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Spanish opera

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  • Bear Hug/Abrazo De Oso —An Opera I Had the Pleasure of Creating Myself

    Bear Hug/Abrazo De Oso —An Opera I Had the Pleasure of Creating Myself

  • Early Opera in Spain and the New World. Chad M

    Early Opera in Spain and the New World. Chad M

  • Music on Stage

    Music on Stage

  • New Orleans Spanish World New Orleans New Orleans Collection and the MUSEUM • RESEARCH CENTER • PUBLISHER Spanish World

    New Orleans Spanish World New Orleans New Orleans Collection and the MUSEUM • RESEARCH CENTER • PUBLISHER Spanish World

  • A Mini-Guide

    A Mini-Guide

  • Traditional Spanish Music and Dances While Many First-Time Travelers To

    Traditional Spanish Music and Dances While Many First-Time Travelers To

  • Confronting

    Confronting "Carmen" Beyond the Pyrenees: Bizet's Opera in Madrid, 1887-1888

  • Libretto in Italian and Spanish for a Festival Opera on the Subject of Jason and the Golden Fleece with a Strong Possibility of a New World Connection

    Libretto in Italian and Spanish for a Festival Opera on the Subject of Jason and the Golden Fleece with a Strong Possibility of a New World Connection

  • Zarzuela and the Rise of the Labour Movement in Spain

    Zarzuela and the Rise of the Labour Movement in Spain

  • Shifting the Cultural Balance

    Shifting the Cultural Balance

  • Open FINAL THESIS.Pdf

    Open FINAL THESIS.Pdf

  • First Critical Performing Edition of the Zarzuela Maria La O, by Ernesto Lecuona, Orchestrated by Felix Guerrero

    First Critical Performing Edition of the Zarzuela Maria La O, by Ernesto Lecuona, Orchestrated by Felix Guerrero

  • Why Did Spain Fail to Develop Nationalist Opera? Clinton D

    Why Did Spain Fail to Develop Nationalist Opera? Clinton D

  • The Music of Spain BOOKS by CARL VAN VECHTEN

    The Music of Spain BOOKS by CARL VAN VECHTEN

  • Spanish Music and Its Representations in London (1878-1930): from the Exotic to the Modern

    Spanish Music and Its Representations in London (1878-1930): from the Exotic to the Modern

  • Opera in English: Class and Culture in America, 1878–1910

    Opera in English: Class and Culture in America, 1878–1910

  • The Unique Nationalism of Isaac Albeniz

    The Unique Nationalism of Isaac Albeniz

Top View
  • Reception of Musical Hispanism in New York at the Turn of the 20Th
  • Early Opera in Spain and the New World Chad M
  • Cuban Zarzuela and the (Neo)Colonial Imagination: a Subaltern Historiography Of
  • New Orleans and the Spanish World
  • Lyric Opera of Chicago, October 2009)
  • Jose Maria Condemi Selected Reviews
  • A Compendium of Opera in Spain and Latin America
  • MARÍA BAYO Soprano
  • The Enchanted Forest
  • The Spanish Idiom in the Works of Non-Hispanic European Composers of the Late Nineteenth and Early Twentieth Centuries
  • Fascism, Flamenco, and Ballet Español: Nacionalflamenquismo Theresa Goldbach
  • The Spanish Musical Sources of Bizet's Carmen
  • The Symphonic Music of the National Schools in Th Century Europe in the Re
  • Music and Literature in Late Nineteenth- and Early Twentieth-Century
  • Reception of Musical Hispanism in New York at the Turn of the 20Th
  • El Gato Montã©S
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
  • La Zarzuela (1856-1857) Copyright © 2000 RIPM Consortium Ltd Répertoire International De La Presse Musicale (


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