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Zeitoper
German Operetta on Broadway and in the West End, 1900–1940
Krenek Ernest
Scholarly Program Notes for the Graduate Voice Recital of Laura Neal Laura Neal
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Musik in Venedig Und Mailand Im Zeichen Napoleons
Der Kuhhandel
The Concurrent Prevalence of Modernism and Romanticism As Seen in the Operas Performed Between the World Wars and Exemplified in Ernst Krenek’S Jonny Spielt Auf
Holover-Opera-Part-1.Pdf
From Prop to Producer
From Holy German Art to Degenerate Art: Nazi Ideology and Opera
Dramaturgia, Gestus E Música Estudos Sobre a Colaboração De Bertolt Brecht, Kurt Weill E Hanns Eisler, Entre 1927 E 1932
Lulu's Daughters
Kurt Weill Volume 29
Musical Theatre in the Weimar Republic
37? M8/J S/0.3Sz
Johann Simon MAYR Franz Hauk
T Ransnational O Pera S Tudies C Onference @ Bern.2017 2Nd Transnational Opera Studies Conference University of Bern, Switzerland 5 – 7 July 2017
Melodramatic Voices: Understanding Music Drama
Carolyn Abbate and Roger Parker. a History of Opera. New York and London: W
Top View
Contexto, Dramaturgia Y Semiótica Del Jazz En El Teatro Musical De Pablo Sorozábal (1897-1988)
Kurt Weill's Opera Der Silbersee: Ein Wintermärchen (1932)
Carnegie Hall Rental 10/7/16 10:48 AM Page 1
Dossiê Dramaturgia Musical What Is Music Theater?
Singing History, Performing Race an Analysis of Three Canadian Operas: Beatrice Chancy, Elsewhereless, and Louis Riel
126 Chapter 4 the Problem of Zeitoper: the Fate of Contemporary
Oxford Music Online Page 1 of 1
Meyerbeer and French Grand Opéra
11 Schoenberg, Satire, and the Zeitoper
Adopting a New Homeland
Artikelverzeichnis
The New Music Theater: Seeing the Voice, Hearing the Body
The Musical Politics of 1920S Berlin by Dylan Neely