Black Church Culture and Community Action
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Music for Contemporary Christians: What, Where, and When?
Journal of the Adventist Theological Society, 13/1 (Spring 2002): 184Ð209. Article copyright © 2002 by Ed Christian. Music for Contemporary Christians: What, Where, and When? Ed Christian Kutztown University of Pennsylvania What music is appropriate for Christians? What music is appropriate in worship? Is there a difference between music appropriate in church and music appropriate in a youth rally or concert? Is there a difference between lyrics ap- propriate for congregational singing and lyrics appropriate for a person to sing or listen to in private? Are some types of music inherently inappropriate for evangelism?1 These are important questions. Congregations have fought over them and even split over them.2 The answers given have often alienated young people from the church and even driven them to reject God. Some answers have rejuve- nated congregations; others have robbed congregations of vitality and shackled the work of the Holy Spirit. In some churches the great old hymns havenÕt been heard in years. Other churches came late to the Òpraise musicÓ wars, and music is still a controversial topic. Here, where praise music is found in the church service, it is probably accompanied by a single guitar or piano and sung without a trace of the enthusi- asm, joy, emotion, and repetition one hears when it is used in charismatic churches. Many churches prefer to use no praise choruses during the church service, some use nothing but praise choruses, and perhaps the majority use a mixture. What I call (with a grin) Òrock ÔnÕ roll church,Ó where such instruments 1 Those who have recently read my article ÒThe Christian & Rock Music: A Review-Essay,Ó may turn at once to the section headed ÒThe Scriptural Basis.Ó Those who havenÕt read it should read on. -
Chapter 2 Music in the United States Before the Great Depression
American Music in the 20th Century 6 Chapter 2 Music in the United States Before the Great Depression Background: The United States in 1900-1929 In 1920 in the US - Average annual income = $1,100 - Average purchase price of a house = $4,000 - A year's tuition at Harvard University = $200 - Average price of a car = $600 - A gallon of gas = 20 cents - A loaf of Bread = 20 cents Between 1900 and the October 1929 stock market crash that triggered the Great Depression, the United States population grew By 47 million citizens (from 76 million to 123 million). Guided by the vision of presidents Theodore Roosevelt1 and William Taft,2 the US 1) began exerting greater political influence in North America and the Caribbean.3 2) completed the Panama Canal4—making it much faster and cheaper to ship its goods around the world. 3) entered its "Progressive Era" by a) passing anti-trust laws to Break up corporate monopolies, b) abolishing child labor in favor of federally-funded puBlic education, and c) initiating the first federal oversight of food and drug quality. 4) grew to 48 states coast-to-coast (1912). 5) ratified the 16th Amendment—estaBlishing a federal income tax (1913). In addition, by 1901, the Lucas brothers had developed a reliaBle process to extract crude oil from underground, which soon massively increased the worldwide supply of oil while significantly lowering its price. This turned the US into the leader of the new energy technology for the next 60 years, and opened the possibility for numerous new oil-reliant inventions. -
Southern Black Gospel Music: Qualitative Look at Quartet Sound
LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music. -
S. C. R. No. 533 99\SS02\R912 PAGE 1 MISSISSIPPI LEGISLATURE
MISSISSIPPI LEGISLATURE REGULAR SESSION 1999 By: Senator(s) Blackmon, Johnson (19th), To: Rules Hall, Horhn SENATE CONCURRENT RESOLUTION NO. 533 (As Adopted by House and Senate) 1 A CONCURRENT RESOLUTION HONORING THE CANTON SPIRITUALS OF 2 CANTON, MISSISSIPPI, ON THEIR FIRST LIVE RECORDING IN JACKSON, 3 MISSISSIPPI, AT GREATER BETHLEHEM TEMPLE APOSTOLIC FAITH CHURCH, 4 1505 ROBINSON STREET, JACKSON, MISSISSIPPI, SATURDAY, FEBRUARY 6, 5 1999. 6 WHEREAS, The Canton Spirituals was organized and founded in 7 the early 1940's by Mr. Warren G. Ward, Rev. I.S. Watkins and the 8 late Mr. Harvey Watkins, Sr., of Canton, Mississippi; and 9 WHEREAS, The Canton Spirituals' contribution to the gospel 10 music industry has been, and continues to be, phenomena. The 11 project "Live in Jackson, Mississippi" promises fans worldwide to 12 be the very best of The Canton Spirituals; and 13 WHEREAS, they acquired national recognition as the only 14 gospel quartet in America, and the only Mississippi gospel artist 15 to receive two Stellars at the 1997 Stellar Gospel Music Awards; 16 and 17 WHEREAS, among other accomplishments, they have received 18 honors such as: the 1998 Urban Network Award, the 1998 Gospel 19 Artist of the Year Award, 1998 Inductees into the Gospel Music 20 Hall of Fame, and 1993 Grammy nominees for the project, "Live in 21 Memphis I." The Canton Spirituals is credited for inspiring and 22 encouraging many local and nationally known artists to pursue 23 their dreams in spirit and truth. Their love and adoration for 24 their music is authentically expressed through true commitment to 25 God, and to one another; and 26 WHEREAS, The Canton Spirituals consist of eight members; they 27 are: Victor Allen, Merlin Lucious, Michael Richardson, Wallace S. -
THE CONNERS of WACO: BLACK PROFESSIONALS in TWENTIETH CENTURY TEXAS by VIRGINIA LEE SPURLIN, B.A., M.A
THE CONNERS OF WACO: BLACK PROFESSIONALS IN TWENTIETH CENTURY TEXAS by VIRGINIA LEE SPURLIN, B.A., M.A. A DISSERTATION IN HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved ~r·rp~(n oj the Committee li =:::::.., } ,}\ )\ •\ rJ <. I ) Accepted May, 1991 lAd ioi r2 1^^/ hJo 3? Cs-^.S- Copyright Virginia Lee Spurlin, 1991 ACKNOWLEDGMENTS This dissertation is a dream turned into a reality because of the goodness and generosity of the people who aided me in its completion. I am especially grateful to the sister of Jeffie Conner, Vera Malone, and her daughter, Vivienne Mayes, for donating the Conner papers to Baylor University. Kent Keeth, Ellen Brown, William Ming, and Virginia Ming helped me immensely at the Texas Collection at Baylor. I appreciated the assistance given me by Jene Wright at the Waco Public Library. Rowena Keatts, the librarian at Paul Quinn College, deserves my plaudits for having the foresight to preserve copies of the Waco Messenger, a valuable took for historical research about blacks in Waco and McLennan County. The staff members of the Lyndon B. Johnson Library and Texas State Library in Austin along with those at the Prairie View A and M University Library gave me aid, information, and guidance for which I thank them. Kathy Haigood and Fran Thompson expended time in locating records of the McLennan County School District for me. I certainly appreciated their efforts. Much appreciation also goes to Robert H. demons, the county school superintendent. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
Congressional Record—Senate S4931
July 15, 2021 CONGRESSIONAL RECORD — SENATE S4931 Whereas, every July, people challenge rendition of ‘‘Summertime’’, a bluesy record African-American students receive any kind themselves to reduce their plastic footprint accompanied by melodic vocals; of arts education; through ‘‘Plastics Free July’’; Whereas Natalie Cole, the daughter of Na- Whereas African-American students scored Whereas, during the International Coastal thaniel Adams Coles, achieved musical suc- the lowest of all ethnicities in the most re- Cleanup in 2020, nearly 950,000 people across cess in the mid-1970s as a rhythm and blues cent National Assessment for Educational the globe cleaned up over 10,000 tons of plas- artist with the hits ‘‘This Will Be’’ and ‘‘Un- Progress arts assessment; tic from beaches; forgettable’’; Whereas students who are eligible for the Whereas switching to reusable items in- Whereas, in the 1940s, bebop evolved school lunch program established under the stead of single-use items can prevent waste, through jam sessions, which included trum- Richard B. Russell National School Lunch save water, and reduce litter; and peter Dizzy Gillespie and the alto saxo- Act (42 U.S.C. 1751 et seq.) have significantly Whereas July 2021 is an appropriate month phonist Charlie Parker, that were held at lower scores on the music portion of the Na- to designate as Plastic Pollution Action clubs in Harlem, New York, such as Minton’s tional Assessment for Educational Progress Month to recommit to taking action, indi- Playhouse; arts assessment than students who -
Curriculum Vitae
Curriculum Vita ROSETTA E. ROSS, Ph.D. Spelman College 350 Spelman Lane, SW Atlanta, GA 30314 (404) 270-5527/270-5523 (fax) Education 1995 Ph.D., Religion (Religious Ethics), concentration in Christian Ethics with a focus on religion and Civil Rights activism, Emory University, Atlanta, Georgia. 1989 M.Div., Candler School of Theology, Emory University, Atlanta, Georgia. 1979 M.A., English (American Literature), with a focus on the fiction of American author Joseph Heller, Howard University, Washington, District of Columbia. 1975 B.A., English, The College of Charleston, Charleston, South Carolina Teaching Posts 2003-present Professor of Religion, Spelman College. Associate Professor of Religion, Spelman College (2003-2011). 1999-2003 McVay Associate Professor of Ethics, United Theological Seminary. 1994-1999 Assistant Professor of Ethics, Interdenominational Theological Center. Other Experience 2008-2009 Interim Associate Dean for Academic Affairs, Howard University Divinity School. Spring, 2006 Visiting Scholar, Africa University, Mutare, Zimbabwe. Fall, 2002 Exchange Faculty, Hamline University, St. Paul, Minnesota. 1996-1997 Acting Director, Black Church Studies, Candler School of Theology, Emory University. Scholarly Foci Disciplinary Studies: Religious Studies, Christian Ethics. Sub-disciplinary Topics: Ethics and Social Justice The Civil Rights Movement; Religion and Black Women’s Activism; Womanist Religious Thought; Black Women Civil Rights Activists. Black Religions and Identity Religion and African American Identity; Continental and Diasporan African Women’s Religious Identities and Engagement. Religious Studies The Academic Study of Religions; Theory and Methods in Religious Studies. Research and Publications Books and Monographs Academic African American Women in the NAACP: Religion, Social Advocacy, and Self-Regard, in preparation. Black Women and Religious Cultures, New Journal Founder and Editor, first issue, Volume 1, Issue 1, November 2020, hosted by Manifold at the University of Minnesota Press. -
A Study of White Spiritual Music and Twelve Related Concepts
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-1979 A Study of White Spiritual Music and Twelve Related Concepts Charles Douglas Barber University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Music Commons Recommended Citation Barber, Charles Douglas, "A Study of White Spiritual Music and Twelve Related Concepts. " Master's Thesis, University of Tennessee, 1979. https://trace.tennessee.edu/utk_gradthes/4838 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Charles Douglas Barber entitled "A Study of White Spiritual Music and Twelve Related Concepts." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in Music. George F. Devine, Major Professor We have read this thesis and recommend its acceptance: Donald M. Pederson Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Counci I: am submitting herewith a thesis written by Charles Douglas Barber entitled "A Study of White Spiritual Music and Twelve Related Concepts." I recommend that it be accepted in partial fulfi I lment of the requirements for the degree of Master of Arts, with a major In Music. -
African-Americans, American Jews, and the Church-State Relationship
Catholic University Law Review Volume 43 Issue 1 Fall 1993 Article 4 1993 Ironic Encounter: African-Americans, American Jews, and the Church-State Relationship Dena S. Davis Follow this and additional works at: https://scholarship.law.edu/lawreview Recommended Citation Dena S. Davis, Ironic Encounter: African-Americans, American Jews, and the Church-State Relationship, 43 Cath. U. L. Rev. 109 (1994). Available at: https://scholarship.law.edu/lawreview/vol43/iss1/4 This Essay is brought to you for free and open access by CUA Law Scholarship Repository. It has been accepted for inclusion in Catholic University Law Review by an authorized editor of CUA Law Scholarship Repository. For more information, please contact [email protected]. IRONIC ENCOUNTER: AFRICAN-AMERICANS, AMERICAN JEWS, AND THE CHURCH- STATE RELATIONSHIP Dena S. Davis* I. INTRODUCTION This Essay examines a paradox in contemporary American society. Jewish voters are overwhelmingly liberal and much more likely than non- Jewish white voters to support an African-American candidate., Jewish voters also staunchly support the greatest possible separation of church * Assistant Professor, Cleveland-Marshall College of Law. For critical readings of earlier drafts of this Essay, the author is indebted to Erwin Chemerinsky, Stephen W. Gard, Roger D. Hatch, Stephan Landsman, and Peter Paris. For assistance with resources, the author obtained invaluable help from Michelle Ainish at the Blaustein Library of the American Jewish Committee, Joyce Baugh, Steven Cohen, Roger D. Hatch, and especially her research assistant, Christopher Janezic. This work was supported by a grant from the Cleveland-Marshall Fund. 1. In the 1982 California gubernatorial election, Jewish voters gave the African- American candidate, Tom Bradley, 75% of their vote; Jews were second only to African- Americans in their support for Bradley, exceeding even Hispanics, while the majority of the white vote went for the white Republican candidate, George Deukmejian. -
Supreme Court of the United States
No. 14-981 IN THE Supreme Court of the United States ABIGAIL NOEL FISHER, Petitioner, v. UNIVERSITY OF TEXAS AT AUSTIN, et al., Respondents. ON WRIT OF CERTIORARI TO THE UNITED STATES CouRT OF APPEALS FOR THE FIFTH CIRcuIT BRIEF OF AMICI CURIAE UNITED NEGRO COLLEGE FUND AND NATIONAL URBAN LEAGUE IN SUPPORT OF RESPONDENTS DEsiREÉ C. BOYkiN DAVid E. SCHWARTZ General Counsel Counsel of Record UNITED NEGRO COLLEGE FUND RICHARD W. Kidd 1805 Seventh Street, NW MELINDA M. HIGHTOWER Washington, DC 20001 ASHLY NikkOLE DAVis TATUM JI NICOLE LAZARRE CHRisTINE A. KUVEKE General Counsel Four Times Square NATIONAL URBAN LEAGUE New York, New York 10036 120 Wall Street, 8th Floor (212) 735-3000 New York, New York 10005 [email protected] Counsel for Amici Curiae 262430 A (800) 274-3321 • (800) 359-6859 i TABLE OF CONTENTS Page TABLE OF CONTENTS..........................i TABLE OF CITED AUTHORITIES ..............iv INTEREST OF AMICI CURIAE ..................1 United Negro College Fund .....................1 National Urban League .........................5 SUMMARY OF ARGUMENT .....................5 ARGUMENT....................................9 IT IS NOT IN THE NATION’S INTEREST TO EXPLICITLY OR IMPLICITLY END RACE-CONSCIOUS ADMISSIONS IN HIGHER EDUCATION ..........................9 A. THE EFFECTS OF STATE-SPONSORED DISCRIMINATION ARE NOT MERE HISTORICAL FOOTNOTES................9 1. Lingering Effects of Discrimination: Limited Educational Opportunities ......10 2. Lingering Effects of Discrimination: Limited Employment Opportunities .....12 ii Table of Contents Page 3. Lingering Effects of Discrimination: Racially Biased Police and Judicial Practices.............................15 4. Lingering Effects of Discrimination: Police Brutality and Extrajudicial Killings ..............................17 5. Lingering Effects of Discrimination: Violence Against Black Churches ........20 B. THE RAMIFICATIONS OF EXPLICITLY OR IMPLICITLY ELIMINATING RACE-CONSCIOUS DECISION MAKING IN HIGHER EDUCATION ARE SIGNIFICANT .........22 1. -
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