor ruins Occupancy: occupied vacant under construction unknown Current use: Commercial 5. BOUNDARY DESCRIPTION Please attach a narrative description and site/plot plan of the resource’s boundaries. 6. DESCRIPTION Please attach a narrative description and photographs of the resource’s physical appearance, site, setting, and surroundings. 7. SIGNIFICANCE Please attach a narrative Statement of Significance citing the Criteria for Designation the resource satisfies. Period of Significance (from year to year): ca.1880-1923 Date(s) of construction: ca.1880 Architects: Unknown Builders: Unknown Original owner: John Beresford Love Significant person: Violet Oakley, Jessie Willcox Smith, Elizabeth Shippen Green, etc. CRITERIA FOR DESIGNATION: The historic resource satisfies the following criteria for designation (check all that apply): (a) Has significant character, interest or value as part of the development, heritage or cultural characteristics of the City, Commonwealth or Nation or is associated with the life of a person significant in the past; or, (b) Is associated with an event of importance to the history of the City, Commonwealth or Nation; or, (c) Reflects the environment in an era characterized