DOCSLIB.ORG

A Thesis Presented to the Graduate Institute of Translation and Interpretation National Taiwan Normal University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Thesis Presented to the Graduate Institute of Translation and Interpretation National Taiwan Normal University A THESIS PRESENTED TO THE GRADUATE INSTITUTE OF TRANSLATION AND INTERPRETATION NATIONAL TAIWAN NORMAL UNIVERSITY CSI CSI Shanghai: the English and French Translation of Culture-Specific Items from Two Eileen Chang Short Stories Advisee: Margaret Katherine Hayslip Advisor: Dr. Daniel Hu July 2019 lexical units culture-specific items, CSIs meaningconnotation source languagetarget language foreignizationdomestication neutralization lexicalization semantic regularitysynonymy cultural transposition Kingsbury Patton Péchenart i Abstract To a certain extent, all language is a reflection of the culture in which it originates; yet, there are some lexical units which are inextricably culture-bound. Known as culture- specific items (CSIs), these words and/or expressions refer to abstract ideas or concrete objects which only exist in a given language-culture or deviate in meaning or connotation when rendered into another. Since each has its own particular degree of opacity and cultural specificity, some may prove transparent and accessible, while others obscure and unrecognizable. Elusive by nature, CSIs do not simply exist in and of themselves—their actualization depends on the source- and target-language pair in question, the textual function of the given item, and the context of publication. This thesis attempts to explore the interesting challenge of non-equivalence such items pose to the translator, who is tasked with conveying their referents across intercultural gaps and linguistic borders. Traditionally, approaches to their treatment have been classed as either foreignizing or domesticating, but scholars have begun to remodel this time-worn dichotomy into a fluid spectrum to highlight intermediate alternatives. Exploring a wide range of possibilities, this thesis investigates how CSIs are treated in translation from Chinese into English and French, seeking to determine if they are preserved, neutralized or replaced by target-culture equivalents. As compared to previous selective studies which limit analysis to specific CSI categories, this study takes a more comprehensive, inclusive approach and examines the translation of all items which meet stipulated selection criteria. This thesis also proposes a new framework to evaluate and classify the translation procedures by which Chinese CSIs are processed. Building upon existing models in the literature, this framework accounts for (un)lexicalization, semantic (ir)regularity, and (non)synonymy, and consists of nine procedures which contribute to three overall translation strategies, i.e. foreignization, domestication, and most importantly neutralization. The data is then subjected to quantitative analysis to determine the distribution of CSI procedures and cultural transposition value of each target text. For the purposes of this investigation, two Eileen Chang stories, entitled (“Deng”) and (“Guihua”), and their English and French translations were selected as primary source material. Data was collected from the eight texts—four of which being produced by Chang as author and translator—and compiled into trilingual CSI corpora. The findings of this analysis indicate that, regardless of translator or target language, CSIs were more often than not neutralized and extreme procedures were typically avoided. However, there were discrepancies between translators’ approaches. Whereas the English translators Kingsbury and Patton adopted more cautious and moderate orientations, the French translator Péchenart and self-translator Chang experimented more with unlexicalized and ungrammatical language. However, translators, particularly Chang, did not treat CSIs uniformly across texts. As part of its important academic contribution, this case study demonstrates the validity of quantitative analysis of CSI translation and its potential for enriching and substantiating qualitative research. The framework proposed herein can also be adapted for use in other translation studies research, thus facilitating contrastive textual analysis across different language pairs, texts, and authors. Keywords: culture-specific items; quantitative translation analysis; Eileen Chang self- translation; foreignization; domestication; neutralization ii Table of Contents CHAPTER 1. INTRODUCTION................................................................................................................... 1 RESEARCH AIMS .......................................................................................................................................... 1 INTRODUCING THE SOURCE TEXTS ................................................................................................................. 3 BACK TO THE BEGINNING: RESEARCH ORIENTATION ...................................................................................... 4 TRANSLATION OF CHANG’S WORKS INTO ENGLISH AND FRENCH .................................................................... 5 CHOICE OF TEXTS ......................................................................................................................................... 9 OUTLINE .................................................................................................................................................... 10 TABLE 1 : SHORT STORIES IN TRANSLATION ................................................................................................ 11 TABLE 2: MISCELLANEOUS ESSAYS IN TRANSLATION .................................................................................. 12 TABLE 3: FULL-LENGTH WORKS IN TRANSLATION ....................................................................................... 12 CHAPTER 2. THE WRITER AND HER WORKS .................................................................................... 13 EILEEN CHANG, A LIFE BETWEEN EAST AND WEST ...................................................................................... 13 THE TWO SHORT STORIES: “DENG” AND “GUIHUA” ...................................... 16 Chang as self-translator: working from Chinese into English ................................................................. 18 “Deng”................................................................................................................................................. 19 “Guihua” ............................................................................................................................................. 29 CHAPTER 3. THE NATURE OF CSIS AND APPROACHES TO THEIR TREATMENT ..................... 49 FROM THE “LITERAL VS. FREE” DICHOTOMY TO NEW AVENUES OF CULTURAL INQUIRY .................................. 49 A GLANCE BACK AT THE LITERATURE ON CSIS ............................................................................................ 50 SO WHAT ARE CSIS?................................................................................................................................... 52 APPROACHES TOWARDS THE STUDY OF CSIS ............................................................................................... 55 CATEGORIZATIONS OF CSI TRANSLATION PROCEDURES ............................................................................... 57 A (NOT VERY) NEW DICHOTOMY: VENUTI’S FOREIGNIZATION VS. DOMESTICATION ....................................... 57 BEYOND FOREIGNIZATION AND DOMESTICATION ......................................................................................... 58 FACTORS TO CONSIDER ............................................................................................................................... 62 OMISSION: A DOMESTICATING PROCEDURE? ................................................................................................ 64 CHAPTER 4. RESEARCH METHODOLOGY ......................................................................................... 66 LOCATING THE TEXTS ................................................................................................................................. 66 RESEARCHING AND SELECTING CSIS ........................................................................................................... 66 CONSTRUCTING (AND CATEGORIZING) THE CSI CORPORA ............................................................................ 67 IDENTIFYING CHANG’S CHANGES TO THE TEXTS .......................................................................................... 72 ESTABLISHING A TRANSLATION PROCEDURE FRAMEWORK AND CATEGORIZING PROCEDURES ........................ 72 ANALYZING THE DATA AND INTERPRETING RESEARCH FINDINGS .................................................................. 73 CONVERTING FINDINGS INTO STATISTICS ..................................................................................................... 75 CHAPTER 5. FRAMEWORK FOR THE CATEGORIZATION OF CSI TRANSLATIONS .................. 77 CATEGORIZATION OF CSI TRANSLATION BY PROCEDURE ............................................................................. 77 THE TRANSLATION PROCEDURES ................................................................................................................. 78 Unlexicalized transliteration (UT) ......................................................................................................... 78 Unlexicalized transliteration + explicitation (UT + EXPCT) .................................................................. 81 Unlexicalized transliteration + explanation (UT + EXPLN) ................................................................... 84 Semantically anomalous
Load more

Recommended publications
  • University of California, San Diego
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Shanghai in Contemporary Chinese Film A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Comparative Literature by Xiangyang Liu Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Wai-lim Yip 2010 The Thesis of Xiangyang Liu is approved and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Chair University of California, San Diego 2010 iii TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Table of Contents…………….…………………………………………………...… iv Abstract………………………………………………………………..…................ v Introduction…………………………………………………………… …………... 1 Chapter One A Modern City in the Perspective of Two Generations……………………………... 3 Chapter Two Urban Culture: Transmission and circling………………………………………….. 27 Chapter Three Negotiation with Shanghai’s Present and Past…………………………………….... 51 Conclusion………………………...………………………………………………… 86 Bibliography..……………………..…………………………………………… …….. 90 iv ABSTRACT OF THE THESIS Shanghai in Contemporary Chinese Film by Xiangyang Liu Master of Arts in Comparative Literature University of California, San Diego, 2010 Professor Yingjin Zhang, Chair This thesis is intended to investigate a series of films produced since the 1990s. All of these films deal with
    [Show full text]
  • A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—The Case of Half Lifelong Romance Translated by Karen S
    International Journal of Liberal Arts and Social Science Vol. 7 No. 5 June 2019 A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—the Case of Half Lifelong Romance Translated by Karen S. Kingsbury Yuanfei Yao1 and Congli Li2 1West China Normal University, Nanchong, Sichuan, China 637000 2Guangdong Ocean University Cunjin College, Zhanjiang, Guangdong, China 524094 2Corresponding author Published: 15 June 2019 Copyright © Yao et al. Abstract The translator plays a pivotal role in translation activities, who is the link among text, reader, author and editor. Based on the classification of culture by Eugene A. Nida, this paper mainly focuses on Karen S. Kingsbury „s translation strategy for Half Lifelong Romance under different culture elements, so as to bring some enlightenments for literature translation from Chinese to English. Key words: the study of translators; translation strategy; Half Lifelong Romance; culture elements; 33 Cite this article: Yao, Y. & Li, C. (2019). A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—the Case of Half Lifelong Romance Translated by Karen S. Kingsbury. International Journal of Liberal Arts and Social Science, 7(5),33-42. International Journal of Liberal Arts and Social Science ISSN: 2307-924X www.ijlass.org 1. The importance of translation research At present, China's implementation of the "BeltandRoad" strategy of going global does not only concern China's science and technology, economy, but also China's cultural products, such as film and television works, literary works. “Going out of cultural strategy" is conducive to let Chinese literature actively join the dialogue of world literature.
    [Show full text]
  • Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing's
    e-ISSN 2385-3042 ISSN 1125-3789 Annali di Ca’ Foscari. Serie orientale Vol. 56 – Giugno 2020 Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing’s Love In a Fallen City (倾城之恋) Alessandra Di Muzio Università Ca’ Foscari Venezia, Italia Abstract This article examines wreckage and war as key elements in Zhang Ailing’s novella Qing cheng zhi lian 倾城之恋 (Love in a Fallen City) exploring the strategies used by the female protagonist to engage on a nüxing 女性 ‘feminist’-oriented spatial quest for independence in a male-centered world. Analysed from a feminist perspective, these strategies emerge as potentially empowering and based on the idea of conflict/con- quest while dealing with man and romance, but they are also constantly threatened by the instability of history and by the lack of any true agency and gender-specific space for women in the 1940s Chinese society and culture. By analysing the floating/stability dichotomy and the spatial configurations of Shanghai and Hong Kong as described in the novella, the author argues Zhang Ailing’s depiction of Chinese women while dealing with history, society and the quest for self-affirmation is left in-between wreckage and survival, oppression and feminism, revealing her eccentric otherness as a woman and as a writer with respect to socially committed literature. Keywords Zhang Ailing. Love in a Fallen City. Wreckage. War. Feminist spatial quest. Summary 1 Introduction. An Ambivalent Form of Desolation. – 2 From Wreckage to Wreckage. – 3 Conflict and Conquest. Bai Liusu and Her ‘War’ for Life. – 4 Empty Fragments Floating.
    [Show full text]
  • Zz027 Bd 45 Stanley Kwan 001-124 AK2.Indd
    Statt eines Vorworts – eine Einordnung. Stanley Kwan und das Hongkong-Kino Wenn wir vom Hongkong-Kino sprechen, dann haben wir bestimmte Bilder im Kopf: auf der einen Seite Jacky Chan, Bruce Lee und John Woo, einsame Detektive im Kampf gegen das Böse, viel Filmblut und die Skyline der rasantesten Stadt des Universums im Hintergrund. Dem ge- genüber stehen die ruhigen Zeitlupenfahrten eines Wong Kar-wai, der, um es mit Gilles Deleuze zu sagen, seine Filme nicht mehr als Bewe- gungs-Bild, sondern als Zeit-Bild inszeniert: Ebenso träge wie präzise erfährt und erschwenkt und ertastet die Kamera Hotelzimmer, Leucht- reklamen, Jukeboxen und Kioske. Er dehnt Raum und Zeit, Aktion in- teressiert ihn nicht sonderlich, eher das Atmosphärische. Wong Kar-wai gehört zu einer Gruppe von Regisseuren, die zur New Wave oder auch Second Wave des Hongkong-Kinos zu zählen sind. Ihr gehören auch Stanley Kwan, Fruit Chan, Ann Hui, Patrick Tam und Tsui Hark an, deren Filme auf internationalen Festivals laufen und liefen. Im Westen sind ihre Filme in der Literatur kaum rezipiert worden – und das will der vorliegende Band ändern. Neben Wong Kar-wai ist Stanley Kwan einer der wichtigsten Vertreter der New Wave, jener Nouvelle Vague des Hongkong-Kinos, die ihren künstlerischen und politischen Anspruch aus den Wirren der 1980er und 1990er Jahre zieht, als klar wurde, dass die Kronkolonie im Jahr 1997 von Großbritannien an die Volksrepublik China zurückgehen würde. Beschäftigen wir uns deshalb kurz mit der historischen Dimension. China hatte den Status der Kolonie nie akzeptiert, sprach von Hong- kong immer als unter »britischer Verwaltung« stehend.
    [Show full text]
  • A Study of “Chinese-Ness” in Eileen Chang's
    A STUDY OF “CHINESE-NESS” IN EILEEN CHANG’S ENGLISH NOVEL, THE FALL OF THE PAGODA CHIN SZE YUIN FACULTY OF LANGUAGES AND LINGUISTICS UNIVERSITY OF MALAYA KUALA LUMPUR University 2019 of Malaya A STUDY OF “CHINESE-NESS” IN EILEEN CHANG’S ENGLISH NOVEL, THE FALL OF THE PAGODA CHIN SZE YUIN THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LINGUISTICS FACULTY OF LANGUAGES AND LINGUISTICS UNIVERSITY OF MALAYA KUALA LUMPUR University2019 of Malaya UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: Chin Sze Yuin Matric No: TOA160018 Name of Degree: Master of Linguistics Title of Thesis: A Study of “Chinese-ness” in Eileen Chang’s English Novel, The Fall of the Pagoda Field of Study: Stylistics I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • Romantic Relationships and Urban Modernity in the Writings of Han Bangqing and Zhang Ailing
    ROMANTIC RELATIONSHIPS AND URBAN MODERNITY IN THE WRITINGS OF HAN BANGQING AND ZHANG AILING By Andrew M. Kauffman Submitted to the graduate degree program in East Asian Languages and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Hui (Faye) Xiao ________________________________ Keith McMahon ________________________________ Elaine Gerbert Date Defended: 05/10/2013 The Thesis Committee for Andrew M. Kauffman certifies that this is the approved version of the following thesis: ROMANTIC RELATIONSHIPS AND URBAN MODERNITY IN THE WRITINGS OF HAN BANGQING AND ZHANG AILING ________________________________ Chairperson Hui (Faye) Xiao Date approved: 05/21/2013 ii ABSTRACT Despite the vast amount of research done by Chinese and Western scholars on the writings of Han Bangqing (1854-1894) and, particularly, Zhang Ailing (1920-1995), there has been relatively little scholarship focusing on the connections between these two authors and their views on romance and urban modernity. This thesis seeks to address this problem by first exploring the connections between these two prominent Shanghai authors on three levels - personal, historical/cultural, and literary - and then examining how they portray romance and urban modernity in some of their pieces. In addition to Zhang Ailing’s extensive translation work on Han Bangqing’s Sing-song Girls of Shanghai, translating it first into Mandarin Chinese from the Wu dialect and then into English, a central connection between these two authors is the preeminent position of Shanghai in their writings. This thesis examines the culture and history of Shanghai and how it affected both writers.
    [Show full text]
  • {FREE} Love in a Fallen City Ebook Free Download
    LOVE IN A FALLEN CITY PDF, EPUB, EBOOK Eileen Chang, Karen S. Kingsbury | 321 pages | 28 Dec 2006 | The New York Review of Books, Inc | 9781590171783 | English | New York, United States Love in a Fallen City by Eileen Chang: | : Books This is what Eileen tried to express: most marriages result from a variety of factors, love is only one of them. I can sense such kind of genteel manners as well as sadness but I do not know where they are from. In addition, I want to tell the truth that Eileen has now become one of the most popular writers in mainland China, even though the education department refuses to add her work in textbooks. I wish someone could tell her that her art work has illuminated this glooming world, even today. And lastly but not the least, may she find serenity and tranquility in another world. I strongly recommend you to read by Eileen. Eileen was fluent in both English and Chinese, and she wrote originally in English. This story is largely based on the real story of her own life, depicting and reflecting on the relationship between her mother and her. Hello Lucy, how lovely to meet you like this! I assume it is a Chinese concept? Can you please explain what it means, and why these critics thought it was important to include it in a work of fiction? By: Lisa Hill on August 26, at pm. By: Charlotte Verver on February 15, at pm. Ah, that makes sense. By: Lisa Hill on February 15, at pm.
    [Show full text]
  • Eileen Chang's Late Style Against the Grain
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 6 Article 7 Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain Lina Qu Rutgers University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Chinese Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Qu, Lina. "Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain." CLCWeb: Comparative Literature and Culture 21.6 (2019): <https://doi.org/10.7771/1481-4374.3305> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • 中国现代文学名家名作的海外认知调查分析survey and Analysis on the Overseas Cognition of Chinese Modern Litera
    中文教学现代化学报 The Journal of Modernization of Chinese Language Education JMCLE 中国现代文学名家名作的海外认知调查分析 白 微 鲁东大学 国际教育学院 @qq.com 摘要：当前学者对中国文学传播的研究有两点亟需得到学界重视，一是26理4论02有5余而实证不足，二是重视译介而忽视 外国学习者这一传播媒介。针对这一现状，本2文65以4中03国5现80代9文学的名家名作为研究对象，通过对外汉语教材的数据 统计分析、中高级汉语水平来华外国汉语学习者的问卷调查以及中外汉语教师的访谈，提出了以下几个方面的完善 意见：汉语文学教材和综合教材呈阶梯状、点面结合设置；提高汉语教师的文学素养和文学普及意识；有效利用互 联网进行文学的海外传播。 关键词：中国现代文学名家名作；来华外国汉语学习者；现代文学教学；汉语教材设置；文学“走出去” Survey and Analysis on the Overseas Cognition of Chinese Modern Literature Masters and Masterpieces Bai Wei Ludong University International Education Institute， Abstract: At present, scholars’ research on the dissemination of Chinese literature has two points that need to be 264025 paid attention to by the academic circles. First, there is more than enough theory and insufficient evidence. Second, it emphasizes translation but neglects the way to communicate through foreign students. In view of this situation, we take masterpieces of modern Chinese literature as the research object, and adopt empirical investigation methods, such as statistical analysis of the textbooks of Chinese as a foreign language, the questionnaire survey of foreign Chinese learners in the middle and advanced Chinese level, and the interviews of domestic and foreign Chinese teachers. According to the survey results, we have put forward the following suggestions: Chinese literature textbooks and comprehensive textbooks are arranged in a step-by-step manner, with the combination of points and faces; improving the literacy and Chinese literature awareness of Chinese teachers;
    [Show full text]
  • The City in Modern Chinese Literature and Film Rutgers University, Spring 2015
    The City in Modern Chinese Literature and Film Rutgers University, Spring 2015 Instructor: Professor Weijie SONG (宋伟杰) Telephone number: 848-932-6476 (office) E-mail address: [email protected] Office Hours: Class Hours and Classroom: Course description: This course examines literature and film on modern and contemporary Chinese cities from the early twentieth century to the present. By discussinG urban narrative structures and cinematic imaGinations as evidenced in a dozen of key literary and filmic texts, this class aims to offer a new understandinG of Chinese modernity as marked by its unique urban sensibilities and confiGurations. ReadinGs of marGinal writinG, popular culture, and underGround cinemas are also included in the class. The main issues to be discussed are urban awareness, historical consciousness, individual/collective memories, and nationalist perceptions reGardinG the old and new capital BeijinG, the semi-colonial metropolis ShanGhai and its remnants, the “raped” and traumatized NanjinG, the “abandoned” capital Xi’an, the British Crown Colony HonG KonG, and Taipei under Japanese colonial rule and the subsequent Nationalist Party’s dominance. Requirements and Grading: 1) Attendance, Participation, Sakai posting and Oral presentation (40%): Since this class emphasizes focused discussions of each week’s readings, it is essential that students come to class havinG read all of the assiGned materials carefully and prepared to engage actively in the discussion. Students should bring a copy of each week’s readings. Regular attendance is thus expected. If an absence is unavoidable, the student must consult with the instructor beforehand and make-up work will be assigned. For each week’s readinGs, students will be designated to post a readinG response (approximately 300-400 words) by midniGht three days before each sessions starts.
    [Show full text]
  • Dcp 100 2012 SDC Fund Application SD Literary Trail
    SDC Paper No. 100/2012 (For discussion on 15.11.2012) Southern District Council Application for SDC Fund: Promotion of Southern District Literary Trail Purpose This paper aims to seek Members’ approval of an allocation of funds for promotion of the Southern District Literary Trail. The funds are intended to be used to, inter alia, produce publicity materials for six literary figures, produce a short film on Eileen CHANG and organise publicity projects on public arts education and literature in respect of the works of Eileen CHANG and XIAO Hong. Background 2. With a view to fostering literary education and creation in Hong Kong and promoting local tourism, the Southern District Council (SDC) initiated in late 2009 the development of a Southern District Literary Trail by connecting footprints of several contemporary literary figures and constructing landmarks along the way. At its 6th meeting held on 13 September 2012, the SDC endorsed the revised work targets, which include giving priority to the construction of the two landmarks at Repulse Bay (i.e. those for Eileen CHANG and XIAO Hong, two notable female writers). The construction works is expected to complete in 2014. Proposals Production of a Short Film on Eileen CHANG 3. Eileen CHANG’s life was intricately entwined with movies. She was fond of watching movies and had written a number of screenplays for the Motion Picture & General Investment Co. Ltd. at the request of SONG Qi. Her novels such as “Love in a Fallen City”, “Rouge of the North”, “Red Rose White Rose”, “Eighteen Springs”, “The Golden Cangue” and “Lust, Caution” have been adapted into movies or 1 television dramas.
    [Show full text]
  • The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History LISA Zunshine1
    “Think What You’re Doing, or You’ll Only Make an Ugly Reputation for Yourself”: The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History LISA Zunshine1 (University of Kentucky, Lexington USA 40506) I return once more to the topic of “embedded” (or “nested”) mental states in literature. As I have argued in my earlier contribution to Cognitive Poetics (Zunshine, 2016), to make sense of what is going on in a work of fiction, readers have to continuously process mental states (i.e., thoughts, feelings, desires, and intentions) embedded within each other on at least the third level (as in, “she wonders if they know that she remembers them”). These mental states can belong to fictional characters but also to the narrator, the (implied) author, and the (implied) reader.For instance, in Cao Xueqin’s The Story of the Stone ( 紅樓夢 , c. 1760), while visiting her aunt, Mrs. Xue, Dai-yu scolds a maid who brings her a hand-warmer, because she imagines that someone may think that she thinks that her hosts are not taking good care of her. As she explains it to the surprised Mrs. Xue, 「姨媽不知道。幸虧是姨媽這裏，倘或在別人家，人家豈不惱﹖好說就 看得人家連個手爐也沒有，巴巴的從家裏送個來。不說丫頭們太小心過 餘，還只當我素日是這等輕狂慣了呢。」 “You don’t understand, Aunt ... It doesn’t matter here, with you; but some people might be deeply offended at the sight of one of my maids rushing in with a hand-warmer. It’s though I thought my hosts couldn’t supply one themselves if I needed it. Instead of saying how thoughtful the maid was, they would put it down to my arrogance and lack of breeding.” (193) 作者简介：丽莎·詹赛恩（Lisa Zunshine），女，美国肯塔基大学的 Bush-Holbrook 教授，主 要从事 18 世纪的英国文学与文化和认知文学研究。 44 “Think What You’re Doing, Or You’ll Only Make an Ugly Reputation for Yourself”: The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History In Eileen Chang’s “Lust, Caution” (“ 色戒,”1979), as Jiazhi listens to Mr.
    [Show full text]