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- 1 Hip Hop and Bongo Flavour Music in Contemporary Tanzania
- Language Ideologies, Choices, and Practices in Eastern African Hip Hop
- Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark (Review)
- 1 an Assessment of Language Choice in the Contemporary
- FEMINISTS ORGANISING – Strategy, Voice, Power Feminist Africa Is a Continental Gender Studies Journal Produced by the Community of Feminist Scholars
- Embodied Performances in Nairobi Underground Hip Hop
- The Struggle for Hip Hop Authenticity and Against Commercialization in Tanzania
- The Bongo Flava Industry in Tanzania and Artists' Strategies for Success Institut Für Ethnologie Und Afrikastudien
- Resources, Scales and Polycentricity in Finnish Hip Hop Culture JYVÄSKYLÄ STUDIES in HUMANITIES 227
- 1 Urban Youth Culture in Tanzania As Seen Through Bongo Fleva and Hip-Hop2
- From Place to Placelessness: Malawian Musicians, Commercial Music, and Social Worlds in Southern Africa by Richard Michael Deja
- Paper State Ideology and Language in Tanzania
- Msia Kibona Clark
- African Studies Quarterly
- FEMINISTS ORGANISING – Strategy, Voice, Power Feminist Africa Is a Continental Gender Studies Journal Produced by the Community of Feminist Scholars
- The Role of Pseudonyms in Bongo Fleva Music
- From A-Town to ATL: the Politics of Translation in Global Hip Hop Culture Holger Droessler
- Mashiyi 3319696
- Hip Hop Youth As Cultural Theorists of Style, Language, and Globalization*
- Hip Hop As Social Commentary in Accra and Dar Es Salaam
- Black Semiosis: Young Liberian Transnationals Mediating Black Subjectivity and Black Heterogeneity
- Rappers, Urban Space and Identity in Dar Es Salaam
- The Role of New and Social Media in Tanzanian Hip-Hop Production Le Rôle Des Médias Sociaux En Tanzanie En Production Hip-Hop
- English Versus Swahili: Language Choice in Bongo Flava As Expression of Cultural and Economic Changes in Tanzania
- Flava, Less Bongo? Commercialization and Identity in Youth Discourses on Bongo Flava Music
- Every Hood Has Its Own Style”