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Sebastiano Serlio
Mannerism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
Palladio and Vitruvius: Composition, Style, and Vocabulary of the Quattro Libri
The Thin White Line: Palladio, White Cities and the Adriatic Imagination
Evidence of Leonardo's Systematic Design Process for Palaces and Canals in Romorantin
Springer International Publishing AG 2016 M
The Sack of Rome (1527): the Triumph of Mannerism in Europe
Courtly Stables and Their Implications for Seventeenth-Century English Architecture’, the Georgian Group Journal, Vol
Facts and Building Artefacts: What Travels in Material Objects?
Iii Learning Outcomes 16
Vincenzo Scamozzi Comments on the Architectural Treatise of Sebastiano Serlio
Studi Di Storia Dell'architettura in Onore Di Howard Burns
“Real” City Painted by Tintoretto
Fig. 1 Fig. 2 Mark Rakatansky How Serlio Haunts Us Still: Wittkower's
Charles Bouleau's Secret Geometry
When Serlio Published the First Volume of His Treatise in 1537, the Fourth
Palladio and the Legacy of Vitruvius PROVIDENCE COLLEGE 13
Early Modern Emulation As Contemporary Representation
M.S.A.M.F. T. LXXI 2011
Top View
Accouplement: Vicissitudes of an Architectural Motif in Classical France
Marcus Frings the Golden Section in Architectural Theory
On Serlio's Constructions of Ovals
Serlio, Sebastiano (1475–1554)
The Vitruvian Lexicon in Sixteenth-Century France Frédérique Lemerle
University of Cincinnati
Serlio, Sebastiano (1475–1554)
Oval Domes: History, Geometry and Mechanics
CPSA Palladio's Literary Predecessors
Research Trends in the History of French Early Modern Architecture Before the Age of Louis XIV
Architecture and Mathematics: Art, Music and Science
H-France Review Volume 15 (2015) Page 1
Cellini Sculpture
The Depiction of the Attributes of the Architect in Frontispieces to Sixteenth Century Italian Architectural Treatises
Introduction to Serlio
Albrecht Dürer and the Ideal City Tessa Morrison 1XUHPEHUJDUWLVW$OEUHFKW'UHUZDVDSRO\PDWKRIWKHODWHÀIWHHQWKDQGHDUO\ Sixteenth Centuries