19. Festival Evropskog I Nezavisnog Filma EURO-IN FILM 2015

Total Page:16

File Type:pdf, Size:1020Kb

19. Festival Evropskog I Nezavisnog Filma EURO-IN FILM 2015 19. Festival evropskog i nezavisnog filma EURO-IN FILM 2015 4. decembar 2015, petak 18:30 Ulazni hol bioskopa IZLOŽBA FILMSKIH PLAKATA 1950-1990 - MIROSLAV MIJATOVIĆ, kolekcionar 19:00 Velika sala OTVARANјE FESTIVALA - Goran Radovanović, reditelј filma „Enklava“ Glavni tokovi / Main Stream Frankofonija / Francofonia France / Germany / Netherlands, 2015, 87 min; Režija / Director: Aleksandr Sokurov 21::00 Velika sala Glavni tokovi / Main Stream Počasna projekcija srpskog kandidata za „Oskara“ Enklava / Enclave Srbija / Nemačka, 2015, 92 min.; Režija / Director: Goran Radovanović 5. decembar 2015, subota 19:00 Velika sala Glavni tokovi / Main Stream Aferim! / Aferim! Romania / Bulgaria / Czech Republic / France, 2015, 108 min, Režija / Director: Radu Jude Nagrade / Awards: Berlin 2015 – Srebrni medved za režiju, Sofija – Nagrada za najbolјi film, Lisabon, Tribeka,… 21::00 Velika sala Traganja / Searchings Slike izvan nas / Images Beyond Us Canada, 2015, 12 min. Režija / Director: Nena Toth Redzic, Eksperimentalni / Experimental (SVETSKA PREMIJERA) Glavni tokovi / Main Stream Saulov sin / Son of Saul / Saul fia Hungary, 2015, 107 min.; Režija / Director: László Nemes, Nagrade / Awards: Cannes Film Festival 2015 Grand Prix 6. decembar 2015 - nedelјa 18:00 Velika sala Traganja / Searchings Oženiću celo selo / I Will Marry the Whole Village Srbija, 2010, 57 min. Režija / Director: Željko Mirković, Dokumentarni / Documentary Projekcija u saradnji sa "Filmkulturom" 19::00 Velika sala Glavni tokovi / Main Stream Dugme od sedefa / Pearl Button Chile, Spain, France, 2015, 82 min. Režija / Director: Patrisio Guzman Nagrade i festivali / Awards and festivals: Berlinale 2015 – „Silver Bear“ Best Screenplay, Toronto , Melburne, „Free Zone“ 2015 – Najbolјi film po oceni publike 21::00 Velika sala NORDIJSKA PANORAMA 2015 (1) - NORDIJSKI KRATKI FILMOVI / NORDISK SHORTS Ortak / Chum, Island, 2013, 15 min. Režija / Director: Jorundur Ragnarson Nagrade / Awards: Montreal – najbolji kratki film; EDDA – nagrada Islandske filmske akademije za najbolјi kratki film Ja i moj Molton / Me and My Moulton, Norveška/ Kanada, 2014, 14’ Režija / D. Torill Kove Nagrade / Awards: Nominacija za Oskara za najbolјi animirani film Neprilagođeni / Rodløs / Wayward, Danska, 2014, 20`, Režija / Director: Kira Ričards Hansen Nagrade / Awards: Nordijska panorama u Malmeu – najbolјi kratki film Lavirint / You Built Me a Labyrinth, Finska, 2013, 17’ Režija / Director: Lauri-Mati Parpei Nagrade / Awards: Drezden, Talin, Varšava, Malme... Indigo / Indigo, Švedska / SAD, 2014, 20`, kratki igrani film, Režija / Director: Pol Jerndal Nagrade / Awards:Hol ivud – najbolјi film; Los Anđeles – najbolјa kamera; River Bend film festival (Indijana, SAD) – najbolјi film... 7. decembar 2015 - ponedelјak 19:00 Velika sala Glavni tokovi / Main Stream Chevalier / Chevalier Greece, 2014, 99 min. Režija / Director: Athina Rachel Tsangari, Nagrade / Awards: London 2015 – nagrada za najbolјi film 21::00 Velika sala Glavni tokovi / Main Stream Citizenfour / Citizenfour USA / Germany / UK, 2014, 114 min. Režija / Director: Laura Poitras Nagrade / Awards: “Oscar“ 2015 – najbolјi dokumentarni film; BAFTA Film Award – Najbolјi dokumentarni film 8. decembar 2015 - utorak 19:00 Velika sala Glavni tokovi / Main Stream U senci žena / L’ombre des femmes / In The Shadow Of Women Francuska, Švajcarska, 73 min. Režija / Director: Philippe Garrel Nagrade / Awards: Kan 2015 – Petnaest dana autora 21::00 Velika sala Glavni tokovi / Main Stream 1001 Noć: Prvi deo – Nespokojan / As Mil e Uma Noites: Volume 1, O Inquieto Arabian Nights: Volume 1 – The Restless One Portugal, Francuska, Nemačka, Švajcarska, 2015, 125 min. Režija / D.: Miguel Gomes Festivali / Festivals: Kan 2015 – Petnaest dana autora; Sidnej – Grand prix; Minhen 9. decembar 2015 -sreda 19:00 Velika sala Glavni tokovi / Main Stream Spartakus i Kasandra / Spartacus & Cassandra France, 2014, 80 min. Režija / Director: Ioanis Nuguet Nagrade / Awards: Angers European First Film Festival 2015 (Nominated) Audience Award French Feature Films Ioanis Nuguet Projekcija u saradnji sa Francuskim Institutom 21::00 Velika sala Glavni tokovi / Main Stream Zemlјa i senka / La tierra y la sombra / Land and Shade Kolumbija, Francuska, Holandija, Čile, Brazil, 97 min. Režija / Director: César Augusto Acevedo Nagrade / Awards: Kan 2015 – Zlatna kamera za najbolјeg debitanta 10. decembar 2015 - četvrtak 19:00 Velika sala Glavni tokovi / Main Stream Ima senke / De l’ombre il y a / Where There Is Shade France, 2015, 105 min. Režija: Nathan Nicholovitch Nagrade: Cannes Film Festival 2015 (Nominated) Queer Palm Nathan Nicholovitch U saradnji sa Francuskim Institutom 21::00 Velika sala Glavni tokovi / Main Stream Projekat stoleća / La obra del siglo / The Project Of The Century Argentina, Kuba, Nemačka, Švajcarska, 100 min Režija / Director: Carlos Quintela Nagrade / Awards: Roterdam 2015 – Zlatni tigar, Buenos Aires, Jerusalim, Sarajevo 11. decembar 2015 - petak 18:00 Velika sala Glavni tokovi / Main Stream Sunčanica / Sunstroke / Solnečnый udar Rusija, 2015, 175 min, Režija / Director: Nikita Mihalkov 21:00 Velika sala Glavni tokovi / Main Stream ت اک سی / Taksi / Taxi Iran, 2015, 82 min. Režija / Director: Jafar Panahi Nagrade / Awards: 65th Berlin International Film Festival - Golden Bear; 65th Berlin International Film Festival - FIPRESCI Prize. 21:15 Likovni salon NORDIJSKA PANORAMA 2015 (2) - DANSKA FILMSKA ŠKOLA / DANISH FILM SCHOOL 2.7 2.7, Danska, 2013, 28’, dokumentarni Režija / Director: Cille Hannibal DEČAK / Dreng / Boy, Danska, 2013, 30’ , dokumentarni, Režija / Director: Julie Bezerra Madsen Nagrade / Awards: Espinjo (Portugalija, Festival novih reditelja) – spec. priznanje za kratki film; Potsdam – specijalno priznanje 30 30, Danska 2013, 29’ , dokumentarni, Režija / Director: Laura Ludmilla Sørensen 22:30 Velika sala Glavni tokovi / Main Stream Snažnije od bombi / Louder Than Bombs Norveška, Francuska, SAD, 2014, 109 min. Režija / Director: Joachim Trier Nagrade / Awards: Kan 2015 – Glavni takmičarski program; Minhen; Stokholm 12. decembar 2015 - subota 17:00 Velika sala Glavni tokovi / Main Stream Lice ćutnje / The Look of Silence Denmark / Indonesia / Finland / Norway/ UK / Israel / France / USA / Germany / Netherlands, 2014, 103 min Režija / Director: Joshua Oppenheimer Nagrade: Venice Film Festival 2014: FIPRESCI Prize Competition Joshua Oppenheimer, Fedeora Award Best Euro- Mediterranean Film Joshua Oppenheimer, Golden Mouse Joshua Oppenheimer, Grand Special Jury Prize Joshua Oppenheimer, Human Rights Film Network Award Joshua Oppenheimer, Nominated Golden Lion Joshua Oppenheimer 19:00 Velika sala Sećanja... / Memories... Lete ždralovi / The Cranes Are Flying / Letяt žuravli SSSR, 1957, 97 min. Režija / Director:Mihail Kalatozov Nagrade / Awards: Cannes Film Festival 1958 - Palme d'Or Mikhail Kalatozov 20::00 Likovni salon NORDIJSKA PANORAMA 2015 (3) - NORVEŠKO VEČE / NORWEGIAN NIGHT KLUB 7 Club 7, Norveška, 2014, 27’, dokumentarni Režija / Directors: August B. Hanssen & Even G. Benestad Počasno priznanje na Festivalu nordijskih dokumentaraca u Norveškoj DA, MI VOLIMO Yes We Love, Norveška, 2014, 15’, kratki igrani film Režija / Director: Hallvar Witzø, Uloge / Cast: Edvard Hægstad, Terje Ranes, Hanne Skille Reitan, Johan Fredrik Bergflødt KONTAKT CONTACT, Norveška, 2014, 16’, kratki igrani film, Režija / Director: Jannicke Stendal Hansen ZEMLJA PROTIV VETRA Jord over vind / Earth Over Wind Norveška, 2014, 40’, kratki igrani film, Režija: Joern Utkilen 21:00 Velika sala Glavni tokovi / Main Stream Džejms Vajt / James White USA, 2015, 85 min. Režija / Director: Josh Mond, Nagrade / Awards: Sandens 2015 – Nagrada publike 22:30 Velika sala Glavni tokovi / Main Stream Pioniri heroji / Pionerы-geroi / Pioneer Heroes Rusija, 2015, 116 min. Režija / Director: Natalya Kudryashova Nagrade / Awards: 2014. Les Arcs – Nagrada za najbolјi film u produkciji 2015; Berlinale Panorama 2015 – Nominovan za najbolјi debitantski dugometražni film 13. decembar 2015 - nedelјa 17:30 Velika sala Sećanja... / Memories... Ivanovo detinjstvo / Ivan's Childhood / Ivanovo detstvo SSSR, 1962, 84 min., Režija / Director: Andreй Tarkovskiй Nagrade: Venice Film Festival 1962 - Golden Lion Andrei Tarkovsky 19:00 Velika sala Glavni tokovi / Main Stream Ovnovi / Rams / Hrutar Island, 2015, 93 min. Režija / Director: Grimur Hakonarson Nagrade / Awards: Kan 2015 - selekcija „Izvestan pogled“ (Un Certain Regard) - Nagrada za režiju 20:45 Velika sala Glavni tokovi / Main Stream Pod električnim oblacima / Pod эlektričeskimi oblakami / Under Electric Clouds Rusija, Ukrajina, Poljska, 138 min. Režija: Aleksei Alekseivich German; Nagrade: Berlin 2015 – Srebrni medved za kameru 21::00 Likovni salon NORDIJSKA PANORAMA 2015 (4) - ŠVEDSKE VEČERI / SWEDISH NIGHTS AKO ME SADA OSTAVIŠ If You Leave Me Now, Švedska, 2014, 18’, kratki igrani film, Režija / Director: Maria Eriksson MOJOJ IZGUBLjENOJ BEBI Still Born, Švedska, 2014, 10’, dokumentarno-animirani film, Režija / Director: Åsa Sandzén STAN + KOLA + SVE ŠTO IMAM Lgh + bil + allt jag har och äger / Apt. + Car + All I Have and Own Švedska / Norveška, 2014, 50 ‘, dokumentarni film Režija / Director: Clara Bodén 14. decembar 2015 - ponedelјak 18:30 Velika sala Traganja / Searchings Moja Evropa My Europe, Croatia, 2014, 56 min., Dokumentarno-igrani, Režija / Director: Bernardin Modrić Uvodna reč: BERNARDIN MODRIĆ - autor, ĐORĐE KAĆANSKI 19:30 Velika sala Glavni tokovi / Main Stream Približavanje slona / Approaching the Elephant Režija / Director:
Recommended publications
  • O Cinema Interior De Philippe Garrel
    philippe garrel philippe garrel o cinema interior de philippe garrel 1 Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina philippe philippe garrel garrel philippe philippe ccbb rio de janeiro 17 out—5 nov 2018 ccbb brasília 30 out—18 nov 2018 Maria Chiaretti e Mateus Araújo organização 15 philippe garrel, aqui e agora 111 a criança-cinema maria chiaretti e mateus araújo alain philippon 21 um cinema do espetáculo íntimo: 119 amor em fuga as poéticas de philippe garrel alain philippon adrian martin 127 o povo que dorme: notas sobre o 35 “filmar a mulher amada, como fiz cinema de philippe garrel por dez anos, é algo em si bastante marcos uzal louco…”: sistema simbólico e virada narrativa na obra de philippe garrel 135 atores na alma nicole brenez cyril béghin 45 a maturidade de garrel 139 manifesto por um cinema violento adriano aprà philippe garrel 69 garrel: ali onde a fala se torna gesto 141 fragmentos de um diário thierry jousse philippe garrel 81 um filme “quebra-cabeça” 146 sendo o cinema apenas o fazendo sally shafto philippe garrel 97 o fulgor de um rosto 149 philippe garrel e serge daney: diálogo edson costa jr. 165 sinopses críticas 103 vida e morte da película luiz carlos oliveira jr. 209 filmografia Ministério da Cultura e Banco do Brasil apresentam O cinema interior de Philippe Garrel, a mais completa retrospectiva do ci- neasta francês já realizada no Brasil. Garrel aborda em sua trajetória cinematográfica a vida da juventude francesa, tendo como inspiração episódios de sua pró- pria biografia. Um dos nomes mais importantes do movimento pós-Nouvelle Vague ainda em atividade, o premiado cineasta tem 53 anos de carreira e segue filmando em formato 35mm, que é a marca de seu cinema.
    [Show full text]
  • Of Gods and Men
    A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may.
    [Show full text]
  • Introduction
    1 Introduction Philippe Garrel, an irregular auteur In April 2013, a retrospective of Philippe Garrel’s fi lms took place at the Magic Cin é ma, a municipal theatre in Bobigny, outside Paris. Such a location, on the periphery of the French capital, may seem inappropriate for the work of a longstanding director whom the fi lm critic Serge Daney spoke of as ‘le seul grand cin é aste fran ç ais de ma g é n é ration’ 1 (Jousse 1991 : 58). But both the accolade and this peripheral location are revealing of the ambiguous position Garrel has occupied within French fi lm culture during the last half century. While held in high esteem by peers and critics, he is only beginning now to receive some mainstream and popular recognition. This increased recognition is evidenced by the fi rst French international conference on Garrel that took place at Paris Nanterre University in November 2018 and by a more recent retrospective of Garrel’s work at the Cin é math è que Fran ç aise in September 2019. Garrel’s status as a critically respected yet marginal fi gure may be explained by the fact that his cinema occupies an uncertain terrain in the history of French cinema, somewhere between the New Wave and the vast heterogeneous body of French cinema that developed in its aftermath. This anomalous position is compounded by an oeuvre that often resists straightforward exegetical criticism, and challenges traditionally held critical oppositions such as those of the real and the imaginary, documentary and fi ction, political and personal, avant- garde and mainstream.
    [Show full text]
  • French Film Program Signs up 100 University
    EMBASSY OF FRANCE – PRESS RELEASE French Film Program Signs up 100 th University TOURNÉES FESTIVAL IS A HIT ON AMERICAN CAMPUSES New York, February 7 —For the first time ever, more than 100 American universities are taking part in the Tournées Festival , which brings contemporary French films to campus screens . In all, 108 universities are participating, from 41 States and Puerto Rico. This year, the Tournées Festival will distribute approximately $180,000 in grants, with each participating institution receiving a grant of $1,800 to show a minimum of five films. First launched by the French-American Cultural Exchange (FACE) and the Cultural Services of the French Embassy in 1995 , the Tournées Festival was conceived to help isolated universities have access to new French films that are normally only distributed in big cities. Since its inception, the program has partnered with hundreds of universities and made it possible for more than 250,000 students to discover French-language films . It is hoped that participating universities will subsequently be able to launch their own self-sustaining French film festivals. To promote French-American cooperation, a key mission of FACE and the French Cultural Services , American professors are deeply involved in the selection process, both for the universities and the films. Three distinguished Americans selected which universities to support: Dudley Andrew , Professor of Film and Comparative Literature at Yale University , Livia Bloom , Assistant Curator at the Museum of the Moving Image, and Sonia Lee , Professor of French and African Literature at Trinity College. And, every year, Adrienne Halpern , co-founder of Rialto Films, Annette Insdorf , Professor of Graduate Film Studies at Columbia University, Richard Pena , Film Curator at the Lincoln Center, and Jean Vallier , Film Critic, help select the films that are included in the program.
    [Show full text]
  • CICLO . GRANDE CINEMA RUSSO 1 O Homem Da Câmara De Filmar RUSSIA ANOS VINTE
    CICLO . GRANDE CINEMA RUSSO 1 O Homem da Câmara de Filmar RUSSIA ANOS VINTE No final da década de 20, os cineastas Para Dziga Vertov, trata-se não de reflectir soviéticos exploram todas as possibilidades da mas antes de fazer a revolução através arte nova, que dera ao mundo o sentimento do cinema. E consequentemente, de de uma marcha ao ritmo da revolução. Uma revolucionar a prática do cineasta, assim dezena de filmes de excepção testemunham- como a do espectador: o próprio acto de -no, entre os quais estes três, estreados entre ver. O Homem da Câmara de Filmar é uma Setembro de 1928 e Fevereiro de 1929. experiência sem precedentes. "Pensamos", dirá Vertov, "ter direito a ocasionalmente Arsenal faz de Aleksandr Dovzhenko o terceiro realizar filmes que produzam outros filmes. grande da "epopeia revolucionária", ao lado São uma garantia vital para futuras vitórias". de Eisenstein e de Poudovkine. Porém, longe Este filme "sem intertítulos, sem argumento, de ilustrar, como eles, os aniversários e as sem teatro, sem actores e sem décors" palavras de ordem, Dovzhenko ataca em mostra, simultaneamente, no decurso de modo poético as contradições da sua pátria, a uma perseguição alucinante: a projecção Ucrânia, dividida desde a queda do czar entre do próprio filme; o dia de um operador de nacionalismo e revolução. Nem os Ucranianos câmara (o irmão de Vertov, Mikhail Kaufman, nem os Soviéticos lhe ficarão gratos por desempenhando o papel do cineasta); o isso. Para Dovzhenko, comunista assumido, quotidiano de uma grande cidade e dos a revolução bolchevique é a consequência seus habitantes, o que subsiste do mundo lógica das forças telúricas, mágicas, que de ontem e o aburguesamento da nova criaram o seu país.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • Frontier of Dawn
    Rectangle Productions presents Louis Garrel Laura Smet FRONTIER OF DAWN La frontière de l’aube a film by Philippe Garrel France – 105 min – B&W – 1.85 - Dolby SRD INTERNATIONAL PRESS WORLD SALES Viviana Andriani FILMS DISTRIBUTION 32 rue Godot de Mauroy 75009 PARIS 34, rue du Louvre | 75001 PARIS Tel/fax: +33 1 42 66 36 35 Tel: +33 1 53 10 33 99 In Cannes: In Cannes: Booth E5/F8 Cell: +33(0)6 80 16 81 39 Tel: +33 4 92 99 33 29 [email protected] www.filmsdistribution.com In Cannes SYNOPSIS Carole, a celebrity neglected by her husband, falls for François, a young photographer. Returning from a business trip the husband surprises them, and the lovers have to end their relationship. Carole gradually drifts into madness and commits suicide. One year later, a few hours before his wedding, François has a vision. It’s Carole, calling him from the other world… INTERVIEW WITH PHILIPPE GARREL How do you explain the title, Frontier of Dawn? While I was writing it, the film was called Heaven of the Angels, an expression I found in Blanche ou l’oubli by Louis Aragon. I liked it a lot but I was put off by the neo-Catholic side. And one night, at four in the morning, I came up with Frontier of Dawn, which evoked both the suicide and the ghost themes. I made the film with this title in mind and it gave me the key to each scene. Maybe the title is too deliberately poetic. I knew a director, Pierre Romans, who said an actor must never act poetic and to be poetic, you have to act in a realistic manner, with a trivial element.
    [Show full text]
  • 2015 Euro-In Film
    19th festival of the european 19. фестивал европског and independent film и независног филма novi sad - serbia,, 4 - 28. 12. 2015. нови сад - србија,, 4 - 28. 12. 2015. 19. Фестивал европског и независног филма ЕУРО-ИН ФИЛМ 2015 EУРO-ИН ФИЛM je прoмoтoрни и прoмoтивни фeстивaл eврoпскe филмскe културe и умeтнoсти кojи прoмoвишe aктуeлнoсти у eврoпскoм и нeзaвиснoм прoфeсиoнaлнoм филму; - Рeaфирмишe успeшнe филмoвe и мaнифeстaциje из мeђунaрoднe културнe рaзмeнe и сaрaдњe; - Прoмoвишe, кoнстaтуje или oткривa тeндeнциje рaзличитих врстa eврoпскoг и нeзaвиснoг филмскoг ствaрaлaштвa у сфeри пoкрeтних звучних сликa, и oбeлeжaвa вaжнe jубилeje филмa; - Оргaнизуje дискусиje сa кoмпeтeнтним учeсницимa o виђeним филмoвимa и њихoвим aктeримa; - Афирмишe дeлa нoвoсaдских филмских рaдникa кoja прeвaзилaзe лoкaлнe грaницe; - Прoмoвишe eврoпскe филмoвe нa свим стaндaрдним нoсaчимa сликe и тoнa из свих грaнa eксплoaтaциje, a прeфeрирa нoвe тeхнoлoгиje сликe и звукa; - Стимулишe диустрибутeрe свих врстa филмскe eксплoaтaциje дa дистрибуирajу eврoпскe и нeзaвиснe филмoвe; - Стимулишe биoскoпe и TВ дa прикaзуjу eврoпскe и нeзaвиснe филмoвe; - Прoмoвишe нoву врeдну филмску литeрaтуру и филмску издaвaчку дeлaтнoст; - Пoдстичe и aфирмишe нaучнo и стручнo истрaживaњe и кooпeрaциjу нaучнe и стручнe мисли у oблaсти eврoпскoг и нeзaвиснoг филмa путeм oргaнизaциje сврсисхoдних тeмaтских скупoвa, рaдиoницa, суфинaнсирaњa и других oбликa пoдршки нaучним пoдухвaтимa - Оргaнизуje излoжбe пoсвeћeнe eврoпскoм и нeзaвиснoм филму; - Пoдсeћa нa кoрeнe истински врeднoг филмскoг ствaрaлaштвa, сa oсвртoм нa нaшe пoднeбљe; итд. EУРO-ИН ФИЛM je фeстивaл oтвoрeнe фoрмe и сaдржaja сa увeк oтвoрeним срдaчним пoзивoм свим дoбрoнaмeрницимa eврoпскoг и нeзaвиснoг филмa нa кoнструктивну сaрaдњу. Будући истински прaзник филмa, нe тeжи кoнкурeнциjи или кoнфрoнтaциjи сa oстaлим фeстивaлимa и филмскиим прoмoтeримa у Србиjи, Eврoпи и филмскoм свeту уoпштe, jeр у њимa види сaрaдникe нa сличнoм пoслу a нe кoнкурeнтe.
    [Show full text]
  • Eric Caravaca Esther Garrel Louise Chevillotte a Film By
    SAÏD BEN SAÏD & MICHEL MERKT PRESENT ERIC CARAVACA ESTHER GARREL LOUISE CHEVILLOTTE CRÉDITS NON CONTRACTUELS CRÉDITS (L’AMANT D’UN JOUR) A FILM BY PHILIPPE GARREL PHOTOS : © 2016 GUY FERRANDIS / SBS FILMS PHOTOS : © 2016 GUY FERRANDIS / SBS FILMS FILMOGRAPHY PHILIPPE GARREL 2017 LOVER FOR A DAY 2014 IN THE SHADOW OF WOMEN 2013 JEALOUSY In Competition, Venice 2013 2011 THAT SUMMER In Competition, Venice 2011 2005 FRONTIER OF DAWN Official Selection, Cannes 2008 2004 REGULAR LOVERS Silver Lion, Venice 2005 Louis Delluc award 2005 FRIPESCI Prize European Discovery, 2006 2001 WILD INNOCENCE International Critics’ Award, Venice 2001 1998 NIGHT WIND 1995 LE CŒUR FANTÔME films together without the lights being brought up 1993 LA NAISSANCE DE L’AMOUR between them. Before that, Athanor had been SYNOPSIS 1990 J’ENTENDS PLUS LA GUITARE attacked by a critic, who said I was banging my This is the story of a father, his 23-year-old Silver Lion, Venice 1991 head against a wall, against the obvious fact that daughter, who goes back home one day because 1988 LES BAISERS DE SECOURS she has just been dumped, and his new girlfriend, cinema was movement. La Cicatrice was tracking who is also 23 and lives with him. shots and music. Athanor was silence and still 1984 ELLE A PASSÉ TANT D’HEURES shots. Then it was back to Le Berceau with Ash SOUS LES SUNLIGHTS Ra Tempel’s music. So Athanor worked fine as an 1984 RUE FONTAINE (short) interlude between two parts of a concert. This 1983 LIBERTÉ, LA NUIT DIRECTOR’S NOTE time, it is a trilogy; the films are not made to be Perspective Award, Cannes 1984 screened together.
    [Show full text]
  • Thirst Street Press-Notes-Web.Pdf
    A PSYCHOSEXUAL BLACK COMEDY Press Contacts: Kevin McLean | [email protected] Kara MacLean | [email protected] USA/FRANCE / 2017 / 83 minutes / English with French Subtitles / Color / DCP + Blu-ray Alone and depressed after the suicide of her lover, American flight attendant Gina (Lindsay Burdge, A TEACHER) travels to Paris and hooks up with nightclub bartender Jerome (Damien Bonnard, STAYING VERTICAL) on her layover. But as Gina falls deeper into lust and opts to stay in France, this harmless rendezvous quickly turns into unrequited amour fou. When Jerome’s ex Clémence (Esther Garrel) reenters the picture, Gina is sent on a downward spiral of miscommunication, masochism, and madness. Inspire by European erotic dramas from the 70’s, THIRST STREET burrows deep into the delirious extremes we go to for love. DIRECTOR’S STATEMENT THIRST STREET brings together two of my longest-standing, most nagging obsessions: France and Don Quixote. I spent my junior year of high school as an exchange student in France, in a foolish attempt to live out my dream of being a French poet. I realized within days that I wasn’t French (and never would be) and that poetry wasn’t for me, but nearly two decades later, I still find myself just as obsessed with the place. Our protagonist Gina is my Quixote, unflinching in her quest to find that most important (and ridiculous) thing: love. The emotions of THIRST STREET are just as hysterical as those in my last few movies, but the style here is much more fluid and deliberate, with surreal lighting increasingly threatening to devour the picture.
    [Show full text]
  • Télécharger La Lettre 237 (Pdf)
    décembre 2013 La lettre n° 237 7 3 e g a p r i o v - i j d n o h K s u i r a D t e y a r G s e m a J é r i p s n i t n a y a e h p a r g o t o h P - 4 0 9 1 - e n i H s i w e L - a n entRetienS n o d a M d n AFC a l DENIS ROUDEN s I s i l l E pour Zulu n a , de Jérôme Salle > p. 24 e c a e BSC P SEAN BOBBITT Plus Camerimage > p. 13 e s i e a e FILMS AFC SUR LES ÉCRANS > p. 2 ACTIVITÉS AFC > p. 4 u i ç q h i n p h a r a s p r F r a g FESTIVALS > p. 9 ÇÀ ET LÀ > p. 18 IN MEMORIAM > p. 21 r u n o e g t o t i o o c t t e h a a i r i p LE CNC LA CST NOS ASSOCIÉS c > p. 28 > p. 29 > p. 30 m d o a é l s s n s i e e C d d A À VOIR > p. 36 PRESSE > p. 36 LECTURE > p. 38 SUR LES ÉCRANS : La Jalousie, Dictionnaire embarqué de Philippe Garrel, photographié par dans l'application Willy Kurant AFC, ASC Dictionnaire de traductions de termes techniques du cinéma Avec Louis Garrel, Anna Mouglalis, et de l’audiovisuel Rebecca Convenant Avec le soutien du CNC , de Film France et de la commission Île-de-France Sortie le 4 décembre 2013 [ p.
    [Show full text]
  • Liste Des Films FEMIS 2021 Par Départements Et Par Ordre Chronologique
    LISTE DES FILMS RECOMMANDÉS PAR LA FÉMIS 2021 Lors des rentrée 2017 puis 2020, il fut demandé aux Directeurs-Directrices des Départements et aux instances responsables de la Fémis de constituer une liste des 30 films considérés comme les plus indispensables : pour les élèves de leur secteur de spécialité (selon les DD) ou pour l’histoire du cinéma et des arts filmiques en général (selon les responsables administratifs et techniques). Il ne s’agit donc pas d’une liste des films favoris, mais des titres estimés parmi les plus nécessaires pour nourrir l’imaginaire formel des élèves, pour aider ceux-ci à approfondir leur connaissance de l’histoire d’une discipline, pour servir de repères communs dans le cadre d’un enseignement. Voici les résultats de la campagne 2020-2021. Ils ont vocation à évoluer chaque année en fonction des nouvelles rencontres de chacun-e avec le cinéma. Cette liste collective s’ajoute à celle des « 208 films » constituée par Alain Bergala, fondée sur le principe de la découverte de sa propre esthétique par un auteur. Ensemble, ces listes établissent une proposition pour quiconque – élèves de La Fémis, candidat-e-s, cinéphiles de tous horizons – voudrait commencer son initiation aux histoires du cinéma et des arts filmiques. I. LISTES DES DÉPARTEMENTS ET SECTEURS II. SYNTHÈSE PAR ORDRE CHRONOLOGIQUE *** 1 I. LISTES DES DÉPARTEMENTS ET SECTEURS [PAR ORDRE ALPHABÉTIQUE] - ANALYSE ET CULTURE CINÉMATOGRAPHIQUE (NICOLE BRENEZ) - DÉCOR (LAURENT OTT, ANNE SEIBEL) - DIRECTION (NATHALIE COSTE-CERDAN) - DIRECTION DES ÉTUDES (FRÉDÉRIC
    [Show full text]