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Paleolithic Archaeology in Iran
Intl. J. Humianities (2011) Vol. 18 (2): (63-87) Paleolithic Archaeology in Iran Hamed Vahdati Nasab 1 Received:21/9/2010 Accepted:27/2/2011 Abstract Although the Iranian plateau has witnessed Paleolithic researches since the early twenty century, still little is known about the Paleolithic of Iran. There are several reasons for this situation and lack of scholarly enthusiasm on the part of Iranian archaeologists seems to be the most imperative one. Concerning the history of Paleolithic surveys and excavations conducted in Iran, three distinct phases are recognizable. First, from the beginning of the twenty century to the 1980 when numerous field missions were executed in this region all by western institutes, second phase observes a twenty years gap in the Paleolithic studies hence; only few surveys could be performed in this period, and the third phase starts with the reopening of the Iranian fields to the non-Iranian researchers, which led to the survey and excavation of handful of new Paleolithic sites. This article reviews Paleolithic researches conducted in Iran since the beginning of twenty century to the present time. Keywords: Paleolithic, Iran, Zagros, Alborz Downloaded from eijh.modares.ac.ir at 4:34 IRST on Monday September 27th 2021 1. Assistant Professor of Archaeology, Faculty of Humianities, Tarbiat Modares University. [email protected] Paleolithic Archaeology in Iran Intl. J. Humianities (2010) Vol. 18 (1) Introduction The most peculiar point about the Iranian Iran is surrounded by some of the most Paleolithic is the absence of any hominid significant Paleolithic sites in the world. To its remains with just few exceptions (e.g. -
The Nature and Importance of Sumerian City States 73
The Nature and Importance of Sumerian City States 73 The Nature and Importance of Sumerian City States Kate Narev Masters, University of New England Introduction Civilisation had existed in the lowlands between the Tigris and Euphrates rivers from around 5000 BCE, but as the fourth millennium progressed the structure of self-sufficient villages changed, and the population shifted into larger settlements with bigger and more enduring architectural constructions. By 3000 BCE the settlements had become established city-states, providing their inhabitants with economic organisation, irrigation and political leadership. While it was once assumed that leadership came from a clearly defined combination of temples, palaces and assemblies, it is now acknowledged that these three institutions shared responsibility in a more fluid way, without clear delineations of power. The features of these early city-states included pioneering developments in writing, law and education; the use of walls and weapons for protection; and the production of art in the form of pottery, decoration, jewellery, and figural art. The Sumerian city-state was remarkable for its highly developed political and economic management, and the relative uniformity of culture throughout the region. While archaeologists such as Wooley and Moorey have excavated invaluable material evidence, the extant evidence from this period is fragmentary. No cities have been excavated in their entirety.1 Much of the evidence comes from the two main cities of Uruk and Ur, but this evidence is largely transactional, with some one-dimensional historical accounts.2 Unfortunately, the evidence does not provide a full picture of the personal lives or human experiences of these first city dwellers. -
Cuneiform Digital Library Preprints <
Cuneiform Digital Library Preprints <http://cdli.ucla.edu/?q=cuneiform-digital-library-preprints> Hosted by the Cuneiform Digital Library Initiative (<http://cdli.ucla.edu>) Editor: Bertrand Lafont (CNRS, Nanterre) Number 6 Title: „Nachdem das Königtum vom Himmel herabgekommen war…“. Untersuchungen zur Sumerischen Königliste. Author: Jörg Kaula Posted to web: 21 November 2016 „NACHDEM DAS KÖNIGTUM VOM HIMMEL HERABGEKOMMEN WAR…“ Untersuchungen zur Sumerischen Königsliste Von Jörg Kaula 3 Inhaltsverzeichnis 1 Die Tonprismen der Weld-Blundell-Collection im Ashmolean Museum in Oxford 5 2 Königslisten in der Keilschriftliteratur 6 3 Die Sumerische Königsliste 7 3.1 Die „antediluvian section“ 11 3.2 Die Ur – Isin-Königsliste 12 3.3 Der Kern der Sumerischen Königsliste 12 4 Die SKL in der Forschung 14 5 Die Bedeutung der Zahlen 17 6 Das Umfeld und der Sinn der SKL 22 7 Das Königtum 23 8 Die Genesis der SKL von Naram-Sîn bis zu den Königen von Isin 24 9 Die Rekonstruktion des Weld-Blundell-Prismas 26 10 Die Sumerische Königliste – Transliteration 28 11 Deutsche Übersetzung 44 12 Kommentar zur Rekonstruktionsfassung 54 13 Literaturverzeichnis 69 4 Abstract The duration of the First Dynasty of Kish, 24510 years as provided by the Sumerian King List (SKL), is generally held as a purely mythical account without any historical reliability. However, a careful examination of the SKL’s most complete version in the Weld-Blundell Prism (Ashmolean Museum, Oxford, inv. no.WB. 1923.444) not only allows us to reconstruct the text itself by completing lost parts by some other recently published versions of the SKL. Also we get some further insight into the metrological system used by the authors of the SKL. -
The Caucasus Globalization
Volume 6 Issue 2 2012 1 THE CAUCASUS & GLOBALIZATION INSTITUTE OF STRATEGIC STUDIES OF THE CAUCASUS THE CAUCASUS & GLOBALIZATION Journal of Social, Political and Economic Studies Conflicts in the Caucasus: History, Present, and Prospects for Resolution Special Issue Volume 6 Issue 2 2012 CA&CC Press® SWEDEN 2 Volume 6 Issue 2 2012 FOUNDEDTHE CAUCASUS AND& GLOBALIZATION PUBLISHED BY INSTITUTE OF STRATEGIC STUDIES OF THE CAUCASUS Registration number: M-770 Ministry of Justice of Azerbaijan Republic PUBLISHING HOUSE CA&CC Press® Sweden Registration number: 556699-5964 Registration number of the journal: 1218 Editorial Council Eldar Chairman of the Editorial Council (Baku) ISMAILOV Tel/fax: (994 12) 497 12 22 E-mail: [email protected] Kenan Executive Secretary (Baku) ALLAHVERDIEV Tel: (994 – 12) 596 11 73 E-mail: [email protected] Azer represents the journal in Russia (Moscow) SAFAROV Tel: (7 495) 937 77 27 E-mail: [email protected] Nodar represents the journal in Georgia (Tbilisi) KHADURI Tel: (995 32) 99 59 67 E-mail: [email protected] Ayca represents the journal in Turkey (Ankara) ERGUN Tel: (+90 312) 210 59 96 E-mail: [email protected] Editorial Board Nazim Editor-in-Chief (Azerbaijan) MUZAFFARLI Tel: (994 – 12) 510 32 52 E-mail: [email protected] (IMANOV) Vladimer Deputy Editor-in-Chief (Georgia) PAPAVA Tel: (995 – 32) 24 35 55 E-mail: [email protected] Akif Deputy Editor-in-Chief (Azerbaijan) ABDULLAEV Tel: (994 – 12) 596 11 73 E-mail: [email protected] Volume 6 IssueMembers 2 2012 of Editorial Board: 3 THE CAUCASUS & GLOBALIZATION Zaza D.Sc. -
Understanding Gilgamesh: His World and His Story Aims Toward This Process of Communication
University of Pretoria etd – De Villiers, G (2005) UNDERSTANDING GILGAMESH: HIS WORLD AND HIS STORY by GEZINA GERTRUIDA DE VILLIERS submitted in partial fulfilment of the requirements for the degree DOCTOR LITTERARUM (SEMITIC LANGUAGES) in the FACULTY OF HUMANITIES at the University of Pretoria SUPERVISOR : PROF GTM PRINSLOO Pretoria October 2004 University of Pretoria etd – De Villiers, G (2005) CONTENTS Pag CHAPTER 1 : INTRODUCTION 1-1 1. Motivation for research 1-2 2. Research problem 1-4 3. Hypothesis 1-5 4. Purpose for research 1-5 5. Methodology 1-6 5.1. Source-orientated inquiry 1-6 5.2. Discourse-orientated analysis 1-7 5.2.1. Epic: poetry or prose? 1-7 6. Premises 1-9 7. Contents 1-12 CHAPTER 2 : THE STANDARD BABYLONIAN GILGAMESH EPIC 2-14 1. The narrative 2-15 CHAPTER 3 : THE SOURCE HISTORY OF THE EPIC OF GILGAMESH 3-38 1. The Sumerian past 3-38 1.1. General background 3-38 1.2. Cities 3-40 1.3. Animals 3-45 1.4. Kings 3-46 1.5. Theology 3-49 2. Sumerian literature: the five poems on Bilgames 3-56 2.1. Obscure origins: did the king really exist? 3-56 2.2. The poems 3-58 2.3. The function of the Sumerian poems 3-71 3. From frivolous frolic to academic achievement: entertainment to literature 3-72 University of Pretoria etd – De Villiers, G (2005) 3.1. Writing 3-72 3.2. From Sumerian to Akkadian 3-74 3.3. The Sumerian Renaissance 3-76 3.4. The end of Ur III and the Isin-Larsa period 3-79 3.5 Babylon 3-81 3.5.1. -
Tribes and Empire on the Margins of Nineteenth-Century Iran
publications on the near east publications on the near east Poetry’s Voice, Society’s Song: Ottoman Lyric The Transformation of Islamic Art during Poetry by Walter G. Andrews the Sunni Revival by Yasser Tabbaa The Remaking of Istanbul: Portrait of an Shiraz in the Age of Hafez: The Glory of Ottoman City in the Nineteenth Century a Medieval Persian City by John Limbert by Zeynep Çelik The Martyrs of Karbala: Shi‘i Symbols The Tragedy of Sohráb and Rostám from and Rituals in Modern Iran the Persian National Epic, the Shahname by Kamran Scot Aghaie of Abol-Qasem Ferdowsi, translated by Ottoman Lyric Poetry: An Anthology, Jerome W. Clinton Expanded Edition, edited and translated The Jews in Modern Egypt, 1914–1952 by Walter G. Andrews, Najaat Black, and by Gudrun Krämer Mehmet Kalpaklı Izmir and the Levantine World, 1550–1650 Party Building in the Modern Middle East: by Daniel Goffman The Origins of Competitive and Coercive Rule by Michele Penner Angrist Medieval Agriculture and Islamic Science: The Almanac of a Yemeni Sultan Everyday Life and Consumer Culture by Daniel Martin Varisco in Eighteenth-Century Damascus by James Grehan Rethinking Modernity and National Identity in Turkey, edited by Sibel Bozdog˘an and The City’s Pleasures: Istanbul in the Eigh- Res¸at Kasaba teenth Century by Shirine Hamadeh Slavery and Abolition in the Ottoman Middle Reading Orientalism: Said and the Unsaid East by Ehud R. Toledano by Daniel Martin Varisco Britons in the Ottoman Empire, 1642–1660 The Merchant Houses of Mocha: Trade by Daniel Goffman and Architecture in an Indian Ocean Port by Nancy Um Popular Preaching and Religious Authority in the Medieval Islamic Near East Tribes and Empire on the Margins of Nine- by Jonathan P. -
Gilgamesh Sung in Ancient Sumerian Gilgamesh and the Ancient Near East
Gilgamesh sung in ancient Sumerian Gilgamesh and the Ancient Near East Dr. Le4cia R. Rodriguez 20.09.2017 ì The Ancient Near East Cuneiform cuneus = wedge Anadolu Medeniyetleri Müzesi, Ankara Babylonian deed of sale. ca. 1750 BCE. Tablet of Sargon of Akkad, Assyrian Tablet with love poem, Sumerian, 2037-2029 BCE 19th-18th centuries BCE *Gilgamesh was an historic figure, King of Uruk, in Sumeria, ca. 2800/2700 BCE (?), and great builder of temples and ci4es. *Stories about Gilgamesh, oral poems, were eventually wriXen down. *The Babylonian epic of Gilgamesh compiled from 73 tablets in various languages. *Tablets discovered in the mid-19th century and con4nue to be translated. Hero overpowering a lion, relief from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 721–705 BCE The Flood Tablet, 11th tablet of the Epic of Gilgamesh, Library of Ashurbanipal Neo-Assyrian, 7th century BCE, The Bri4sh Museum American Dad Gilgamesh and Enkidu flank the fleeing Humbaba, cylinder seal Neo-Assyrian ca. 8th century BCE, 2.8cm x 1.3cm, The Bri4sh Museum DOUBLING/TWINS BROMANCE *Role of divinity in everyday life. *Relaonship between divine and ruler. *Ruler’s asser4on of dominance and quest for ‘immortality’. StatuePes of two worshipers from Abu Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure 2’ 6” high. Iraq Museum, Baghdad. URUK (WARKA) Remains of the White Temple on its ziggurat. Uruk (Warka), Iraq, ca. 3500–3000 BCE. Plan and ReconstrucVon drawing of the White Temple and ziggurat, Uruk (Warka), Iraq, ca. -
Republic of Iraq Ministry of Culture, Tourism and Antiquities. State Board of Antiquities and Héritage Cv Name:: AYAD KADHUM DAWOOD AL-SAADI
Republic of Iraq Ministry of Culture, Tourism and Antiquities. State Board of Antiquities and Héritage cv Name:: AYAD KADHUM DAWOOD AL-SAADI Birth:1973 Address: Baghdad Marital status Married Education: Ph.D. - 2012 Specialization: Ancient Civilizations University: Baghdad - Faculty of Letters - Department of History Date of Birth: 1973 Académie Degree: Senior Researcher Current position - Général Director of thé Department of Héritage State Board ofAntiquities and Héritage Previous position: - Director of thé Department of International Organizatjons Activities carried out in thé Directorate of Hérita e - SBAH for thé eriod 1999-2004 l - Member of thé héritage maintenance team of thé Régional Center on Mutanabi Street in 2000 2. Memberofthe national Archaeologicâl surveyteam of thé Batawin area in 2001 3- Représentative ofSBAH in thé Iraqi-ltalian Institute for Archaeological Survey and prépare a héritage study for thé AI-Batawin area for 2000-2001 4- représentative ofSBAH with thé purpose of supervising thé maintenance of thé assets ofAl-Orouba Café in 1999 5 - Participation in thé Archaeological survey / Cremat Area in 2000 6-Study and monitor thé situation of héritage buildings in thé castle ofTal Afar 7. Complète thé questionnaire for héritage buildings in thé city of Baghdad according to a spécial program 8 - Review and evaluate in a scientific way thé Encyclopedia of Héritage of Diyala prepared by thé Department ofCultural Relations in Ministry of Culture 2018 9 - Monitoring and élimination of violations of héritage buildings during thé period of my work in thé Department of Héritage / 1999-2004 OtherChar es: l. Head of thé inscription of thé southern marshes cultural team on thé World Héritage List in 2016 2- Thé représentative of Iraq in ISESCO (Islamic Organization for Education, Culture and Science) Morocco 3. -
Iran's Nuclear Ambitions From
IDENTITY AND LEGITIMACY: IRAN’S NUCLEAR AMBITIONS FROM NON- TRADITIONAL PERSPECTIVES Pupak Mohebali Doctor of Philosophy University of York Politics June 2017 Abstract This thesis examines the impact of Iranian elites’ conceptions of national identity on decisions affecting Iran's nuclear programme and the P5+1 nuclear negotiations. “Why has the development of an indigenous nuclear fuel cycle been portrayed as a unifying symbol of national identity in Iran, especially since 2002 following the revelation of clandestine nuclear activities”? This is the key research question that explores the Iranian political elites’ perspectives on nuclear policy actions. My main empirical data is elite interviews. Another valuable source of empirical data is a discourse analysis of Iranian leaders’ statements on various aspects of the nuclear programme. The major focus of the thesis is how the discourses of Iranian national identity have been influential in nuclear decision-making among the national elites. In this thesis, I examine Iranian national identity components, including Persian nationalism, Shia Islamic identity, Islamic Revolutionary ideology, and modernity and technological advancement. Traditional rationalist IR approaches, such as realism fail to explain how effective national identity is in the context of foreign policy decision-making. I thus discuss the connection between national identity, prestige and bargaining leverage using a social constructivist approach. According to constructivism, states’ cultures and identities are not established realities, but the outcomes of historical and social processes. The Iranian nuclear programme has a symbolic nature that mingles with socially constructed values. There is the need to look at Iran’s nuclear intentions not necessarily through the lens of a nuclear weapons programme, but rather through the regime’s overall nuclear aspirations. -
The Evolution of Fragility: Setting the Terms
McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee The Evolution of Fragility: Setting the Terms McDONALD INSTITUTE CONVERSATIONS The Evolution of Fragility: Setting the Terms Edited by Norman Yoffee with contributions from Tom D. Dillehay, Li Min, Patricia A. McAnany, Ellen Morris, Timothy R. Pauketat, Cameron A. Petrie, Peter Robertshaw, Andrea Seri, Miriam T. Stark, Steven A. Wernke & Norman Yoffee Published by: McDonald Institute for Archaeological Research University of Cambridge Downing Street Cambridge, UK CB2 3ER (0)(1223) 339327 [email protected] www.mcdonald.cam.ac.uk McDonald Institute for Archaeological Research, 2019 © 2019 McDonald Institute for Archaeological Research. The Evolution of Fragility: Setting the Terms is made available under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 (International) Licence: https://creativecommons.org/licenses/by-nc-nd/4.0/ ISBN: 978-1-902937-88-5 Cover design by Dora Kemp and Ben Plumridge. Typesetting and layout by Ben Plumridge. Cover image: Ta Prohm temple, Angkor. Photo: Dr Charlotte Minh Ha Pham. Used by permission. Edited for the Institute by James Barrett (Series Editor). Contents Contributors vii Figures viii Tables ix Acknowledgements x Chapter 1 Introducing the Conference: There Are No Innocent Terms 1 Norman Yoffee Mapping the chapters 3 The challenges of fragility 6 Chapter 2 Fragility of Vulnerable Social Institutions in Andean States 9 Tom D. Dillehay & Steven A. Wernke Vulnerability and the fragile state -
After the Battle Is Over: the Stele of the Vultures and the Beginning Of
To raise the ofthe natureof narrative is to invite After the Battle Is Over: The Stele question reflectionon the verynature of culture. Hayden White, "The Value of Narrativity . ," 1981 of the Vultures and the Beginning of Historical Narrative in the Art Definitions of narrative, generallyfalling within the purviewof literarycriticism, are nonethelessimportant to of the Ancient Near East arthistorians. From the simpleststarting point, "for writing to be narrative,no moreand no less thana tellerand a tale are required.'1 Narrativeis, in otherwords, a solutionto " 2 the problemof "how to translateknowing into telling. In general,narrative may be said to make use ofthird-person cases and of past tenses, such that the teller of the story standssomehow outside and separatefrom the action.3But IRENE J. WINTER what is importantis thatnarrative cannot be equated with thestory alone; it is content(story) structured by the telling, University of Pennsylvania forthe organization of the story is whatturns it into narrative.4 Such a definitionwould seem to providefertile ground forart-historical inquiry; for what, after all, is a paintingor relief,if not contentordered by the telling(composition)? Yet, not all figuraiworks "tell" a story.Sometimes they "refer"to a story;and sometimesthey embody an abstract concept withoutthe necessaryaction and settingof a tale at all. For an investigationof visual representation, it seems importantto distinguishbetween instancesin which the narrativeis vested in a verbal text- the images servingas but illustrationsof the text,not necessarily"narrative" in themselves,but ratherreferences to the narrative- and instancesin whichthe narrativeis located in the represen- tations,the storyreadable throughthe images. In the specificcase of the ancientNear East, instances in whichnarrative is carriedthrough the imageryitself are rare,reflecting a situationfundamentally different from that foundsubsequently in the West, and oftenfrom that found in the furtherEast as well. -
Humbaba Research Packet.Pdf
HUMBABA Research Packet Compiled by Cassi Schiano and Christine Scarfuto CONTENTS: History of the Epic of Gilgamesh Summary of the Epic (and the Twelve Tablets) Character Info on Gilgamesh, Enkidu, and Humbaba Brief Historical Info: Babylon Ancient Rome The Samurai Colonial England War in Afghanistan 1 History of The Epic of Gilgamesh The Epic of Gilgamesh is epic poetry from Mesopotamia and is among the earliest known works of literature. The story revolves around a relationship between Gilgamesh (probably a real ruler in the late Early Dynastic II period ca. 27th century BC) and his close male companion, Enkidu. Enkidu is a wild man created by the gods as Gilgamesh's equal to distract him from oppressing the citizens of Uruk. Together they undertake dangerous quests that incur the displeasure of the gods. Firstly, they journey to the Cedar Mountain to defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven that the goddess Ishtar has sent to punish Gilgamesh for spurning her advances. The latter part of the epic focuses on Gilgamesh's distressed reaction to Enkidu's death, which takes the form of a quest for immortality. Gilgamesh attempts to learn the secret of eternal life by undertaking a long and perilous journey to meet the immortal flood hero, Utnapishtim. Ultimately the poignant words addressed to Gilgamesh in the midst of his quest foreshadow the end result: "The life that you are seeking you will never find. When the gods created man they allotted to him death, but life they retained in their own keeping." Gilgamesh, however, was celebrated by posterity for his building achievements, and for bringing back long-lost cultic knowledge to Uruk as a result of his meeting with Utnapishtim.