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- A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph
- It's -For Parlophone
- That Blood Is Real Because I Just Can't Fake It": Conceptualizing, Contextualizing, Marketing, and Delivering Gore in Herschell Gordon Lewis's Blood Feast
- « Jules Verne Et La Mer » Filmographie
- 'Dear Owen': the CIA, Luigi Luraschi and Hollywood, 1953
- National Box Office Digest Annual (1943)
- Catalog of Copyright Entries 1953 Motion Pictures and Filmstrips Jan
- Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
- 1 Richard H. Kline: a Life Behind the Camera by Ray Morton
- PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente
- Spooks Run Wild Cast
- Hedges 1 Cinematic Memory and the Southern Imaginary: Crisis in The
- Hippie Films, Hippiesploitation, and the Emerging Counterculture, 1955-1970
- Media, Popular Culture, and the American Century
- The Ledger and Times, February 21, 1953
- The Evolution of VFX-Intensive Filmmaking in 20Th Century Hollywood Cinema: an Historical Overview
- Plays Poetry
- Cine Repórter
- DISTINGUISHED RESIDENTS of Hillside Memorial Park
- California Eagle. [Microform] 1943-06-24 [10]
- APPENDIX SUMMARY of FILMS at SELECTED CAPE Towntown CINEMAS Cape Of
- 1963-64 Year Book Canadian Motion Picture Industry