A Study of “Chinese-Ness” in Eileen Chang's
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A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—The Case of Half Lifelong Romance Translated by Karen S
International Journal of Liberal Arts and Social Science Vol. 7 No. 5 June 2019 A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—the Case of Half Lifelong Romance Translated by Karen S. Kingsbury Yuanfei Yao1 and Congli Li2 1West China Normal University, Nanchong, Sichuan, China 637000 2Guangdong Ocean University Cunjin College, Zhanjiang, Guangdong, China 524094 2Corresponding author Published: 15 June 2019 Copyright © Yao et al. Abstract The translator plays a pivotal role in translation activities, who is the link among text, reader, author and editor. Based on the classification of culture by Eugene A. Nida, this paper mainly focuses on Karen S. Kingsbury „s translation strategy for Half Lifelong Romance under different culture elements, so as to bring some enlightenments for literature translation from Chinese to English. Key words: the study of translators; translation strategy; Half Lifelong Romance; culture elements; 33 Cite this article: Yao, Y. & Li, C. (2019). A Study of Translator's Translation Strategies from the Perspective of Nida's Cultural Classification—the Case of Half Lifelong Romance Translated by Karen S. Kingsbury. International Journal of Liberal Arts and Social Science, 7(5),33-42. International Journal of Liberal Arts and Social Science ISSN: 2307-924X www.ijlass.org 1. The importance of translation research At present, China's implementation of the "BeltandRoad" strategy of going global does not only concern China's science and technology, economy, but also China's cultural products, such as film and television works, literary works. “Going out of cultural strategy" is conducive to let Chinese literature actively join the dialogue of world literature. -
Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing's
e-ISSN 2385-3042 ISSN 1125-3789 Annali di Ca’ Foscari. Serie orientale Vol. 56 – Giugno 2020 Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing’s Love In a Fallen City (倾城之恋) Alessandra Di Muzio Università Ca’ Foscari Venezia, Italia Abstract This article examines wreckage and war as key elements in Zhang Ailing’s novella Qing cheng zhi lian 倾城之恋 (Love in a Fallen City) exploring the strategies used by the female protagonist to engage on a nüxing 女性 ‘feminist’-oriented spatial quest for independence in a male-centered world. Analysed from a feminist perspective, these strategies emerge as potentially empowering and based on the idea of conflict/con- quest while dealing with man and romance, but they are also constantly threatened by the instability of history and by the lack of any true agency and gender-specific space for women in the 1940s Chinese society and culture. By analysing the floating/stability dichotomy and the spatial configurations of Shanghai and Hong Kong as described in the novella, the author argues Zhang Ailing’s depiction of Chinese women while dealing with history, society and the quest for self-affirmation is left in-between wreckage and survival, oppression and feminism, revealing her eccentric otherness as a woman and as a writer with respect to socially committed literature. Keywords Zhang Ailing. Love in a Fallen City. Wreckage. War. Feminist spatial quest. Summary 1 Introduction. An Ambivalent Form of Desolation. – 2 From Wreckage to Wreckage. – 3 Conflict and Conquest. Bai Liusu and Her ‘War’ for Life. – 4 Empty Fragments Floating. -
Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2016 Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, East Asian Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Lu, Chun-Yu, "Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945" (2016). Arts & Sciences Electronic Theses and Dissertations. 800. https://openscholarship.wustl.edu/art_sci_etds/800 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Committee on Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E Hegel, Co-Chair Rebecca Copeland Diane Lewis Zhao Ma Marvin Marcus Make Love and War: Chinese Popular Romance in “Greater East Asia,” 1937-1945 by Chun-yu Lu A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 St. Louis, Missouri © 2016, Chun-yu Lu Table of Content Acknowledgments ................................................................................................. -
Analysis of Constructive Effect That Amplification and Omission Have on the Power Differentials—Taking Eileen Chang's Chines
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 3, pp. 588-592, March 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.3.588-592 Analysis of Constructive Effect That Amplification and Omission Have on the Power Differentials—Taking Eileen Chang’s Chinese-English Self-translated Novels as Examples Hao He Gan Su Normal University for Nationalities, Hezuo, Gansu, 747000, China Xiaoli Liu Gan Su Normal University for Nationalities, Hezuo, Gansu, 747000, China Abstract—By taking Eileen Chang’s two Chinese-English self-translated novels as examples, this paper analyzes the construction effect that employment of amplification and omission has on the asymmetrical power relationships from four aspects of critical discourse analysis: classification system, transitivity system, modality system and transformation system. The conclusion is that the author-translator’s adoption of amplification and omission serves for the construction of asymmetrical power relationships, which has negative influence on cultural communication based upon equality between the west and the east. Index Terms—Eileen Chang, Chinese-English self-translation, amplification and omission, critical discourse analysis Eileen Chang was a legendary writer in Chinese literature history in 20th century but few people know that she is also an excellent translator. She has translated many English novels including Hemingway’s The Old man and The Sea and some of her own works. In recent years, the research on Eileen Chang is very hot whereas the research on her translation, especially on her self-translation is limited. It is easy for us to take for granted that it should be the most faithful that the author translates his/her own works. -
Textual Analysis of the Relationship Between Eileen Chang and United States Information Service in Hong Kong (USIS-HK) Lihui
2018 2nd International Conference on Social Sciences, Arts and Humanities (SSAH 2018) Textual analysis of the relationship between Eileen Chang and United States Information Service in Hong Kong (USIS-HK) Lihui Chen College of Humanism, Weinan Normal University, Weinan Shaanxi, 714000, China Keywords: Eileen Chang, USIS, "The Rice Sprout Song: a Novel of Modern China", "Naked Earth". Abstract. USIS, short for United States Information Service, is an organization established in HK by US Consulate General during the Cold War for "anti-CPC propaganda" and US policy promotion. The relationship between Eileen Chang and USIS has always been one of the most controversial issues in the studies of Eileen Chang. Through the textual research, we found that Eileen Chang who didn't hold any post in USIS just cooperated with USIS just like translator and publisher. "Naked Earth" was created under the commission of USIS. " The Rice Sprout Song: a Novel of Modern China" was a spontaneous and free creation. Since "The Rice Sprout Song: a Novel of Modern China" catered to the anti-communist standpoint of USIS, it single-handedly organized the publication of "The Rice Sprout Song: a Novel of Modern China". Introduction USIS, short for United States Information Service, is an organization established in HK by US Consulate General during the Cold War for "anti-CPC propaganda" and US policy promotion. Main methods for USIS to promote American culture include paying more remuneration than the local media, recruiting famous Taiwan and Hong Kong scholars to translate "Masterpieces of American literature" or buying out writers' copyright with "sky-high price" to foster anti-Communist propaganda work creation. -
WKCD Report Cover
Submitted by Public Policy Research Institute The Hong Kong Polytechnic University December 2011 LC Paper No. CB(2)663/11-12(02) Report on the Analysis of Views for the Stage 3 Public Engagement Exercise for the West Kowloon Cultural District Report on the Analysis of Views for the Stage 3 Public Engagement Exercise for the West Kowloon Cultural District Submitted by Public Policy Research Institute The Hong Kong Polytechnic University December 2011 Report on the Analysis of Views for the Stage 3 PE Exercise for the WKCD CONTENTS Page EXECUTIVE SUMMARY ....................................................................................................... i CHAPTER 1: INTRODUCTION ..............................................................................................1 1.1 Background of the West Kowloon Cultural District ....................................................1 1.2 The Public Engagement Exercise ................................................................................1 1.3 The Consultancy...........................................................................................................2 1.4 The Consultancy Team and Modus Operandi .............................................................2 CHAPTER 2: METHODOLOGY .............................................................................................4 2.1 Sources of Data ............................................................................................................4 2.2 Methodology for Data Analysis ...................................................................................5 -
Eileen Chang's Late Style Against the Grain
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 6 Article 7 Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain Lina Qu Rutgers University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Chinese Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Qu, Lina. "Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain." CLCWeb: Comparative Literature and Culture 21.6 (2019): <https://doi.org/10.7771/1481-4374.3305> This text has been double-blind peer reviewed by 2+1 experts in the field. -
中国现代文学名家名作的海外认知调查分析survey and Analysis on the Overseas Cognition of Chinese Modern Litera
中文教学现代化学报 The Journal of Modernization of Chinese Language Education JMCLE 中国现代文学名家名作的海外认知调查分析 白 微 鲁东大学 国际教育学院 @qq.com 摘要:当前学者对中国文学传播的研究有两点亟需得到学界重视,一是26理4论02有5余而实证不足,二是重视译介而忽视 外国学习者这一传播媒介。针对这一现状,本2文65以4中03国5现80代9文学的名家名作为研究对象,通过对外汉语教材的数据 统计分析、中高级汉语水平来华外国汉语学习者的问卷调查以及中外汉语教师的访谈,提出了以下几个方面的完善 意见:汉语文学教材和综合教材呈阶梯状、点面结合设置;提高汉语教师的文学素养和文学普及意识;有效利用互 联网进行文学的海外传播。 关键词:中国现代文学名家名作;来华外国汉语学习者;现代文学教学;汉语教材设置;文学“走出去” Survey and Analysis on the Overseas Cognition of Chinese Modern Literature Masters and Masterpieces Bai Wei Ludong University International Education Institute, Abstract: At present, scholars’ research on the dissemination of Chinese literature has two points that need to be 264025 paid attention to by the academic circles. First, there is more than enough theory and insufficient evidence. Second, it emphasizes translation but neglects the way to communicate through foreign students. In view of this situation, we take masterpieces of modern Chinese literature as the research object, and adopt empirical investigation methods, such as statistical analysis of the textbooks of Chinese as a foreign language, the questionnaire survey of foreign Chinese learners in the middle and advanced Chinese level, and the interviews of domestic and foreign Chinese teachers. According to the survey results, we have put forward the following suggestions: Chinese literature textbooks and comprehensive textbooks are arranged in a step-by-step manner, with the combination of points and faces; improving the literacy and Chinese literature awareness of Chinese teachers; -
Sealed Off “ by Zhang Ailing (Eileen Chang)
“Sealed Off “ by Zhang Ailing (Eileen Chang) SUMMARY OF THE WORK The story takes place in Shanghai during the Japanese occupation of the city during World War II. A tramcar stops when an air raid alarm bell sounds. The city comes to a standstill and the people on the tramcar wait. Two passengers, Lu Zongzhen, an accountant with wife and children, and Wu Cuiyuan, an English instructor and single, strike up a semi-flirtatious and serious conversation. After receiving Cuiyuan’s phone number, Zongzhen abruptly leaves when the tramcar continues its journey. Author information: Eileen Chang (1921-1995) • Zhang Ailing, born into a privileged family, was influenced by Chinese traditions and Western culture. • She attended the University of Hong Kong and returned to Shanghai to begin her literary career during the Japanese occupation. • Essays of the war period were published in Gossip (1945) and Romances (1944), a collection of stories capturing bourgeois life in Shanghai and Hong Kong. • Her best known work, the novel Rice-Sprout Spring (1954) - considered a classic of Chinese fiction, captures the land reform movement of the early 1950’s and the impact of man-made and natural disasters on a southern Chinese village. Resources: The story, translated by Karen Kingsbury, can be found in The Columbia Anthology of Modern Chinese Literature, edited by Joseph S.M. Lau and Howard Goldblatt, 188-197. New York: Columbia University Press, 1995. A History of Modern Chinese Fiction by C. T. Hsia Bloomington, Indiana: Indiana University Press, 1999 provides some thoughtful analysis of Eileen Chang’s 20th century contribution to literature. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
Appropriating the West in Late Qing and Early Republican China / Theodore Huters
Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 1 of 384 Bringing the World Home Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 2 of 384 3 of 384 BringingÕ the World HomeÕ Appropriating the West in Late Qing 7215 Huters / BRINGING THE WORLD HOME / sheet and Early Republican China Theodore Huters University of Hawai‘i Press Honolulu Tseng 2005.1.17 07:55 © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. -
Qipao and Female Fashion in Republican China and Shanghai (1912-1937): the Discovery and Expression of Individuality
Bard College Bard Digital Commons Senior Projects Fall 2019 Bard Undergraduate Senior Projects Fall 2019 Qipao and Female Fashion in Republican China and Shanghai (1912-1937): the Discovery and Expression of Individuality Qingxuan Han Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2019 Part of the Asian Art and Architecture Commons, Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Han, Qingxuan, "Qipao and Female Fashion in Republican China and Shanghai (1912-1937): the Discovery and Expression of Individuality" (2019). Senior Projects Fall 2019. 37. https://digitalcommons.bard.edu/senproj_f2019/37 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Qipao and Female Fashion in Republican China and Shanghai (1912-1937): the Discovery and Expression of Individuality Senior Project Submitted to The Division of Arts of Bard College by Qingxuan Han Annandale-on-Hudson, New York December 2019 Acknowledgements “No man is an island”. I would not have achieved many things in life without a network of people who have consistently supported me, amongst whom I owe the most to my mother, who has always gone out of her way to help me realize my most ambitious dreams -- I am forever grateful.