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Robert Hilburn
Adult Contemporary Radio at the End of the Twentieth Century
Eminem 1 Eminem
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Music Sampling and Copyright Law
Meanings and Measures Taken in Concert Observation of Bruce Springsteen, September 28, 1992, Los Angeles
Digital Sampling and the Legal Implications of Its Use After Bridgeport
1975 San Francisco, CA Kezar Stadium SNACK Sunday ,
Strange Days: the American Media Debates the Doors, 1966-1971
Sex, Violence, and Profanity: Rap Music and the First Amendment
The British Invasion: Finding Traction in America by Piacentino Vona A
Eminem the Complete Guide
The Death of the Critic?: a Roundtable on the Future of Music Criticism in the Digital Age
A History of Rock Criticism
American IV: the Man Comes Around As a Musical Memoir
Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992
Alumni History and Hall of Fame Project
Translocal Hardcore Punk in Los Angeles and Ljubljana
Trademark Protection of the Names of Popular Music Groups Barbara Singer
Top View
Here Comes Whinin' Simon
The Band in Concert 1974
Singing Redface: the Misappropriation of American Indian
Johnny Cash: the Life Free
U2's Creative Process
Bob Dylan the Complete Guide
Hair Metal, Conservatism, and the End of the Cold War in the 1980S Chelsea Anne Watts University of South Florida,
[email protected]
Politics of Bob Dylan
INTERVIEWS from the 80’S
Rock •Ÿnâ•Ž Roll in the Soviet Union 1955-1991: Reflections of a Divided
Musical Biographies at East Greenbush Community Library
This Fan of Charts Is No. 1, with a Bullet - Los Angeles Times Page 1 of 3
Preface 1 Bob Dylan's Roots and Traditional World
Theology, Culture and U2 (2 Units) Fall 2006