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Sheikh Imam
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Filmography
Arabic Poetry As a Possible Metalanguage for Intercultural Dialogue Author: Daniel Roters
Incarceration As a Gateway to Wonder in the Poetry of Ahmed Fouad Negm
Ahmed Abdalla
My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
The Political Aesthetics of Global Protest : the Arab Spring and Beyond, P
SPEED SISTERS Directed by Amber Fares Produced by Amber Fares, Avi Goldstein and Jessica Devaney
5 Communism, Dream Deferred
CONGRESS Middle East and Muslim Worlds © Lassaâd Meteoui Studies 28 June- 2 July 2021
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Harbmichel Georgetown 0076M
The Wisdom of Stubbornness
Egyptian Band Expresses Hope for Better Tomorrow
AN ALTERNATIVE NARRATIVE of the ARAB UPRISINGS a Thesis
Egypt's Pop-Music Clashes and the World-Crossing Destinities of Muhammad Ali Street Musicians
Leftist Militant Songs and War of Position in Lebanon (1975-1977)
A Political Economy of Egyptian Foreign Policy: State, Ideology, and Modernisation Since 1970
Top View
Egypt's Pop-Music Clashes And
Egyptian Revolution: the Music of Reform
Perspectives Journal Réseau Français Des Instituts D’Études Avancées
Nasser in the Egyptian Imaginary Omar Khalifah Submitted in Partial
Mobilizing Action for Women and Girls in West Africa December 7–9, 2015 a Carter Center Human Rights Defenders Forum Hosted by the National Chief Imam of Ghana
I Say My Words out Loud
Revolutionary Music Is Argued to Be a Means to Express the Burdens Of
1 the Role of Kanem Borno Ulama in Quranic Education, Before The
Arab Integration
Musical Protest & Revolutionary Media