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TW-15 Typical Balcony/Breezeway Detail
P.O. Box 1404 Joplin, MO 64802-1404 Typical Balcony/Breezeway Detail 800-641-4691 1 inch TW-15 All logos are cmyk tamkowaterproofing.com If needed, TAMKO red is PMS185 1.5 inch FINISHED WALL When to use:Or metal counterflashing at openings. page up to 6 inches = 1 inch TWM-1 MASTIC WEATHER RESISTANT BARRIER or other appropriate, page up to 12 inches = 1.5 inch Positioned to lap TW-60 12" flashing in shingle fashion. compatible sealant at page up to 18 inches = 2 inch membrane and metal page over 18 inches = 2.5 inch flashing terminations. TW-60 12" FLASHING 2 inch Positioned with 4" minimum on horizontal leg and PRIMED 26 GA. 2" minimum beyond vertical leg of metal flashing. The use of TW-60 18" Flashing is (MINIMUM) GALVANIZED recommended in regions that experience heavy snow fall and ice buildup. METAL L-FLASHING (4" × 4" MINIMUM) TW-60 SHEET WATERPROOFING MEMBRANE Prime metal flashing prior to TAMKO red is PMSPlywood 185, or OSB deck must be fully covered. installation with TWP-1 or CONCRETE which according to the TWP-2 primer. 2.5 inch logo standards breaks TWM-1 MASTIC down to be M100, Y80 or other appropriate, compatible sealant at TW-60 termination as a cant. ADHESIVE PRIMER* METAL FLASHING EXTRUDED ALUMINUM BALCONY EDGING (T-BAR) FASTENERS Cross-sectional shape varies. Fasten per Positioned 1" from the PLYWOOD or OSB DECK manufacturer’s recommendations. outside edges of the 1/4":12" minimum positive slope 1 inch flashing. Fastener type required away from wall to drain and and spacing as prevent ponding water. -
Single Family Residence Design Guidelines
ADOPTED BY SANTA BARBARA CITY COUNCIL IN 2007 Available at the Community Development Department, 630 Garden Street, Santa Barbara, California, (805) 564-5470 or www.SantaBarbaraCA.gov 2007 CITY COUNCIL, 2007 ARCHITECTURAL BOARD OF REVIEW, 2007 Marty Blum, Mayor Iya Falcone Mark Wienke Randall Mudge Brian Barnwell Grant House Chris Manson-Hing Dawn Sherry Das Williams Roger Horton Jim Blakeley Clay Aurell Helene Schneider Gary Mosel SINGLE FAMILY DESIGN BOARD, 2010 UPDATE PLANNING COMMISSION, 2007 Paul R. Zink Berni Bernstein Charmaine Jacobs Bruce Bartlett Glen Deisler Erin Carroll George C. Myers Addison Thompson William Mahan Denise Woolery John C. Jostes Harwood A. White, Jr. Gary Mosel Stella Larson PROJECT STAFF STEERING COMMITTEE Paul Casey, Community Development Director Allied Neighborhood Association: Bettie Weiss, City Planner Dianne Channing, Chair & Joe Guzzardi Jaime Limón, Design Review Supervising Planner City Council: Helene Schneider & Brian Barnwell Heather Baker, Project Planner Planning Commission: Charmaine Jacobs & Bill Mahan Jason Smart, Planning Technician Architectural Board of Review: Richard Six & Bruce Bartlett Tony Boughman, Planning Technician (2009 Update) Historic Landmarks Commission: Vadim Hsu GRAPHIC DESIGN, PHOTOS & ILLUSTRATIONS HISTORIC LANDMARKS COMMISSION, 2007 Alison Grube & Erin Dixon, Graphic Design William R. La Voie Susette Naylor Paul Poirier & Michael David Architects, Illustrations Louise Boucher H. Alexander Pujo Bill Mahan, Illustrations Steve Hausz Robert Adams Linda Jaquez & Kodiak Greenwood, -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
W O R K . Sto R E. Divide. ™
™ WORK. STORE. DIVIDE. STORE. WORK. LOCHLYN ON THE COVER LOCHLYN™ SPACE DIVIDER SEPIA WALNUT LAMINATE, BACK PAINTED GLASS INSERT, WALLABY LOCHLYN™ DESK EXTENSION SEPIA WALNUT LAMINATE, WALLABY LOCHLYN™ FLOATING SHELVES SEPIA WALNUT LAMINATE GRIN® STOOL CONCERTEX DRESDEN ASH, POLISHED TOLL FREE 800.482.1717 WEB NATIONALOFFICEFURNITURE.COM A BRAND OF KIMBALL INTERNATIONAL, ©2020 NBRLOC20C 3 LOCHLYN WORK. STORE. DIVIDE. LOCHLYN PROVIDES THE CANVAS. YOU CREATE THE MASTERPIECE. ESTABLISH SPACE DIVISION WHILE DISPLAYING INSPIRATION. Environments today need to address open plan, accommodate private spaces, provide an atmosphere that creates a home-like feeling, and showcase personality. That’s quite an accomplishment, but Lochlyn does it all. This innovative collection provides a variety of solutions. Its metal frame design can be built to be small in stature or grand in size, depending on the users' space division needs. Add a worksurface to create a desk solution or wall mounted storage to further maximize space. Lochlyn offers brilliant work, storage, and space division solutions for commercial areas or home environments. LOCHLYN™ STORAGE AND SHELVING SYSTEM PORTICO, SONOMA, AND CLOUD LAMINATES, BLACK TELLARO® LOUNGE DESIGNTEX ARNE MIST, PORTICO FINISH GRIN® LOUNGE MAHARAM RAAS BY KVADRAT 552 GRIN® STOOL NATIONAL BLISS JADE, PORTICO FINISH 5 LOCHLYN WORK. STORE. DIVIDE. LOCHLYN™ STORAGE PLANKED RAW OAK LAMINATE, SHADOW LOCHLYN™ PET BED CUSHION STINSON SATCHEL COGNAC IDARA™ GUEST ARCHITEX KENSINGTON GREY 7 LOCHLYN WORK. STORE. DIVIDE. RISE TO THE CHALLENGE. BE INSPIRED. SPARK CREATIVITY. Workspaces that harmonize your style and ergonomic needs create refreshing stations where work actually gets done. Lochlyn’s height adjustable desk lets you find the right fit for however you work. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
Slave Housing Data Base
Slave Housing Data Base Building Name: Howard’s Neck, Quarter B Evidence Type: Extant Historical Site Name: Howard's Neck City or Vicinity: Pemberton (near Cartersville, and Goochland C.H.) County: Goochland State: Virginia Investigators: Douglas W. Sanford; Dennis J. Pogue Institutions: Center for Historic Preservation, UMW; Mount Vernon Ladies' Association Project Start: 8/7/08 Project End: 8/7/08 Summary Description: Howards’ Neck Quarter B is a one-story, log duplex with a central chimney and side-gable roof, supported by brick piers, and is the second (or middle) of three surviving currently unoccupied quarters arranged in an east-west line positioned on a moderately western sloping ridge. The quarters are located several hundred yards southwest of the main house complex. The core of the structure consists of a hewn log crib, joined at the corners with v-notches, with a framed roof (replaced), and a modern porch on the front and shed addition to the rear. Wooden siding currently covers the exterior walls, but the log rear wall enclosed by the shed is exposed; it is whitewashed. The original log core measures 31 ft. 9 in. (E-W) x 16 ft. 4 in. (N-S); the 20th-century rear addition is 11 ft. 8 in. wide (N-S) x 31 ft. 9 in. long (E-W). A doorway allows direct access between the two main rooms, which may be an original feature; a doorway connecting the log core with the rear shed has been cut by enlarging an original window opening in Room 1. As originally constructed, the structure consisted of two first-floor rooms, with exterior doorways in the south facade and single windows opposite the doorways in the rear wall. -
Doctoral Program in Architectural Composition
36 landscapes and architectural expression. of the first semester, in consultation with the DOCTORAL PROGRAM The second and third phase involve training supervisor. During the following five semesters, experience abroad, with participation in seminars the thesis is developed as other studies are carried IN ARCHITECTURAL COMPOSITION and research with which the doctoral candidate out, taking on a progressively more important role. is establishing relationships. The thesis is understood as research and must be characterised by cultural and scientific originality. Doctoral thesis It may or may not have a design aspect. The | 2011 PhD Yearbook Maximum importance is given to the doctoral doctoral candidate is required to report regularly thesis. It constitutes the core and the conclusion on the progress of the thesis and to attend open of the doctoral candidate’s study and is attributed sessions, held in the presence of the teaching staff 37 The doctoral program is understood as advanced learning, rooted in a very large number of credits. The theme and and the other doctoral candidates, at which the Chair: the history of the architect’s craft, of the profession and of the wealth the formulation must be defined before the end thesis is discussed. Prof. Daniele Vitale of architectural techniques. The objective is to train architects who are capable professionals from a general point of view, with solid historical/humanistic training and a strong theoretical base, but who Doctoral PROGRAM Board also have extensive knowledge of town planning and construction techniques and who are able to carry out architectural design. The Marco Biraghi Marco Dezzi Bardeschi Attilio Pracchi training consists of the imparting of organised contents, the sharing Salvatore Bisogni Carolina Di Biase Marco Prusicki of research, and participation in cultural debate. -
Glossary of Terms
143 Glossary of Terms Baluster: A vertical support used to fill the open area between the rail and the stair or landing. Balustrade: A complete rail system that includes the handrail, balusters, and newel posts. Box newel: An oversize square newel that is usually hollow and is used in a post-to-post balustrade system. Brackets: Ornamental pieces fastened beneath the tread on the open side of a stair; also know as tread brackets. Building code: A set of legal requirements established by various governing agencies that covers the minimum regulations for all types of construction, including stair construction. Bullnose starting step or tread: A starting tread that has one or both ends rounded to a semi-cir- cle and projecting beyond the face of the stair stringer. Cap: The part of the fitting that accepts the newel post; used in conjunction with a pin top newel in an over the post balustrade system. Carriage: See stringer. Easement: The over or under ramp of a stair or rail. False Tread Caps: A piece attached to the end of a rough tread to simulate solid wood treads, usu- ally with a carpet runner down the steps. Fillet: A thin strip that is usually flat on one side and fits into the plow of a piece of handrail or shoe rail. Flight: A continuous series of steps with no intermediate landings. Gooseneck: A fitting that is used in the transition of a handrail to a landing or balcony; compen- sates for the change in the rise of the stair and may make a change in direction. -
The Baroque Era 1. Title 2. Anthony Van Dyke, Charles I Dismounted, Oil on Canvas, 1635 3. Diego Velázquez, King Philip IV Of
The Baroque Era 1. Title 2. Anthony van Dyke, Charles I Dismounted, oil on canvas, 1635 3. Diego Velázquez, King Philip IV of Spain (Fraga Philip), oil on canvas, 1644 4. Charles leBrun, Apotheosis of Louis XIV, oil on canvas, 1677 5. Hyacinthe Rigaud, Portrait of Louis XIV, oil on canvas, 1701; 6. Aerial view, Palace of Versailles, Louis Le Vau and Jules Hardouin-Mansart, architects; interior design Le Vau and Hardouin-Mansart with Charles LeBrun, masonry, stone, wood, iron and gold leaf; sculpture in bronze and marble; original gardens designed by André LeNôtre, Versailles, France, begun 1669 7. Plan of Versailles and gardens 8. “Le Vau envelop,” courtyard 9. alternate view of above 10. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 11. Louis Le Vau, Jules Hardouin-Mansart, and Charles LeBrun, Hall of Mirrors, Chateau de Versailles, ca. 1680 (after 2007 restoration) 12. Charles LeBrun, The King Governs by Himself, from the ceiling of the Hall of Mirrors 13. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Guerre, Chateau de Versailles, ca. 1680 14. Jules Hardouin-Mansart and Charles Le Brun, detail of bas relief of Louis XIV on Horseback, Salon de la Guerre, Chateau de Versailles, ca. 1680 15. Jules Hardouin-Mansart and Charles Le Brun, Salon de la Paix, Chateau de Versailles, ca. 1681-1686 16. Charles LeBrun, La Salle des Gardes de la Reine 17. Jules Hardouin-Mansart, Royal Chapel, upper level, Chateau de Versailles, 1698 18. Palace of Versailles, gardens originally designed by André LeNôtre 19. -
Mike Hamm Bachelor of Landscape Architecture '79
Mike Hamm bachelor of landscape architecture '79 Hamm steered Portico’s designs, connecting with nature, culture “Portico” not only represents one architecture firm’s name, but their environmental philosophy. The word denotes the gateway or threshold between the interior – the architecture – and the exterior – the landscape environments. Mike Hamm, who spent half his tenure with Portico Group as president and CEO, co- founded the Seattle-based firm in 1984 with the other principal architects and landscape architects. April 2014 marks Hamm’s final involvement with the firm as he steps down. “I’ve been in the practice for 35 years and loved every moment of it, but you realize at a point in time there’s still many things one wants to do and see,” says Hamm, who graduated from Above: Mike Hamm, BArch ’79, CEO, Portico Group. University of Oregon’s School of Architecture and Allied Arts in 1979 with a degree in landscape architecture. Zoos, aquariums, arboretums, museums, visitor centers, and public gardens for city, state, federal, and nonprofit foundations around the world have helped to build the firm’s design reputation. Portico’s work has appeared in five continents, from a zoo in Mumbai, India, to the expansion of the North Capital Campus called Heritage Park in Olympia, Washington, to a recent concept design for an aquarium in Seoul, South Korea. “We’re not schooled in architecture school to know how to run a business,” he says. “It’s not part of the curriculum, so that’s a whole other life story. That’s been rewarding and energizing as a learning experience.” Hamm was raised in St. -
Office Market Assessment Montgomery County, Maryland
Office Market Assessment Montgomery County, Maryland Prepared for the Montgomery County Planning Department June 18, 2015 Contents Executive Summary..................................................................................................................... iv Regional Office Vacancies (Second Quarter, 2015) ............................................................... iv Findings .................................................................................................................................... v Recommendations .................................................................................................................... v Introduction .................................................................................................................................... 1 Montgomery County’s Challenge ............................................................................................ 1 I. Forces Changing the Office Market ....................................................................................... 3 Types of Office Tenants ........................................................................................................... 3 Regional and County Employment ......................................................................................... 4 Regional Employment Trends ............................................................................................. 4 Montgomery County Employment Trends .......................................................................... 6 Regional -
Acanthus a Stylized Leaf Pattern Used to Decorate Corinthian Or
Historical and Architectural Elements Represented in the Weld County Court House The Weld County Court House blends a wide variety of historical and architectural elements. Words such as metope, dentil or frieze might only be familiar to those in the architectural field; however, this glossary will assist the rest of us to more fully comprehend the design components used throughout the building and where examples can be found. Without Mr. Bowman’s records, we can only guess at the interpretations of the more interesting symbols used at the entrances of the courtrooms and surrounding each of the clocks in Divisions 3 and 1. A stylized leaf pattern used to decorate Acanthus Corinthian or Composite capitals. They also are used in friezes and modillions and can be found in classical Greek and Roman architecture. Amphora A form of Greek pottery that appears on pediments above doorways. Examples of the use of amphora in the Court House are in Division 1 on the fourth floor. Atrium Inner court of a Roman-style building. A top-lit covered opening rising through all stories of a building. Arcade A series of arches on pillars. In the Middle Ages, the arches were ornamentally applied to walls. Arcades would have housed statues in Roman or Greek buildings. A row of small posts that support the upper Balustrade railing, joined by a handrail, serving as an enclosure for balconies, terraces, etc. Examples in the Court House include the area over the staircase leading to the second floor and surrounding the atria on the third and fourth floors.