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Caldecott Medal Winners
C A L D E C O T T 1951 The Egg Tree by Katherine Milhous 1943 The Little House by Virginia Lee Burton M EDAL 1942 Make Way for Ducklings by Robert INNERS 1950 Song of the Swallows by Leo Politi W McCloskey 1949 The Big Snow by Berta and Elmer Hader 1941 They Were Strong and Good by Robert Law- son The Caldecott Medal is awarded annually by the Association of Library Service to Children, a divi- 1948 White Snow, Bright Snow by Alvin Tres- 1940 Abraham Lincoln by Ingri Parin D’Aulaire sion of the American Library Association, to the illustrator of the most distinguished American pic- selt, ill by Roger Duvoisin 1939 Mei Li by Thomas Handforth ture book for children. The medal honors Randolph Caldecott, a famous English illustrator of children’s 1938 Animals of the Bible by Helen D. Fish, 1947 The Little Island by Golden MacDonald ill by Dorothy Lathrop 2011 A Sick Day for Amos McGee ill Erin Stead Ill by Leonard Weisgard 2010 The Lion and the Mouse by Jerry Pinkney 2009 The House in the Night by Susan Swanson 1946 Rooster Crows by Maud and Miska Peter- 2008 The Invention of Hugo Cabaret by Brian Sel- znik sham 2007 Flotsam by David Wiesner 2006 The Hello, Goodbye Window by Chris Raschka 2005 Kitten’s First Full Moon by Kevin Henkes 1945 Prayer for a Child by Rachel Field, 2004 The Man Who Walked between Two Towers by Mordicai Gerstein Ill by Elizabeth Orton Jones 2003 My Friend Rabbit by Eric Rohmann 2002 The Three Pigs by David Wiesner 2001 So You Want to Be President by Judith 1944 Many Moons by James Thruber, Ill by St.George 2000 Joseph Had A little Overcoat by Simms Tabak Louis Slobodkin 1999 Snowflake Bentley by Jacqueline Briggs Mar- tin 1998 Rapunzel by Paul O. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
The Birdman of Colby: Eagle-Eyed Professor Herb Wilson Is Winging His Way Into the Hearts of Students and Birders Alike
Colby Magazine Volume 89 Issue 2 Spring 2000 Article 9 April 2000 The Birdman of Colby: Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike Robert Gillespie Colby College Follow this and additional works at: https://digitalcommons.colby.edu/colbymagazine Part of the Ornithology Commons Recommended Citation Gillespie, Robert (2000) "The Birdman of Colby: Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike," Colby Magazine: Vol. 89 : Iss. 2 , Article 9. Available at: https://digitalcommons.colby.edu/colbymagazine/vol89/iss2/9 This Contents is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Magazine by an authorized editor of Digital Commons @ Colby. The Birdman of Colby Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike By Robert Gillespie man studying turkey vultures lies next to a dead calf in the to learn how birds in the wild will respond to the made-up sound. A de ert for days, waiting fo r the birds to land on him. Is thi Maybe different syllables mean different thing , he says, or it scientific research, asks a newspaper reporter in an e-mail that may be the song itself that's important and not the individual reaches Colby's resident bird expert, or nutty obse ion? yllables in a particular order. Or certain bird "might hold a "He isn't going to have any success until he gives off ethyl syllable longer; they might drawl; they might have a different mercaptan-that's the smelly stuff, sulfur and mercury in one," pitch," he explained, making the birds sound like plain folk who Herb Wilson answered with amiable matter-of-factness-ex understand each other despite different regional dialects. -
2007 Awards Issue Newbery and Caldecott Speeches
Childrenthe journal of the Association for Library Service to Children &LibrariesVolume 5 Number 2 Summer/Fall 2007 ISSN 1542-9806 2007 Awards Issue Newbery and Caldecott Speeches 50 East Huron Street, Chicago, Illinois 60611 Book Clubs for Teens • Tips for First-Year Managers NON-PROFIT ORG. U.S. POSTAGE PAID BIRMINGHAM, AL PERMIT NO. 3020 “A story to love.”* Ruth White Author of BELLE PRATER’S BOY, a Newbery Honor Book �“At the heart of the story are profound questions that readers will enjoy puzzling out.” —Starred, Booklist �“A tale of magical beginnings and the everyday magic of an ordinary place populated by a colorful cast of characters worthy of Dickens.” —*Starred, Kirkus Reviews “Captivating and thoughtful on many levels.” —School Library Journal “Has its own memorable charm.” —The Horn Book $16.00 / 978-0-374-38251-3 / Ages 10 up FARRAR•STRAUS•GIROUX www.fsgkidsbooks.com Table Contents● ofVolume 5, Number 2 Summer/Fall 2007 Notes 43 Making Storytime Available to Children of Working Parents 2 Editor’s Note Public Libraries and the Scheduling of Children’s Literacy Programs Sharon Verbeten Sandra Hughes-Hassell, Denise Agosto, and Xiaoning Sun 2 Executive Director’s Note Diane Foote 49 Jumpstart’s Read for the Record Sets a World Record in 2006 3 Outgoing President’s Message Jumpstart Launches 2007 Campaign Kathleen T. Horning 4 Incoming President’s Message Departments Jane B. Marino 50 Research and Development Column Features Sex and Violence: Is Exposure to Media Content Harmful to Children? Bowie Kotrla 6 Award Acceptance -
North Pacific Research Board Project Final Report
NORTH PACIFIC RESEARCH BOARD PROJECT FINAL REPORT Synthesis of Marine Biology and Oceanography of Southeast Alaska NPRB Project 406 Final Report Ginny L. Eckert1, Tom Weingartner2, Lisa Eisner3, Jan Straley4, Gordon Kruse5, and John Piatt6 1 Biology Program, University of Alaska Southeast, and School of Fisheries and Ocean Sciences, University of Alaska Fairbanks, 11120 Glacier Hwy., Juneau, AK 99801, (907) 796-6450, [email protected] 2 Institute of Marine Science, University of Alaska Fairbanks, P.O. Box 757220, Fairbanks, AK 99775-7220, (907) 474-7993, [email protected] 3 Auke Bay Lab, National Oceanic and Atmospheric Administration, 17109 Pt. Lena Loop Rd., Juneau, AK 99801, (907) 789-6602, [email protected] 4 University of Alaska Southeast, 1332 Seward Ave., Sitka, AK 99835, (907) 774-7779, [email protected] 5 School of Fisheries and Ocean Sciences, University of Alaska Fairbanks, 11120 Glacier Hwy., Juneau, AK 99801, (907) 796-2052, [email protected] 6 Alaska Science Center, US Geological Survey, Anchorage, AK, 360-774-0516, [email protected] August 2007 ABSTRACT This project directly responds to NPRB specific project needs, “Bring Southeast Alaska scientific background up to the status of other Alaskan waters by completing a synthesis of biological and oceanographic information”. This project successfully convened a workshop on March 30-31, 2005 at the University of Alaska Southeast to bring together representatives from different marine science disciplines and organizations to synthesize information on the marine biology and oceanography of Southeast Alaska. Thirty-eight individuals participated, including representatives of the University of Alaska and state and national agencies. -
Communities Investing in the Future One Happy Camper at a Time
COMMUNITIES INVESTING IN THE FUTURE ONE HAPPY CAMPER AT A TIME To date, the Foundation for Jewish Camp partners with 41 communities* including Foundation for Jewish Camp the PJ Library, in addition 253 West 35th Street to four national camp move- 4th Floor ments and over 30 camps New York, NY 10001 to offer the One Happy tel 646-278-4546 Camper program. fax 646-278-4501 *as of September 1, 2015 www.jewishcamp.org Dear Friend of Jewish Camp, Jewish summer camps provide extraordinary laboratories for Jewish Foundation for Jewish Camp was created in 1998 as a public education, expression, and growth. Though appearing as fun and foundation dedicated to Jewish overnight camp, thanks to the games, camps create intentional and purposeful communities with leadership and vision of Robert and Elisa Spungen Bildner. robust and diverse ways for young children, teens, young adults, Over the past 18 years, the Foundation for Jewish Camp has parents, and staff to connect to Jewish life in a powerful and professionalized the field, expanded access to and intensified meaningful way. demand for camp and offered professional development programs for camp staff, elevating the level of programming at North Simply stated, Jewish camp works. To secure stronger Jewish American camps across the Jewish spectrum. communities in the future, we must invest in strengthening Jewish camps today. With your hard work and partnership, we aspire to ensure that every Jewish child benefits from immersive Jewish Today, the Foundation for Jewish Camp serves over 155 Jewish summer experiences. summer camps, close to 80,000 campers and 11,000 counselors across North America every summer. -
View Full Article
ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre .................................................................... -
U.S. National Tour of the West End Smash Hit Musical To
Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards. -
NOR 15-Final.Pdf
New Orleans Review Spring 1988 Editors John Biguenet· John Mosier Managing Editor Sarah Elizabeth Spain Design Vilma Pesciallo Contributing Editors Bert Cardullo David Estes Jacek Fuksiewicz Alexis Gonzales, F.S.C. Bruce Henricksen Andrew Horton Peggy McCormack Rainer Schulte Founding Editor Miller Williams Advisory Editors Richard Berg Doris Betts Joseph Fichter, S.J. John Irwin Murray Krieger Frank Lentricchia Raymond McGowan Wesley Morris Walker Percy Herman Rapaport Robert Scholes Marcus Smith Miller Williams The New Orleans Review is published by Loyola University, New Orleans, Louisiana 70118, United States. Copyright© 1988 by Loyola University. Critical essays relating to film or literature of up to ten thousand words should be prepared to conform with the new MLA guidelines and sent to the appropriate editor, together with a stamped, self-addressed envelope. The address is New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Fiction, poetry, photography or related artwork should be sent to the Art and Literature Editor. A stamped, self-addressed envelope should be enclosed. Reasonable care is taken in the handling of material, but no responsibility is assumed for the loss of unsolicited material. Accepted manuscripts are the property of the NOR. The New Orleans Review is published in February, May, August, and November. Annual Subscription Rate: Institutions $30.00, Individuals $25.00, Foreign Subscribers $35.00. Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. US ISSN 0028-6400 Photographs of Gwen Bristow, Ada Jack Carver, Dorothy Dix, and Grace King are reproduced courtesy the Historic New Orleans Collection, Museum/Research Center, Acc. -
Princess Furball
Princess Furball 1994 #40 pages #0688131077, 9780688131074 #Charlotte Huck #HarperCollins, 1994 #Princess Furball #Once upon a time a cruel King decided to betroth his motherless daughter to an Ogre in exchange for fifty wagons filled with silver. When the Princess learns what her father has done, she is horrified. But she is as clever as she is beautiful. Quickly, the Princess devises a plan to escape and, relying on her own spunk and good sense, ultimately marries the man she chooses for herself. file download mybo.pdf Harriet Ziefert #1988 #Even though there is no money, Anna's mother finds a way to make Anna a badly needed winter coat #Juvenile Fiction #A New Coat for Anna #40 pages #ISBN:9780394898612 Furball pdf file Charlotte Huck #40 pages #A Scottish Tale #Juvenile Fiction #A traditional Scottish tale set in Norway in which a courageous girl sets out to seek her fortune and ultimately finds true love #The Black Bull of Norroway #Mar 20, 2001 #ISBN:0688169007 What will baby's first word be? Hello? Sun? Dog? Cat? Cow? Owl? Spend a day in the country with Anita Lobel's friendly animals. Meow. Woof. Moo! Whoo! Baby will be talking in #Juvenile Fiction #Hello, Day! #40 pages #Anita Lobel #Mar 25, 2008 #ISBN:9780060787653 Princess Furball pdf ISBN:0060564830 #Feb 15, 2005 #So Happy! #Juvenile Fiction #Kevin Henkes, Anita Lobel #32 pages #Brief text and illustrations tell the story of a boy, a rabbit, and a seed Four young girls let their imagination run wild on a rainy day when they devote the entire day to dress-up fun #My Day in the -
'How WE Can Improve Maywood'
Chatman Lewis Flaggs Group SURVEY ANAYSIS REPORT CLFC AND EGI ALL RIGHTS RESERVED 2017© Information contained in this report is intended to provide analysis of the Village of Maywood and the alignment of research with the peoples input relative to the village needs. The data was sampled throughout the four zones (1-4) in Maywood, IL. Further, Maywood residents ‘How WE can improve Maywood’volunteered to go door to door to make contact with residents and conduct phone interviews. The information was carefully gathered, analyzed and tabulated by a third party, ‘How WE can improve University of Illinois Urbana Champaign department of Maywood’ statistics. This report should not be used in place of any professional advice. CLFC and COMMUNITY SURVEY RESULTS EGI accepts no responsibility for any loss arising from any action taken by anyone using this material. The information contained herein this report is copy written and may not be used without express written permission of said owner CLFC or the EGI. All rights reserved© CommunityChatman and Economic Lewis Flaggs Development | Business StrategySurvey |for Advisory The Economic | Research | Feasibility Study | Business Turnaround Growth Initiative-EGI Publish date March 26, 2017 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Contents Disclaimer 1. Foreword 2. Background pages 4-6 3. Risk management analysis and implications pages 7-8 4. Demographic Summation pages 9-14 5. Resident information pages 15-19 6. Analysis and evidence pages 20-32 7. Conclusion Key Findings page 33 1 Community and Economic Growth Survey- Sampled October 2016 Published March 2017 Foreword CLFC research has found the Village of This report depicts how businesses could be Maywood, Illinois to be one of tremendous properly supported by the village population opportunity in terms of economic prosperity of 24, 100 persons and the immediate as well as socio-economic growth.