Theology, Culture and U2 (2 Units) Fall 2006
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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
U2 – Discografia Comentada
U2 – Discografia Comentada BOY (1980) Aqui no Brasil, todo mundo ficou intrigado com essa capa. Só depois descobrimos que se tratava de um estupendo álbum de estreia de uma banda irlandesa. Com a certeira produção de Steve Lillywhite, que tratou de valorizar uma sonoridade encorpada e mais consistente em relação ao que se fazia na época dentro da seara do “pós-punk-pop”, todo o repertório acabou se valorizando ainda mais. Não tinha como não se entusiasmar com as audições de pequenas maravilhas “I Will Follow”, “The Electric Co.”, “Twilight” e a dobradinha “An Cat Dubh”/”Into the Heart”, todas com refrãos maravilhosos e que grudavam imediatamente no cérebro. Um dos melhores discos de estreia de todos os tempos! https://www.youtube.com/watch?v=g2BqLlVHlWA https://www.youtube.com/watch?v=lMgUifLVPpM https://www.youtube.com/watch?v=5qWidx0CBOU OCTOBER (1981) O segundo disco da banda foi lançado no Brasil com um atraso indesculpável, muito depois do estouro de The Unforgettable Fire em 1984. Tudo porque os executivos brasucas não viam qualquer aspecto comercial em relação ao primeiro álbum. Por um lado, ficaram receosos em soltar por aqui um disco diferente do anterior, em que a banda deixou de lado os refrãos fáceis e elaborou um repertório mais “difícil”, que exigia muito mais do ouvinte. A canção que mais de aproximava do que estávamos acostumados é “Gloria”, que até ganhou videoclipe por causa disso. É um disco com menor intensidade sônica, como comprovam os violões e piano em “I Fall Down”, a introspecção de “Scarlet” e da faixa-título. -
U2 to Perform in Mumbai, India for the Very First Time
U2 TO PERFORM IN MUMBAI, INDIA FOR THE VERY FIRST TIME Mumbai Date Will Be The Final Show As Part Of U2: THE JOSHUA TREE TOUR Concert Event To Take Place December 15, 2019 At DY Patil Stadium WATCH TOUR TRAILER https://www.youtube.com/watch?v=-M3pQb9HhX4&feature=youtu.be “Electrifying” – Daily Telegraph, 5/5 stars “Still masters of stadium rock” – Mail On Sunday “The stuff of encores… Had Twickenham had a roof, it would surely have been blown off…” - London Evening Standard, 5/5 stars Mumbai, India (Wednesday, September 18, 2019) – Live Nation and BookMyShow are excited to announce that U2 will bring their acclaimed U2: The Joshua Tree Tour - the record-breaking smash hit tour celebrating the band’s seminal 1987 album ‘The Joshua Tree’ - to Mumbai on Sunday, December 15 at DY Patil Stadium. The Mumbai show will be a huge celebration as it marks the band’s first ever performance in India as well as the final date on U2: The Joshua Tree Tour. The concert in Mumbai is produced by Live Nation Global Touring and brought to India by BookMyShow. U2: The Joshua Tree Tour 2019 will see the band – Bono, The Edge, Larry Mullen and Adam Clayton – make a much anticipated live return to Australia and New Zealand, as well as return to Tokyo for the first concerts since the Vertigo Tour in 2006. The tour will also bring the band to Singapore, Seoul, Manila and Mumbai - for the first time ever – with what promises to be very special concerts from “the biggest band in the world” (The Guardian). -
Spring Guide
National Park Service Joshua Tree National Park U.S. Department of the Interior The offi cial newspaper February – May 2017 Spring Guide Brittlebush blooms on rocky slopes near Cottonwood Springs Oasis. NPS/Brad Sutton The Desert Unsung IT’S BEEN THIRTY YEARS SINCE THE BAND U2 RELEASED THE JOSHUA Desert, and roughly half of the park’s 792,510 acres Tree in March 1987. It was this album that catapulted lie in the hotter, drier, and lower-elevation Colorado the four Irishmen to international stardom; it was this Desert—a subsection of the Sonoran Desert. album that drew the curious eyes of a generation to the otherworldly landscapes of the Southern California One great way to round out your park visit is to make desert. The iconic back cover photo by Anton Corbijn, sure you spend time in both the Mojave and the Colorado showing the band standing near a lone Joshua tree, Deserts. Even if you have only a short time in the park, cemented the association between the park and the head for the Pinto Basin and stop at one of the pullouts album—even though the picture was taken off Highway along the road. Step out of your car. Soak in the silence 190 near Death Valley, about 200 miles north of here. and admire the immensity of the vista before you. Welcome to your park. Many of the 2 million people who come to Joshua Tree From the Turkey Flats backcountry board, for example, National Park each year are specifi cally looking for Joshua you can look across vast sweeps of undeveloped I just wanted to take a moment and trees. -
U2thejoshuatree2017 #Setlistgeek Chart by @Markpeterboro. for Full
#U2TheJoshuaTree2017 #setlistgeek chart by @markpeterboro. For full setlists visit www.u2gigs.com Vancouver Seattle Clara Santa Angeles Los Angeles Los Houston Dallas Chicago Chicago Pittsburgh FestivalBonnaroo Miami Tampa Louisville Philadelphia Washington Toronto Boston Rutherford East Rutherford East Cleveland London London Berlin Rome Rome Barcelona Dublin Paris Paris Amsterdam Amsterdam Brussels Detroit Buffalo Minneapolis Indianapolis City Kansas New Orleans Phoenix DiegoSan City Mexico City Mexico Bogota Aires Buenos Aires Buenos Santiago Sao Paulo Sao Paulo Sao Paulo Sao Paulo Number of plays Sunday Bloody Sunday 100% OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 51 New Year's Day 100% 51 Bad 88.2% 45 A Sort Of Homecoming 15.7% 8 MLK 2.0% 1 Pride (In The Name Of Love) 100% 51 Where The Streets Have No Name 100% 51 I Still Haven't Found What I'm Looking For 100% 51 With Or Without You 100% 51 Bullet The Blue Sky 100% 51 Running To Stand Still 100% 51 Red Hill Mining Town 100% 51 In God's Country 100% 51 Trip Through Your Wires 100% 51 One Tree Hill 100% 51 Exit 100% 51 Mothers Of The Disappeared 100% 51 Miss Sarajevo 66.7% 34 Beautiful Day 100% 51 Elevation 100% 51 Vertigo 80.4% CCCCC 41 Mysterious Ways 23.5% 12 You're The Best Thing About Me 29.4% 15 Ultra Violet (Light My Way) 98.0% 50 One 100% C CC CC C C CCCCC CC CC CCCC 51 The Little Things That Give You Away 27.5% C CCCCCCC CCCC 14 Spanish Eyes 2.0% C 1 Sweetest Thing 2.0% C 1 I Will Follow 21.6% CCCCC CCCCCC 11 Don't Look Back In Anger (Oasis cover) 2.0% C 1 Number Of Songs Played: 22 23 22 22 21 21 21 21 21 21 19 21 21 21 21 21 22 22 22 22 22 23 22 22 22 22 22 22 22 23 22 22 22 21 21 21 21 21 22 22 22 22 22 21 21 22 21 21 21 22 22 51. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Sociopolitical Issues in U2's War and the Joshua Tree
Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 Permalink https://escholarship.org/uc/item/3hd2d12n Author Viator, Felicia Angeja Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 By Felicia Angeja Viator A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair Professor Scott Saul Fall 2012 Abstract Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 by Felicia Angeja Viator Doctor of Philosophy in History University of California, Berkeley Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair “Gangster Boogie” details the early development of hip-hop music in Los Angeles, a city that, in the 1980s, the international press labeled the “murder capital of the U.S.” The rap music most associated with the region, coined “gangsta rap,” has been regarded by scholars, cultural critics, and audiences alike as a tabloid distortion of East Coast hip-hop. The dissertation shows that this uniquely provocative genre of hip-hop was forged by Los Angeles area youth as a tool for challenging civic authorities, asserting regional pride, and exploiting the nation’s growing fascination with the ghetto underworld. Those who fashioned themselves “gangsta rappers” harnessed what was markedly difficult about life in black Los Angeles from the early 1970s through the Reagan Era––rising unemployment, project living, crime, violence, drugs, gangs, and the ever-increasing problem of police harassment––to create what would become the benchmark for contemporary hip-hop music. -
ICON3 Complete Album Lyrics
ICON3 complete album lyrics Twice The Man I Was Strolling down Atlantic Avenue I'm looking for adventure, something new And there is not a single thing I wouldn't do I'm looking at the way it used to be Things are clear that I could never see And the world is now the way it was meant to be And I'm Twice The Man I Was I'm so tired of drivin' down a one way street I live on the island where three rivers meet I hated myself for the way I was But now I can forgive myself because I'm Twice The Man I Was Oh so good to be back home again And I'm so relieved I missed the bitter end Cos the gratitude on which my life depends Says I'm Twice The Man I Was Well I bathed in the fountain of eternal youth Prayed on the mountain where Jesus soothed Chastised the Devil where the prophets stood One foot in Eden, one in Hollywood I loved all the women that I never should You know it's all because I'm Twice The Man I Was Simple situations used to baffle me Blind to the colours that I couldn't see I stared in the face of death a thousand times Slid down the razor blade of public life I was broken and beaten, now I'm energized I'm Twice The Man I Was Destiny Mama, I was just a kid I would always take the blame, for things I never did Later on, and the world was in my hands When I threw it all away, I knew that you'd understand Someday I will see When final waves wash over me That there is only One who can command me I know myself, and I know where I belong I don't believe in looking back, for that's all dead and gone For now, in the present I reside I free my soul of everything, I have nothing to hide Someday, I will see When the final waves crash over me That I am just a teardrop in the ocean My destiny...dictates to me I know, it's not up to me, whatever will be, will be Our destiny.. -
Music Sampling and Copyright Law
CACPS UNDERGRADUATE THESIS #1, SPRING 1999 MUSIC SAMPLING AND COPYRIGHT LAW by John Lindenbaum April 8, 1999 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. ACKNOWLEDGMENTS My parents and grandparents for their support. My advisor Stan Katz for all the help. My research team: Tyler Doggett, Andy Goldman, Tom Pilla, Arthur Purvis, Abe Crystal, Max Abrams, Saran Chari, Will Jeffrion, Mike Wendschuh, Will DeVries, Mike Akins, Carole Lee, Chuck Monroe, Tommy Carr. Clockwork Orange and my carrelmates for not missing me too much. Don Joyce and Bob Boster for their suggestions. The Woodrow Wilson School Undergraduate Office for everything. All the people I’ve made music with: Yamato Spear, Kesu, CNU, Scott, Russian Smack, Marcus, the Setbacks, Scavacados, Web, Duchamp’s Fountain, and of course, Muffcake. David Lefkowitz and Figurehead Management in San Francisco. Edmund White, Tom Keenan, Bill Little, and Glenn Gass for getting me started. My friends, for being my friends. TABLE OF CONTENTS Introduction.....................................................................................……………………...1 History of Musical Appropriation........................................................…………………6 History of Music Copyright in the United States..................................………………17 Case Studies....................................................................................……………………..32 New Media......................................................................................……………………..50 -
U2 Newyearsnight in Dublin Mp3, Flac, Wma
U2 Newyearsnight In Dublin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Newyearsnight In Dublin Country: France Released: 1990 Style: Alternative Rock MP3 version RAR size: 1409 mb FLAC version RAR size: 1972 mb WMA version RAR size: 1965 mb Rating: 4.9 Votes: 891 Other Formats: RA WAV DXD FLAC DMF DTS ASF Tracklist 1.1 Introduction 1.2 Where The Streets Have No Name 1.3 I Will Follow 1.4 I Still Haven't Found What I'm Looking For 1.5 Exodus 1.6 MLK 1.7 One Tree Hill 1.8 Gloria 1.9 God Part II 1.10 Desire 1.11 All Along The Watchtower 1.12 All I Want Is You 1.13 Bad 1.14 Van Diemen's Land 1.15 The Star Spangled Banner 1.16 Bullet The Blue Sky 1.17 Running To Stand Still 1.18 Dirty Old Town 1.19 When The Time They Are Changing 1.20 New Years Day 1.21 Pride (In The Name Of Love) 2.1 Audience 2.2 Party Girl 2.3 Angel Of Harlem 2.4 When Love Comes To Town 2.5 Love Rescue Me 2.6 Introduction (San Francicso) 2.7 All Along The Watchtower 2.8 Sunday Bloody Sunday 2.9 Out Of Control 2.10 People Get Ready 2.11 Trip Through Your Wires 2.12 Silver And Gold 2.13 Helter Skelter 2.14 Help 2.15 Pride (In The Name Of Love) Companies, etc. Recorded At – The Point Depot Recorded At – Justin Herman Plaza Notes Tracks 1-1 to 2-5: Recorded live at The Point Depot, Dublin, Ireland on December 31, 1989 Tracks 2-6 to 2-15: Recorded live at Justin Herman Plaza, San Francisco, CA on November 11, 1987 Other versions Category Artist Title (Format) Label Category Country Year Newyearsnight In Dublin Crystal Cat CC 461-62 U2 CC 461-62 Europe 1998 (2xCD, Unofficial) Records The New Year's Eve (2xCD, The Polar Bear PB-014/015 U2 PB-014/015 Japan 1999 Unofficial) Records The New Year's Concert P 910015/16 U2 Unknown (P) P 910015/16 Germany 1991 (2xCD, Unofficial) New Year's Eve (2xCD, P 910015/16 U2 Unknown (P) P 910015/16 Japan Unknown Unofficial) "Desire" (Vol. -
PSCI 11 the Gospel According to U2 Winter Study 2008
PSCI 11 The Gospel According to U2 Winter Study 2008 Professor Darel E. Paul PSCI 11 Stetson g19 Griffin 6 597-2327 TWR 10am-noon [email protected] Office Hrs.: Mondays 2:00pm - 4:00pm and by appointment Course Description It has been said that U2 is the "world's greatest rock band" – but is it also (unknown to most) the world's greatest – and most unusual – Christian rock band? This course explores the theology, spirituality and politics of U2 expressed through the group's songs, stage performances and human right campaigns. We will travel from the band's origins in the Shalom Christian Fellowship in Dublin to their overtly Christian second album October (1981); the culmination of their superstardom in Joshua Tree (1987); through their techno and ultra-ironic 1990s marked by Zoo-TV, PopMart and Bono's "mock the devil" phase as Mr. MacPhisto; and a return to their roots in All That You Can't Leave Behind (2000) and How To Dismantle An Atomic Bomb (2004). Along the way, we will listen to a lot of U2, watch some videos and tour footage – but it's not all fun and games. We will also read serious theological and philosophical tracts on U2 lyrics and explore the band's complicated interweaving of faith, sexuality, grace, fame, doubt, justice, and the meaning of America in a way which makes them a surprisingly popular and poignant spiritual voice in our superficial and materialistic age. We will also delve into the group's human rights and social justice work, from Band Aid in the ‘80s to (Product)RED today, and in particular explore Bono's Christian social justice moorings.