Trip Lee 20/20 Review
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Music for Contemporary Christians: What, Where, and When?
Journal of the Adventist Theological Society, 13/1 (Spring 2002): 184Ð209. Article copyright © 2002 by Ed Christian. Music for Contemporary Christians: What, Where, and When? Ed Christian Kutztown University of Pennsylvania What music is appropriate for Christians? What music is appropriate in worship? Is there a difference between music appropriate in church and music appropriate in a youth rally or concert? Is there a difference between lyrics ap- propriate for congregational singing and lyrics appropriate for a person to sing or listen to in private? Are some types of music inherently inappropriate for evangelism?1 These are important questions. Congregations have fought over them and even split over them.2 The answers given have often alienated young people from the church and even driven them to reject God. Some answers have rejuve- nated congregations; others have robbed congregations of vitality and shackled the work of the Holy Spirit. In some churches the great old hymns havenÕt been heard in years. Other churches came late to the Òpraise musicÓ wars, and music is still a controversial topic. Here, where praise music is found in the church service, it is probably accompanied by a single guitar or piano and sung without a trace of the enthusi- asm, joy, emotion, and repetition one hears when it is used in charismatic churches. Many churches prefer to use no praise choruses during the church service, some use nothing but praise choruses, and perhaps the majority use a mixture. What I call (with a grin) Òrock ÔnÕ roll church,Ó where such instruments 1 Those who have recently read my article ÒThe Christian & Rock Music: A Review-Essay,Ó may turn at once to the section headed ÒThe Scriptural Basis.Ó Those who havenÕt read it should read on. -
Fact, Fiction Or Fantasy?
Biblical Worldview Institute November 10-11 TRUTH- FACT, FICTION OR FANTASY? This year’s schedule: Thursday morning, November 10 8:30-11:30 a.m. - Prestonwood Baptist Church Worship Center Doors open at 8:00 a.m. How Do We Know What is True? Dr. Frank Turek is a dynamic speaker, explorer and co-author of two award- winning books: I Don’t have Enough Faith to be an Atheist and Legislating Morality. Do Science and the Bible Conflict? Dr. Michael Strauss is a physics professor at the University of Oklahoma as well as researcher at CERN in Geneva, Switzerland, where he is a collaborator on the ATLAS experiment, which uses data from the Large Hadron Collider (LHC). He lectures on the “scientific evidence for the existence of God.” Speaking Truth in the Age of Intolerance Jeremiah Johnston is President of the Christian Thinkers Society, Special Assistant to the President at Houston Baptist University and an Associate Professor of Early Christianity. Ethnic Conciliation DA Horton serves as Pastor of Reach Fellowship, a church plant in North Long To register for all or any Beach, CA and as Chief Evangelist for the Urban Youth Workers Institute (UYWI). part of the Institute visit: Thursday afternoon, November 10 - Visit Christian College booths www.prestonwoodchristian.org 11:30 a.m. - 2:00 p.m. - Prestonwood Baptist Church Worship Center Atrium Friday morning, November 11 8:30- 11:30 a.m. - Prestonwood Baptist Church Worship Center Doors open at 8:00 a.m. Speaking Truth at a Cost Gregory Thornbury, Ph.D. is President of The King’s College in Manhattan, NY. -
Chapter 2 Music in the United States Before the Great Depression
American Music in the 20th Century 6 Chapter 2 Music in the United States Before the Great Depression Background: The United States in 1900-1929 In 1920 in the US - Average annual income = $1,100 - Average purchase price of a house = $4,000 - A year's tuition at Harvard University = $200 - Average price of a car = $600 - A gallon of gas = 20 cents - A loaf of Bread = 20 cents Between 1900 and the October 1929 stock market crash that triggered the Great Depression, the United States population grew By 47 million citizens (from 76 million to 123 million). Guided by the vision of presidents Theodore Roosevelt1 and William Taft,2 the US 1) began exerting greater political influence in North America and the Caribbean.3 2) completed the Panama Canal4—making it much faster and cheaper to ship its goods around the world. 3) entered its "Progressive Era" by a) passing anti-trust laws to Break up corporate monopolies, b) abolishing child labor in favor of federally-funded puBlic education, and c) initiating the first federal oversight of food and drug quality. 4) grew to 48 states coast-to-coast (1912). 5) ratified the 16th Amendment—estaBlishing a federal income tax (1913). In addition, by 1901, the Lucas brothers had developed a reliaBle process to extract crude oil from underground, which soon massively increased the worldwide supply of oil while significantly lowering its price. This turned the US into the leader of the new energy technology for the next 60 years, and opened the possibility for numerous new oil-reliant inventions. -
Southern Black Gospel Music: Qualitative Look at Quartet Sound
LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music. -
S. C. R. No. 533 99\SS02\R912 PAGE 1 MISSISSIPPI LEGISLATURE
MISSISSIPPI LEGISLATURE REGULAR SESSION 1999 By: Senator(s) Blackmon, Johnson (19th), To: Rules Hall, Horhn SENATE CONCURRENT RESOLUTION NO. 533 (As Adopted by House and Senate) 1 A CONCURRENT RESOLUTION HONORING THE CANTON SPIRITUALS OF 2 CANTON, MISSISSIPPI, ON THEIR FIRST LIVE RECORDING IN JACKSON, 3 MISSISSIPPI, AT GREATER BETHLEHEM TEMPLE APOSTOLIC FAITH CHURCH, 4 1505 ROBINSON STREET, JACKSON, MISSISSIPPI, SATURDAY, FEBRUARY 6, 5 1999. 6 WHEREAS, The Canton Spirituals was organized and founded in 7 the early 1940's by Mr. Warren G. Ward, Rev. I.S. Watkins and the 8 late Mr. Harvey Watkins, Sr., of Canton, Mississippi; and 9 WHEREAS, The Canton Spirituals' contribution to the gospel 10 music industry has been, and continues to be, phenomena. The 11 project "Live in Jackson, Mississippi" promises fans worldwide to 12 be the very best of The Canton Spirituals; and 13 WHEREAS, they acquired national recognition as the only 14 gospel quartet in America, and the only Mississippi gospel artist 15 to receive two Stellars at the 1997 Stellar Gospel Music Awards; 16 and 17 WHEREAS, among other accomplishments, they have received 18 honors such as: the 1998 Urban Network Award, the 1998 Gospel 19 Artist of the Year Award, 1998 Inductees into the Gospel Music 20 Hall of Fame, and 1993 Grammy nominees for the project, "Live in 21 Memphis I." The Canton Spirituals is credited for inspiring and 22 encouraging many local and nationally known artists to pursue 23 their dreams in spirit and truth. Their love and adoration for 24 their music is authentically expressed through true commitment to 25 God, and to one another; and 26 WHEREAS, The Canton Spirituals consist of eight members; they 27 are: Victor Allen, Merlin Lucious, Michael Richardson, Wallace S. -
100 Most Influential Black Christian History-Makers
100 Most Influential Black Christian History-Makers Black history is important, but making history now is more important. Compiled and Edited by the Editors of BCNN1.com Black Christian News Network One We thank God for Dr. Martin Luther King Jr. and Rosa Parks, but we need a Dr. Martin Luther King Jr. and a Rosa Parks today. Introduction We believe that black history is important. But we also believe that making history today is more important. We cannot rest on the laurels of great luminaries such as Frederick Douglass, Martin Luther King, Jr., Rosa Parks, George Washington Carver, and others. God used these and others mightily in their time; now He has given us this time and we will have to answer to Him as to how we use it. In light of that, we have attempted to place in one volume the most influential Black Christian History-Makers who are living today and who are serving Jesus Christ with their various gifts and talents. The ability to lead is not something you can train to have. True leadership is a gift from God that is undeniable by people. You cannot make yourself a leader of people. In other words, you cannot be a leader just because you want to be. Only God makes leaders. One can improve his or her leadership abilities but one cannot make himself or herself a leader. The people who have been chosen for this list are not people who are trying to be leaders; they were born leaders by the grace of God. -
Let the Trap Say Amen Free Album Download Let the Trap Say Amen Free Album Download
let the trap say amen free album download Let the trap say amen free album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6686e5a6cea515e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. ALBUM: Lecrae & Zaytoven – Let the Trap Say Amen. ALBUM: Lecrae & Zaytoven – Let the Trap Say Amen zip. “Let the Trap Say Amen ” is another 2018 Album by “ Lecrae & Zaytoven ”. Stream & Download “ALBUM: Lecrae & Zaytoven – Let the Trap Say Amen” “Mp3 Download”. Stream And “Listen to ALBUM: Lecrae & Zaytoven – Let the Trap Say Amen” “fakaza Mp3” 320kbps flexyjams cdq Fakaza download datafilehost torrent download Song Below. 01 Get Back Right 02 Preach 03 2 Sides of the Game (feat. Waka Flocka Flame & Kso Jaynes) 04 Plugged In 05 Holy Water 06 Blue Strips 07 Only God Can Judge Me 08 Yet 09 I Can’t Lose (feat. 24hrs) 10 Switch (feat. ShySpeaks) 11 Can’t Block It 12 Fly Away (feat. -
James M. Black and Friends, Contributions of Williamsport PA to American Gospel Music
James M. Black and Friends Contributions of Williamsport PA to American Gospel Music by Milton W. Loyer, 2004 Three distinctives separate Wesleyan Methodism from other religious denominations and movements: (1) emphasis on the heart-warming salvation experience and the call to personal piety, (2) concern for social justice and persons of all stations of life, and (3) using hymns to bring the gospel message to people in a meaningful way. All three of these distinctives came together around 1900 in Williamsport, Pennsylvania, in the person of James M. Black and the congregation at the Pine Street Methodist Episcopal Church. Because there were other local persons and companies associated with bands, instruments and secular music during this time, the period is often referred to as “Williamsport’s Golden Age of Music.” While papers have been written on other aspects of this musical phenomenon, its evangelical religious component has generally been ignored. We seek to correct that oversight. James Milton Black (1856-1938) is widely known as the author of the words and music to the popular gospel song When the Roll is Called Up Yonder . He was, however, a very private person whose failure to leave much documentation about his work has frustrated musicologists for decades. No photograph of him suitable for large-size reproduction in gospel song histories, for example, is known to exist. Every year the United Methodist Archives at Lycoming College expects to get at least one inquiry that begins, “I just discovered that James M. Black was a Methodist layperson from Williamsport, could you please tell me…” We now attempt to bring together all that is known about the elusive James M. -
NR BOOK FRONT COVER.Indd
NEW RELEASES FOR THE WEEK OF JANUARY 11, 2010 IF YOU WOULD PREFER TO STOP RECEIVING A PRINTED COPY OF THIS BOOK AND BE NOTIFIED VIA EMAIL, PLEASE CONTACT [email protected] . NEW RELEASES FOR THE WEEK OF 1/11/2010 RAP 5% UNTIL 1/19/10 NEW LABEL STREET DATE: 1/19/2010 VARIOUS ARTISTS FIVE.K.ONE (MOVIE SOUNDTRACK) RLTY 1229 EXPLICIT ROYALTY RECORDS This soundtrack includes the single "Living On The Edge," produced by Shawty Redd (Young Jeezy, T.I.), and performances by artists like 40 tha Great, Rell Ruga, Breadman, Self Made Ballerz, Yukmouth, and more. TRACK LISTING: Intro/Stop Snitchin' - 40 tha' Great & DLo tha' Don, I Aint Sayin' Nothin' - DLo SELECT-O-HITS EXCLUSIVE tha' Don (Killumall), Livin On Tha' Edge - 40 da' Great (Shawty Red, Beat Bangerz), Black Sunday - Rell Ruga (Rahlo Nixon), I'm tha' Streetz - Big 895646822457 $9.99 Herk (Supa Mario) Got'Cha Back Ent, I Luv It - Ms. Nia (Rahlo Nixon), Wrist Game, Whip Game - Pistol Atkins (Loddy), Boss Up - 40 da' Great (Shawty 895646822365 (DVD) $11.99 Red, Beat Bangerz), Real Shit - Bianca aka Lyric (Bunz Beatz), Grind How I Grind - Self Made Ballerz (Killumall, BMI), I Get It In - Breadman (Rahlo $ MARKETING/PROMOTION: Movie screenings at All-Star 2010,Superbowl 2010. KEY MARKETS: Full page adds in urban press. DETROIT, CLEVELAND, CHICAGO, TV/Radio commercials ATLANTA, PHILADELPHIA, NEWARK, Street teams, print campaign DC, BOSTON, ST. LOUIS, BALTIMORE, NYC, LA, DALLAS, HOUSTON RAP 5% UNTIL 1/19/10 NEW LABEL STREET DATE: 1/19/2010 VARIOUS FIVE.K.ONE (BLU-RAY) RLTY 11229 EXPLICIT ROYALTY RECORDS In Five.K.One, two friends form a criminal enterprise known as the Self Made Bosses, and are quickly tied to the world of drugs, money and murder. -
Praise & Worship
pg0144_Layout 1 4/4/2017 1:07 PM Page 44 Soundtracks! H ot New Artist! pages 24–27 ease! ew Rele page N 43 More than 10,000 CDs and 186,000 Music Downloads available at Christianbook.com! page 8 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 4/4/2017 1:07 PM Page 2 NEW! Elvis Presley Joey Feek NEW! Crying in If Not for You the Chapel Showcasing some of the Celebrating Elvis’s commitment first songs Joey Feek ever to his faith, this newly compiled recorded, this album in- collection features “His Hand cludes “That’s Important to in Mine,” “How Great Thou Art,” Me,” “Strong Enough to Cry,” “Peace in the Valley,” “He “Nothing to Remember,” Touched Me,” “Amaz ing Grace,” “The Cowboy’s Mine,” and more. “Southern Girl,” and more. WRCD31415 Retail $9.99 . .CBD $8.99 WRCD34415 Retail $11.99 . .CBD $9.99 Also available: WR933623 If Not for You—Book and CD . 15.99 14.99 David Phelps NEW! Hymnal Deal! Phelps’s flawless tenor inter- pretations will lift your appre- Joey+Rory Hymns That Are ciation of favorite hymns to a whole new level! Features “In Important to Us the Garden,” “How Great Thou The beloved country duo Art,” “Battle Hymn of the Re- sings their favorite hymns! public,” and more. Includes “I Need Thee Every Hour,” “He Touched WRCD32200 Retail $13.99 . .CBD $11.99 Me,” “I Surrender All,” “The Also available: Old Rugged Cross,” “How WRCD49082 Freedom . 13.99 11.99 WR918393 Freedom—DVD . 19.99 15.99 Great Thou Art,” and more. -
Chance the Rapper's Creation of a New Community of Christian
Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent.