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Tone row

  • The Order of Numbers in the Second Viennese School of Music

    The Order of Numbers in the Second Viennese School of Music

  • Kostka, Stefan

    Kostka, Stefan

  • INVARIANCE PROPERTIES of SCHOENBERG's TONE ROW SYSTEM by James A. Fill and Alan J. Izenman Technical·Report No. 328 Department

    INVARIANCE PROPERTIES of SCHOENBERG's TONE ROW SYSTEM by James A. Fill and Alan J. Izenman Technical·Report No. 328 Department

  • The Computational Attitude in Music Theory

    The Computational Attitude in Music Theory

  • Modern Art Music Terms

    Modern Art Music Terms

  • An Examination of Jerry Goldsmith's

    An Examination of Jerry Goldsmith's

  • Theory IV – Study Guide Dr. Amy Dunker Clarke College Dubuque, IA 52001 Classical Serialism Arnold Schoenb

    Theory IV – Study Guide Dr. Amy Dunker Clarke College Dubuque, IA 52001 Classical Serialism Arnold Schoenb

  • View the Analyses of Webern’S Pieces

    View the Analyses of Webern’S Pieces

  • An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky

    An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky

  • Musical Scales and Multiplicative Groups

    Musical Scales and Multiplicative Groups

  • 12-Tone Technique – Row Analysis Dr

    12-Tone Technique – Row Analysis Dr

  • Math/Music: Aesthetic Links Homework Assignment #3 Sample

    Math/Music: Aesthetic Links Homework Assignment #3 Sample

  • TONE ROW PARTITIONS in SCHOENBERG's MOSES UND ARON the Volk Partition and the Zwischenspiel Partition

    TONE ROW PARTITIONS in SCHOENBERG's MOSES UND ARON the Volk Partition and the Zwischenspiel Partition

  • Composing with Numbers: Arnold Schoenberg and His Twelve-Tone Method

    Composing with Numbers: Arnold Schoenberg and His Twelve-Tone Method

  • A Music and Mathematics

    A Music and Mathematics

  • Cognitive Structure in Viennese Twelve-Tone Rows

    Cognitive Structure in Viennese Twelve-Tone Rows

  • Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33A and 33B Piano Pieces1

    Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33A and 33B Piano Pieces1

  • Presenting Twelve-Tone Music to the Inexperienced Listener

    Presenting Twelve-Tone Music to the Inexperienced Listener

Top View
  • Palindromes and Other Symmetry in the Music of Viktor Ullmann
  • Works of Dmitri Shostakovich by Miriam
  • Tonal Atonality: an Analysis of Samuel Barber's "Nocturne Op. 33" Nathan C
  • Musical Forces in the Serial Music of Igor Stravinsky
  • Twelve-Tone Organizational Strategies: an Analytical Sampler
  • On the Similarity of Twelve-Tone Rows
  • All-Combinatorial Hexachord Tester
  • A PRACTICAL GLOSSARY for Twentieth-Century Music
  • Proquest Dissertations
  • Music Theme: Overturning Tonality: Into the 20Th Century Curriculum: UK Level: Ages 16-18
  • Contrapuntal Language and Row Derivation Technique in Chamber Music Ofthe Second Viennese School: Analysis and Application
  • Chapter 30: Neoclassicism and Twelve-Tone Music I
  • The Twelve-Tone Method of Composition
  • The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
  • Elementary Twelve-Tone Theory
  • Theory of Music-12 Tone
  • An Analysis of and Performance Guide to Lou Harrison's Suite for Piano
  • The Expectancy Dynamics of Anti-Tonal Twelve-Tone Rows: a Commentary and Reanalysis of Von Hippel & Huron (2020)


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