Voice leading
Top View
- Voice-Leading Parsimony in the Music of Alexander Scriabin Author(S): Clifton Callender Source: Journal of Music Theory, Vol
- Common-Tone Diminished Seventh Chords
- The Generalized Tonnetz
- Counterpoint.Pdf
- Composition Reconsidered
- THE PRIMARY TRIADS (I, IV, and V)
- Vi Or VI) the Submediant Chord Functions As a Weak Pre-Dominant
- Tone and Voice: a Derivation of the Rules of Voice- Leading from Perceptual Principles
- Writing a Bass Line for a Given Soprano 1. Determine Cadences. 2. Determine If a Predominant Is Involved with the Cadence. 3. Pl
- A Mathematical Model for Voice Leading and Its Complexity Mattia Giuseppe Bergomi, Riccardo Jadanza, Alessandro Portaluri
- Scale Theory, Serial Theory and Voice Leading
- AUGMENTED-SIXTH CHORDS VS. TRITONE SUBSTITUTES Nicole
- Of Voice-Leading Patterns from the 17Th and 18Th Centuries to Play, Sing, and Transpose at the Keyboard
- Appendix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies
- Diatonic Sequences
- Semitonal Succession-Classes in Prokofiev's Music and Their
- Harmony and Figured Bass
- Simultaneous Consonance in Music Perception and Composition