Designing Style: a Guide
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Use of Wood Residue in Making Reconstituted Board Products
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1959 Use of wood residue in making reconstituted board products Suthi Harnsongkram The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Harnsongkram, Suthi, "Use of wood residue in making reconstituted board products" (1959). Graduate Student Theses, Dissertations, & Professional Papers. 3981. https://scholarworks.umt.edu/etd/3981 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE USE OF WOOD RESIDUE IN MAKING RECONSTITUTED BOMD HiODUCTS SUTHI HARNSOMJKRAM B.S.F., Unlveinsity of the Philippines, 1952 Presented in partial fulfillment of the requirements for the degree of Master of Forestry MONTANA STATE UNIVERSITY 1959 Approved Dean, Graduate School I 3 I960 Date UMI Number: EP34193 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT " DlM«litionP«ibWfca ^ UMI EP34193 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
Read Book Finish Carpentry
FINISH CARPENTRY PDF, EPUB, EBOOK Ted Cushman,Clayton DeKorne | 160 pages | 06 Nov 2003 | Taunton Press Inc | 9781561585366 | English | Connecticut, United States Finish Carpentry PDF Book They must be able to place items evenly and accurately, because they will be visible in the future. SteveAllenOcala December 3, Crown Molding Baseboards Painting. Finish carpenters use a wide variety of tools. Login: Forgot password? Eventually, they are allowed to work on minor finish projects, and as they develop competence, they are assigned to more challenging and complex tasks. Central Florida's Crown Moulding Specialists. For example, the green movement is driving designers and homeowners to bamboo , eucalyptus, and other fast-growth woods for a range of finish carpentry work. We offer complete installation and painting of a variety of interior decorative trim mouldings. This last tool is one of the most important for a finish carpenter to make the angled cuts the job requires. Hand tools are mostly used to cut and fit molding; however, some carpenters use power tools to save time and effort. At Steve Allen construction, we are the experts in finish carpentry. When things don't quite match in rough carpentry, it's acceptable, as long as they are solid. Try This Affordable Option. Finish carpenters typically:. Another large portion of finish carpentry work includes putting up the trim surrounding doors and windows, as well as installing each unit so it is level and operates correctly. Finish carpentry is a physically demanding job, but a rewarding one that offers obvious, fast, and pleasing results. A homeowner can also work with finish carpenters on finishing a new home or remodeling and existing house. -
Decorative Trim Options, Products and Trim, Your Home Will Never Be Without a Ideas Make It Easy
DECOR ATIVE TRIM Vinyl Carpentry® CertainTeed products are designed to work together and complement each other in color and style to give your home a beautiful finished look. POLYMER SHAKES & SHINGLES ROOFING AND VENTILATION FENCE INSULATED SIDING PVC EXTERIOR TRIM & BEADBOARD DECKING AND RAILING VINYL SIDING VINYL CARPENTRY® TRIM HOUSEWRAP Professional: facebook.com/CertainTeedFreedomofChoice youtube.com/CertainTeedCorp Consumer: facebook.com/CertainTeedLivingSpaces youtube.com/CTLivingSpaces ASK ABOUT ALL OF OUR OTHER CERTAINTEED® PRODUCTS AND SYSTEMS: ROOFING • SIDING • TRIM • DECKING • RAILING • FENCE GYPSUM • CEILINGS • INSULATION CertainTeed Corporation Professional: 800-233-8990 Consumer: 800-782-8777 20 Moores Road Malvern, PA 19355 © 01/17 CertainTeed Corporation, Printed in the USA Code No. CTS160 www.certainteed.com … to Stunning! Certa-Snap® Wrap 3-1/2" Cornerpost J-Channel J-Channel with Panorama® Restoration Millwork® Cedar Impressions® Vinyl Carpentry® Vinyl Carpentry Vinyl Carpentry Post Wrap System Aluminum Rake composite railing, Classic Column Wraps Perfection Mitered Cornice Molding and Lineals with Traditional white with steel Cornerpost Restoration Millwork Crown Molding SuperCorner straight balusters, Rake Profile antique bronze Add good taste to your home’s exterior with unbelievable, simple to stunning, drab to finishing touches that create eye-popping, distinctive, basic to incredibly beautiful, From Simple… stop-and-stare curb appeal. CertainTeed CertainTeed assures that with the endless Vinyl Carpentry and Restoration Millwork style and color possibilities of decorative Decorative Trim options, products and trim, your home will never be without a ideas make it easy. From unadorned to personality and style all its own. 2 3 CertainTeed has the most complete siding Accents Cedar Impressions® and Board & Batten accessory line in the industry. -
Moulding Catalog 50 Years of PASSION & QUALITY
’ , . Moulding Catalog 50 years of PASSION & QUALITY A passion for quality and almost 50 years of custom woodworking drives Roy’s Wood Products, RWP, to manufacture some of the best wood products in the industry. Our grandfather Roy Brazell, Sr., after serving in WWII, started building cabinets and other products for local craftsmen and contractors. His son, Roy Brazell, Jr. continued to grow the business by focusing on what the customer needed and working hard for timely delivery. As a result of hard work, attention to quality, and the blessings of our Lord and Savior Jesus Christ, RWP has grown into what it is today. We are looking forward to providing you with the custom cabinet doors, custom mouldings, hardwood flooring or any other products you might find in the pages of this catalog. Thank you for your business. Table of Contents Crown Moulding...........................................................................................................................................................5-17 Cove Crown...................................................................................................................................................................19-28 Doors & Windows .............................................................................................................................................................31 Casings..........................................................................................................................................................................33-43 -
Acanthus a Stylized Leaf Pattern Used to Decorate Corinthian Or
Historical and Architectural Elements Represented in the Weld County Court House The Weld County Court House blends a wide variety of historical and architectural elements. Words such as metope, dentil or frieze might only be familiar to those in the architectural field; however, this glossary will assist the rest of us to more fully comprehend the design components used throughout the building and where examples can be found. Without Mr. Bowman’s records, we can only guess at the interpretations of the more interesting symbols used at the entrances of the courtrooms and surrounding each of the clocks in Divisions 3 and 1. A stylized leaf pattern used to decorate Acanthus Corinthian or Composite capitals. They also are used in friezes and modillions and can be found in classical Greek and Roman architecture. Amphora A form of Greek pottery that appears on pediments above doorways. Examples of the use of amphora in the Court House are in Division 1 on the fourth floor. Atrium Inner court of a Roman-style building. A top-lit covered opening rising through all stories of a building. Arcade A series of arches on pillars. In the Middle Ages, the arches were ornamentally applied to walls. Arcades would have housed statues in Roman or Greek buildings. A row of small posts that support the upper Balustrade railing, joined by a handrail, serving as an enclosure for balconies, terraces, etc. Examples in the Court House include the area over the staircase leading to the second floor and surrounding the atria on the third and fourth floors. -
Operator's Manual
OPERATOR’S MANUAL 10 in. Compound Miter Saw TS1345L - Double Insulated 31.6 22.5 22.5 31.6 Your miter saw has been engineered and manufactured to our high standard for dependability, ease of operation, and operator safety. When properly cared for, it will give you years of rugged, trouble-free performance. WARNING: To reduce the risk of injury, the user must read and understand the operator’s manual before using this product. Thank you for your purchase. SAVE THIS MANUAL FOR FUTURE REFERENCE TABLE OF CONTENTS Introduction ..................................................................................................................................................................... 2 Warranty .......................................................................................................................................................................... 2 General Safety Rules ....................................................................................................................................................3-4 Specific Safety Rules ....................................................................................................................................................4-5 Symbols ........................................................................................................................................................................... 6 Electrical ......................................................................................................................................................................... -
WFD301824 Accessory Configurations
Accessory Configurations CABINET NOMENCLATURE WFD301824 CABINET TYPE WIDTH HEIGHT DEPTH ex. W3036 = Wall Cabinet: 30-in wide x 36-in tall Width x Height x Depth (depth is standard 12-in, so is not noted) ex. 4BD18 = Four Base Drawer Cabinet: 18-in wide Height x Depth not noted (these are standard 24-in deep x 34 1/2-in high) • • • BASE CABINETS: Standard 34 1/2-in tall (before countertop) and 24-in deep (not including door/drawer faces). WALL CABINETS: Standard 12-in depth. Latitude offers an additional standard 15-in depth. TALL CABINETS: Available in 84, 90, 93, and 96-in heights. 24-in deep with select 12-in deep options. VANITY CABINETS: Available in 32-in and 34 1/2-in heights (not including countertop). Both are 21-in deep. Cabinet sizing uses a 3-in increment system for width, height, and depth. Latitude Cabinets offers select base and wall cabinets in 1 1/2-in width increments to allow for design flexibility. Height, width, and depth reductions are also available on most cabinets. TOE SKINS Toe Skin | TK8, TTK8, TKM8, TTKM8 • 1/4” thick finished material used for field installation to cover toe kick area of cabinets. • Available in woods and laminates to match cabinetry. • 8 foot lengths only. • Grain runs long dimension. • TK8 for standard height = 4 1/2” height. o TTK8 for 8” heights. o TKM8 is brushed steel finish thermofoil 4 1/2” height. o TTKM8 is brushed steel finish thermofoil 8” height. • For contemporary design, specify the brushed steel finish TKM8. -
Preserving Historic Ornamental Plaster David Flaharty
PRESERVATION BRIEFS Preserving Historic Ornamental Plaster David Flaharty U.S. Department of the Interior National Park Service Cultural Resources Heritage Preservation Services From the time America struggled for a new identity as the 1930s. During this two hundred year period, as the a constitutional republic-and well into the 20th Georgian and Federal styles yielded to the revivals century-its architecture and its decorative detailing Greek, Rococo, Gothic, Renaissance, and Spanish remained firmly rooted in the European classicism of decorative plaster reflected each style, resulting in the Palladio, Wren, and Mansart. wide variety of ornamentation that survives. The tradi tional methods of producing and installing interior Together with skilled masons and carpenters, orna decorative plaster were brought from Europe to this mental plasterers saw their inherited trade flourish country intact and its practice remains virtually un from the mid-18th century until the Depression years of changed to this day. Fig. 1. Ornamental plaster studios employed the following personnel: Draftsmen to interpret architectural details in shop drawings; sculptors who modelled in clay; model makers who assembled sculpted, plain-run and pre-cast elements into an ornamental unit; moldmakers who made rigid or flexible negative tooling; casters who made production units; finishers (often the caster's wives) who cleaned the casts; and laborers who assisted skilled personnel in operating efficiently. This studio was in Philadelphia, c. 1915. Photo: Courtesy, M. Earle Felber. Styles of Decorative Plaster in America, 18th-20th Centuries d e (a) Kenmore, Fredericksburg, Virginia. c. 1752. Georgian in style with orna mental ceilings based on Batty Langley's 1739 English style book, the plaster work was executed by a Frenchman in the mid-1770s. -
INSTALLATION GUIDE Ceiling Components: a Tin Ceiling Is Comprised of Two Primary Components and Two Optional Components
INSTALLATION GUIDE Ceiling Components: A tin ceiling is comprised of two primary components and two optional components. The primary components are the tin ceiling panels and the crown molding. Optional components are flat molding/rope molding and filler. These components are generally used when the design layout requires it. Backsplashes and Other Applications: Tin panels can be used for more than just beautifying your ceiling. Our customers have used our tin panels for various appli- cations such as walls, backsplashes, fireplaces, counter tops, cupboards, doors, wainscoting, accent pieces, headboards, art décor, metal sculpture and more. The applications are limited only by your imagination. Layout: There are a variety of layout possibilities with tin, including the use of molding, filler panels, and more. Tools and Materials: See your project installation instructions for the specific materials list for your project type. • Tin panels: Atomic50 has three types of panels depending upon the type of installation: Nail-Up is used for traditional applications on a wood substrate, and for all backsplash, wall, and wainscoting projects (use adhesive instead of nails for these applications). Snap Lock™ is used for installation over dry-wall or popcorn ceilings. Drop-In panels are used with standard 2’ x 2’ systems that have 15/16” grid widths. • Crown/Flat Molding: Matching tin molding is available from Atomic50. Wood molding can be purchased at a local hardware store. • Fasteners: Cone head nails and/or brad nails (Nail-Up panels), #6 drywall screws (Snap Lock™ panels), Loctite® Power Grab® Adhesive (Nail-Up panels for backsplash, wall and project applications) • Construction adhesive: Loctite® Power Grab® (Backplash, Wall and Project applications) • Caulking: DAP Painters Caulk (for Nail-Up and Snap Lock™ application types) • Touch-up paint: We carry a selection of touch-up paints. -
Corinth, 1987: South of Temple E and East of the Theater
CORINTH, 1987: SOUTH OF TEMPLE E AND EAST OF THE THEATER (PLATES 33-44) ARCHAEOLOGICAL INVESTIGATIONS by the American School of Classical Studies at Athens were conductedin 1987 at Ancient Corinth south of Temple E and east of the Theater (Fig. 1). In both areas work was a continuationof the activitiesof 1986.1 AREA OF THE DECUMANUS SOUTH OF TEMPLE E ROMAN LEVELS (Fig. 1; Pls. 33-37:a) The area that now lies excavated south of Temple E is, at a maximum, 25 m. north-south by 13.25 m. east-west. The earliest architecturalfeature exposed in this set of trenches is a paved east-west road, identified in the 1986 excavation report as the Roman decumanus south of Temple E (P1. 33). This year more of that street has been uncovered, with a length of 13.25 m. of paving now cleared, along with a sidewalk on either side. The street is badly damaged in two areas, the result of Late Roman activity conducted in I The Greek Government,especially the Greek ArchaeologicalService, has again in 1987 made it possible for the American School to continue its work at Corinth. Without the cooperationof I. Tzedakis, the Director of the Greek ArchaeologicalService, Mrs. P. Pachyianni, Ephor of Antiquities of the Argolid and Corinthia, and Mrs. Z. Aslamantzidou, epimeletria for the Corinthia, the 1987 season would have been impossible. Thanks are also due to the Director of the American School of Classical Studies, ProfessorS. G. Miller. The field staff of the regular excavationseason includedMisses A. A. Ajootian,G. L. Hoffman, and J. -
United States Patent (19) 11) 4,277,428 Luck Et Al
United States Patent (19) 11) 4,277,428 Luck et al. (45) : Jul. 7, 1981 (54) POST-PRESS MOLDING OF MAN-MADE (56) References Cited BOARDS TO PRODUCE CONTOURED FURNTURE PARTS U.S. PATENT DOCUMENTS (75) Inventors: Allan J. Luck, Harvard; John T. 4,175,106 11/1979 Lucket al. ........................... 264/18 Clarke; Roger F. Sutton, both of St. Primary Examiner-Donald E. Czaja Charles, all of Ill. Assistant Examiner-James R. Hall Attorney, Agent, or Firm-Mason, Kolehmainen, (73) Assignee: Masonite Corporation, Chicago, Ill. Rathburn & Wyss Notice: The portion of the term of this patent (57) ABSTRACT subsequent to Nov. 20, 1996, has Multi-sided decorative moldings and furniture parts are been disclaimed. manufactured by drying or hot-pressing a cellulosic 21 Appl. No.: 95,627 fiber-containing mat to consolidate said mat into a uni tary blank, cutting the blank to a size larger than inte 22 Filed: Nov. 19, 1979 rior dimensions of a closed mold in each of its three dimensions and with at least two generally shaped or Related U.S. Application Data profiled edge surfaces disposed between a top surface (63) Continuation-in-part of Ser. No. 833,037, Sep. 14, 1977, and a bottom surface of the blank. The cut blank is then Pat. No. 4, 175,106. molded at a temperature of at least 200' F. for a period of time sufficient to permanently transfer the interior 51 Int. C. ................................................ B29J S/00 shape and design of the mold cavity to every surface of 52 U.S. C. .................................... 264/118; 264/119; the blank.