Dcp 100 2012 SDC Fund Application SD Literary Trail

Total Page:16

File Type:pdf, Size:1020Kb

Dcp 100 2012 SDC Fund Application SD Literary Trail SDC Paper No. 100/2012 (For discussion on 15.11.2012) Southern District Council Application for SDC Fund: Promotion of Southern District Literary Trail Purpose This paper aims to seek Members’ approval of an allocation of funds for promotion of the Southern District Literary Trail. The funds are intended to be used to, inter alia, produce publicity materials for six literary figures, produce a short film on Eileen CHANG and organise publicity projects on public arts education and literature in respect of the works of Eileen CHANG and XIAO Hong. Background 2. With a view to fostering literary education and creation in Hong Kong and promoting local tourism, the Southern District Council (SDC) initiated in late 2009 the development of a Southern District Literary Trail by connecting footprints of several contemporary literary figures and constructing landmarks along the way. At its 6th meeting held on 13 September 2012, the SDC endorsed the revised work targets, which include giving priority to the construction of the two landmarks at Repulse Bay (i.e. those for Eileen CHANG and XIAO Hong, two notable female writers). The construction works is expected to complete in 2014. Proposals Production of a Short Film on Eileen CHANG 3. Eileen CHANG’s life was intricately entwined with movies. She was fond of watching movies and had written a number of screenplays for the Motion Picture & General Investment Co. Ltd. at the request of SONG Qi. Her novels such as “Love in a Fallen City”, “Rouge of the North”, “Red Rose White Rose”, “Eighteen Springs”, “The Golden Cangue” and “Lust, Caution” have been adapted into movies or 1 television dramas. Her story with HU Lan-cheng has also been adapted into the movie “Red Dust”. 4. To promote the section of the Southern District Literary Trail which is related to Eileen CHANG, we propose producing a short film on CHANG in collaboration with the Hong Kong Film Archive (HKFA). The film will incorporate excerpts of the aforesaid movies and the actual views of the respective shooting locations (e.g. Repulse Bay) over and above little anecdotes about CHANG’s everyday life in Hong Kong (e.g. SONG Qi’s former residence where CHANG has stayed and composed a number of her works). The HKFA will offer technical assistance and provide venues and equipment for reproduction of footage clippings for free, as well as recommending the author of its publication “Eileen CHANG: MP & GI Screenplays” to be the producer of the film. 5. Members are invited to consider endorsing an allocation of $220,000 for the production of the short film with details as follows: Item Estimated Expenditure Research and screenplay writing $53,000 Shooting and production of the film (including $140,000 emoluments of director(s), assistant(s) and worker(s); expenditures on leasing photographic equipment, composing music, narration, etc.) Royalty of excerpts $10,000 Miscellaneous $7,000 “Literature Gala at Sunset” + “Love & Spring” Public Arts Project 6. To further promote the Southern District Literary Trail, encourage local literary creation and publicise the two landmarks (namely “Eileen CHANG’s Hong Kong Journeys” and “Stray Birds 31”) to be constructed at Repulse Bay in 2013, we propose that a literature gala should be staged at the small garden next to the seaside pavilion at Repulse Bay in the evening on 23 March 2013, and a public arts project featuring the two female writers be implemented in collaboration with the Hong Kong Youth Arts Foundation (HKYAF), and thereby revealing the construction schedules of the two landmarks. 2 7. We also suggest inviting famous poets and writers to the event to share the stories of the two female writers and read classic quotes from love poems/letters at the sunset. When the night falls, an open-air cinema will be set up to play the short film on Eileen CHANG and the dance scenes of the coming performance in May 2013 about XIAO Hong. The audience may enjoy the love stories and literary works of these two great writers under the starry sky, feeling the breeze of arts and culture of Repulse Bay. 8. On the other hand, the HKYAF will be asked to put up a series of interactive public arts pieces which are designed with reference to the 30 classic quotes from love poems/letters of the east and west at the lookout pavilion and along the Seaview Promenade connecting to Deep Water Bay. Details of the project are at Annex. 9. The estimate for the project is $450,000 (including the amount of $250,000 to be paid in 2013-14) with details as follows: Item Estimated Expenditure Invitation of famous poets to compile 30 classic $30,000 quotes from love poems/letters of the east and west, and famous writers to attend the event Venue decoration, video and audio equipment, $115,000 backdrop, master of ceremony and live recital, etc. Public arts project $300,000 Miscellaneous $5,000 Production of Promotional Items for Southern District Literary Trail 10. To complement the above activities and promote Southern District Literary Trail at Hong Kong Book Fair 2013, we propose to produce handkerchiefs for the six literary figures. The handkerchiefs may include a regular version with graphic prints and a deluxe version with embroidery. We propose to invite the designer of the Southern District Literary Trail postcards to design the handkerchiefs to maintain consistency in style. 11. Subject to Members’ agreement to the production of handkerchiefs for Southern District Literary Trail, we would like to request Members to advise on the quantity of the handkerchiefs to be produced and whether the handkerchiefs for the 3 six literary figures should be packed separately or together. The Secretariat will invite quotation with respect to the resolution of SDC and apply for the necessary funding in January 2013. Advice Sought 12. Members are invited to consider supporting the proposals mentioned in paragraphs 3 to 11 and endorse the funding applications. Southern District Council Secretariat November 2012 4.
Recommended publications
  • University of California, San Diego
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Shanghai in Contemporary Chinese Film A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Comparative Literature by Xiangyang Liu Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Wai-lim Yip 2010 The Thesis of Xiangyang Liu is approved and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Chair University of California, San Diego 2010 iii TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Table of Contents…………….…………………………………………………...… iv Abstract………………………………………………………………..…................ v Introduction…………………………………………………………… …………... 1 Chapter One A Modern City in the Perspective of Two Generations……………………………... 3 Chapter Two Urban Culture: Transmission and circling………………………………………….. 27 Chapter Three Negotiation with Shanghai’s Present and Past…………………………………….... 51 Conclusion………………………...………………………………………………… 86 Bibliography..……………………..…………………………………………… …….. 90 iv ABSTRACT OF THE THESIS Shanghai in Contemporary Chinese Film by Xiangyang Liu Master of Arts in Comparative Literature University of California, San Diego, 2010 Professor Yingjin Zhang, Chair This thesis is intended to investigate a series of films produced since the 1990s. All of these films deal with
    [Show full text]
  • Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing's
    e-ISSN 2385-3042 ISSN 1125-3789 Annali di Ca’ Foscari. Serie orientale Vol. 56 – Giugno 2020 Wreckage, War, Woman. Fragments of a Female Self in Zhang Ailing’s Love In a Fallen City (倾城之恋) Alessandra Di Muzio Università Ca’ Foscari Venezia, Italia Abstract This article examines wreckage and war as key elements in Zhang Ailing’s novella Qing cheng zhi lian 倾城之恋 (Love in a Fallen City) exploring the strategies used by the female protagonist to engage on a nüxing 女性 ‘feminist’-oriented spatial quest for independence in a male-centered world. Analysed from a feminist perspective, these strategies emerge as potentially empowering and based on the idea of conflict/con- quest while dealing with man and romance, but they are also constantly threatened by the instability of history and by the lack of any true agency and gender-specific space for women in the 1940s Chinese society and culture. By analysing the floating/stability dichotomy and the spatial configurations of Shanghai and Hong Kong as described in the novella, the author argues Zhang Ailing’s depiction of Chinese women while dealing with history, society and the quest for self-affirmation is left in-between wreckage and survival, oppression and feminism, revealing her eccentric otherness as a woman and as a writer with respect to socially committed literature. Keywords Zhang Ailing. Love in a Fallen City. Wreckage. War. Feminist spatial quest. Summary 1 Introduction. An Ambivalent Form of Desolation. – 2 From Wreckage to Wreckage. – 3 Conflict and Conquest. Bai Liusu and Her ‘War’ for Life. – 4 Empty Fragments Floating.
    [Show full text]
  • Zz027 Bd 45 Stanley Kwan 001-124 AK2.Indd
    Statt eines Vorworts – eine Einordnung. Stanley Kwan und das Hongkong-Kino Wenn wir vom Hongkong-Kino sprechen, dann haben wir bestimmte Bilder im Kopf: auf der einen Seite Jacky Chan, Bruce Lee und John Woo, einsame Detektive im Kampf gegen das Böse, viel Filmblut und die Skyline der rasantesten Stadt des Universums im Hintergrund. Dem ge- genüber stehen die ruhigen Zeitlupenfahrten eines Wong Kar-wai, der, um es mit Gilles Deleuze zu sagen, seine Filme nicht mehr als Bewe- gungs-Bild, sondern als Zeit-Bild inszeniert: Ebenso träge wie präzise erfährt und erschwenkt und ertastet die Kamera Hotelzimmer, Leucht- reklamen, Jukeboxen und Kioske. Er dehnt Raum und Zeit, Aktion in- teressiert ihn nicht sonderlich, eher das Atmosphärische. Wong Kar-wai gehört zu einer Gruppe von Regisseuren, die zur New Wave oder auch Second Wave des Hongkong-Kinos zu zählen sind. Ihr gehören auch Stanley Kwan, Fruit Chan, Ann Hui, Patrick Tam und Tsui Hark an, deren Filme auf internationalen Festivals laufen und liefen. Im Westen sind ihre Filme in der Literatur kaum rezipiert worden – und das will der vorliegende Band ändern. Neben Wong Kar-wai ist Stanley Kwan einer der wichtigsten Vertreter der New Wave, jener Nouvelle Vague des Hongkong-Kinos, die ihren künstlerischen und politischen Anspruch aus den Wirren der 1980er und 1990er Jahre zieht, als klar wurde, dass die Kronkolonie im Jahr 1997 von Großbritannien an die Volksrepublik China zurückgehen würde. Beschäftigen wir uns deshalb kurz mit der historischen Dimension. China hatte den Status der Kolonie nie akzeptiert, sprach von Hong- kong immer als unter »britischer Verwaltung« stehend.
    [Show full text]
  • Romantic Relationships and Urban Modernity in the Writings of Han Bangqing and Zhang Ailing
    ROMANTIC RELATIONSHIPS AND URBAN MODERNITY IN THE WRITINGS OF HAN BANGQING AND ZHANG AILING By Andrew M. Kauffman Submitted to the graduate degree program in East Asian Languages and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Hui (Faye) Xiao ________________________________ Keith McMahon ________________________________ Elaine Gerbert Date Defended: 05/10/2013 The Thesis Committee for Andrew M. Kauffman certifies that this is the approved version of the following thesis: ROMANTIC RELATIONSHIPS AND URBAN MODERNITY IN THE WRITINGS OF HAN BANGQING AND ZHANG AILING ________________________________ Chairperson Hui (Faye) Xiao Date approved: 05/21/2013 ii ABSTRACT Despite the vast amount of research done by Chinese and Western scholars on the writings of Han Bangqing (1854-1894) and, particularly, Zhang Ailing (1920-1995), there has been relatively little scholarship focusing on the connections between these two authors and their views on romance and urban modernity. This thesis seeks to address this problem by first exploring the connections between these two prominent Shanghai authors on three levels - personal, historical/cultural, and literary - and then examining how they portray romance and urban modernity in some of their pieces. In addition to Zhang Ailing’s extensive translation work on Han Bangqing’s Sing-song Girls of Shanghai, translating it first into Mandarin Chinese from the Wu dialect and then into English, a central connection between these two authors is the preeminent position of Shanghai in their writings. This thesis examines the culture and history of Shanghai and how it affected both writers.
    [Show full text]
  • {FREE} Love in a Fallen City Ebook Free Download
    LOVE IN A FALLEN CITY PDF, EPUB, EBOOK Eileen Chang, Karen S. Kingsbury | 321 pages | 28 Dec 2006 | The New York Review of Books, Inc | 9781590171783 | English | New York, United States Love in a Fallen City by Eileen Chang: | : Books This is what Eileen tried to express: most marriages result from a variety of factors, love is only one of them. I can sense such kind of genteel manners as well as sadness but I do not know where they are from. In addition, I want to tell the truth that Eileen has now become one of the most popular writers in mainland China, even though the education department refuses to add her work in textbooks. I wish someone could tell her that her art work has illuminated this glooming world, even today. And lastly but not the least, may she find serenity and tranquility in another world. I strongly recommend you to read by Eileen. Eileen was fluent in both English and Chinese, and she wrote originally in English. This story is largely based on the real story of her own life, depicting and reflecting on the relationship between her mother and her. Hello Lucy, how lovely to meet you like this! I assume it is a Chinese concept? Can you please explain what it means, and why these critics thought it was important to include it in a work of fiction? By: Lisa Hill on August 26, at pm. By: Charlotte Verver on February 15, at pm. Ah, that makes sense. By: Lisa Hill on February 15, at pm.
    [Show full text]
  • Eileen Chang's Late Style Against the Grain
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 6 Article 7 Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain Lina Qu Rutgers University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Chinese Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Qu, Lina. "Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain." CLCWeb: Comparative Literature and Culture 21.6 (2019): <https://doi.org/10.7771/1481-4374.3305> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • The City in Modern Chinese Literature and Film Rutgers University, Spring 2015
    The City in Modern Chinese Literature and Film Rutgers University, Spring 2015 Instructor: Professor Weijie SONG (宋伟杰) Telephone number: 848-932-6476 (office) E-mail address: [email protected] Office Hours: Class Hours and Classroom: Course description: This course examines literature and film on modern and contemporary Chinese cities from the early twentieth century to the present. By discussinG urban narrative structures and cinematic imaGinations as evidenced in a dozen of key literary and filmic texts, this class aims to offer a new understandinG of Chinese modernity as marked by its unique urban sensibilities and confiGurations. ReadinGs of marGinal writinG, popular culture, and underGround cinemas are also included in the class. The main issues to be discussed are urban awareness, historical consciousness, individual/collective memories, and nationalist perceptions reGardinG the old and new capital BeijinG, the semi-colonial metropolis ShanGhai and its remnants, the “raped” and traumatized NanjinG, the “abandoned” capital Xi’an, the British Crown Colony HonG KonG, and Taipei under Japanese colonial rule and the subsequent Nationalist Party’s dominance. Requirements and Grading: 1) Attendance, Participation, Sakai posting and Oral presentation (40%): Since this class emphasizes focused discussions of each week’s readings, it is essential that students come to class havinG read all of the assiGned materials carefully and prepared to engage actively in the discussion. Students should bring a copy of each week’s readings. Regular attendance is thus expected. If an absence is unavoidable, the student must consult with the instructor beforehand and make-up work will be assigned. For each week’s readinGs, students will be designated to post a readinG response (approximately 300-400 words) by midniGht three days before each sessions starts.
    [Show full text]
  • The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History LISA Zunshine1
    “Think What You’re Doing, or You’ll Only Make an Ugly Reputation for Yourself”: The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History LISA Zunshine1 (University of Kentucky, Lexington USA 40506) I return once more to the topic of “embedded” (or “nested”) mental states in literature. As I have argued in my earlier contribution to Cognitive Poetics (Zunshine, 2016), to make sense of what is going on in a work of fiction, readers have to continuously process mental states (i.e., thoughts, feelings, desires, and intentions) embedded within each other on at least the third level (as in, “she wonders if they know that she remembers them”). These mental states can belong to fictional characters but also to the narrator, the (implied) author, and the (implied) reader.For instance, in Cao Xueqin’s The Story of the Stone ( 紅樓夢 , c. 1760), while visiting her aunt, Mrs. Xue, Dai-yu scolds a maid who brings her a hand-warmer, because she imagines that someone may think that she thinks that her hosts are not taking good care of her. As she explains it to the surprised Mrs. Xue, 「姨媽不知道。幸虧是姨媽這裏,倘或在別人家,人家豈不惱﹖好說就 看得人家連個手爐也沒有,巴巴的從家裏送個來。不說丫頭們太小心過 餘,還只當我素日是這等輕狂慣了呢。」 “You don’t understand, Aunt ... It doesn’t matter here, with you; but some people might be deeply offended at the sight of one of my maids rushing in with a hand-warmer. It’s though I thought my hosts couldn’t supply one themselves if I needed it. Instead of saying how thoughtful the maid was, they would put it down to my arrogance and lack of breeding.” (193) 作者简介:丽莎·詹赛恩(Lisa Zunshine),女,美国肯塔基大学的 Bush-Holbrook 教授,主 要从事 18 世纪的英国文学与文化和认知文学研究。 44 “Think What You’re Doing, Or You’ll Only Make an Ugly Reputation for Yourself”: The Plum in the Golden Vase ( 金瓶梅 ), Lying, and Literary History In Eileen Chang’s “Lust, Caution” (“ 色戒,”1979), as Jiazhi listens to Mr.
    [Show full text]
  • Ailing Zhang Papers 3032
    http://oac.cdlib.org/findaid/ark:/13030/c85m68v2 Online items available Finding aid of the Ailing Zhang papers 3032 Keisha Brown USC Libraries Special Collections 2014 August Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid of the Ailing Zhang papers 30322040 1 3032 Language of Material: Chinese Contributing Institution: USC Libraries Special Collections Title: Ailing Zhang papers creator: Zhang, Ailing creator: Hsia, Chih-tsing Identifier/Call Number: 3032 Identifier/Call Number: 2040 Physical Description: 3.1 Linear Feet6 boxes Date (inclusive): 1943-2004 Abstract: Zhang Ailing (Cheng Ailing, Eileen Chang) was a Chinese author whose well-known literary texts include The Rogue of the North, The Golden Cangue, and The Rice Sprout Song. Her works, considered to be among the best Chinese literature of the 1940s, examined the themes of marriage, family, love, and relationships in the social context of 1930s and 1940s Shanghai. Zhang's writing depicted paradoxical human natures, powerlessness, and sorrowful truths in everyday life without the political subtext that characterized other writers of the period. The collection consists of six boxes of materials in English and Chinese. While the collection includes some of her early Shanghai publications, the majority of the materials relate to her life and ongoing works after she immigrated to the United States in 1955. Language of Material: The correspondence is in Chinese, but the manuscripts and other materials are in both English and Chinese. Biographical Note Zhang Ailing was born in Shanghai, China on September 30, 1920.
    [Show full text]
  • Die Kulturgeschichte Der Männlichen Homosexualität Und Der Queer-Film in China
    DIPLOMARBEIT Titel der Diplomarbeit „Der Sehnsüchtige Androgyne“ Die Kulturgeschichte der männlichen Homosexualität und der Queer-Film in China Verfasserin Xiaoxiao Xu angestrebter akademischer Grad Magister Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. A 312 Studienblatt: Studienrichtung lt. Geschichte Studienblatt: Betreuerin / Betreuer: Univ.-Prof. Dr. Frank Stern 0 Inhaltsverzeichnis Einleitung .................................................................................................................................1 Kapitel 1: Theoretische Grundlagen ........................................................................................7 1. Diskursanalyse nach Michel Foucault 2. Geschichte der Sexualität und Diskursivierung des Sexus nach Michel Foucault 3. Dekonstruktivistische Ansätze der Diskurse von Sexualität: Gender-Performativität nach Judith Butler und der Queer Theory Kapitel 2: Historische Retrospektive der Homosexualität in China ........................................19 1. Allgemeiner Überblick über die theoretischen Ansätze von Homosexualität 2. Historische Perspektive der Diskurse von Homosexualität in China bis 1949 3. Regionale Unterscheide in der Entwicklung nach 1949 4. Spezifität der Diskurse von Homosexualität in China - Eine kulturgeschichtliche Analyse Kapitel 3: Der Queer-Film und das Queer-Image ..................................................................36 1. Queer Film Studies 2. Das Queer-Image Kapitel 4: Filmanalyse ............................................................................................................47
    [Show full text]
  • EALC 499 Special Topics the Fantastic in Modern East Asian Literature and Film
    Géraldine Fiss ([email protected]) Fall 2011 Office: THH 372 Thursdays 2-4.50 pm Office Hours: MW 1-3 pm or by appointment SOS B38 EALC 499 Special Topics The Fantastic in Modern East Asian Literature and Film This course examines the power of fantastic texts to illuminate, interrogate and subvert reality. It does so through readings and analyses of modern Chinese and Japanese short stories, novels and films. How can fantastic texts teach us to perceive problems in the cultural psyche from a more critical, insightful perspective? What is the cognitive function of fantastic fiction and film at the threshold of the modern and postmodern moments? How have modern Chinese and Japanese intellectuals and artists shaped the literary genre of the fantastic to fit their particular experiences? And how do these fantastic texts fit into the practice of modernism? So as to find answers to these questions, we will read key examples of the modern fantastic genre in conjunction with theoretical articles and other secondary materials. We will define each fictional/cinematic text‟s relationship to its particular historical-intellectual context and also consider the aesthetic bonds that tie the modern literary or visual text to its roots in classical Chinese and Japanese tradition. Throughout the course, we will also place the works in a comparative literary and theoretical framework that relates them to the Western tradition of fantastic writing and film- making, which influenced East Asian authors in important ways. This comparative, cross-cultural and interdisciplinary approach crosses genres and cultural boundaries and allows us to gain a deeper understanding of the meaning contained within each individual work of literary or cinematic art.
    [Show full text]
  • A Study of Xu Xu's Ghost Love and Its Three Film Adaptations THESIS
    Allegories and Appropriations of the ―Ghost‖: A Study of Xu Xu‘s Ghost Love and Its Three Film Adaptations THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Qin Chen Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Master's Examination Committee: Kirk Denton, Advisor Patricia Sieber Copyright by Qin Chen 2010 Abstract This thesis is a comparative study of Xu Xu‘s (1908-1980) novella Ghost Love (1937) and three film adaptations made in 1941, 1956 and 1995. As one of the most popular writers during the Republican period, Xu Xu is famous for fiction characterized by a cosmopolitan atmosphere, exoticism, and recounting fantastic encounters. Ghost Love, his first well-known work, presents the traditional narrative of ―a man encountering a female ghost,‖ but also embodies serious psychological, philosophical, and even political meanings. The approach applied to this thesis is semiotic and focuses on how each text reflects the particular reality and ethos of its time. In other words, in analyzing how Xu‘s original text and the three film adaptations present the same ―ghost story,‖ as well as different allegories hidden behind their appropriations of the image of the ―ghost,‖ the thesis seeks to broaden our understanding of the history, society, and culture of some eventful periods in twentieth-century China—prewar Shanghai (Chapter 1), wartime Shanghai (Chapter 2), post-war Hong Kong (Chapter 3) and post-Mao mainland (Chapter 4). ii Dedication To my parents and my husband, Zhang Boying iii Acknowledgments This thesis owes a good deal to the DEALL teachers and mentors who have taught and helped me during the past two years at The Ohio State University, particularly my advisor, Dr.
    [Show full text]