Negotiating Language and Learning: an Ethnographic Study of Students’ Experiences in Two Tanzanian Secondary Schools
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Global Hip-Hop Class
AAAS 135b: GLOBAL HIP-HOP Wed 6:30-9:20 pm Mandel G03 Spring 2012 Wayne Marshall [email protected] office hours: by appointment DESCRIPTION Examining how hip-hop travels and is embraced, represented, and transformed in various locales around the world, this course approaches hip-hop as itself constituted by international flows and as a product and set of practices that circulate globally in complex ways, cast variously as American, African-American, and/or black, and recast through the cultural logics of the new spaces it enters, the soundscapes it permeates. A host of questions arise when we consider hip-hopʼs global scope and significance: What does the genre in its various forms (audio, video, sartorial, gestural) carry beyond the US? What do people bring to it in new local contexts? How are US notions of race and nation mediated by hip-hop's global reach? Why do some global (which is to say, local) hip-hop scenes fasten onto the genre's well-rehearsed focus on place, community, and righteous opposition to structural and representational forms of violence, while others appear more enamored with slick portrayals of hustler archetypes, cool machismo, and ruggedly individualist, conspicuous consumption? How can hip-hop circulate in such contradictory forms? In what ways do hip-hop scenes differ from North to South America, West to East Africa, Europe to Asia? What threads unite them? In pursuit of such questions, we will read across the emerging literature on global hip- hop as we explore the growing resources available via the internet, where websites and blogs, MySpace and YouTube and the like have facilitated a further efflorescence of international (and peer-to-peer) exchanges around hip-hop. -
Suriano.Pmd 113 01/12/2011, 15:11 114 Africa Development, Vol
Africa Development, Vol. XXXVI, Nos 3 & 4, 2011, pp. 113–126 © Council for the Development of Social Science Research in Africa, 2011 (ISSN 0850-3907) Hip-Hop and Bongo Flavour Music in Contemporary Tanzania:Youths’ Experiences, Agency, Aspirations and Contradictions1 Maria Suriano* Abnstract The beginning of Tanzanian hip-hop along with a genre known as Bongo Flavour (also Bongo Flava, or Fleva, according to the Swahili spelling), can be traced back to the early 1990s. This music, characterised by the use of Swahili lyrics (with a few English and slang words) is also re- ferred to as the ‘music of the new generation’ (muziki wa kikazi kipya). Without the intention to analyse a complex and multifaceted reality, this article aims to make a sense of this popular music as an overall phenom- enon in contemporary Tanzania. From the premise that music, perform- ance and popular culture can be used as instruments to innovate and produce change, this article argues that Bongo Flavour and hip-hop are not only music genres, but also cultural expressions necessary for the understanding of a substantial part of contemporary Tanzanian youths. The focus here is on young male artists living in urban environments. Résumé Le début du hip-hop en Tanzanie ainsi que d’un genre musical appelé Bongo Flavour (aussi Bongo Flava ou Fleva, selon l’orthographe en Swahili) date du début des années 1990. Caractérisée par l’utilisation de textes en swahili (avec quelques mots en anglais et en argot), cette musique est considérée comme ‘la musique de la nouvelle génération’ (muziki wa kikazi kipya). -
Imagination and the Practice of Rapping in Dar Es Salaam
David Kerr THUGS AND GANGSTERS: IMAGINAtiON AND THE PRACtiCE OF RAppiNG IN DAR ES SALAAM abstract Since the arrival of hip hop in Tanzania in the 1980s, a diverse and vibrant range of musical genres has developed in Tanzania’s commercial capital, Dar es Salaam. Incorporating rapping, these new musical genres and their associated practices have produced new imaginative spaces, social practices, and identities. In this paper, I argue that rappers have appropriated signs and symbols from the transnational image of hip hop to cast themselves as ‘thugs’ or ‘gangsters’, simultaneously imbuing these symbols with distinctly Tanzanian political conceptions of hard work (kazi ya jasho), justice (haki) and self-reliance (kujitegemea). This article examines how the persona of the rapper acts as a nexus for transnational and local moral and ethical conceptions such as self-reliance, strength, and struggle. Exploring the complicated, ambiguous, and contradictory nature of cultural production in contemporary Tanzania, I argue that rappers use the practice of rapping to negotiate both the socialist past and neo-liberal present. Drawing on the work of De Certeau and Graeber, I argue that rappers use these circulating signs, symbols, and concepts both tactically and strategically to generate value, shape social reality and inscribe themselves into the social and political fabric of everyday life. Keywords: hip hop, popular music, Tanzania, Ujamaa, value INTRODUCTION as well as our individual hopes and ambitions. Octavian and Richard, who as rappers adopt It is mid-morning in June 2011 and I am sat with the names O-Key and Kizito, are both students two ‘underground’ rappers, Octavian Thomas and live close to where we meet. -
The Structure of the Nyiha Noun Phrase
The University of Dodoma University of Dodoma Institutional Repository http://repository.udom.ac.tz Humanities Master Dissertations 2012 The structure of the Nyiha noun phrase Bukuku, Josphat D The University of Dodoma Bukuku, J.D. (2012). The structure of the Nyiha noun phrase. Dodoma: The University of Dodoma. http://hdl.handle.net/20.500.12661/1295 Downloaded from UDOM Institutional Repository at The University of Dodoma, an open access institutional repository. THE STRUCTURE OF THE NYIHA NOUN PHRASE By Josphat Dougras Bukuku A Dissertation Submitted in Partial Fulfilment of the Requirement for Award of the Degree of Masters of Arts (Linguistics) of the University of Dodoma The University of Dodoma September 2012 CERTIFICATION The undersigned certify that she has read and hereby recommend for the acceptance by the University of Dodoma the dissertation entitled: The Structure of the Nyiha Noun Phrase, in partial fulfilment of the requirements for the Degree of Masters of Arts (Linguistics) of the University of Dodoma. …………………………………………. Dr. Rose Upor (Supervisor) Date ……………………………. i DECLARATION AND COPYRIGHT I, BUKUKU, Josphat Dougras, declare that this thesis is my own origin work and that it has not been presented and will not be presented to any other University for a similar or any other degree award. Signature…………………………………………… This Dirssertation is a copyright material protected under Berne Convention, the copyright Act of 1999 and other international and national enactments, in that behalf, on intellectual property; No part of this dissertation may be reproduced, stored in any retrieval system, or transmitted in any form or by any means without prior written permission of the author or the University of Dodoma. -
Black Semiosis: Young Liberian Transnationals Mediating Black Subjectivity and Black Heterogeneity Krystal A
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2015 Black Semiosis: Young Liberian Transnationals Mediating Black Subjectivity and Black Heterogeneity Krystal A. Smalls University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the African American Studies Commons, Anthropological Linguistics and Sociolinguistics Commons, and the Social and Cultural Anthropology Commons Recommended Citation Smalls, Krystal A., "Black Semiosis: Young Liberian Transnationals Mediating Black Subjectivity and Black Heterogeneity" (2015). Publicly Accessible Penn Dissertations. 2022. http://repository.upenn.edu/edissertations/2022 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/2022 For more information, please contact [email protected]. Black Semiosis: Young Liberian Transnationals Mediating Black Subjectivity and Black Heterogeneity Abstract From the colonization of the “Dark Continent,” to the global industry that turned black bodies into chattel, to the total absence of modern Africa from most American public school curricula, to superfluous representations of African primitivity in mainstream media, to the unflinching state-sanctioned murders of unarmed black people in the Americas, antiblackness and anti-black racism have been part and parcel to modernity, swathing centuries and continents, and seeping into the tiny spaces and moments that constitute social reality for most black-identified -
Usawiri Wa Masuala Ya Kijinsia Katika Lugha Ya Mashairi: Mifano Kutoka Mashairi Ya Bongo Fleva Tanzania
USAWIRI WA MASUALA YA KIJINSIA KATIKA LUGHA YA MASHAIRI: MIFANO KUTOKA MASHAIRI YA BONGO FLEVA TANZANIA AMBARAK IBRAHIM SALEH KHALIFA TASINIFU YA M.A KISWAHILI CHUO KIKUU HURIA CHA TANZANIA 2013 USAWIRI WA MASUALA YA KIJINSIA KATIKA LUGHA YA MASHAIRI: MIFANO KUTOKA MASHAIRI YA BONGO FLEVA TANZANIA AMBARAK IBRAHIM SALEH KHALIFA TASINIFU ILIYOWASILISHWA KWA MINAJILI YA KUKAMILISHA MASHARTI YA DIGRII YA M.A KISWAHILI YA CHUO KIKUU HURIA CHA TANZANIA 2013 ii UTHIBITISHO Aliyetia saini hapa chini anathibitisha kuwa amesoma Tasinifu hii iitwayo: Usawiri wa masuala ya Kijinsia katika Lugha ya mashairi: Mifano kutoka Mashairi ya Bongo Fleva, na kupendekeza ikubaliwe na Chuo Kikuu Huria cha Tanzania kwa ajili ya kukamilisha masharti ya Digirii ya M.A. Kiswahili ya Chuo Kikuu Huria cha Tanzania. ----------------------------------------- Sheikh, Professa, Dkt. T.S.Y.SENGO (MSIMAMIZI) Tarehe ----------------------------- iii IKIRARI NA HAKIMILIKI Mimi, Ambarak Ibrahim Salehe Khalifa, nathibitisha kuwaTasinifu hii ni kazi yangu halisi na haijawahi kuwasilishwa katika Chuo Kikuu kingine kwa ajili ya Digirii yoyote. Sahihi........................................................ Haki ya kunakili tasinifu hii inalindwa na mkataba wa Berne, Sheria ya haki ya kunakili ya mwaka 1999 na mikataba mingine ya sheria za kitaifa na kimataifa zinazolinda mali ya kitaaluma. Haki zote zimehifadhiwa. Hairuhusiwi kuiga au kunakili kwa njia yoyote ile, iwe ama yote au sehemu ya Tasinifu hii, isipokuwa shughuli halali, kwa ajili ya utafiti, kujisomea au kufanya marejeo ya kitaaluma bila kibali cha maandishi cha Mkuu wa Kurugenzi ya Taaluma za Uzamili kwa niaba ya Chuo Kikuu Huria cha Tanzania. iv SHUKURANI Kwa hakika si kazi rahisi kuwataja na kuwashukuru kwa majina wote waliochangia kukamilika kwa utafiti huu. -
Oral Traditions Among the ,Northern Malawi Ngoni1
J. Humsnlt. (Zomba), 12, 1998, 1-18 Oral traditions among the ,northern Malawi Ngoni1 Al Mtenje and Boston Soko Introduction It has been widely believed that Ngoni culture has to be talked about in the context of the past (see Read, 1936 for example). The many changes which have taken place in the nature and structure of Ngoni culture and its manifestation are due to a number of forces: the missionaries and colonialism, the interaction with surrounding cultures and languages, Western education, the politics of nation..:building, and national language and cultural policies. Since the mid-nineteenth century when they occupied Mzimba District, after their long trek from Zululand in South Africa, the Ngoni have had to compromise their way of life with that of the Tumbuka and other autochthonous groups that they found. In the process, their culture, language and oral traditions have all suffered a certain amount of corrosion. This is to the extent that a hybrid culture of the old forms the Ngoni brought with them from South Africa, aspects of Tumbuka culture and elements of modernism, has emerged.2 This paper considers several aspects of Ngoni culture and shows the extent to which their preservation has been threatened by external forces. The critical influence of ChiTumbuka on the Ngoni'language is also discussed. , The paper discusses elements of Ngoni culture that have been preserved and considers some factors which have significantly affected N_goni traditions. This is followed by a brief examination of how the Ngoni language,has,'undergone some changes and some conclusions. Ngoni traditions It is now apparent that the Ngoni, though militarily and politically dominant, had no real policy on the development of their traditions.3 AS long as they maintained their political dominance over the different peoples they defeated and assimilated, they felt secure and complacent about everything else. -
Songs and Politics in Eastern Africa
Songs and Politics in Eastern Africa i ii Songs and Politics in Eastern Africa Edited by Kimani Njogu Hervé Maupeu Mkuki na Nyota Publishers Ltd IFRA - Nairobi P.O. Box 4246 P.O. Box 58480 - 00200 Dar es Salaam, Tanzania Nairobi, Kenya www.mkukinanyota.com www.ifra-nairobi.net iii Published in 2007 by Mkuki na Nyota Publishers P.O. Box 4246 Dar es Salaam, Tanzania © 2007, l’Institut français de recherche en Afrique (IFRA-Nairobi) P.O. Box 58480 – 00200 Nairobi, Kenya ISBN 9987 - 449 - 42 - 5 All rights reserved iv Table of Contents Foreword .......................................................................................... xi 1 Religious Versification: from Depoliticisation to Repoliticisation by Kimani NJOGU............................................................................ 1 2 L’intellectuel populaire et l’imaginaire politique : Le cas de Joseph Kamaru by Hervé MAUPEU ........................................................................ 23 Kamaru, un prophète kikuyu chrétien ........................................... 28 La religion prophétique comme cadre de compréhension du politique................................................................................................ 32 Une pédagogie du changement ..................................................... 32 Une théorie de la causalité ............................................................ 35 Kamaru et le renouveau du nationalisme kikuyu ................................. 36 Un leader et pas un despote ......................................................... -
LCSH Section K
K., Rupert (Fictitious character) K-TEA (Achievement test) Kʻa-la-kʻun-lun kung lu (China and Pakistan) USE Rupert (Fictitious character : Laporte) USE Kaufman Test of Educational Achievement USE Karakoram Highway (China and Pakistan) K-4 PRR 1361 (Steam locomotive) K-theory Ka Lae o Kilauea (Hawaii) USE 1361 K4 (Steam locomotive) [QA612.33] USE Kilauea Point (Hawaii) K-9 (Fictitious character) (Not Subd Geog) BT Algebraic topology Ka Lang (Vietnamese people) UF K-Nine (Fictitious character) Homology theory USE Giẻ Triêng (Vietnamese people) K9 (Fictitious character) NT Whitehead groups Ka nanʻʺ (Burmese people) (May Subd Geog) K 37 (Military aircraft) K. Tzetnik Award in Holocaust Literature [DS528.2.K2] USE Junkers K 37 (Military aircraft) UF Ka-Tzetnik Award UF Ka tūʺ (Burmese people) K 98 k (Rifle) Peras Ḳ. Tseṭniḳ BT Ethnology—Burma USE Mauser K98k rifle Peras Ḳatseṭniḳ ʾKa nao dialect (May Subd Geog) K.A.L. Flight 007 Incident, 1983 BT Literary prizes—Israel BT China—Languages USE Korean Air Lines Incident, 1983 K2 (Pakistan : Mountain) Hmong language K.A. Lind Honorary Award UF Dapsang (Pakistan) Ka nō (Burmese people) USE Moderna museets vänners skulpturpris Godwin Austen, Mount (Pakistan) USE Tha noʹ (Burmese people) K.A. Linds hederspris Gogir Feng (Pakistan) Ka Rang (Southeast Asian people) USE Moderna museets vänners skulpturpris Mount Godwin Austen (Pakistan) USE Sedang (Southeast Asian people) K-ABC (Intelligence test) BT Mountains—Pakistan Kā Roimata o Hine Hukatere (N.Z.) USE Kaufman Assessment Battery for Children Karakoram Range USE Franz Josef Glacier/Kā Roimata o Hine K-B Bridge (Palau) K2 (Drug) Hukatere (N.Z.) USE Koro-Babeldaod Bridge (Palau) USE Synthetic marijuana Ka-taw K-BIT (Intelligence test) K3 (Pakistan and China : Mountain) USE Takraw USE Kaufman Brief Intelligence Test USE Broad Peak (Pakistan and China) Ka Tawng Luang (Southeast Asian people) K. -
Annotated Bibliography
Denise Ama Ghartey Global Studies Final Project Friday, May 14, 2010 Annotated Bibliography Abrahams, Shaheen Ariefdien and Nazli. "Cape Flats Alchemy HipHop in South Africa ." In Total chaos , edited by Jeff Chang. New York , NY: BasicCivitas, 2006. The woman who wrote this article is a native of South Africa. This is where she grew up and where she has loyalties to, although she doesn’t talk much about herself in South Africa she goes through a detailed history of all the political and governmental injustices that colored and African people have to struggle through in South Africa in the time of Apartheid. She says that “…hip hop is about seeing something in what we are often told is nothing.” This is why Hip‐Hop started here in North America as well which is very compelling that this music still has this meaning in other places and has travelled so many miles and has still kept to what has originally set out to accomplish. There is a lot of talking about how the Coloureds (a creolized group in South Africa) were the first group of people to accept Hip Hop. They were from working class families and couldn’t afford to listen to something’s, unlike some of the Black families that were living in South Africa under the apartheid government. It is also said in this book that because of Hip‐Hop more people were able to accept, become more acquainted with and use President Biko’s, Black Consciousness movement more. In modern South African Hip‐ Hop it is frowned upon by many people to rap in English because that is the language of their oppressor so many choose to rap in other tribal languages. -
Assessment of Zinza Language Lexical Change: a Case of Kome Island Sengerema District
The University of Dodoma University of Dodoma Institutional Repository http://repository.udom.ac.tz Humanities Master Dissertations 2016 Assessment of Zinza language lexical change: A case of Kome island Sengerema district Kulwa, Bahati The University of Dodoma Kulwa, B. (2016). Assessment of Zinza language lexical change: A case of Kome island Sengerema district. Dodoma: The University of Dodoma. http://hdl.handle.net/20.500.12661/1127 Downloaded from UDOM Institutional Repository at The University of Dodoma, an open access institutional repository. ASSESSMENT OF ZINZA LANGUAGE LEXICAL CHANGE: A CASE OF KOME ISLAND SENGEREMA DISTRICT By Bahati Kulwa A Dissertation Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in Linguistics of the University Of Dodoma The University Of Dodoma October, 2016 CERTIFICATION The undersigned certifies that she has read and hereby recommends for acceptance by the University of Dodoma the dissertation entitled Assessment of Zinza Language Lexical Change: A Case of Kome Island Sengerema District, in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics of the University of Dodoma. Signature……………………………….. Dr. Rafiki Y. Sebonde (SUPERVISOR) Date………………………………… i DECLARATION AND COPYRIGHT I, Bahati Kulwa, declare that this dissertation is my original work and that it has not been presented and will not be presented to any other university for a similar or any other degree award. Signature………………………. No part of this dissertation may be reproduced, stored in any retrieval system or transmitted in any form or by any means without prior written permission of the author or the University of Dodoma. -
When Shikamoo Mama/Baba Replaces Tukuwoni Mawu/Dadi: an Account of Shifting Access Rituals Among the Ngoni of Tanzania
When Shikamoo Mama/Baba replaces Tukuwoni Mawu/Dadi: An account of shifting access rituals among the Ngoni of Tanzania Gastor Mapunda (Dar es Salaam) and Gabriele Sommer (Bayreuth) Abstract The current paper is an attempt at providing an ethnographic description of Tanzanian Ngoni access rituals (greetings) considering verbal and visual aspects of these communicative rou- tines. Three methods of data collection were used, namely: role-play, semi-structured inter- view, and observation. The role-plays were used in order to see how the Ngoni apply their knowledge of this kind of access ritual still acquired in the course of growing up in their communities. Role-plays were recorded with a digital camcorder after the interviews had tak- en place. Semi-structured interviews were meant to provide insights into diachronic develop- ments such as how the expression of politeness through greetings may have changed. Obser- vation method was meant to capture behavioural patterns shown during greeting exchanges and notes were taken immediately thereafter. The main findings are that due to pervasive con- tact between Ngoni and Swahili, greetings tend to be brief today and there is a widespread use of code-switching by all age groups. The tendency to prefer Swahili is viewed by older mem- bers of the community as lack of respect whereas the younger generations regard the use of Swahili as more appropriate and as a reflection of social changes that have been taking place in the community. 1 Introduction This paper provides a first ethnographic description of Tanzanian Ngoni greetings considering verbal and visual aspects of these communicative routines.