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Willi Forst
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
The Museum of Modern Art Celebrates Vienna's Rich
Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
Third Wave of Nazi Film Studies
April 2020 Volume 6, Issue 1 ISSN 2411-958X
Filmarchiv Austria 12
A Means to an End Media Strategies and Films Commissioned by Svenska Europahjälpen in the Late 1940S
Jung Wie Alt-Wien‘
Franz Schubert Im Film 2020-03-28
Visions of Vienna Visions of Vienna
Playing with the Camera. Critical Notes on Two Films by Austrian Director Willi Forst
June July August Filmseptember Film Program Summer 2007 National
A Very Timely Celebration of One Hundred Years of Austrian
Digitales Heimkino Im Jänner | Februar 2021
In the Steps of Operetta: Austrian Cinema's Relation to History
Francesco Bono: Willi Forst. Ein Filmkritisches Portrait
Austrian-Italian Encounters: Notes on Some Films Produced Between Rome and Vienna in the 1930S
Willi Forst Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Top View
Bel-Ami from the Page to Film—Notes on the First Transposition of Maupassant’S Novel to the Screen
Introduction
Renegotiating and Deterritorialising Heimat in New Austrian Film
2008-08-18 Arbeitend
Spring Film Program 2020