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Spirituals

  • Music for Contemporary Christians: What, Where, and When?

    Music for Contemporary Christians: What, Where, and When?

  • Chapter 2 Music in the United States Before the Great Depression

    Chapter 2 Music in the United States Before the Great Depression

  • Southern Black Gospel Music: Qualitative Look at Quartet Sound

    Southern Black Gospel Music: Qualitative Look at Quartet Sound

  • S. C. R. No. 533 99\SS02\R912 PAGE 1 MISSISSIPPI LEGISLATURE

    S. C. R. No. 533 99\SS02\R912 PAGE 1 MISSISSIPPI LEGISLATURE

  • I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For

    I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For

  • Congressional Record—Senate S4931

    Congressional Record—Senate S4931

  • A Study of White Spiritual Music and Twelve Related Concepts

    A Study of White Spiritual Music and Twelve Related Concepts

  • Syllabus for MUS 350—Hymnology 2 Credit Hours Spring 2003

    Syllabus for MUS 350—Hymnology 2 Credit Hours Spring 2003

  • Swing Low, Sweet Chariot’

    Swing Low, Sweet Chariot’

  • Trip Lee 20/20 Review

    Trip Lee 20/20 Review

  • How They Got Over: a Brief Overview of Black Gospel Quartet Music

    How They Got Over: a Brief Overview of Black Gospel Quartet Music

  • Music of the Harlem Renaissance a Four-Part Lecture Series with Eric Elder January 23 & 30, February 6 and 13

    Music of the Harlem Renaissance a Four-Part Lecture Series with Eric Elder January 23 & 30, February 6 and 13

  • The Blues and Gospel Music Introductory Essay

    The Blues and Gospel Music Introductory Essay

  • Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A

    Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A

  • African American Music History: from Spirituals to Gospel by Tiffany Halsell

    African American Music History: from Spirituals to Gospel by Tiffany Halsell

  • Spirituals and Gospel Music Performance Practice: a Dual Curriculum That Bridges the Cultural Divide

    Spirituals and Gospel Music Performance Practice: a Dual Curriculum That Bridges the Cultural Divide

  • Freedom Music: from Spirituals to Protest Songs “We Sing the Freedom Songs for the Same Reasons the Slaves Sang Them, Because We Are Still in Bondage.” ~Dr

    Freedom Music: from Spirituals to Protest Songs “We Sing the Freedom Songs for the Same Reasons the Slaves Sang Them, Because We Are Still in Bondage.” ~Dr

  • Syllabus for MUS 350—Hymnology 2 Credit Hours Spring 2005 I

    Syllabus for MUS 350—Hymnology 2 Credit Hours Spring 2005 I

Top View
  • African American Sacred Music and the Romantic Aesthetic
  • Article in Rap Titles
  • Hymns and Spirituals and Inspirational Songs
  • Sonny in the Dark: Jazzing the Blues Spirit and the Gospel Truth in James Baldwin's
  • The African American Spiritual, Its Historical Significance, Performance Practice, and Specifics Regarding the Performance of the JOURNEY of HARRIET TUBMAN by Dr
  • Download Master List As A
  • Black Gospel Music and the Civil Rights Movement
  • Black Music, Racial Identity and Black Consciousness In
  • The Continuity of the Ring Shout Tradition As a Site of Music and Dance in Black American Worship
  • Black Church Culture and Community Action
  • From Camp Meetings to Crusades: African American Religious Songs in Context
  • African American Musical Traditions November 2019
  • African American Spirituals of the 1800S
  • The Gospel Truth About the Negro Spiritual
  • African American Spiritual Music: a Historical Perspective
  • Black Musical Traditions and Copyright Law: Historical Tensions
  • The Origins of Modern Music I: Work Song, Spirituals, Country and Ragtime
  • Religious Ideas in Negro Spirituals Howard Thurman


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