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Solo Sunny
Jewish Identity and German Landscapes in Konrad Wolf's I Was Nineteen
Trauma and Memory: an Artist in Turmoil
Westminsterresearch the Artist Biopic
Film Und Politik: Porträt Konrad Wolf Konrad Wolf
Copyright by Sebastian Heiduschke 2006
East German Cinema: DEFA and Film History Josh Alvizu Yale University,
[email protected]
Spectral Cinema from a Phantom State: Film Aesthetics and the Politics of Identity in Divided Heaven and Solo Sunny
Titel Kino 1 2000, Endversion
Dorightthing
N E W S L E T T
University of Southampton Research Repository Eprints Soton
Space and Gender in Post-War German Film
Konrad Wolf–Deutschland Und Europa
Sozialistische Filmkunst Eine Dokumentation Sozialistische Filmkunst
Film Aesthetics and the Politics of Identity in Divided Heaven and Solo Sunny
Engendering the GDR: DEFA Cinema 1956-1966
A Photogenic Set Design
Special Topics: the East German Cinema, Crossing German Borders: Postwar, Postwall, Postcommunist
Top View
German Cinema Chpt 3.Qxd 12/9/04 11:28 AM Page 79
Depictions of Daily Life in the East German Cinema, 1949–1989 the Joshua Feinstein Triumph of the Ordinary
LIBRARY of CONGRESS 1996, in Certain Works by Foreign the URAA Was Enacted
Historical Sketches of the DEFA Film Studios
Beyond the Baustelle: Redefining Berlin's Contemporary Cinematic