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Walter Defends Sarajevo
THE SERBS AGAINST the WEHRMACHT a History of World War Two in Yugoslavia Based on Previously Unknown German Documents
Searching for Walter
Sound Alignments Popular Music in Asia's Cold Wars
Cinema Komunisto a Film by Mila Turajlic
Vladislav B. Sotirović Anti-Serbian Collaboration Between Tito's
Dr. Nele Karajlić in the Framework of the “New Primitives”
Western Balkans at the Crossroads: Assessing Influences of Non-Western External Actors
Yugonostalgic Against All Odds: Nostalgia for Socialist Federal Republic of Yugoslavia Among Young Leftist Activists in Contemporary Serbia
Building a Multiethnic Military in Post- Yugoslav Bosnia and Herzegovina
University of Copenhagen
University of Copenhagen
Retrieving Emir Kusturica's Underground As a Critique of Ethnic
Values Through Films1. the Case of the Yugoslav Partisan Films Abst
Entire Yugoslavia, One Courtyard.” Political Mythology, Brotherhood and Unity and the “Non-National” Yugoslavness at the Sarajevo School of Rock
1 Theoretical and Methodological Considerations 2 Once Upon a Time in Sarajevo 3 an Historical Fable of a Country That Is No
Рефлексије О Социјализму Reflections on Socialism
The Psychopolitics of Socialism in Central and Eastern Europe (With Notes on Walter Defends Sarajevo)
Sarajevo Canton
Top View
Citizen Ivanov Versus Comrade Tito: Partisans in Soviet and Yugoslav Cinema of the Second Word War (1960-1985)
PUSHING on an OPEN DOOR: Foreign Authoritarian Influence in the Western Balkans
Yugoslavia's Hidden History: Partisan-Ustashi Collaboration in the World War II (1941−1945)
Exploring Myth of Partisan in Totalitarian Cinema