Reaching out Helps to Heal
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YTT 500Hr Brochure.V5.Pub
Yoga Therapy in Practice Yoga Seven-Day Residential Training Program Educational Summer, 2009 (Bay Area Location TBD) Seminars A 7-day residential training with Joyce Anue MS, PT THERAPEUTIC APPLICATIONS OF YOGA and guest instructors on the clinical applications of yoga therapy. Topics include anatomy, physiology YES Yoga Teacher Training Level Two (500 hour) and pathology, hands-on experience, case studies THERAPUETIC APPLICATIONS of YOGA and class sequences for back pain, pregnancy, seniors, chronic illness, cardiac health, obesity, Level Two Teacher Training—500 hrs A in-depth training, in a modular format, for yoga musculoskeletal injuries and stress reduction. teachers wishing to develop, explore or deepen their relationship to yoga through personal practice Fee: $900 for Instruction (Retreat Fee TBD) and teaching. An understanding of physical and Instructor: Joyce Anue (and guest instructors) energetic anatomy, the ability to observe, listen, Credits: 50 (REQUIRED for 500 hr) palpate (feel), sense, analyze and extrapolate are all essential skills and are emphasized in the practice Prerequisite: Teachers are expected to be concurrently and teaching of yoga from a therapeutic approach. working in the field with students individually or in group PROGRAM REQUIREMENTS: settings. 500 hrs of yoga teacher training includes 200 hr certification, Our stimulating and comprehensive curriculum 100 documented hours of teaching experience, and the following… gives the yoga professional choices to participate in ongoing weekend intensives, monthly workshops, REQUIRED: 150 credit hours More about the Primary Teacher an eight month assistant program (for those inter- Required Modules I, II, III, IV and V ested in teacher education) and a week long resi- Weekend Format: Friday-Sunday, 9am-6pm JOYCE ANUE, MS, PT, .. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community. -
Yoga and the Five Prana Vayus CONTENTS
Breath of Life Yoga and the Five Prana Vayus CONTENTS Prana Vayu: 4 The Breath of Vitality Apana Vayu: 9 The Anchoring Breath Samana Vayu: 14 The Breath of Balance Udana Vayu: 19 The Breath of Ascent Vyana Vayu: 24 The Breath of Integration By Sandra Anderson Yoga International senior editor Sandra Anderson is co-author of Yoga: Mastering the Basics and has taught yoga and meditation for over 25 years. Photography: Kathryn LeSoine, Model: Sandra Anderson; Wardrobe: Top by Zobha; Pant by Prana © 2011 Himalayan International Institute of Yoga Science and Philosophy of the U.S.A. All rights reserved. Reproduction or use of editorial or pictorial content in any manner without written permission is prohibited. Introduction t its heart, hatha yoga is more than just flexibility or strength in postures; it is the management of prana, the vital life force that animates all levels of being. Prana enables the body to move and the mind to think. It is the intelligence that coordinates our senses, and the perceptible manifestation of our higher selves. By becoming more attentive to prana—and enhancing and directing its flow through the Apractices of hatha yoga—we can invigorate the body and mind, develop an expanded inner awareness, and open the door to higher states of consciousness. The yoga tradition describes five movements or functions of prana known as the vayus (literally “winds”)—prana vayu (not to be confused with the undivided master prana), apana vayu, samana vayu, udana vayu, and vyana vayu. These five vayus govern different areas of the body and different physical and subtle activities. -
TEACHING HATHA YOGA Teaching Hatha Yoga
TEACHING HATHA YOGA Teaching Hatha Yoga ii Teaching Hatha Yoga TEACHING HATHA YOGA ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Daniel Clement with Naomi Clement Illustrations by Naomi Clement 2007 – Open Source Yoga – Gabriola Island, British Columbia, Canada iii Teaching Hatha Yoga Copyright © 2007 Daniel Clement All rights reserved. Without limiting the rights under copyright, no part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written consent of the copyright owner, except for brief reviews. First printing October 2007, second printing 2008, third printing 2009, fourth printing 2010, fifth printing 2011. Contact the publisher on the web at www.opensourceyoga.ca ISBN: 978-0-9735820-9-3 iv Teaching Hatha Yoga Table of Contents · Preface: My Story................................................................................................viii · Acknowledgments...................................................................................................ix · About This Manual.................................................................................................ix · About Owning Yoga................................................................................................xi · Reading/Resources................................................................................................xii PHILOSOPHY, LIFESTYLE & ETHICS.........................................................................xiii -
Transnational Bodies of Yogis: a Flow from Analogue Photography to Social Media
TRANSMISSIONS: THE JOURNAL OF FILM AND MEDIA STUDIES 2016, VOL.1, NO. 2, PP. 90-99. Bilge Gölge Bilkent University Transnational Bodies of Yogis: A Flow from Analogue Photography to Social Media Abstract In the initial stages of “modern, transnational yoga”, the image of the Indian yogi in a yoga pose became an effective medium for introducing the discipline to Western society. Due to this, the Indian subject began to be spoken about in terms of “showmanship”1. At the same time, yoga began interacting with the practices of Western gym culture. Subsequent to the impact of photography, the emergence of the Internet and digital photography have created a different approach to yoga by practitioners. At the end of the historical process of modern postural yoga’s development, we encounter modern Western individuals who today utilize yoga as a way to present themselves through visual materials again, but in a digital space and different cultural context. In this paper, I present the historical evolution of yoga practices in Western society to reveal the re-contextualization of yoga as a transnational concept. Moreover, I question how transnational yoga became a means for modern individuals to present their identity in the context of social media. Here, the body is used as a means for both constituting a social dialogue and communicating self-identity. Even if these two subjects have different approaches towards yoga, Indian showmen and the modern yogi still have commonalities regarding the “show” in a Goffmanian sense2. To investigate the transformation of yoga and highlight similarities and differences due to both technological changes and the dominance of visuality in culture, Instagram is an appropriate platform, as it claims to connect people via images. -
Architect Joseph Klarwein Was the Winner of the 1957 Contest for Planning the Knesset Building on Givat Ram
Handout 1 Knesset Architect Joseph Klarwein was the winner of the 1957 contest for planning the Knesset building on Givat Ram. His initial proposal presented at the contest was ultimately very different than the building that was inaugurated on August 30th 1966. In fact, it was influenced by different architects that were involved in different parts of the planning and construction throughout its nine years, and among them were architect Dov Carmi and his son Ram. In textbooks written on the Knesset building, it is claimed that the planners intended to build a construction similar to the Greek Acropolis. Those who worked on the building programs before the contest had very little idea on how they wanted the building to look, and the result – an architectural mixture – surprisingly resembled the building of the United States’ embassy in Athens. The embassy was designed by the renowned Bauhaus architect Walter Gropius, which was later considered as a specimen of the “International Style.” Klarwein’s original model was comprised of a rectangular construction with 20 columns on its front and back, 15 columns on each side, and two internal yards on the eastern and western sides of the plenum hall found at the center of the building. The entrance to the building was to be on its northern front. The constructed building was square, with 10 columns on all sides, and with no internal yards; the plenum is not at its center, but on its eastern part; and west to the plenum hall there is a reception hall. This hall is named “Chagall State Hall,” as it is decorated with art created by the Russian-born Jewish artist, Marc Chagall. -
Brill's Encyclopedia of Hinduism
Brill’s Encyclopedia of Hinduism HANDBOOK OF ORIENTAL STUDIES HANDBUCH DER ORIENTALISTIK SECTION TWO INDIA edited by J. Bronkhorst A. Malinar VOLUME 22/5 Brill’s Encyclopedia of Hinduism Volume V: Religious Symbols Hinduism and Migration: Contemporary Communities outside South Asia Some Modern Religious Groups and Teachers Edited by Knut A. Jacobsen (Editor-in-Chief ) Associate Editors Helene Basu Angelika Malinar Vasudha Narayanan Leiden • boston 2013 Library of Congress Cataloging-in-Publication Data Brill’s encyclopedia of Hinduism / edited by Knut A. Jacobsen (editor-in-chief); associate editors, Helene Basu, Angelika Malinar, Vasudha Narayanan. p. cm. — (Handbook of oriental studies. Section three, India, ISSN 0169-9377; v. 22/5) ISBN 978-90-04-17896-0 (hardback : alk. paper) 1. Hinduism—Encyclopedias. I. Jacobsen, Knut A., 1956- II. Basu, Helene. III. Malinar, Angelika. IV. Narayanan, Vasudha. BL1105.B75 2009 294.503—dc22 2009023320 ISSN 0169-9377 ISBN 978 90 04 17896 0 Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. Printed in the Netherlands Table of Contents, Volume V Prelims Preface .............................................................................................................................................. -
YA- CE Workshop | Pranayama (Zoom) (USYACE2701B)
YA- CE Workshop | Pranayama (Zoom) (USYACE2701B) Closed Captioning/ Transcript Disclaimer Closed captioning and/or transcription is being provided solely for the convenience of our viewers. Yoga Alliance does not review for accuracy any information that appears in a closed caption or transcript. Yoga Alliance makes no representations or warranties, and expressly disclaims any responsibility or liability with respect to, any errors or omissions in, or the accuracy, reliability, timeliness or completeness of, any information that appears in a closed caption or transcript. MANJU CHRISTINE MARCELLA: Good morning, good afternoon, good evening, ever you are joining us from. I want to welcome you for anatomy week. There are a couple housekeeping items we will get to really quickly here. First of all, you will see a pop-up in the screen so you can tell us where you are joining from today. Also, as we go through this the chat feature will be turned off for you, but we will have the Q&A open. So please post your questions in the Q&A and let us know what you would like to ask Manju. We will relay those questions to her. If you see that somebody else is asking the same question as you, give it a thumbs up so we know we really want to answer that one live. We will get to as many questions as possible. Go ahead, Patricia. Did you have something to say? For today, I want to tell you my name is Christine Marcella. I am the corporate accounts manager at Yoga Alliance. I am a EY RT 500. -
Ultimate Guide to Yoga for Healing
HEAD & NECK ULTIMATE GUIDE TO YOGA FOR HEALING Hands and Wrists Head and Neck Digestion Shoulders and Irritable Bowel Hips & Pelvis Back Pain Feet and Knee Pain Ankles Page #1 TABLE OF CONTENTS Click on any of the icons throughout this guide to jump to the associated section. Head and Neck .................................................Page 3 Shoulders ......................................................... Page 20 Hands and Wrists .......................................... Page 30 Digestion and IBS ......................................... Page 39 Hips ..................................................................... Page 48 Back Pain ........................................................ Page 58 Knees ................................................................. Page 66 Feet .................................................................... Page 76 Page #2 HEAD & NECK Resolving Neck Tension DOUG KELLER Pulling ourselves up by our “neckstraps” is an unconscious, painful habit. The solution is surprisingly simple. When we carry ourselves with the head thrust forward, we create neck pain, shoul- der tension, even disc herniation and lower back problems. A reliable cue to re- mind ourselves how to shift the head back into a more stress-free position would do wonders for resolving these problems, but first we have to know what we’re up against. When it comes to keeping our head in the right place, posturally speaking, the neck is at something of a disadvantage. There are a number of forces at work that can easily pull the neck into misalignment, but only a few forces that maintain the delicate alignment of the head on the spine, allowing all the supporting muscles to work in harmony. Page #3 HEAD & NECK The problem begins with the large muscles that converge at the back of the neck and attach to the base of the skull. These include the muscles of the spine as well as those running from the top of the breastbone along the sides of the neck (the sternocleidomastoids) to the base of the head. -
Salamba Shirshasana
Salamba Shirshasana Shirshasana: posizione sulla testa (con supporto delle braccia) (Sa = con , alamba = supporto, Shiro = testa) Da Vajrasana portarsi in Balasana con le braccia distese davanti al corpo e rimanere in questa posizione per alcuni istanti per permettere al sangue di andare verso la testa con maggiore affluenza. Poggiare la testa con la sommità del capo a terra, mettere le mani dietro alla testa intrecciando le dita. I gomiti saranno alla giusta larghezza per formare una base stabile. Il collo dovrà essere dritto ma con una leggera curva lordotica naturale. Il peso dovrà essere non troppo verso la fronte, ma nemmeno troppo dietro al capo. Bisogna cercare la giusta posizione che non affatichi il collo e che non faccia cadere il corpo indietro. Portando avanti le gambe arrivare al punto che la schiena è verticale al suolo e poi sollevare con la forza dei lombi, e non facendo un saltino, le gambe verso l'alto. Ci sarà un primo step (vedi poi il video) dove le ginocchia sono flesse e le cosce vicino all’addome e si fa esperienza della prima perpendicolarità della spina dorsale. Poi si possono distendere le cosce verso l’alto portandole ben dritte verso la perpendicolare, ma le tibie sono ancora flesse in basso II step. Infine si distendono anche le tibie e, finalmente ci si trova con tutto il corpo perpendicolare al pavimento III e ultimo step. E’ molto importante riuscire a gestire questi 3 steo avendo così il pieno controllo e consapevolezza di ogni piccolo spostamento e quindi anche delle varie perpendicolarità che variano ad ogni step. -
YOGA ALLIANCE Introduces David Lipsius As Incoming President and CEO
Contact: Dani Mackey: [email protected], 703-283-9698 YOGA ALLIANCE Introduces David Lipsius as Incoming President and CEO Former Kripalu® CEO is Delighted to Serve the Yoga Community; Expand Social Impact Arlington, Va. (March 30, 2017) – YOGA ALLIANCE is pleased to announce that David Lipsius, RYT 500, has been hired as the President and CEO of both Yoga Alliance and Yoga Alliance Registry, beginning May 17, 2017. Best known among the yoga community as the former CEO of Kripalu Center for Yoga and Health, Lipsius previously held leadership and creative positions during a 15-year career at NBC Universal in New York City. “On behalf of the Board of Directors, I'm thrilled to welcome David Lipsius to the Yoga Alliance team. As a longtime practitioner and teacher, David's dedication to yoga will be an asset to our organization and community. He brings incredible professional experience, and his leadership and vision will position Yoga Alliance to grow and serve our members with integrity,” said Yoga Alliance Board Chair Kerry Maiorca. A Registered Yoga Teacher (RYT®) and avid student, Lipsius is passionate about serving yoga teachers, schools, trainees, and enthusiasts and helping the yoga community extend its social impact. “In my new role, I am most looking forward to supporting yoga’s increasing influence on all areas of society in need of this ancient wisdom,” said Lipsius. “Whether you are a yogi on a spiritual journey, practicing yoga to enhance your physical and mental health, or new to yoga and looking for a way to lead a more peaceful, happy, healthy life, our intention is to ensure everyone has the resources and information they need to welcome yoga into their lives and hearts.” Lipsius has been an RYT since 2006 and has studied and practiced yoga for nearly 20 years. -
Beginning the Journey: Living the Yamas of Patanjali
9/10/13 Judith Hanson Lasater Beginning the Journey: Living the Yamas of Patanjali When our children were young, my husband and I would occasionally summon up enough courage to take them out for dinner. As we stood outside the selected restaurant, one of us would stare down into their upturned innocent faces and remind them, to “be good” or we would leave the restaurant. This warning was only mildly successful until one day my husband reasoned out a more effective approach. He explained and I agreed that telling the children to “be good” was just too vague; we needed to be specific. With this revelation in mind, on our next outing we stopped before entering a restaurant and reminded them of these specifics, “Stay in your chair; don’t throw food, and do not yell. If you do any of these things, one of us will take you out of the restaurant at once.” We gave them clear guidelines and immediate consequences to stepping over the line. We had stumbled upon a very effective technique and it worked like a charm. Each child tested the limit once, was quickly taken out, and after a very short time we had restaurant-capable children. Similarly, we as students of yoga are interested in learning the guidelines (discipline) and welcome the consequences (health and self-awareness) that come with the practices of yoga. Interesting, the author of the Yoga Sutras, Patanjali, actually presents an approach to the study of yoga which is similar and of course older to what my husband and I took.